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Portrait of Francois II (1544 - 1560), King of France.
Portrait of Francois II (1544 - 1560), King of France.

XEE4170985: Portrait of Francois II (1544 - 1560), King of France., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4170985

Portrait of Francois II (1544 - 1560), King of France.

Unknown Artist, (19th century)

The discord between the three Musketeers and the guard of Cardinal Jules Mazarin (Giulio Raimondo Mazzarino or Mazarino) (1602-1661). Chromolithography of the 19th century.
The discord between the three Musketeers and the guard of Cardinal Jules Mazarin (Giulio Raimondo Mazzarino or Mazarino) (1602-1661). Chromolithography of the 19th century.

XEE4170987: The discord between the three Musketeers and the guard of Cardinal Jules Mazarin (Giulio Raimondo Mazzarino or Mazarino) (1602-1661). Chromolithography of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4170987

The discord between the three Musketeers and the guard of Cardinal Jules Mazarin (Giulio Raimondo Mazzarino or Mazarino) (1602-1661). Chromolithography of the 19th century.

Unknown Artist, (19th century)

The feasts of Tours, 1881: the historical cavalcade or the reenactment of “” the entrance of King Louis XI (1423-1483) in his good city”” of Tours in 1461. Engraving by Dunki in “” The Illustrous World”” n°1272 of 13 August 1881.
The feasts of Tours, 1881: the historical cavalcade or the reenactment of “” the entrance of King Louis XI (1423-1483) in his good city”” of Tours in 1461. Engraving by Dunki in “” The Illustrous World”” n°1272 of 13 August 1881.

XEE4171010: The feasts of Tours, 1881: the historical cavalcade or the reenactment of “” the entrance of King Louis XI (1423-1483) in his good city”” of Tours in 1461. Engraving by Dunki in “” The Illustrous World”” n°1272 of 13 August 1881., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4171010

The feasts of Tours, 1881: the historical cavalcade or the reenactment of “” the entrance of King Louis XI (1423-1483) in his good city”” of Tours in 1461. Engraving by Dunki in “” The Illustrous World”” n°1272 of 13 August 1881.

Unknown Artist, (19th century)

Tunisia, July 1881: French troops took the city of Stax following the revolt of the inhabitants against the French protectorate of Tunisia. Marine rifles smoke Arab houses located at the foot of the casbah (kasbah) - Engraving by De Haenen in “” The Illustrous World”” n°1273 of 20 August 1881
Tunisia, July 1881: French troops took the city of Stax following the revolt of the inhabitants against the French protectorate of Tunisia. Marine rifles smoke Arab houses located at the foot of the casbah (kasbah) - Engraving by De Haenen in “” The Illustrous World”” n°1273 of 20 August 1881

XEE4171021: Tunisia, July 1881: French troops took the city of Stax following the revolt of the inhabitants against the French protectorate of Tunisia. Marine rifles smoke Arab houses located at the foot of the casbah (kasbah) - Engraving by De Haenen in “” The Illustrous World”” n°1273 of 20 August 1881, Haenen, Frederic de (1853-1928) / Bridgeman Images

ID: XEE4171021

Tunisia, July 1881: French troops took the city of Stax following the revolt of the inhabitants against the French protectorate of Tunisia. Marine rifles smoke Arab houses located at the foot of the casbah (kasbah) - Engraving by De Haenen in “” The Illustrous World”” n°1273 of 20 August 1881

Haenen, Frederic de (1853-1928)

Children playing croquet on the beach. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1277 of 17 September 1881.
Children playing croquet on the beach. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1277 of 17 September 1881.

XEE4171039: Children playing croquet on the beach. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1277 of 17 September 1881., Marie, Adrien Emmanuel (1848-91) / Bridgeman Images

ID: XEE4171039

Children playing croquet on the beach. Engraving by Adrien Marie in “” Le Monde Illustré”” n°1277 of 17 September 1881.

Marie, Adrien Emmanuel (1848-91)

View of the ruins of Quebec City (Canada) after the fire of June 1881. Engraving by Lepere in “” The Illustrous World”” n°1267 of July 9, 1881.
View of the ruins of Quebec City (Canada) after the fire of June 1881. Engraving by Lepere in “” The Illustrous World”” n°1267 of July 9, 1881.

