1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

795312 Search Results

Allegory of the reawakening of the nationalist feeling of Greece under Ottoman domination which led to the Greek War of Independence (1821-1830) or the Greek Revolution.
Allegory of the reawakening of the nationalist feeling of Greece under Ottoman domination which led to the Greek War of Independence (1821-1830) or the Greek Revolution.

GIA4802360: Allegory of the reawakening of the nationalist feeling of Greece under Ottoman domination which led to the Greek War of Independence (1821-1830) or the Greek Revolution., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4802360

Allegory of the reawakening of the nationalist feeling of Greece under Ottoman domination which led to the Greek War of Independence (1821-1830) or the Greek Revolution.

Unknown Artist, (19th century)

Portrait of Napoleon III (Louis-Napoleon Bonaparte, 1808-1873), French emperor. Photography by Disderi from 1850
Portrait of Napoleon III (Louis-Napoleon Bonaparte, 1808-1873), French emperor. Photography by Disderi from 1850

GIA4804467: Portrait of Napoleon III (Louis-Napoleon Bonaparte, 1808-1873), French emperor. Photography by Disderi from 1850, Disderi, Andre Adolphe Eugene (1819-89/90) / Bridgeman Images

ID: GIA4804467

Portrait of Napoleon III (Louis-Napoleon Bonaparte, 1808-1873), French emperor. Photography by Disderi from 1850

Disderi, Andre Adolphe Eugene (1819-89/90)

Representation of the death of Jean-Baptiste Poquelin, dit Moliere (1622-1673), death of pulmonary congestion during a representation of the “Imaginary sick”” on 17/02/1673, 19th century (engraving)
Representation of the death of Jean-Baptiste Poquelin, dit Moliere (1622-1673), death of pulmonary congestion during a representation of the “Imaginary sick”” on 17/02/1673, 19th century (engraving)

GIA4793330: Representation of the death of Jean-Baptiste Poquelin, dit Moliere (1622-1673), death of pulmonary congestion during a representation of the “Imaginary sick”” on 17/02/1673, 19th century (engraving), Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4793330

Representation of the death of Jean-Baptiste Poquelin, dit Moliere (1622-1673), death of pulmonary congestion during a representation of the “Imaginary sick”” on 17/02/1673, 19th century (engraving)

Unknown Artist, (19th century)

Catherine de Medicis (Caterina de Medici) (1519-1589). Queen of France.
Catherine de Medicis (Caterina de Medici) (1519-1589). Queen of France.

GIA4758834: Catherine de Medicis (Caterina de Medici) (1519-1589). Queen of France., Massard, Leopold (1812-1889) / Bridgeman Images

ID: GIA4758834

Catherine de Medicis (Caterina de Medici) (1519-1589). Queen of France.

Massard, Leopold (1812-1889)

Vampire bat sucking the blood of men asleep on full moon nights. Engraving of the 19th century
Vampire bat sucking the blood of men asleep on full moon nights. Engraving of the 19th century

GIA4801026: Vampire bat sucking the blood of men asleep on full moon nights. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4801026

Vampire bat sucking the blood of men asleep on full moon nights. Engraving of the 19th century

Unknown Artist, (19th century)

Roentgen rays (Rontgen) or X-rays First photograph: the hand of Roentgen's wife. 22/12/1895.
Roentgen rays (Rontgen) or X-rays First photograph: the hand of Roentgen's wife. 22/12/1895.

GIA4817419: Roentgen rays (Rontgen) or X-rays First photograph: the hand of Roentgen's wife. 22/12/1895., Unknown Artist, (19th century) / Bridgeman Images

ID: GIA4817419

Roentgen rays (Rontgen) or X-rays First photograph: the hand of Roentgen's wife. 22/12/1895.

