1. Home
  2. Search Results

Search options

Orientation
Colour

Display options

View

Print

To print search results, use print friendly version of this page.

797676 Search Results

King Louis XI visiting the cages of the Bastille prison. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection.
King Louis XI visiting the cages of the Bastille prison. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection.

XEE4142165: King Louis XI visiting the cages of the Bastille prison. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection., Anonymous / Bridgeman Images

ID: XEE4142165

King Louis XI visiting the cages of the Bastille prison. Anonymous illustration in “” Collection des souverains et chefs d'état de la France””. 20th century. Private collection.

Anonymous

Light energy: sunflower is influenced by sunlight. Anonymous illustration from 1925. Private collection.
Light energy: sunflower is influenced by sunlight. Anonymous illustration from 1925. Private collection.

XEE4141052: Light energy: sunflower is influenced by sunlight. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141052

Light energy: sunflower is influenced by sunlight. Anonymous illustration from 1925. Private collection.

Anonymous

The steam machine: James Watt principle (1736-1819). Anonymous illustration from 1925. Private collection.
The steam machine: James Watt principle (1736-1819). Anonymous illustration from 1925. Private collection.

XEE4141061: The steam machine: James Watt principle (1736-1819). Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141061

The steam machine: James Watt principle (1736-1819). Anonymous illustration from 1925. Private collection.

Anonymous

Telegraph: remote light signals used by the Greeks of Antiquite to communicate. Anonymous illustration from 1925. Private collection.
Telegraph: remote light signals used by the Greeks of Antiquite to communicate. Anonymous illustration from 1925. Private collection.

XEE4141091: Telegraph: remote light signals used by the Greeks of Antiquite to communicate. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141091

Telegraph: remote light signals used by the Greeks of Antiquite to communicate. Anonymous illustration from 1925. Private collection.

Anonymous

Wireless telegraphy: the train of the waves. Between Paris and New York, there are never more than two waves. Anonymous illustration from 1925. Private collection.
Wireless telegraphy: the train of the waves. Between Paris and New York, there are never more than two waves. Anonymous illustration from 1925. Private collection.

XEE4141100: Wireless telegraphy: the train of the waves. Between Paris and New York, there are never more than two waves. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141100

Wireless telegraphy: the train of the waves. Between Paris and New York, there are never more than two waves. Anonymous illustration from 1925. Private collection.

Anonymous

Telephone: telephone by Alexandre Graham Bell (1847-1922). Anonymous illustration from 1925. Private collection.
Telephone: telephone by Alexandre Graham Bell (1847-1922). Anonymous illustration from 1925. Private collection.

XEE4141103: Telephone: telephone by Alexandre Graham Bell (1847-1922). Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141103

Telephone: telephone by Alexandre Graham Bell (1847-1922). Anonymous illustration from 1925. Private collection.

Anonymous

Temperature and expansion: perfect gas equation obtained through the law of Louis-Joseph Gay-Lussac (Louis Joseph Gay Lussac) (1778-1850) and the law of Edme Mariotte (ca. 1620-1684). Anonymous illustration from 1925. Private collection.
Temperature and expansion: perfect gas equation obtained through the law of Louis-Joseph Gay-Lussac (Louis Joseph Gay Lussac) (1778-1850) and the law of Edme Mariotte (ca. 1620-1684). Anonymous illustration from 1925. Private collection.

XEE4141111: Temperature and expansion: perfect gas equation obtained through the law of Louis-Joseph Gay-Lussac (Louis Joseph Gay Lussac) (1778-1850) and the law of Edme Mariotte (ca. 1620-1684). Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141111

Temperature and expansion: perfect gas equation obtained through the law of Louis-Joseph Gay-Lussac (Louis Joseph Gay Lussac) (1778-1850) and the law of Edme Mariotte (ca. 1620-1684). Anonymous illustration from 1925. Private collection.

Anonymous

Temperature and expansion: Degre centigrade. Comparison between degres Farenheit and degres Celsius. Anonymous illustration from 1925. Private collection.
Temperature and expansion: Degre centigrade. Comparison between degres Farenheit and degres Celsius. Anonymous illustration from 1925. Private collection.

XEE4141118: Temperature and expansion: Degre centigrade. Comparison between degres Farenheit and degres Celsius. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141118

Temperature and expansion: Degre centigrade. Comparison between degres Farenheit and degres Celsius. Anonymous illustration from 1925. Private collection.

Anonymous

Mechanical traction: the tires of an automobile. Anonymous illustration from 1925. Private collection.
Mechanical traction: the tires of an automobile. Anonymous illustration from 1925. Private collection.

