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The Last Council of Boabdil at the Alhambra, 1492, illustration from 'Hutchinson's History of the Nations' (colour litho)
The Last Council of Boabdil at the Alhambra, 1492, illustration from 'Hutchinson's History of the Nations' (colour litho)

IL281006: The Last Council of Boabdil at the Alhambra, 1492, illustration from 'Hutchinson's History of the Nations' (colour litho), Valda, John Harris (1874-1942) / Bridgeman Images

ID: IL281006

The Last Council of Boabdil at the Alhambra, 1492, illustration from 'Hutchinson's History of the Nations' (colour litho)

Valda, John Harris (1874-1942)

Stop Sign (colour litho)
Stop Sign (colour litho)

SIT281910: Stop Sign (colour litho), Masters, Del (20th century) / Bridgeman Images

ID: SIT281910

Stop Sign (colour litho)

Masters, Del (20th century)

Holly and Christmas Roses (w/c on paper)
Holly and Christmas Roses (w/c on paper)

CW278955: Holly and Christmas Roses (w/c on paper), Taylor, Jane (fl.1872-74) / Bridgeman Images

ID: CW278955

Holly and Christmas Roses (w/c on paper)

Taylor, Jane (fl.1872-74)

Essex, engraved by Jodocus Hondius (1563-1612) from John Speed's Theatre of the Empire of Great Britain, pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)
Essex, engraved by Jodocus Hondius (1563-1612) from John Speed's Theatre of the Empire of Great Britain, pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

XCF291068: Essex, engraved by Jodocus Hondius (1563-1612) from John Speed's Theatre of the Empire of Great Britain, pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving), Speed, John (1552-1629) / Bridgeman Images

ID: XCF291068

Essex, engraved by Jodocus Hondius (1563-1612) from John Speed's Theatre of the Empire of Great Britain, pub. by John Sudbury and George Humble, 1611-12 (hand coloured copper engraving)

Speed, John (1552-1629)

Interior with Figures, 1886 (oil on canvas)
Interior with Figures, 1886 (oil on canvas)

OVR322860: Interior with Figures, 1886 (oil on canvas), Backer, Harriet (1845-1932) / Bridgeman Images

ID: OVR322860

Interior with Figures, 1886 (oil on canvas)

Backer, Harriet (1845-1932)

Trams in Manchester, c.1900 (b/w photo)
Trams in Manchester, c.1900 (b/w photo)

XJF323021: Trams in Manchester, c.1900 (b/w photo), English Photographer, (20th century) / Bridgeman Images

ID: XJF323021

Trams in Manchester, c.1900 (b/w photo)

English Photographer, (20th century)

The Empress, fascimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)
The Empress, fascimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

AGD328101: The Empress, fascimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho), Bembo, Bonifacio (c.1420-82) (attr.) (after) / Bridgeman Images

ID: AGD328101

The Empress, fascimile of a tarot card from the 'Visconti' deck, 1441-47 (colour litho)

Bembo, Bonifacio (c.1420-82) (attr.) (after)

Portrait of Mary Robinson, 'Perdita' (oil on canvas)
Portrait of Mary Robinson, 'Perdita' (oil on canvas)

MOU328029: Portrait of Mary Robinson, 'Perdita' (oil on canvas), Reynolds, Joshua (1723-92) (after) / Bridgeman Images

ID: MOU328029

Portrait of Mary Robinson, 'Perdita' (oil on canvas)

Reynolds, Joshua (1723-92) (after)

Hannibal the Great, from 'Crabb's Historical Dictionary', published 1825 (litho)
Hannibal the Great, from 'Crabb's Historical Dictionary', published 1825 (litho)

KWE324019: Hannibal the Great, from 'Crabb's Historical Dictionary', published 1825 (litho), English School, (19th century) / Bridgeman Images

ID: KWE324019

Hannibal the Great, from 'Crabb's Historical Dictionary', published 1825 (litho)

English School, (19th century)