Unknown Artist, (19th century)

American Revolutionary War: American political man and commander-in-chief of the Continental Army during the American Revolutionary War George Washington (1732-1799) announces to his soldiers the signing of American Declaration of Independence, 4th July 1776. 19th century (chromolithograph)
American Revolutionary War: American political man and commander-in-chief of the Continental Army during the American Revolutionary War George Washington (1732-1799) announces to his soldiers the signing of American Declaration of Independence, 4th July 1776. 19th century (chromolithograph)

ELD4847305: American Revolutionary War: American political man and commander-in-chief of the Continental Army during the American Revolutionary War George Washington (1732-1799) announces to his soldiers the signing of American Declaration of Independence, 4th July 1776. 19th century (chromolithograph) / Bridgeman Images

ID: ELD4847305

American Revolutionary War: American political man and commander-in-chief of the Continental Army during the American Revolutionary War George Washington (1732-1799) announces to his soldiers the signing of American Declaration of Independence, 4th July 1776. 19th century (chromolithograph)

Portrait of Blanche de Castille (1188-1252), mother of the future King Louis IX, during her regency. Late 19th century (chromolithograph)
Portrait of Blanche de Castille (1188-1252), mother of the future King Louis IX, during her regency. Late 19th century (chromolithograph)

ELD4848879: Portrait of Blanche de Castille (1188-1252), mother of the future King Louis IX, during her regency. Late 19th century (chromolithograph) / Bridgeman Images

ID: ELD4848879

Portrait of Blanche de Castille (1188-1252), mother of the future King Louis IX, during her regency. Late 19th century (chromolithograph)

A resurrection is almost as frightening as a death: Fauchelevent and Jean Valjean - Illustration by Alphonse de Neuville (1836-1885) for “Les miserables - Second part: Cosette” by Victor Hugo (1802-1885) 1862
A resurrection is almost as frightening as a death: Fauchelevent and Jean Valjean - Illustration by Alphonse de Neuville (1836-1885) for “Les miserables - Second part: Cosette” by Victor Hugo (1802-1885) 1862

XEE4150089: A resurrection is almost as frightening as a death: Fauchelevent and Jean Valjean - Illustration by Alphonse de Neuville (1836-1885) for “Les miserables - Second part: Cosette” by Victor Hugo (1802-1885) 1862, Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

ID: XEE4150089

A resurrection is almost as frightening as a death: Fauchelevent and Jean Valjean - Illustration by Alphonse de Neuville (1836-1885) for “Les miserables - Second part: Cosette” by Victor Hugo (1802-1885) 1862

Neuville, Alphonse Marie de (1835-85)

Jean Valjean comes out of prison “You're free!” - Illustration of Valnay for “The Miserables - First part: Fantine” by Victor Hugo (1802-1885) 1862
Jean Valjean comes out of prison “You're free!” - Illustration of Valnay for “The Miserables - First part: Fantine” by Victor Hugo (1802-1885) 1862

XEE4150097: Jean Valjean comes out of prison “You're free!” - Illustration of Valnay for “The Miserables - First part: Fantine” by Victor Hugo (1802-1885) 1862, Valnay (Desroches), Jacques (1817-1894) / Bridgeman Images

ID: XEE4150097

Jean Valjean comes out of prison “You're free!” - Illustration of Valnay for “The Miserables - First part: Fantine” by Victor Hugo (1802-1885) 1862

Valnay (Desroches), Jacques (1817-1894)

Portrait of Nikola Tesla (1856-1943) (Nikolaj) - Croatian-born Serb engineer, physicist and inventor
Portrait of Nikola Tesla (1856-1943) (Nikolaj) - Croatian-born Serb engineer, physicist and inventor

XEE4163744: Portrait of Nikola Tesla (1856-1943) (Nikolaj) - Croatian-born Serb engineer, physicist and inventor, Unknown photographer, (19th century) / Bridgeman Images

ID: XEE4163744

Portrait of Nikola Tesla (1856-1943) (Nikolaj) - Croatian-born Serb engineer, physicist and inventor

Unknown photographer, (19th century)

Portrait of the poet Charles Baudelaire (1821-1867).
Portrait of the poet Charles Baudelaire (1821-1867).

XEE4165807: Portrait of the poet Charles Baudelaire (1821-1867)., Carjat, Etienne (1828-1906) / Bridgeman Images

ID: XEE4165807

Portrait of the poet Charles Baudelaire (1821-1867).

Carjat, Etienne (1828-1906)

Abd al-Aziz (al-Hasan Mohamed al-Hasani al-Alaoui) entered Rabat in Morocco in October 1907 (Marrakesh, 1878 in Tangier, 1943). Sultan Alaouite from Morocco (1894-1908). illustration by Achille Beltrame for the Domenica del Corriere.
Abd al-Aziz (al-Hasan Mohamed al-Hasani al-Alaoui) entered Rabat in Morocco in October 1907 (Marrakesh, 1878 in Tangier, 1943). Sultan Alaouite from Morocco (1894-1908). illustration by Achille Beltrame for the Domenica del Corriere.