XEE4141130: Mechanical traction: the tires of an automobile. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141130

Mechanical traction: the tires of an automobile. Anonymous illustration from 1925. Private collection.

Anonymous

Electrical units: Watt to measure electrical power. Anonymous illustration from 1925. Private collection.
Electrical units: Watt to measure electrical power. Anonymous illustration from 1925. Private collection.

XEE4141135: Electrical units: Watt to measure electrical power. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141135

Electrical units: Watt to measure electrical power. Anonymous illustration from 1925. Private collection.

Anonymous

Portrait of Leopold II (1797 - 1870), Grand Duke of Tuscany. Engraving in “” Le Monde Illustré”” n°108 of 7 May 1859.
Portrait of Leopold II (1797 - 1870), Grand Duke of Tuscany. Engraving in “” Le Monde Illustré”” n°108 of 7 May 1859.

XEE4141151: Portrait of Leopold II (1797 - 1870), Grand Duke of Tuscany. Engraving in “” Le Monde Illustré”” n°108 of 7 May 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141151

Portrait of Leopold II (1797 - 1870), Grand Duke of Tuscany. Engraving in “” Le Monde Illustré”” n°108 of 7 May 1859.

French School, (19th century)

Carnival of Mardi Gras, France, 8 March 1859: descent to Paris of the masquerade of Sevres. Engraving in “” Le Monde Illustré”” n°100 of 19 March 1859.
Carnival of Mardi Gras, France, 8 March 1859: descent to Paris of the masquerade of Sevres. Engraving in “” Le Monde Illustré”” n°100 of 19 March 1859.

XEE4141201: Carnival of Mardi Gras, France, 8 March 1859: descent to Paris of the masquerade of Sevres. Engraving in “” Le Monde Illustré”” n°100 of 19 March 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141201

Carnival of Mardi Gras, France, 8 March 1859: descent to Paris of the masquerade of Sevres. Engraving in “” Le Monde Illustré”” n°100 of 19 March 1859.

French School, (19th century)

The Albert I Garden and the Promenade des Anglais in Nice in 1950.
The Albert I Garden and the Promenade des Anglais in Nice in 1950.

XEE4141217: The Albert I Garden and the Promenade des Anglais in Nice in 1950., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4141217

The Albert I Garden and the Promenade des Anglais in Nice in 1950.

Unknown Artist, (20th century)

The waterfall of the castle in Nice in 1950.
The waterfall of the castle in Nice in 1950.

XEE4141229: The waterfall of the castle in Nice in 1950., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4141229

The waterfall of the castle in Nice in 1950.

Unknown Artist, (20th century)

18th century architecture: interior view of the Theatre Royal (Teatro Regio) in Turin (Italy) during a gala show on January 23, 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.
18th century architecture: interior view of the Theatre Royal (Teatro Regio) in Turin (Italy) during a gala show on January 23, 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.

XEE4141244: 18th century architecture: interior view of the Theatre Royal (Teatro Regio) in Turin (Italy) during a gala show on January 23, 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141244

18th century architecture: interior view of the Theatre Royal (Teatro Regio) in Turin (Italy) during a gala show on January 23, 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.

French School, (19th century)

Fish farming: artificial laying. Chromolithography from the end of the 19th century
Fish farming: artificial laying. Chromolithography from the end of the 19th century

XEE4141249: Fish farming: artificial laying. Chromolithography from the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141249

Fish farming: artificial laying. Chromolithography from the end of the 19th century

Unknown Artist, (19th century)

Manufacture of porcelain: turning. Chromolithography of the end of the 19th century
Manufacture of porcelain: turning. Chromolithography of the end of the 19th century

XEE4141255: Manufacture of porcelain: turning. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141255

Manufacture of porcelain: turning. Chromolithography of the end of the 19th century

Unknown Artist, (19th century)

Paper production in the 19th century in France. Chromolithography of the end of the 19th century
Paper production in the 19th century in France. Chromolithography of the end of the 19th century

XEE4141275: Paper production in the 19th century in France. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141275

Paper production in the 19th century in France. Chromolithography of the end of the 19th century

Unknown Artist, (19th century)

Manufacture of fireworks. Chromolithography of the end of the 19th century
Manufacture of fireworks. Chromolithography of the end of the 19th century

XEE4141284: Manufacture of fireworks. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141284

Manufacture of fireworks. Chromolithography of the end of the 19th century

Unknown Artist, (19th century)

Coin making, gold blades. Chromolithography of the end of the 19th century
Coin making, gold blades. Chromolithography of the end of the 19th century

XEE4141287: Coin making, gold blades. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141287

Coin making, gold blades. Chromolithography of the end of the 19th century

Unknown Artist, (19th century)

Portrait of Count Ferencz Gyulai (1797-1868), feld lieutenant general commanding the Austrian troops in the Lombard provinces. Engraving in “” Le Monde Illustré”” n°107 of April 30, 1859.
Portrait of Count Ferencz Gyulai (1797-1868), feld lieutenant general commanding the Austrian troops in the Lombard provinces. Engraving in “” Le Monde Illustré”” n°107 of April 30, 1859.