The Last March of Edward I (colour litho)
The Last March of Edward I (colour litho)

STC309818: The Last March of Edward I (colour litho), Scott, William Bell (1811-90) (after) / Bridgeman Images

ID: STC309818

The Last March of Edward I (colour litho)

Scott, William Bell (1811-90) (after)

Neo-classical Garden, 1890s (oil on canvas)
Neo-classical Garden, 1890s (oil on canvas)

IBE292069: Neo-classical Garden, 1890s (oil on canvas), Rusinol i Prats, Santiago (1861-1931) / Bridgeman Images

ID: IBE292069

Neo-classical Garden, 1890s (oil on canvas)

Rusinol i Prats, Santiago (1861-1931)

Mary Madgalen, 1859 (oil on canvas)
Mary Madgalen, 1859 (oil on canvas)

MAA283716: Mary Madgalen, 1859 (oil on canvas), Herbert, John Rogers (1810-90) / Bridgeman Images

ID: MAA283716

Mary Madgalen, 1859 (oil on canvas)

Herbert, John Rogers (1810-90)

A Quagga (gouache & w/c on vellum)
A Quagga (gouache & w/c on vellum)

AGN284341: A Quagga (gouache & w/c on vellum), Robert, Nicolas (1614-85) (and workshop) / Bridgeman Images

ID: AGN284341

A Quagga (gouache & w/c on vellum)

Robert, Nicolas (1614-85) (and workshop)

The Book Room, Sissinghurst (oil on board)
The Book Room, Sissinghurst (oil on board)

AGN284347: The Book Room, Sissinghurst (oil on board), Harris, Annie (19th-20th century) / Bridgeman Images

ID: AGN284347

The Book Room, Sissinghurst (oil on board)

Harris, Annie (19th-20th century)

Distilling Equipment (engraving)
Distilling Equipment (engraving)

XCF276478: Distilling Equipment (engraving), German School / Bridgeman Images

ID: XCF276478

Distilling Equipment (engraving)

German School

Magnetism, illustrations of Natural Philosophy, published in 'Popular Diagrams' by James Reynolds, London 1850 (colour litho)
Magnetism, illustrations of Natural Philosophy, published in 'Popular Diagrams' by James Reynolds, London 1850 (colour litho)

STC310998: Magnetism, illustrations of Natural Philosophy, published in 'Popular Diagrams' by James Reynolds, London 1850 (colour litho), Emslie, John (1813-75) / Bridgeman Images

ID: STC310998

Magnetism, illustrations of Natural Philosophy, published in 'Popular Diagrams' by James Reynolds, London 1850 (colour litho)

Emslie, John (1813-75)

'Refraction', the winner of 'The Oaks', from 'The Illustrated London News', 7th June 1845 (engraving)
'Refraction', the winner of 'The Oaks', from 'The Illustrated London News', 7th June 1845 (engraving)

XJF311262: 'Refraction', the winner of 'The Oaks', from 'The Illustrated London News', 7th June 1845 (engraving), Herring Snr, John Frederick (1795-1865) (after) / Bridgeman Images

ID: XJF311262

'Refraction', the winner of 'The Oaks', from 'The Illustrated London News', 7th June 1845 (engraving)

Herring Snr, John Frederick (1795-1865) (after)

Portrait of Henry Pelham as Prime Minister, c.1743 (oil on canvas)
Portrait of Henry Pelham as Prime Minister, c.1743 (oil on canvas)

MOU311530: Portrait of Henry Pelham as Prime Minister, c.1743 (oil on canvas), Eccardt, John Giles (fl.1740-79) (circle of) / Bridgeman Images

ID: MOU311530

Portrait of Henry Pelham as Prime Minister, c.1743 (oil on canvas)

Eccardt, John Giles (fl.1740-79) (circle of)

Christmas Eve in Germany: Martin Luther and his family, from 'The Illustrated London News', 26th December 1846 (engraving)
Christmas Eve in Germany: Martin Luther and his family, from 'The Illustrated London News', 26th December 1846 (engraving)

