XJF139855:
The Happy and Trouble Free Life of the Cripple (engraving) (b/w photo), Bosch, Hieronymus (c.1450-1516) (after) / Bridgeman Images
ID: XJF139855
The Happy and Trouble Free Life of the Cripple (engraving) (b/w photo)
Bosch, Hieronymus (c.1450-1516) (after)
STC138932:
Map of Barth, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images
ID: STC138932
Map of Barth, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Hoefnagel, Joris (1542-1600) (after)
XJF139892:
Scene from 'The Navigation of St. Brendan' (woodcut) (b/w photo), German School, (15th century) / Bridgeman Images
ID: XJF139892
Scene from 'The Navigation of St. Brendan' (woodcut) (b/w photo)
German School, (15th century)
CH139988:
Norwegian Waterfall, at Lofor in Valders, 1905 (oil on panel), Eckenbrecher, Karl Paul Themistocles von (1842-1921) / Bridgeman Images
ID: CH139988
Norwegian Waterfall, at Lofor in Valders, 1905 (oil on panel)
Eckenbrecher, Karl Paul Themistocles von (1842-1921)
JGG115471:
Dancers, 1993 (oil on canvas), Botero, Fernando (1932-2023) / Bridgeman Images
JGG117615:
The Third Dimension, 1950 (gouache on paper), Magritte, Rene (1898-1967) / Bridgeman Images
ID: JGG117615
The Third Dimension, 1950 (gouache on paper)
Magritte, Rene (1898-1967)
NUM117883:
The Church of St. Gervais, 1920 (oil on canvas), Loiseau, Gustave (1865-1935) / Bridgeman Images
ID: NUM117883
The Church of St. Gervais, 1920 (oil on canvas)
Loiseau, Gustave (1865-1935)
NUM118082:
N.B., 1947 (collage), Schwitters, Kurt (1887-1948) / Bridgeman Images
ID: NUM118082
N.B., 1947 (collage)
Schwitters, Kurt (1887-1948)
FAB128318:
Arrowheads, Iron Age (iron) / Bridgeman Images
ID: FAB128318
Arrowheads, Iron Age (iron)
NUM128432:
Sleep for Yvonne Rainier, 1965 (mixed media), Rauschenberg, Robert (1925-2008) / Bridgeman Images
ID: NUM128432
Sleep for Yvonne Rainier, 1965 (mixed media)
Rauschenberg, Robert (1925-2008)
XJF128045:
Signature of Florence Nightingale (1820-1910) (pen on paper) (b/w photo) / Bridgeman Images
ID: XJF128045
Signature of Florence Nightingale (1820-1910) (pen on paper) (b/w photo)
STC129149:
Jean Auguste Dominique Ingres (1780-1867), from 'Galerie Contemporaine', c.1874-78 (b/w photo), French Photographer, (19th century) / Bridgeman Images
ID: STC129149
Jean Auguste Dominique Ingres (1780-1867), from 'Galerie Contemporaine', c.1874-78 (b/w photo)
French Photographer, (19th century)
MAX103568:
Reservoir in Spring, 1997 (oil on panel) (for detail see 103569), Ferguson, Max (b.1959) / Bridgeman Images
ID: MAX103568
Reservoir in Spring, 1997 (oil on panel) (for detail see 103569)
Ferguson, Max (b.1959)
PFA109397:
Rabbi Reading The Torah, 1924 (oil on panel), Herschel, Otto (b.1871) / Bridgeman Images
ID: PFA109397
Rabbi Reading The Torah, 1924 (oil on panel)
Herschel, Otto (b.1871)
XJF107878:
Fagin in the Condemned Cell, illustration from 'Oliver Twist' by Charles Dickens, 1838 (engraving) (b&w photo), Cruikshank, George (1792-1878) / Bridgeman Images
ID: XJF107878
Fagin in the Condemned Cell, illustration from 'Oliver Twist' by Charles Dickens, 1838 (engraving) (b&w photo)
Cruikshank, George (1792-1878)
CJP108041:
The Education of Achilles, 1776 (pen & ink with grey wash on paper), Cipriani, Giovanni Battista (1727-85) / Bridgeman Images
ID: CJP108041
The Education of Achilles, 1776 (pen & ink with grey wash on paper)
Cipriani, Giovanni Battista (1727-85)
CH136623:
In Church, 1883 (pencil and w/c on paper), Rios, Luigi da (1844-92) / Bridgeman Images
ID: CH136623
In Church, 1883 (pencil and w/c on paper)
Rios, Luigi da (1844-92)
XCF136722:
'Come Out of That', Mr Gladstone Returns from the Country, and Finds his Seat Occupied, from 'St. Stephen's Review Presentation Cartoon', 7 August 1886 (colour litho), Merry, Tom (c.1852-1902) / Bridgeman Images
ID: XCF136722
'Come Out of That', Mr Gladstone Returns from the Country, and Finds his Seat Occupied, from 'St. Stephen's Review Presentation Cartoon', 7 August 1886 (colour litho)
Merry, Tom (c.1852-1902)
LR135066:
The Picnic is Over, 1990 (acrylic), Raverat, Lucy / Bridgeman Images
ID: LR135066
The Picnic is Over, 1990 (acrylic)
Raverat, Lucy
STC101458:
La Beale Isoud at Joyous Gard, 1894 (engraving), Beardsley, Aubrey (1872-98) / Bridgeman Images
NUM113434:
Sevres Bridge (oil on canvas), Rousseau, Henri J.F. (Le Douanier) (1844-1910) / Bridgeman Images
ID: NUM113434
Sevres Bridge (oil on canvas)
Rousseau, Henri J.F. (Le Douanier) (1844-1910)
NUM113578:
Love Fleeing, 1883-84 (bronze), Rodin, Auguste (1840-1917) / Bridgeman Images
ID: NUM113578
Love Fleeing, 1883-84 (bronze)
Rodin, Auguste (1840-1917)
ALU114406:
Dulwich Village Garden, 1995 (tempera on board), Luke, Ariel / Bridgeman Images
ID: ALU114406
Dulwich Village Garden, 1995 (tempera on board)
Luke, Ariel
STC134136:
Semele is Consumed by Jupiter's Fire, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images
ID: STC134136
Semele is Consumed by Jupiter's Fire, 1731 (engraving)
Picart, Bernard (1673-1733)
STC134210:
Lycaon Metamorphosed into a Wolf, 1731 (engraving), Picart, Bernard (1673-1733) / Bridgeman Images
ID: STC134210
Lycaon Metamorphosed into a Wolf, 1731 (engraving)
Picart, Bernard (1673-1733)
PFA134404:
A Gentleman's Debate, 1881 (oil on panel), Fichel, Benjamin Eugene (1826-95) / Bridgeman Images
ID: PFA134404
A Gentleman's Debate, 1881 (oil on panel)
Fichel, Benjamin Eugene (1826-95)
STC133527:
Queen Anne's Bed, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1816 (aquatint), Wild, Charles (1781-1835) (after) / Bridgeman Images
ID: STC133527
Queen Anne's Bed, Windsor Castle, from 'Royal Residences', engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1816 (aquatint)
Wild, Charles (1781-1835) (after)
CH133747:
The Attack on the Redan, Sebastopol, c.1899 (oil on canvas), Hillingford, Robert Alexander (1825-1904) / Bridgeman Images
ID: CH133747
The Attack on the Redan, Sebastopol, c.1899 (oil on canvas)