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Mediterranean Garden (oil on canvas)
Mediterranean Garden (oil on canvas)

ZEN144340: Mediterranean Garden (oil on canvas), Pophillat, Jean-Pierre (b.1937) / Bridgeman Images

ID: ZEN144340

Mediterranean Garden (oil on canvas)

Pophillat, Jean-Pierre (b.1937)

The Tulips of Lavandou (oil on canvas)
The Tulips of Lavandou (oil on canvas)

ZEN144341: The Tulips of Lavandou (oil on canvas), Pophillat, Jean-Pierre (b.1937) / Bridgeman Images

ID: ZEN144341

The Tulips of Lavandou (oil on canvas)

Pophillat, Jean-Pierre (b.1937)

Iris Reflections (oil on canvas)
Iris Reflections (oil on canvas)

ZEN144346: Iris Reflections (oil on canvas), Lenormand, Simone (20th century) / Bridgeman Images

ID: ZEN144346

Iris Reflections (oil on canvas)

Lenormand, Simone (20th century)

Cat with a Bouquet (oil on canvas)
Cat with a Bouquet (oil on canvas)

ZEN144354: Cat with a Bouquet (oil on canvas), Marcoux, Madeleine (20th century) / Bridgeman Images

ID: ZEN144354

Cat with a Bouquet (oil on canvas)

Marcoux, Madeleine (20th century)

Portrait of Johann Valentine of Wurtemburg, engraved by Wolfgang Kilian (1581-1662) 1639 (engraving) (b/w photo)
Portrait of Johann Valentine of Wurtemburg, engraved by Wolfgang Kilian (1581-1662) 1639 (engraving) (b/w photo)

XJF142359: Portrait of Johann Valentine of Wurtemburg, engraved by Wolfgang Kilian (1581-1662) 1639 (engraving) (b/w photo), German School, (17th century) / Bridgeman Images

ID: XJF142359

Portrait of Johann Valentine of Wurtemburg, engraved by Wolfgang Kilian (1581-1662) 1639 (engraving) (b/w photo)

German School, (17th century)

Cactus coat rack, designed by Guido Drocco and Franco Mello of 'Studio 65', 1972 (painted polyurethane foam), 'Bocca' sofa designed by 'Studio 65', 1972 and 'Gherpe' Shrimp light designed by 'Superstudio' (plastic)
Cactus coat rack, designed by Guido Drocco and Franco Mello of 'Studio 65', 1972 (painted polyurethane foam), 'Bocca' sofa designed by 'Studio 65', 1972 and 'Gherpe' Shrimp light designed by 'Superstudio' (plastic)

BON142467: Cactus coat rack, designed by Guido Drocco and Franco Mello of 'Studio 65', 1972 (painted polyurethane foam), 'Bocca' sofa designed by 'Studio 65', 1972 and 'Gherpe' Shrimp light designed by 'Superstudio' (plastic), Studio 65 & Superstudio (20th Century) / Bridgeman Images

ID: BON142467

Cactus coat rack, designed by Guido Drocco and Franco Mello of 'Studio 65', 1972 (painted polyurethane foam), 'Bocca' sofa designed by 'Studio 65', 1972 and 'Gherpe' Shrimp light designed by 'Superstudio' (plastic)

Studio 65 & Superstudio (20th Century)

Standard lamp, manufactured by Stilnovo, 1950s (painted metal)
Standard lamp, manufactured by Stilnovo, 1950s (painted metal)

BON142468: Standard lamp, manufactured by Stilnovo, 1950s (painted metal) / Bridgeman Images

ID: BON142468

Standard lamp, manufactured by Stilnovo, 1950s (painted metal)

A little beach in Brittany (w/c on paper)
A little beach in Brittany (w/c on paper)

ZEN142492: A little beach in Brittany (w/c on paper), Zenobel, Jean-Pierre (20th century) / Bridgeman Images

ID: ZEN142492

A little beach in Brittany (w/c on paper)

Zenobel, Jean-Pierre (20th century)

Office In The Desert, camouflaged against enemy view, from 'Signal' Magazine, Number 7, first edition of April 1942 (litho)
Office In The Desert, camouflaged against enemy view, from 'Signal' Magazine, Number 7, first edition of April 1942 (litho)

BAL142510: Office In The Desert, camouflaged against enemy view, from 'Signal' Magazine, Number 7, first edition of April 1942 (litho) / Bridgeman Images