XEE4171049: View of the ruins of Quebec City (Canada) after the fire of June 1881. Engraving by Lepere in “” The Illustrous World”” n°1267 of July 9, 1881., Lepere, Auguste (1849-1918) / Bridgeman Images

ID: XEE4171049

View of the ruins of Quebec City (Canada) after the fire of June 1881. Engraving by Lepere in “” The Illustrous World”” n°1267 of July 9, 1881.

Lepere, Auguste (1849-1918)

The new one (newborn). Engraving after the painting by Andre Gill (1840-1885) in “” The Illustrous World”” n°1283 of October 29, 1881.
The new one (newborn). Engraving after the painting by Andre Gill (1840-1885) in “” The Illustrous World”” n°1283 of October 29, 1881.

XEE4171070: The new one (newborn). Engraving after the painting by Andre Gill (1840-1885) in “” The Illustrous World”” n°1283 of October 29, 1881., Gill, Andre (1840-85) / Bridgeman Images

ID: XEE4171070

The new one (newborn). Engraving after the painting by Andre Gill (1840-1885) in “” The Illustrous World”” n°1283 of October 29, 1881.

Gill, Andre (1840-85)

Portrait of Paul Deves (1837-1889), French lawyer and politician. Engraving by Bocour in “” Le Monde Illustré”” n°1287 of November 26, 1881.
Portrait of Paul Deves (1837-1889), French lawyer and politician. Engraving by Bocour in “” Le Monde Illustré”” n°1287 of November 26, 1881.

XEE4171088: Portrait of Paul Deves (1837-1889), French lawyer and politician. Engraving by Bocour in “” Le Monde Illustré”” n°1287 of November 26, 1881., Bocourt, Etienne Gabriel (1821-1913) / Bridgeman Images

ID: XEE4171088

Portrait of Paul Deves (1837-1889), French lawyer and politician. Engraving by Bocour in “” Le Monde Illustré”” n°1287 of November 26, 1881.

Bocourt, Etienne Gabriel (1821-1913)

Islam, pelerinage: the sacred carpet leaving for Mecca from Cairo, Egypt, 1881. Engraving by Samuel Urrabieta in “” The Illustrous World”” n°1289 of 10 December 1881.
Islam, pelerinage: the sacred carpet leaving for Mecca from Cairo, Egypt, 1881. Engraving by Samuel Urrabieta in “” The Illustrous World”” n°1289 of 10 December 1881.

XEE4171111: Islam, pelerinage: the sacred carpet leaving for Mecca from Cairo, Egypt, 1881. Engraving by Samuel Urrabieta in “” The Illustrous World”” n°1289 of 10 December 1881., Urrabieta, Samuel (1853-1886) / Bridgeman Images

ID: XEE4171111

Islam, pelerinage: the sacred carpet leaving for Mecca from Cairo, Egypt, 1881. Engraving by Samuel Urrabieta in “” The Illustrous World”” n°1289 of 10 December 1881.

Urrabieta, Samuel (1853-1886)

pious image: representation of Saint Anthony of Padua (Antonio di padova) known as the Thaumaturge (1195-1231).
pious image: representation of Saint Anthony of Padua (Antonio di padova) known as the Thaumaturge (1195-1231).

XEE4171225: pious image: representation of Saint Anthony of Padua (Antonio di padova) known as the Thaumaturge (1195-1231)., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4171225

pious image: representation of Saint Anthony of Padua (Antonio di padova) known as the Thaumaturge (1195-1231).

Unknown Artist, (19th century)

A French soldier in battle on a battlefield: “Glory and Honour has our valiant defenseurs”. Postcard of the First World War 1914-1918.
A French soldier in battle on a battlefield: “Glory and Honour has our valiant defenseurs”. Postcard of the First World War 1914-1918.

XEE4171248: A French soldier in battle on a battlefield: “Glory and Honour has our valiant defenseurs”. Postcard of the First World War 1914-1918., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4171248

A French soldier in battle on a battlefield: “Glory and Honour has our valiant defenseurs”. Postcard of the First World War 1914-1918.

Unknown Artist, (20th century)

French film poster for the film “” Jane Eyre”” written by Charlotte Bronte and directed by Robert Stevenson in 1944 with actors Orson Welles as Edward Rochester and Joan Fontaine as Jane. Private collection.
French film poster for the film “” Jane Eyre”” written by Charlotte Bronte and directed by Robert Stevenson in 1944 with actors Orson Welles as Edward Rochester and Joan Fontaine as Jane. Private collection.