XEE4412686: Abd al-Aziz (al-Hasan Mohamed al-Hasani al-Alaoui) entered Rabat in Morocco in October 1907 (Marrakesh, 1878 in Tangier, 1943). Sultan Alaouite from Morocco (1894-1908). illustration by Achille Beltrame for the Domenica del Corriere., Beltrame, Achille (1871-1945) / Bridgeman Images

ID: XEE4412686

Abd al-Aziz (al-Hasan Mohamed al-Hasani al-Alaoui) entered Rabat in Morocco in October 1907 (Marrakesh, 1878 in Tangier, 1943). Sultan Alaouite from Morocco (1894-1908). illustration by Achille Beltrame for the Domenica del Corriere.

Beltrame, Achille (1871-1945)

Portrat de Alessandro (Alexandre) Volta (1745 - 1827). Italian physicist, inventor of the electric battery. 19th century engraving
Portrat de Alessandro (Alexandre) Volta (1745 - 1827). Italian physicist, inventor of the electric battery. 19th century engraving

XEE4412787: Portrat de Alessandro (Alexandre) Volta (1745 - 1827). Italian physicist, inventor of the electric battery. 19th century engraving, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4412787

Portrat de Alessandro (Alexandre) Volta (1745 - 1827). Italian physicist, inventor of the electric battery. 19th century engraving

Unknown Artist, (19th century)

The central electricity plant in the Halles de Paris. In” Album de la Science””, Éditions Jouvet, 1896.
The central electricity plant in the Halles de Paris. In” Album de la Science””, Éditions Jouvet, 1896.

XEE4414877: The central electricity plant in the Halles de Paris. In” Album de la Science””, Éditions Jouvet, 1896., French School, (19th century) / Bridgeman Images

ID: XEE4414877

The central electricity plant in the Halles de Paris. In” Album de la Science””, Éditions Jouvet, 1896.

French School, (19th century)

Charles Martel arrested Muslims at the Battle of Poitiers in 732. Chromolithography of the 19th century.
Charles Martel arrested Muslims at the Battle of Poitiers in 732. Chromolithography of the 19th century.

XEE4415027: Charles Martel arrested Muslims at the Battle of Poitiers in 732. Chromolithography of the 19th century., French School, (19th century) / Bridgeman Images

ID: XEE4415027

Charles Martel arrested Muslims at the Battle of Poitiers in 732. Chromolithography of the 19th century.

French School, (19th century)

Portrait of Adrien-Marie Legendre (1752-1833) French mathematician (litho) - portrait by Adrien Marie Legendre, French mathematician (1752-1833) - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection
Portrait of Adrien-Marie Legendre (1752-1833) French mathematician (litho) - portrait by Adrien Marie Legendre, French mathematician (1752-1833) - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

XEE4151107: Portrait of Adrien-Marie Legendre (1752-1833) French mathematician (litho) - portrait by Adrien Marie Legendre, French mathematician (1752-1833) - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection, Anonymous / Bridgeman Images

ID: XEE4151107

Portrait of Adrien-Marie Legendre (1752-1833) French mathematician (litho) - portrait by Adrien Marie Legendre, French mathematician (1752-1833) - Engraving in “Histoire des Girondins”” by Alphonse de Lamartine (1790-1869) 1865-1866 - Private collection

Anonymous

Quasimodo hanging a gargoyle of the towers of Notre-Dame de Paris - composition by Luc Olivier Merson for the edition of Victor Hugo's novel Notre Dame de Paris
Quasimodo hanging a gargoyle of the towers of Notre-Dame de Paris - composition by Luc Olivier Merson for the edition of Victor Hugo's novel Notre Dame de Paris

XEE4152582: Quasimodo hanging a gargoyle of the towers of Notre-Dame de Paris - composition by Luc Olivier Merson for the edition of Victor Hugo's novel Notre Dame de Paris, Merson, Luc-Oliver (1846-1920) / Bridgeman Images