XEE4141288: Portrait of Count Ferencz Gyulai (1797-1868), feld lieutenant general commanding the Austrian troops in the Lombard provinces. Engraving in “” Le Monde Illustré”” n°107 of April 30, 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141288

Portrait of Count Ferencz Gyulai (1797-1868), feld lieutenant general commanding the Austrian troops in the Lombard provinces. Engraving in “” Le Monde Illustré”” n°107 of April 30, 1859.

French School, (19th century)

Wool industry: washing. Chromolithography of the end of the 19th century
Wool industry: washing. Chromolithography of the end of the 19th century

XEE4141307: Wool industry: washing. Chromolithography of the end of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4141307

Wool industry: washing. Chromolithography of the end of the 19th century

Unknown Artist, (19th century)

Physiological effects of electricite: experience of Abbe Jean Antoine (Jean-Antoine) Nollet (1700-1770) and Charles Francois Du Fay (Dufay?) (1698-1739) in 1745 on the conductibilite of the human body. Anonymous illustration from 1925. Private collection.
Physiological effects of electricite: experience of Abbe Jean Antoine (Jean-Antoine) Nollet (1700-1770) and Charles Francois Du Fay (Dufay?) (1698-1739) in 1745 on the conductibilite of the human body. Anonymous illustration from 1925. Private collection.

XEE4140801: Physiological effects of electricite: experience of Abbe Jean Antoine (Jean-Antoine) Nollet (1700-1770) and Charles Francois Du Fay (Dufay?) (1698-1739) in 1745 on the conductibilite of the human body. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140801

Physiological effects of electricite: experience of Abbe Jean Antoine (Jean-Antoine) Nollet (1700-1770) and Charles Francois Du Fay (Dufay?) (1698-1739) in 1745 on the conductibilite of the human body. Anonymous illustration from 1925. Private collection.

Anonymous

Physiological effects of electricite: electric fish. Anonymous illustration from 1925. Private collection.
Physiological effects of electricite: electric fish. Anonymous illustration from 1925. Private collection.

XEE4140805: Physiological effects of electricite: electric fish. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140805

Physiological effects of electricite: electric fish. Anonymous illustration from 1925. Private collection.

Anonymous

Terrestrial magnetism: declination compa. Anonymous illustration of 1925. Private collection.
Terrestrial magnetism: declination compa. Anonymous illustration of 1925. Private collection.

XEE4140826: Terrestrial magnetism: declination compa. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140826

Terrestrial magnetism: declination compa. Anonymous illustration of 1925. Private collection.

Anonymous

Terrestrial magnetism: Magnetic map showing isoclins and isogones. Anonymous illustration from 1925. Private collection.
Terrestrial magnetism: Magnetic map showing isoclins and isogones. Anonymous illustration from 1925. Private collection.

XEE4140841: Terrestrial magnetism: Magnetic map showing isoclins and isogones. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140841

Terrestrial magnetism: Magnetic map showing isoclins and isogones. Anonymous illustration from 1925. Private collection.

Anonymous

Benediction by Pope Pius IX (1792-1878) of the altar of the pulpit of the Church of St. Peter in Rome, after restoration. Altar built between 1656 and 1658 by Gianlorenzo Bernini (Bernini, 1598-1680). Rome, Italy, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.
Benediction by Pope Pius IX (1792-1878) of the altar of the pulpit of the Church of St. Peter in Rome, after restoration. Altar built between 1656 and 1658 by Gianlorenzo Bernini (Bernini, 1598-1680). Rome, Italy, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.

XEE4140918: Benediction by Pope Pius IX (1792-1878) of the altar of the pulpit of the Church of St. Peter in Rome, after restoration. Altar built between 1656 and 1658 by Gianlorenzo Bernini (Bernini, 1598-1680). Rome, Italy, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859., French School, (19th century) / Bridgeman Images

ID: XEE4140918

Benediction by Pope Pius IX (1792-1878) of the altar of the pulpit of the Church of St. Peter in Rome, after restoration. Altar built between 1656 and 1658 by Gianlorenzo Bernini (Bernini, 1598-1680). Rome, Italy, 1859. Engraving in “” Le Monde Illustré”” n°99 of 5 March 1859.