XEE4171274: French film poster for the film “” Jane Eyre”” written by Charlotte Bronte and directed by Robert Stevenson in 1944 with actors Orson Welles as Edward Rochester and Joan Fontaine as Jane. Private collection., Anonymous / Bridgeman Images

ID: XEE4171274

French film poster for the film “” Jane Eyre”” written by Charlotte Bronte and directed by Robert Stevenson in 1944 with actors Orson Welles as Edward Rochester and Joan Fontaine as Jane. Private collection.

Anonymous

Anonymous illustration of the 20th century for “The Two Nigauds” by the Countess of Segur (Sophie Rostopchine, 1799-1874). Private collection.
Anonymous illustration of the 20th century for “The Two Nigauds” by the Countess of Segur (Sophie Rostopchine, 1799-1874). Private collection.

XEE4171291: Anonymous illustration of the 20th century for “The Two Nigauds” by the Countess of Segur (Sophie Rostopchine, 1799-1874). Private collection., French School, (20th century) / Bridgeman Images

ID: XEE4171291

Anonymous illustration of the 20th century for “The Two Nigauds” by the Countess of Segur (Sophie Rostopchine, 1799-1874). Private collection.

French School, (20th century)

Weighing aluminum, 20th century (Epinal print)
Weighing aluminum, 20th century (Epinal print)

XEE4180589: Weighing aluminum, 20th century (Epinal print), French School, (20th century) / Bridgeman Images

ID: XEE4180589

Weighing aluminum, 20th century (Epinal print)

French School, (20th century)

Aluminium kitchen utensils replace copper pans, 20th century (Epinal print)
Aluminium kitchen utensils replace copper pans, 20th century (Epinal print)

XEE4180602: Aluminium kitchen utensils replace copper pans, 20th century (Epinal print), French School, (20th century) / Bridgeman Images

ID: XEE4180602

Aluminium kitchen utensils replace copper pans, 20th century (Epinal print)

French School, (20th century)

First World War 1914-1918: The Second Battle of Ypres (Belgium) from 24 to 27 April 1915 between the victorious Germans against the French and British weapons. Known for the first uses of chemical weapons by the German army. Engraving of the end of the war.
First World War 1914-1918: The Second Battle of Ypres (Belgium) from 24 to 27 April 1915 between the victorious Germans against the French and British weapons. Known for the first uses of chemical weapons by the German army. Engraving of the end of the war.

XEE4180671: First World War 1914-1918: The Second Battle of Ypres (Belgium) from 24 to 27 April 1915 between the victorious Germans against the French and British weapons. Known for the first uses of chemical weapons by the German army. Engraving of the end of the war., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4180671

First World War 1914-1918: The Second Battle of Ypres (Belgium) from 24 to 27 April 1915 between the victorious Germans against the French and British weapons. Known for the first uses of chemical weapons by the German army. Engraving of the end of the war.

Unknown Artist, (20th century)

First World War 1914-1918: The Battle of Tannenberg (Stebark, Poland) between the victorious German army and the Russian army, August 28, 1914. Engraving of the end of the war.
First World War 1914-1918: The Battle of Tannenberg (Stebark, Poland) between the victorious German army and the Russian army, August 28, 1914. Engraving of the end of the war.

XEE4180693: First World War 1914-1918: The Battle of Tannenberg (Stebark, Poland) between the victorious German army and the Russian army, August 28, 1914. Engraving of the end of the war., Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4180693

First World War 1914-1918: The Battle of Tannenberg (Stebark, Poland) between the victorious German army and the Russian army, August 28, 1914. Engraving of the end of the war.

Unknown Artist, (20th century)

Macaroni factory in Naples: use of a screw mill to prepare the paste which is then petried with the feet. Engraving in “” The Illustrious Universe””, 1873.
Macaroni factory in Naples: use of a screw mill to prepare the paste which is then petried with the feet. Engraving in “” The Illustrious Universe””, 1873.

XEE4180706: Macaroni factory in Naples: use of a screw mill to prepare the paste which is then petried with the feet. Engraving in “” The Illustrious Universe””, 1873., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4180706

Macaroni factory in Naples: use of a screw mill to prepare the paste which is then petried with the feet. Engraving in “” The Illustrious Universe””, 1873.

