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French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006373: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006377: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006380: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006390: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006394: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006396: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006400: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006410: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006423: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006425: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006436: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006440: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006443: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006444: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006447: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006452: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006462: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006466: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006470: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006473: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006478: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006479: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006481: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006482: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006484: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006487: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006505: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

French Fabrics, 1800-50
French Fabrics, 1800-50

LZT1006506: French Fabrics, 1800-50, French School, (19th century) / Bridgeman Images

New Engine for Propelling Tramway Cars, Now in Use in Paris, Between Mont Parnasse and the Bridge of Austerlitz, France, Engraving 1876
New Engine for Propelling Tramway Cars, Now in Use in Paris, Between Mont Parnasse and the Bridge of Austerlitz, France, Engraving 1876

LZT1007135: New Engine for Propelling Tramway Cars, Now in Use in Paris, Between Mont Parnasse and the Bridge of Austerlitz, France, Engraving 1876 / Bridgeman Images

Mimasu Tokujiro No San, Mimasu Tokujiro in the Role of San. [178-], 1 Print : Woodcut, Color ; 31 X 14.4 ., Ukiyo-E Actor Print, Full-Length Portrait Showing the Actor Mimasu Tokujiro in an Onnagata Role As San Fixing Her Hair and Holding Large Wooden Container in Left Hand.
Mimasu Tokujiro No San, Mimasu Tokujiro in the Role of San. [178-], 1 Print : Woodcut, Color ; 31 X 14.4 ., Ukiyo-E Actor Print, Full-Length Portrait Showing the Actor Mimasu Tokujiro in an Onnagata Role As San Fixing Her Hair and Holding Large Wooden Container in Left Hand.

LZT1111639: Mimasu Tokujiro No San, Mimasu Tokujiro in the Role of San. [178-], 1 Print : Woodcut, Color ; 31 X 14.4 ., Ukiyo-E Actor Print, Full-Length Portrait Showing the Actor Mimasu Tokujiro in an Onnagata Role As San Fixing Her Hair and Holding Large Wooden Container in Left Hand., Katsukawa Shunko (1743-1812) / Bridgeman Images

Siratama No Hanashi, Tale of the Courtesan Shiratama. 1861., 1 Print : Woodcut, Color ; 36.9 X 24.9 ., Print Shows the Courtesan Shiratama Wearing Elaborate Dress, Sitting, and Another Woman Looking in at a Door.
Siratama No Hanashi, Tale of the Courtesan Shiratama. 1861., 1 Print : Woodcut, Color ; 36.9 X 24.9 ., Print Shows the Courtesan Shiratama Wearing Elaborate Dress, Sitting, and Another Woman Looking in at a Door.

LZT1111640: Siratama No Hanashi, Tale of the Courtesan Shiratama. 1861., 1 Print : Woodcut, Color ; 36.9 X 24.9 ., Print Shows the Courtesan Shiratama Wearing Elaborate Dress, Sitting, and Another Woman Looking in at a Door., Toyokuni, Utagawa (1769-1825) / Bridgeman Images

Rikka O Nagameru San Bijin, Three Beauties Admiring An Arrangement of Rikka Flowers., Utagawa, Kuninao, 1793-1854, Artist, [Between 1810 and 1815], 1 Print : Woodcut, Color ; 19.2 X 38 Cm., Print Shows Three Women Admiring the Arrangements of Plants in A Large Pot.
Rikka O Nagameru San Bijin, Three Beauties Admiring An Arrangement of Rikka Flowers., Utagawa, Kuninao, 1793-1854, Artist, [Between 1810 and 1815], 1 Print : Woodcut, Color ; 19.2 X 38 Cm., Print Shows Three Women Admiring the Arrangements of Plants in A Large Pot.