XJF315753: Christmas Eve in Germany: Martin Luther and his family, from 'The Illustrated London News', 26th December 1846 (engraving), English School, (18th century) / Bridgeman Images

ID: XJF315753

Christmas Eve in Germany: Martin Luther and his family, from 'The Illustrated London News', 26th December 1846 (engraving)

English School, (18th century)

Richard, Marquess of Wellesley KG, 1805 (oil on canvas)
Richard, Marquess of Wellesley KG, 1805 (oil on canvas)

MOU275291: Richard, Marquess of Wellesley KG, 1805 (oil on canvas), Home, Robert (1752-1834) / Bridgeman Images

ID: MOU275291

Richard, Marquess of Wellesley KG, 1805 (oil on canvas)

Home, Robert (1752-1834)

The New Caledonian Asylum (engraving)
The New Caledonian Asylum (engraving)

XJF277639: The New Caledonian Asylum (engraving), Shepherd, Thomas Hosmer (1792-1864) (after) / Bridgeman Images

ID: XJF277639

The New Caledonian Asylum (engraving)

Shepherd, Thomas Hosmer (1792-1864) (after)

Dancers and musicians before the sultan and his court, from 'Sur-Nama' (vellum)
Dancers and musicians before the sultan and his court, from 'Sur-Nama' (vellum)

REV287788: Dancers and musicians before the sultan and his court, from 'Sur-Nama' (vellum), Turkish School, (16th century) / Bridgeman Images

ID: REV287788

Dancers and musicians before the sultan and his court, from 'Sur-Nama' (vellum)

Turkish School, (16th century)

View of the Royal Palace and Park of St James's (engraving)
View of the Royal Palace and Park of St James's (engraving)

XCF285164: View of the Royal Palace and Park of St James's (engraving), English School / Bridgeman Images

ID: XCF285164

View of the Royal Palace and Park of St James's (engraving)

English School

Shipping off the Coast (oil on panel)
Shipping off the Coast (oil on panel)

JVH285695: Shipping off the Coast (oil on panel), Verschuier, Lieve (1630-86) / Bridgeman Images

ID: JVH285695

Shipping off the Coast (oil on panel)

Verschuier, Lieve (1630-86)

Billiard Match at Thurston, 1930 (oil on canvas)
Billiard Match at Thurston, 1930 (oil on canvas)

MAA283777: Billiard Match at Thurston, 1930 (oil on canvas), English School, (20th century) / Bridgeman Images

ID: MAA283777

Billiard Match at Thurston, 1930 (oil on canvas)

English School, (20th century)

Female Drawer in a Coal-Pit at Little Bolton, 1842 (engraving)
Female Drawer in a Coal-Pit at Little Bolton, 1842 (engraving)

XJF294076: Female Drawer in a Coal-Pit at Little Bolton, 1842 (engraving), English School, (19th century) / Bridgeman Images

ID: XJF294076

Female Drawer in a Coal-Pit at Little Bolton, 1842 (engraving)

English School, (19th century)

Galapagos Gurnard, plate 6 from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36' by Charles Darwin (litho)
Galapagos Gurnard, plate 6 from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36' by Charles Darwin (litho)

XJF294048: Galapagos Gurnard, plate 6 from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36' by Charles Darwin (litho), English School, (19th century) / Bridgeman Images

ID: XJF294048

Galapagos Gurnard, plate 6 from 'The Zoology of the Voyage of H.M.S Beagle, 1832-36' by Charles Darwin (litho)

English School, (19th century)

The meeting of Canute and Edmund Ironside, 1016, illustration from 'Hutchinson's Story of the British Nation', c.1923 (litho)
The meeting of Canute and Edmund Ironside, 1016, illustration from 'Hutchinson's Story of the British Nation', c.1923 (litho)

STC293111: The meeting of Canute and Edmund Ironside, 1016, illustration from 'Hutchinson's Story of the British Nation', c.1923 (litho), English School, (20th century) / Bridgeman Images