ID: BAL142510

Office In The Desert, camouflaged against enemy view, from 'Signal' Magazine, Number 7, first edition of April 1942 (litho)

Flower stand, in Brussels, from 'Signal' Magazine, Number 10, second edition of May 1942 (litho)
Flower stand, in Brussels, from 'Signal' Magazine, Number 10, second edition of May 1942 (litho)

BAL142513: Flower stand, in Brussels, from 'Signal' Magazine, Number 10, second edition of May 1942 (litho) / Bridgeman Images

ID: BAL142513

Flower stand, in Brussels, from 'Signal' Magazine, Number 10, second edition of May 1942 (litho)

Oranges, peaches, grapes, plums, strawberries, raspberries and other fruit with roses, honeysuckle and other flowers (oil on canvas)
Oranges, peaches, grapes, plums, strawberries, raspberries and other fruit with roses, honeysuckle and other flowers (oil on canvas)

BAL142784: Oranges, peaches, grapes, plums, strawberries, raspberries and other fruit with roses, honeysuckle and other flowers (oil on canvas), Son, Joris van (1623-67) / Bridgeman Images

ID: BAL142784

Oranges, peaches, grapes, plums, strawberries, raspberries and other fruit with roses, honeysuckle and other flowers (oil on canvas)

Son, Joris van (1623-67)

Mr Bester's Poultry, from 'The Leaguer of Ladysmith', 1900 (colour litho)
Mr Bester's Poultry, from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143072: Mr Bester's Poultry, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143072

Mr Bester's Poultry, from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

Portrait of Lady Sophia Bulkeley (fl.1688) engraved by Robert Dunkarton (1744-c.1817) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)
Portrait of Lady Sophia Bulkeley (fl.1688) engraved by Robert Dunkarton (1744-c.1817) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)

XJF143076: Portrait of Lady Sophia Bulkeley (fl.1688) engraved by Robert Dunkarton (1744-c.1817) from 'Illustrious Characters in British History' (mezzotint) (b/w photo), Gascard, Henri (1635-1701) (after) / Bridgeman Images

ID: XJF143076

Portrait of Lady Sophia Bulkeley (fl.1688) engraved by Robert Dunkarton (1744-c.1817) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)

Gascard, Henri (1635-1701) (after)

Portrait of George, Duke of Buckingham (1592-1628) engraved by Robert Dunkarton (1744-c.1817) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)
Portrait of George, Duke of Buckingham (1592-1628) engraved by Robert Dunkarton (1744-c.1817) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)

XJF143077: Portrait of George, Duke of Buckingham (1592-1628) engraved by Robert Dunkarton (1744-c.1817) from 'Illustrious Characters in British History' (mezzotint) (b/w photo), Dyck, Anthony van (1599-1641) (after) / Bridgeman Images

ID: XJF143077

Portrait of George, Duke of Buckingham (1592-1628) engraved by Robert Dunkarton (1744-c.1817) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)

Dyck, Anthony van (1599-1641) (after)

Portrait of Thomas Howard, Earl of Arundel (1585-1646) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)
Portrait of Thomas Howard, Earl of Arundel (1585-1646) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)

XJF143086: Portrait of Thomas Howard, Earl of Arundel (1585-1646) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint) (b/w photo), English School, (18th century) / Bridgeman Images

ID: XJF143086

Portrait of Thomas Howard, Earl of Arundel (1585-1646) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)

English School, (18th century)

Death and the Preacher, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)
Death and the Preacher, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

XJF143253: Death and the Preacher, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XJF143253

Death and the Preacher, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

Holbein the Younger, Hans (1497/8-1543) (after)

Death and the Nobleman, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)
Death and the Nobleman, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

XJF143270: Death and the Nobleman, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XJF143270

Death and the Nobleman, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

Holbein the Younger, Hans (1497/8-1543) (after)

The Last Judgement, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)
The Last Judgement, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

XJF143275: The Last Judgement, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

ID: XJF143275

The Last Judgement, from 'The Dance of Death', engraved by Hans Lutzelburger, c.1538 (woodcut) (b/w photo)

Holbein the Younger, Hans (1497/8-1543) (after)

Eusterwon, King of the Upper Germans, from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving)
Eusterwon, King of the Upper Germans, from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving)