Unknown Artist, (19th century)

The subscription for the reconstruction of the palace of the legion of honor, destroyed under the Commune, 1873. Engraving in “” The Illustrious Universe””, 1873.
The subscription for the reconstruction of the palace of the legion of honor, destroyed under the Commune, 1873. Engraving in “” The Illustrious Universe””, 1873.

XEE4180721: The subscription for the reconstruction of the palace of the legion of honor, destroyed under the Commune, 1873. Engraving in “” The Illustrious Universe””, 1873., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4180721

The subscription for the reconstruction of the palace of the legion of honor, destroyed under the Commune, 1873. Engraving in “” The Illustrious Universe””, 1873.

Unknown Artist, (19th century)

The Mikado, the spiritual ruler of Japan, inaugurated his country's first railway, 1873. Engraving in “” The Illustrious Universe””, 1873.
The Mikado, the spiritual ruler of Japan, inaugurated his country's first railway, 1873. Engraving in “” The Illustrious Universe””, 1873.

XEE4180785: The Mikado, the spiritual ruler of Japan, inaugurated his country's first railway, 1873. Engraving in “” The Illustrious Universe””, 1873., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4180785

The Mikado, the spiritual ruler of Japan, inaugurated his country's first railway, 1873. Engraving in “” The Illustrious Universe””, 1873.

Unknown Artist, (19th century)

First World War (1914-1918): Air pirates aboard a zeppelin (airship). Machine gunners defensive positions on zeppelins and command post during a raid. In “” The mirror”” 1917
First World War (1914-1918): Air pirates aboard a zeppelin (airship). Machine gunners defensive positions on zeppelins and command post during a raid. In “” The mirror”” 1917

XEE4180796: First World War (1914-1918): Air pirates aboard a zeppelin (airship). Machine gunners defensive positions on zeppelins and command post during a raid. In “” The mirror”” 1917, Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4180796

First World War (1914-1918): Air pirates aboard a zeppelin (airship). Machine gunners defensive positions on zeppelins and command post during a raid. In “” The mirror”” 1917

Unknown Artist, (20th century)

Portrait of actor Ernesto Rossi in the role of Hamlet by William Shakespeare at the theatre Ventadour in Paris in 1875.
Portrait of actor Ernesto Rossi in the role of Hamlet by William Shakespeare at the theatre Ventadour in Paris in 1875.

XEE4180928: Portrait of actor Ernesto Rossi in the role of Hamlet by William Shakespeare at the theatre Ventadour in Paris in 1875., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4180928

Portrait of actor Ernesto Rossi in the role of Hamlet by William Shakespeare at the theatre Ventadour in Paris in 1875.

Unknown Artist, (19th century)

The city of Dieppe with its castle (Seine Maritime) (76) in Normandy in 1489.
The city of Dieppe with its castle (Seine Maritime) (76) in Normandy in 1489.

XEE4180939: The city of Dieppe with its castle (Seine Maritime) (76) in Normandy in 1489., Thorigny, Felix (1824-70) / Bridgeman Images

ID: XEE4180939

The city of Dieppe with its castle (Seine Maritime) (76) in Normandy in 1489.

Thorigny, Felix (1824-70)

Costume of Eastern Emperors in the 4th century. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.
Costume of Eastern Emperors in the 4th century. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.

XEE4180998: Costume of Eastern Emperors in the 4th century. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4180998

Costume of Eastern Emperors in the 4th century. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.

Unknown Artist, (19th century)

Maximian Hercules (Marcus Aurelius Valerius Maximianus) (circa 250-310), Roman emperor, is seized with fear at the sight of Constantine (Constantine I, Flauius Valerius Aurelius Constantinus, 272-306), his son-in-law, whom he thinks he stabbed in his bed in the middle of the night. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.
Maximian Hercules (Marcus Aurelius Valerius Maximianus) (circa 250-310), Roman emperor, is seized with fear at the sight of Constantine (Constantine I, Flauius Valerius Aurelius Constantinus, 272-306), his son-in-law, whom he thinks he stabbed in his bed in the middle of the night. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.

XEE4181017: Maximian Hercules (Marcus Aurelius Valerius Maximianus) (circa 250-310), Roman emperor, is seized with fear at the sight of Constantine (Constantine I, Flauius Valerius Aurelius Constantinus, 272-306), his son-in-law, whom he thinks he stabbed in his bed in the middle of the night. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4181017

Maximian Hercules (Marcus Aurelius Valerius Maximianus) (circa 250-310), Roman emperor, is seized with fear at the sight of Constantine (Constantine I, Flauius Valerius Aurelius Constantinus, 272-306), his son-in-law, whom he thinks he stabbed in his bed in the middle of the night. Engraving in “Beaute de l'histoire du basse empire” redige by P. J. B. N. 1814.