ID: XEE4152582

Quasimodo hanging a gargoyle of the towers of Notre-Dame de Paris - composition by Luc Olivier Merson for the edition of Victor Hugo's novel Notre Dame de Paris

Merson, Luc-Oliver (1846-1920)

Algerian pirates waiting for a ship, 19th century (épinal print)
Algerian pirates waiting for a ship, 19th century (épinal print)

XEE4411576: Algerian pirates waiting for a ship, 19th century (épinal print), French School, (19th century) / Bridgeman Images

ID: XEE4411576

Algerian pirates waiting for a ship, 19th century (épinal print)

French School, (19th century)

Tailor; Series on trades, 19th century (Epinal print).
Tailor; Series on trades, 19th century (Epinal print).

XEE4411607: Tailor; Series on trades, 19th century (Epinal print)., French School, (19th century) / Bridgeman Images

ID: XEE4411607

Tailor; Series on trades, 19th century (Epinal print).

French School, (19th century)

Portrait of Emile Zola (1840-1902) French writer.
Portrait of Emile Zola (1840-1902) French writer.

XEE4408627: Portrait of Emile Zola (1840-1902) French writer., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4408627

Portrait of Emile Zola (1840-1902) French writer.

Unknown Artist, (19th century)

Portrait of Eugenia, wife of Napoleon III and queen of the French. 19th century.
Portrait of Eugenia, wife of Napoleon III and queen of the French. 19th century.

XEE4410586: Portrait of Eugenia, wife of Napoleon III and queen of the French. 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4410586

Portrait of Eugenia, wife of Napoleon III and queen of the French. 19th century.

Unknown Artist, (19th century)

Political pamphlets Mazarinade (political pamphlet under the sling), popular image against Mazarin about his retirement in Bouillon (Le court broth de Mazarin). Private collection.
Political pamphlets Mazarinade (political pamphlet under the sling), popular image against Mazarin about his retirement in Bouillon (Le court broth de Mazarin). Private collection.

XEE4142396: Political pamphlets Mazarinade (political pamphlet under the sling), popular image against Mazarin about his retirement in Bouillon (Le court broth de Mazarin). Private collection., Anonymous / Bridgeman Images

ID: XEE4142396

Political pamphlets Mazarinade (political pamphlet under the sling), popular image against Mazarin about his retirement in Bouillon (Le court broth de Mazarin). Private collection.

Anonymous

Mechanical traction: the first petrol cars invented in 1895 by Panhard and Levassor. Anonymous illustration from 1925. Private collection.
Mechanical traction: the first petrol cars invented in 1895 by Panhard and Levassor. Anonymous illustration from 1925. Private collection.

XEE4140347: Mechanical traction: the first petrol cars invented in 1895 by Panhard and Levassor. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140347

Mechanical traction: the first petrol cars invented in 1895 by Panhard and Levassor. Anonymous illustration from 1925. Private collection.

Anonymous

Education of Alexander the Great (356 - 323 BC) by the philosopher Aristotle (384 BC to 322 BC after “La Ciencia y sus Hombres”” by Louis Figuier. Barcelona 1881.
Education of Alexander the Great (356 - 323 BC) by the philosopher Aristotle (384 BC to 322 BC after “La Ciencia y sus Hombres”” by Louis Figuier. Barcelona 1881.

XEE4403804: Education of Alexander the Great (356 - 323 BC) by the philosopher Aristotle (384 BC to 322 BC after “La Ciencia y sus Hombres”” by Louis Figuier. Barcelona 1881., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4403804

Education of Alexander the Great (356 - 323 BC) by the philosopher Aristotle (384 BC to 322 BC after “La Ciencia y sus Hombres”” by Louis Figuier. Barcelona 1881.

Unknown Artist, (19th century)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 10: Farinata degli Uberti addresses Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 10: Farinata degli Uberti addresses Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145697: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 10: Farinata degli Uberti addresses Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145697

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 10: Farinata degli Uberti addresses Dante - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 7: The souls of the avaricious and the prodigal forced to roll heavy stones - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885
The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 7: The souls of the avaricious and the prodigal forced to roll heavy stones - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

XEE4145721: The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 7: The souls of the avaricious and the prodigal forced to roll heavy stones - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885, Dore, Gustave (1832-83) / Bridgeman Images

ID: XEE4145721

The Divine Comedy (La Divina Commedia, La Divine Comedie), Inferno, Canto 7: The souls of the avaricious and the prodigal forced to roll heavy stones - by Dante Alighieri (1265-1321) - Illustration by Gustave Dore (1832-1883), 1885

Dore, Gustave (1832-83)

Overview of an Athenian Triere.
Overview of an Athenian Triere.