STC143570: Eusterwon, King of the Upper Germans, from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving), German School, (16th century) / Bridgeman Images

ID: STC143570

Eusterwon, King of the Upper Germans, from 'The Origin of the First Twelve Old Kings and Princes of the German Nation', 1543 (coloured engraving)

German School, (16th century)

Portrait of General Thomas Dalyell (c.1599-1685) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)
Portrait of General Thomas Dalyell (c.1599-1685) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)

XJF143595: Portrait of General Thomas Dalyell (c.1599-1685) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint) (b/w photo), English School, (18th century) / Bridgeman Images

ID: XJF143595

Portrait of General Thomas Dalyell (c.1599-1685) engraved by Richard Earlom (1743-1822) and Charles Turner (c.1773-1857) from 'Illustrious Characters in British History' (mezzotint) (b/w photo)

English School, (18th century)

Conversation IV, 1968 (tempera and oil on hardboard)
Conversation IV, 1968 (tempera and oil on hardboard)

XKH145589: Conversation IV, 1968 (tempera and oil on hardboard), Kluth, Karl (1898-1972) / Bridgeman Images

ID: XKH145589

Conversation IV, 1968 (tempera and oil on hardboard)

Kluth, Karl (1898-1972)

Man and Woman (w/c on paper)
Man and Woman (w/c on paper)

FFA145626: Man and Woman (w/c on paper), Nolde, Emil (1867-1956) / Bridgeman Images

ID: FFA145626

Man and Woman (w/c on paper)

Nolde, Emil (1867-1956)

Violet and Yellow Dahlias in a Blue Vase (w/c on paper)
Violet and Yellow Dahlias in a Blue Vase (w/c on paper)

FFA145631: Violet and Yellow Dahlias in a Blue Vase (w/c on paper), Nolde, Emil (1867-1956) / Bridgeman Images

ID: FFA145631

Violet and Yellow Dahlias in a Blue Vase (w/c on paper)

Nolde, Emil (1867-1956)

Tulips and Azaleas, 1926 (w/c on paper)
Tulips and Azaleas, 1926 (w/c on paper)

FFA145634: Tulips and Azaleas, 1926 (w/c on paper), Nolde, Emil (1867-1956) / Bridgeman Images

ID: FFA145634

Tulips and Azaleas, 1926 (w/c on paper)

Nolde, Emil (1867-1956)

Hare-Bells and Poppies (w/c on paper)
Hare-Bells and Poppies (w/c on paper)

FFA145637: Hare-Bells and Poppies (w/c on paper), Nolde, Emil (1867-1956) / Bridgeman Images

ID: FFA145637

Hare-Bells and Poppies (w/c on paper)

Nolde, Emil (1867-1956)

Portrait of Rudolph II (1576-1612) (engraving) (b/w photo)
Portrait of Rudolph II (1576-1612) (engraving) (b/w photo)

XJF145638: Portrait of Rudolph II (1576-1612) (engraving) (b/w photo), Hausser von Ach, Johannes (fl.1603) / Bridgeman Images

ID: XJF145638

Portrait of Rudolph II (1576-1612) (engraving) (b/w photo)

Hausser von Ach, Johannes (fl.1603)

Allemachtij, from 'The Leaguer of Ladysmith', 1900 (colour litho)
Allemachtij, from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143059: Allemachtij, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143059

Allemachtij, from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

The Cattle Guard, from 'The Leaguer of Ladysmith', 1900 (colour litho)
The Cattle Guard, from 'The Leaguer of Ladysmith', 1900 (colour litho)

XCF143061: The Cattle Guard, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: XCF143061

The Cattle Guard, from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

Flag of Truce after Surprise Hill, from 'The Leaguer of Ladysmith', 1900 (colour litho)
Flag of Truce after Surprise Hill, from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143063: Flag of Truce after Surprise Hill, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143063

Flag of Truce after Surprise Hill, from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

A Choice of Evils, from 'The Leaguer of Ladysmith', 1900 (colour litho)
A Choice of Evils, from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143065: A Choice of Evils, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143065

A Choice of Evils, from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

The Volunteers' Ponies, from 'The Leaguer of Ladysmith', 1900 (colour litho)
The Volunteers' Ponies, from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143066: The Volunteers' Ponies, from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143066

The Volunteers' Ponies, from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