Unknown Artist, (19th century)

Lecture on the Universal Exhibition of Philadelphia given at the Theatre du Chateau d'eau by Victor Hugo (1802-1885) and Louis Blanc (1811-1882). Engraving in “The Illustrous Universe”, 1876. Private collection.
Lecture on the Universal Exhibition of Philadelphia given at the Theatre du Chateau d'eau by Victor Hugo (1802-1885) and Louis Blanc (1811-1882). Engraving in “The Illustrous Universe”, 1876. Private collection.

XEE4181094: Lecture on the Universal Exhibition of Philadelphia given at the Theatre du Chateau d'eau by Victor Hugo (1802-1885) and Louis Blanc (1811-1882). Engraving in “The Illustrous Universe”, 1876. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4181094

Lecture on the Universal Exhibition of Philadelphia given at the Theatre du Chateau d'eau by Victor Hugo (1802-1885) and Louis Blanc (1811-1882). Engraving in “The Illustrous Universe”, 1876. Private collection.

French School, (19th century)

Street in Valletta on the island of Malta. Engraving in “” L'univers illustrious””, 1876. Private collection.
Street in Valletta on the island of Malta. Engraving in “” L'univers illustrious””, 1876. Private collection.

XEE4181115: Street in Valletta on the island of Malta. Engraving in “” L'univers illustrious””, 1876. Private collection., French School, (19th century) / Bridgeman Images

ID: XEE4181115

Street in Valletta on the island of Malta. Engraving in “” L'univers illustrious””, 1876. Private collection.

French School, (19th century)

Walk on the back of an elephant and children in a cariola dragged by Austrias. Garden of Acclimation of the Bois de Boulogne in Paris, 1875. Engraving in “The Universe illustrious”, 1875.
Walk on the back of an elephant and children in a cariola dragged by Austrias. Garden of Acclimation of the Bois de Boulogne in Paris, 1875. Engraving in “The Universe illustrious”, 1875.

XEE4181206: Walk on the back of an elephant and children in a cariola dragged by Austrias. Garden of Acclimation of the Bois de Boulogne in Paris, 1875. Engraving in “The Universe illustrious”, 1875., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4181206

Walk on the back of an elephant and children in a cariola dragged by Austrias. Garden of Acclimation of the Bois de Boulogne in Paris, 1875. Engraving in “The Universe illustrious”, 1875.

Unknown Artist, (19th century)

Clovis II king of the Francs (v.633-657) bought Sainte Bathilde (or Batilde, Bathylle, Beaudour) (626-680).
Clovis II king of the Francs (v.633-657) bought Sainte Bathilde (or Batilde, Bathylle, Beaudour) (626-680).

XEE4181263: Clovis II king of the Francs (v.633-657) bought Sainte Bathilde (or Batilde, Bathylle, Beaudour) (626-680)., Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4181263

Clovis II king of the Francs (v.633-657) bought Sainte Bathilde (or Batilde, Bathylle, Beaudour) (626-680).

Unknown Artist, (19th century)

Saint John of Avila (Blessed John of Avila) (1499-1569) accused of heresy by the inquisition in the 16th century. Illustration in “” Mysteres of the Inquisition and Other Secret Societies of Spain”” By Victor de Fereal, Suberwick, Manuel Galo de Cuendias. Published by P. Boizard, 1845. Private collection.
Saint John of Avila (Blessed John of Avila) (1499-1569) accused of heresy by the inquisition in the 16th century. Illustration in “” Mysteres of the Inquisition and Other Secret Societies of Spain”” By Victor de Fereal, Suberwick, Manuel Galo de Cuendias. Published by P. Boizard, 1845. Private collection.

XEE4181288: Saint John of Avila (Blessed John of Avila) (1499-1569) accused of heresy by the inquisition in the 16th century. Illustration in “” Mysteres of the Inquisition and Other Secret Societies of Spain”” By Victor de Fereal, Suberwick, Manuel Galo de Cuendias. Published by P. Boizard, 1845. Private collection., Anonymous / Bridgeman Images

ID: XEE4181288

Saint John of Avila (Blessed John of Avila) (1499-1569) accused of heresy by the inquisition in the 16th century. Illustration in “” Mysteres of the Inquisition and Other Secret Societies of Spain”” By Victor de Fereal, Suberwick, Manuel Galo de Cuendias. Published by P. Boizard, 1845. Private collection.