XEE4407666: Overview of an Athenian Triere., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4407666

Overview of an Athenian Triere.

Unknown Artist, (19th century)

Alexander Graham Bell (1847-1922) inaugurated the New York-Chicago long-haul line, October 18, 1892.
Alexander Graham Bell (1847-1922) inaugurated the New York-Chicago long-haul line, October 18, 1892.

XEE4407696: Alexander Graham Bell (1847-1922) inaugurated the New York-Chicago long-haul line, October 18, 1892., American Photographer, (19th century) / Bridgeman Images

ID: XEE4407696

Alexander Graham Bell (1847-1922) inaugurated the New York-Chicago long-haul line, October 18, 1892.

American Photographer, (19th century)

Portrait of Emile Zola (1840-1902) French writer. Cartoon by Andre Gill for the Illustrious World.
Portrait of Emile Zola (1840-1902) French writer. Cartoon by Andre Gill for the Illustrious World.

XEE4406678: Portrait of Emile Zola (1840-1902) French writer. Cartoon by Andre Gill for the Illustrious World., Gill, Andre (1840-85) / Bridgeman Images

ID: XEE4406678

Portrait of Emile Zola (1840-1902) French writer. Cartoon by Andre Gill for the Illustrious World.

Gill, Andre (1840-85)

Exposition Universelle 1889 - Le village canaque à l'Esplanade des Invalides (the canaques exhibited during the exhibition: Zoo humain) - Drawing by Louis Tinayre (1861-1942) - in “” Le Monde Illustré””” of 22/07/1889.
Exposition Universelle 1889 - Le village canaque à l'Esplanade des Invalides (the canaques exhibited during the exhibition: Zoo humain) - Drawing by Louis Tinayre (1861-1942) - in “” Le Monde Illustré””” of 22/07/1889.

XEE4404219: Exposition Universelle 1889 - Le village canaque à l'Esplanade des Invalides (the canaques exhibited during the exhibition: Zoo humain) - Drawing by Louis Tinayre (1861-1942) - in “” Le Monde Illustré””” of 22/07/1889., Tinayre, Louis (1861-1941) / Bridgeman Images

ID: XEE4404219

Exposition Universelle 1889 - Le village canaque à l'Esplanade des Invalides (the canaques exhibited during the exhibition: Zoo humain) - Drawing by Louis Tinayre (1861-1942) - in “” Le Monde Illustré””” of 22/07/1889.

Tinayre, Louis (1861-1941)

Cinderella tries the glass shoe found by the prince. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.
Cinderella tries the glass shoe found by the prince. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

XEE4404543: Cinderella tries the glass shoe found by the prince. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4404543

Cinderella tries the glass shoe found by the prince. Illustration of Charles Perrault's tale “Cinderella or La petite slipper de verre”, 1697. In “” Tales from the home for the little ones””. Anonymous engraving of the 19th century.

Unknown Artist, (19th century)

The Paris Commune in 1871. Search by the federes (communards) of a house occupied by nuns (Little Sisters of the Poor), located on Rue de Sevres. The federes, after discovering the money from the community of nuns, put the money back into the box and returned it to the mother, because the money was for the poor.
The Paris Commune in 1871. Search by the federes (communards) of a house occupied by nuns (Little Sisters of the Poor), located on Rue de Sevres. The federes, after discovering the money from the community of nuns, put the money back into the box and returned it to the mother, because the money was for the poor.

XEE4406312: The Paris Commune in 1871. Search by the federes (communards) of a house occupied by nuns (Little Sisters of the Poor), located on Rue de Sevres. The federes, after discovering the money from the community of nuns, put the money back into the box and returned it to the mother, because the money was for the poor., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4406312

The Paris Commune in 1871. Search by the federes (communards) of a house occupied by nuns (Little Sisters of the Poor), located on Rue de Sevres. The federes, after discovering the money from the community of nuns, put the money back into the box and returned it to the mother, because the money was for the poor.