ID: STC293111

The meeting of Canute and Edmund Ironside, 1016, illustration from 'Hutchinson's Story of the British Nation', c.1923 (litho)

English School, (20th century)

Noah's Ark, 2004 (oil)
Noah's Ark, 2004 (oil)

BLK336086: Noah's Ark, 2004 (oil), Bullock, Caroline / Bridgeman Images

ID: BLK336086

Noah's Ark, 2004 (oil)

Bullock, Caroline

Charlotte Bronte, c.1850 (engraving)
Charlotte Bronte, c.1850 (engraving)

XJF440655: Charlotte Bronte, c.1850 (engraving), Richmond, George (1809-96) (after) / Bridgeman Images

ID: XJF440655

Charlotte Bronte, c.1850 (engraving)

Richmond, George (1809-96) (after)

The Bread and Butter Manufactory, or the Humors of Bagnigge Wells, pub. By Carington Bowles, 1772 (coloured engraving) 99:Macaroni style; traditional costume; traditional dress; fashion; kettle; cups; tea; fashionable; male; female; society;
The Bread and Butter Manufactory, or the Humors of Bagnigge Wells, pub. By Carington Bowles, 1772 (coloured engraving) 99:Macaroni style; traditional costume; traditional dress; fashion; kettle; cups; tea; fashionable; male; female; society;

STC444508: The Bread and Butter Manufactory, or the Humors of Bagnigge Wells, pub. By Carington Bowles, 1772 (coloured engraving) 99:Macaroni style; traditional costume; traditional dress; fashion; kettle; cups; tea; fashionable; male; female; society;, English School, (18th century) / Bridgeman Images

ID: STC444508

The Bread and Butter Manufactory, or the Humors of Bagnigge Wells, pub. By Carington Bowles, 1772 (coloured engraving) 99:Macaroni style; traditional costume; traditional dress; fashion; kettle; cups; tea; fashionable; male; female; society;

English School, (18th century)

Swimming pool on the Titanic, repainted version of a contemporary illustration (colour litho)
Swimming pool on the Titanic, repainted version of a contemporary illustration (colour litho)

LLM448397: Swimming pool on the Titanic, repainted version of a contemporary illustration (colour litho), English School, (20th century) / Bridgeman Images

ID: LLM448397

Swimming pool on the Titanic, repainted version of a contemporary illustration (colour litho)

English School, (20th century)

The Death of Camilla
The Death of Camilla

LLM462287: The Death of Camilla, Pinelli, Bartolomeo (1781-1835) / Bridgeman Images

ID: LLM462287

The Death of Camilla

Pinelli, Bartolomeo (1781-1835)

Cases of tea being unloaded from a China Clipper at the London docks in 1868.
Cases of tea being unloaded from a China Clipper at the London docks in 1868.

KWE480220: Cases of tea being unloaded from a China Clipper at the London docks in 1868. / Bridgeman Images

ID: KWE480220

Cases of tea being unloaded from a China Clipper at the London docks in 1868.

The Rake's Levee, plate II, from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)
The Rake's Levee, plate II, from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

STC451145: The Rake's Levee, plate II, from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving), Hogarth, William (1697-1764) / Bridgeman Images

ID: STC451145

The Rake's Levee, plate II, from 'A Rake's Progress', illustration from 'Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook', pub. 1812 (hand-coloured engraving)

Hogarth, William (1697-1764)

'The officers of the -shire', illustration from 'Pride & Prejudice', edition published in 1894 (engraving)
'The officers of the -shire', illustration from 'Pride & Prejudice', edition published in 1894 (engraving)

XJF451382: 'The officers of the -shire', illustration from 'Pride & Prejudice', edition published in 1894 (engraving), Thomson, Hugh (1860-1920) / Bridgeman Images

ID: XJF451382

'The officers of the -shire', illustration from 'Pride & Prejudice', edition published in 1894 (engraving)

Thomson, Hugh (1860-1920)


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