French School, (19th century)

The hour: the middle sun. Anonymous illustration of 1925. Private collection.
The hour: the middle sun. Anonymous illustration of 1925. Private collection.

XEE4140934: The hour: the middle sun. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140934

The hour: the middle sun. Anonymous illustration of 1925. Private collection.

Anonymous

Time: first watches of the 15th century. Anonymous illustration of 1925. Private collection.
Time: first watches of the 15th century. Anonymous illustration of 1925. Private collection.

XEE4140946: Time: first watches of the 15th century. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140946

Time: first watches of the 15th century. Anonymous illustration of 1925. Private collection.

Anonymous

The atoms: John Dalton's Law (1766-1844). Anonymous illustration of 1925. Private collection.
The atoms: John Dalton's Law (1766-1844). Anonymous illustration of 1925. Private collection.

XEE4140956: The atoms: John Dalton's Law (1766-1844). Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140956

The atoms: John Dalton's Law (1766-1844). Anonymous illustration of 1925. Private collection.

Anonymous

Thermal radiation: incandescent. Anonymous illustration of 1925. Private collection.
Thermal radiation: incandescent. Anonymous illustration of 1925. Private collection.

XEE4140964: Thermal radiation: incandescent. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140964

Thermal radiation: incandescent. Anonymous illustration of 1925. Private collection.

Anonymous

Ultraviolet rays: to avoid scars caused by smallpox, patients should be treated in rooms or enter only red light, free of ultra violet rays. Anonymous illustration from 1925. Private collection.
Ultraviolet rays: to avoid scars caused by smallpox, patients should be treated in rooms or enter only red light, free of ultra violet rays. Anonymous illustration from 1925. Private collection.

XEE4140970: Ultraviolet rays: to avoid scars caused by smallpox, patients should be treated in rooms or enter only red light, free of ultra violet rays. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140970

Ultraviolet rays: to avoid scars caused by smallpox, patients should be treated in rooms or enter only red light, free of ultra violet rays. Anonymous illustration from 1925. Private collection.

Anonymous

Phosphorescence: the wiles. In Cuba, we light up with a bright insect, the wireworm, which we place in a cage. Anonymous illustration from 1925. Private collection.
Phosphorescence: the wiles. In Cuba, we light up with a bright insect, the wireworm, which we place in a cage. Anonymous illustration from 1925. Private collection.

XEE4140988: Phosphorescence: the wiles. In Cuba, we light up with a bright insect, the wireworm, which we place in a cage. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4140988

Phosphorescence: the wiles. In Cuba, we light up with a bright insect, the wireworm, which we place in a cage. Anonymous illustration from 1925. Private collection.

Anonymous

View of the arms room of the Palace of Turin (Italy) during the visit of King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and Prince Napoleon (1822-1891), 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.
View of the arms room of the Palace of Turin (Italy) during the visit of King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and Prince Napoleon (1822-1891), 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.

XEE4141002: View of the arms room of the Palace of Turin (Italy) during the visit of King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and Prince Napoleon (1822-1891), 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859., French School, (19th century) / Bridgeman Images

ID: XEE4141002

View of the arms room of the Palace of Turin (Italy) during the visit of King Victor Emmanuel II (Vittorio Emanuele) (Victor-Emmanuel) (1820-1878) and Prince Napoleon (1822-1891), 1859. Engraving in “” Le Monde Illustré”” n°95 of 5 February 1859.

French School, (19th century)

New gas properties: argon is used to fill a half watt bulb. Anonymous illustration from 1925. Private collection.
New gas properties: argon is used to fill a half watt bulb. Anonymous illustration from 1925. Private collection.

XEE4141009: New gas properties: argon is used to fill a half watt bulb. Anonymous illustration from 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141009

New gas properties: argon is used to fill a half watt bulb. Anonymous illustration from 1925. Private collection.

Anonymous

New gas properties: mercury lamp. Anonymous illustration of 1925. Private collection.
New gas properties: mercury lamp. Anonymous illustration of 1925. Private collection.

XEE4141010: New gas properties: mercury lamp. Anonymous illustration of 1925. Private collection., Anonymous / Bridgeman Images

ID: XEE4141010

New gas properties: mercury lamp. Anonymous illustration of 1925. Private collection.

Anonymous


Back to top