LZT1111643: Rikka O Nagameru San Bijin, Three Beauties Admiring An Arrangement of Rikka Flowers., Utagawa, Kuninao, 1793-1854, Artist, [Between 1810 and 1815], 1 Print : Woodcut, Color ; 19.2 X 38 Cm., Print Shows Three Women Admiring the Arrangements of Plants in A Large Pot., Unknown Artist, (19th century) / Bridgeman Images

Niozo [Ungyo], Buddhist Gate Guardian Ungyo. The Buddhist Nio Protector or Temple Guard with Mouth Closed, Full-Length Portrait, Standing, Facing Front; (Companion God to Agyo, the Open-Mouthed Nio Protector).
Niozo [Ungyo], Buddhist Gate Guardian Ungyo. The Buddhist Nio Protector or Temple Guard with Mouth Closed, Full-Length Portrait, Standing, Facing Front; (Companion God to Agyo, the Open-Mouthed Nio Protector).

LZT1111648: Niozo [Ungyo], Buddhist Gate Guardian Ungyo. The Buddhist Nio Protector or Temple Guard with Mouth Closed, Full-Length Portrait, Standing, Facing Front; (Companion God to Agyo, the Open-Mouthed Nio Protector). / Bridgeman Images

Niozo (Agyo), Buddhist Gate Guardian Agyo. The Buddhist Nio Protector or Temple Guard with Mouth Open, Full-Length Portrait, Standing, Facing Front, with Right Hand Raised Over His Head; (Companion God to Ungyo, the Closed-Mouth Nio Protector).
Niozo (Agyo), Buddhist Gate Guardian Agyo. The Buddhist Nio Protector or Temple Guard with Mouth Open, Full-Length Portrait, Standing, Facing Front, with Right Hand Raised Over His Head; (Companion God to Ungyo, the Closed-Mouth Nio Protector).

LZT1111651: Niozo (Agyo), Buddhist Gate Guardian Agyo. The Buddhist Nio Protector or Temple Guard with Mouth Open, Full-Length Portrait, Standing, Facing Front, with Right Hand Raised Over His Head; (Companion God to Ungyo, the Closed-Mouth Nio Protector). / Bridgeman Images

Kasamori Osen to Kyaku, Kasamori Osen. [Ca. 1769], 1 Print : Woodcut, Color ; 30.9 X 14 ., Print Shows a Man, Holding a Mirror, Sitting on a Bench and a Woman Standing behind Him on the Bench, Fixing Her Hair.
Kasamori Osen to Kyaku, Kasamori Osen. [Ca. 1769], 1 Print : Woodcut, Color ; 30.9 X 14 ., Print Shows a Man, Holding a Mirror, Sitting on a Bench and a Woman Standing behind Him on the Bench, Fixing Her Hair.

LZT1111657: Kasamori Osen to Kyaku, Kasamori Osen. [Ca. 1769], 1 Print : Woodcut, Color ; 30.9 X 14 ., Print Shows a Man, Holding a Mirror, Sitting on a Bench and a Woman Standing behind Him on the Bench, Fixing Her Hair., Shunsho, Katsukawa (1726-92) / Bridgeman Images

Somagahana Fuchiemon, the Sumo Wrestler Somagahama Fuchiemon. [Between 1848 and 1854], 1 Print : Woodcut, Color ; 38.3 X 25.8 ., Print Shows Sumo Wrestler Somagahana Fuchiemon, Full-Length Portrait, Standing, Facing Slightly Left, Wearing Robes with Two Swords.
Somagahana Fuchiemon, the Sumo Wrestler Somagahama Fuchiemon. [Between 1848 and 1854], 1 Print : Woodcut, Color ; 38.3 X 25.8 ., Print Shows Sumo Wrestler Somagahana Fuchiemon, Full-Length Portrait, Standing, Facing Slightly Left, Wearing Robes with Two Swords.

LZT1111671: Somagahana Fuchiemon, the Sumo Wrestler Somagahama Fuchiemon. [Between 1848 and 1854], 1 Print : Woodcut, Color ; 38.3 X 25.8 ., Print Shows Sumo Wrestler Somagahana Fuchiemon, Full-Length Portrait, Standing, Facing Slightly Left, Wearing Robes with Two Swords., Toyokuni, Utagawa (1769-1825) / Bridgeman Images


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