'The sight of our men washing so infuriated the Boers that they immediately opened fire', from 'The Leaguer of Ladysmith', 1900 (colour litho)
'The sight of our men washing so infuriated the Boers that they immediately opened fire', from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143069: 'The sight of our men washing so infuriated the Boers that they immediately opened fire', from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143069

'The sight of our men washing so infuriated the Boers that they immediately opened fire', from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

'Defence Commanders proving that the two 6.3 inch Howlitzers are absolutely necessary in his particular section', from 'The Leaguer of Ladysmith', 1900 (colour litho)
'Defence Commanders proving that the two 6.3 inch Howlitzers are absolutely necessary in his particular section', from 'The Leaguer of Ladysmith', 1900 (colour litho)

BAL143070: 'Defence Commanders proving that the two 6.3 inch Howlitzers are absolutely necessary in his particular section', from 'The Leaguer of Ladysmith', 1900 (colour litho), Captain Clive Dixon (fl.1900) / Bridgeman Images

ID: BAL143070

'Defence Commanders proving that the two 6.3 inch Howlitzers are absolutely necessary in his particular section', from 'The Leaguer of Ladysmith', 1900 (colour litho)

Captain Clive Dixon (fl.1900)

Harar from the Coffe Stream, from 'First Footsteps in East Africa: An Exploration of Harar', by Richard F. Burton (1821-90), engraved by M & N Hanhart (colour litho)
Harar from the Coffe Stream, from 'First Footsteps in East Africa: An Exploration of Harar', by Richard F. Burton (1821-90), engraved by M & N Hanhart (colour litho)

STC160957: Harar from the Coffe Stream, from 'First Footsteps in East Africa: An Exploration of Harar', by Richard F. Burton (1821-90), engraved by M & N Hanhart (colour litho), Duteroq (19th century) (after) / Bridgeman Images

ID: STC160957

Harar from the Coffe Stream, from 'First Footsteps in East Africa: An Exploration of Harar', by Richard F. Burton (1821-90), engraved by M & N Hanhart (colour litho)

Duteroq (19th century) (after)

Birdcatchers using a system of baited pits to trap cranes by their bills, plate 40 'Venationes Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish) engraved by Jan Collaert (1566-1628) published by Phillipus Gallaeus of Amsterdam (hand coloured engraving)
Birdcatchers using a system of baited pits to trap cranes by their bills, plate 40 'Venationes Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish) engraved by Jan Collaert (1566-1628) published by Phillipus Gallaeus of Amsterdam (hand coloured engraving)

STC161113: Birdcatchers using a system of baited pits to trap cranes by their bills, plate 40 'Venationes Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish) engraved by Jan Collaert (1566-1628) published by Phillipus Gallaeus of Amsterdam (hand coloured engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

ID: STC161113

Birdcatchers using a system of baited pits to trap cranes by their bills, plate 40 'Venationes Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish) engraved by Jan Collaert (1566-1628) published by Phillipus Gallaeus of Amsterdam (hand coloured engraving)

Straet, Jan van der (Giovanni Stradano) (1523-1605) (after)

Catching Serpents in India Using Clubs and Torches to Light the Undergrowth, plate 44 from 'Venationes Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish) engraved by Jan Collaert (1566-1628) published by Phillipus Gallaeus of Amsterdam (hand coloured engraving)
Catching Serpents in India Using Clubs and Torches to Light the Undergrowth, plate 44 from 'Venationes Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish) engraved by Jan Collaert (1566-1628) published by Phillipus Gallaeus of Amsterdam (hand coloured engraving)

STC161116: Catching Serpents in India Using Clubs and Torches to Light the Undergrowth, plate 44 from 'Venationes Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish) engraved by Jan Collaert (1566-1628) published by Phillipus Gallaeus of Amsterdam (hand coloured engraving), Straet, Jan van der (Giovanni Stradano) (1523-1605) (after) / Bridgeman Images

ID: STC161116

Catching Serpents in India Using Clubs and Torches to Light the Undergrowth, plate 44 from 'Venationes Ferarum, Avium, Piscium' (Of Hunting: Wild Beasts, Birds, Fish) engraved by Jan Collaert (1566-1628) published by Phillipus Gallaeus of Amsterdam (hand coloured engraving)

Straet, Jan van der (Giovanni Stradano) (1523-1605) (after)


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