Unknown Artist, (19th century)

First World War 1914-1918: doctors and nurse treating a soldier wounds in the dressing room, camp of Couville in the English Channel, Lower Normandy (Lower Normandy), France. Anonymous photograph July 1917. Private collection, Stella.
First World War 1914-1918: doctors and nurse treating a soldier wounds in the dressing room, camp of Couville in the English Channel, Lower Normandy (Lower Normandy), France. Anonymous photograph July 1917. Private collection, Stella.

XEE4193033: First World War 1914-1918: doctors and nurse treating a soldier wounds in the dressing room, camp of Couville in the English Channel, Lower Normandy (Lower Normandy), France. Anonymous photograph July 1917. Private collection, Stella., Anonymous / Bridgeman Images

ID: XEE4193033

First World War 1914-1918: doctors and nurse treating a soldier wounds in the dressing room, camp of Couville in the English Channel, Lower Normandy (Lower Normandy), France. Anonymous photograph July 1917. Private collection, Stella.

Anonymous

Portrait of Paul Deschanel (1855-1922), new president of the Third Republic. Cover from “” Le petit journal”” from 25/01/1920 Private collection
Portrait of Paul Deschanel (1855-1922), new president of the Third Republic. Cover from “” Le petit journal”” from 25/01/1920 Private collection

XEE4188297: Portrait of Paul Deschanel (1855-1922), new president of the Third Republic. Cover from “” Le petit journal”” from 25/01/1920 Private collection, Anonymous / Bridgeman Images

ID: XEE4188297

Portrait of Paul Deschanel (1855-1922), new president of the Third Republic. Cover from “” Le petit journal”” from 25/01/1920 Private collection

Anonymous

La Fronde: Journees des Barricades (August 1648): At the cross of Trahoir (at the corner of Saint Honore streets (Saint-Honore) and of the Dry Arbre in Paris), the crowd demands that Mathieu Mole (1584-1656), first Speaker of Parliament, go to the Palais Royal (Royal Palace) to claim the liberation of President Pierre Broussel (1575-1654), Arrested by order of Jules Mazarin (1602-1661). Chromotypography in “” Le Roy Soleil”” (Louis XIV) by Gustave Toutwelve, Illustration by Maurice Leloir (1853-1940), 1904. Privee Collection.
La Fronde: Journees des Barricades (August 1648): At the cross of Trahoir (at the corner of Saint Honore streets (Saint-Honore) and of the Dry Arbre in Paris), the crowd demands that Mathieu Mole (1584-1656), first Speaker of Parliament, go to the Palais Royal (Royal Palace) to claim the liberation of President Pierre Broussel (1575-1654), Arrested by order of Jules Mazarin (1602-1661). Chromotypography in “” Le Roy Soleil”” (Louis XIV) by Gustave Toutwelve, Illustration by Maurice Leloir (1853-1940), 1904. Privee Collection.

XEE4187212: La Fronde: Journees des Barricades (August 1648): At the cross of Trahoir (at the corner of Saint Honore streets (Saint-Honore) and of the Dry Arbre in Paris), the crowd demands that Mathieu Mole (1584-1656), first Speaker of Parliament, go to the Palais Royal (Royal Palace) to claim the liberation of President Pierre Broussel (1575-1654), Arrested by order of Jules Mazarin (1602-1661). Chromotypography in “” Le Roy Soleil”” (Louis XIV) by Gustave Toutwelve, Illustration by Maurice Leloir (1853-1940), 1904. Privee Collection., Leloir, Maurice (1853-1940) / Bridgeman Images

ID: XEE4187212

La Fronde: Journees des Barricades (August 1648): At the cross of Trahoir (at the corner of Saint Honore streets (Saint-Honore) and of the Dry Arbre in Paris), the crowd demands that Mathieu Mole (1584-1656), first Speaker of Parliament, go to the Palais Royal (Royal Palace) to claim the liberation of President Pierre Broussel (1575-1654), Arrested by order of Jules Mazarin (1602-1661). Chromotypography in “” Le Roy Soleil”” (Louis XIV) by Gustave Toutwelve, Illustration by Maurice Leloir (1853-1940), 1904. Privee Collection.

Leloir, Maurice (1853-1940)


Back to top