Anonymous

Illustration for the tale “La Belle et la Bete””: the beautiful arrives at the castle of the Bete. Engraving of Quinn imagery, circa 1890.
Illustration for the tale “La Belle et la Bete””: the beautiful arrives at the castle of the Bete. Engraving of Quinn imagery, circa 1890.

XEE4181363: Illustration for the tale “La Belle et la Bete””: the beautiful arrives at the castle of the Bete. Engraving of Quinn imagery, circa 1890., French School, (19th century) / Bridgeman Images

ID: XEE4181363

Illustration for the tale “La Belle et la Bete””: the beautiful arrives at the castle of the Bete. Engraving of Quinn imagery, circa 1890.

French School, (19th century)

Jesus tells his disciples the temple of Jerusalem, and predicts its destruction (which will take place in 70 AD by the Romans of Emperor Titus). Illustration from “The house of Jehovah”” illustrated brochure, beginning of the 20th century Private collection
Jesus tells his disciples the temple of Jerusalem, and predicts its destruction (which will take place in 70 AD by the Romans of Emperor Titus). Illustration from “The house of Jehovah”” illustrated brochure, beginning of the 20th century Private collection

XEE4181460: Jesus tells his disciples the temple of Jerusalem, and predicts its destruction (which will take place in 70 AD by the Romans of Emperor Titus). Illustration from “The house of Jehovah”” illustrated brochure, beginning of the 20th century Private collection, Unknown Artist, (20th century) / Bridgeman Images

ID: XEE4181460

Jesus tells his disciples the temple of Jerusalem, and predicts its destruction (which will take place in 70 AD by the Romans of Emperor Titus). Illustration from “The house of Jehovah”” illustrated brochure, beginning of the 20th century Private collection

Unknown Artist, (20th century)

Aladin (or Aladdin) and the Wonderful Lamp. Popular tale of 1001 nights (or one thousand and one nights). Illustration of Vaccari and Carrey in “” Les beaux tales”” collection “” Nos loisirs””” around 1910. Private collection.
Aladin (or Aladdin) and the Wonderful Lamp. Popular tale of 1001 nights (or one thousand and one nights). Illustration of Vaccari and Carrey in “” Les beaux tales”” collection “” Nos loisirs””” around 1910. Private collection.

XEE4181593: Aladin (or Aladdin) and the Wonderful Lamp. Popular tale of 1001 nights (or one thousand and one nights). Illustration of Vaccari and Carrey in “” Les beaux tales”” collection “” Nos loisirs””” around 1910. Private collection., Vaccari, Alfredo (1877-1933) & Carrey / Bridgeman Images

ID: XEE4181593

Aladin (or Aladdin) and the Wonderful Lamp. Popular tale of 1001 nights (or one thousand and one nights). Illustration of Vaccari and Carrey in “” Les beaux tales”” collection “” Nos loisirs””” around 1910. Private collection.

Vaccari, Alfredo (1877-1933) & Carrey

The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Illustration of Vaccari and Carrey in “” Les beaux tales”” collection “” Nos loisirs””” around 1910. Private collection.
The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Illustration of Vaccari and Carrey in “” Les beaux tales”” collection “” Nos loisirs””” around 1910. Private collection.

XEE4181684: The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Illustration of Vaccari and Carrey in “” Les beaux tales”” collection “” Nos loisirs””” around 1910. Private collection., Vaccari, Alfredo (1877-1933) & Carrey / Bridgeman Images

ID: XEE4181684

The wonderful adventures of Sinbad (Sindbad) the sailor. Popular tale of 1001 nights (one thousand and one nights). Illustration of Vaccari and Carrey in “” Les beaux tales”” collection “” Nos loisirs””” around 1910. Private collection.

Vaccari, Alfredo (1877-1933) & Carrey

Discovered from Canada: the pilot Alexis Chedotel finds the crew abandoned by Troilus du Mesgouez known as Marquis de la Roche on the sandy island in 1578. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.
Discovered from Canada: the pilot Alexis Chedotel finds the crew abandoned by Troilus du Mesgouez known as Marquis de la Roche on the sandy island in 1578. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.

XEE4176936: Discovered from Canada: the pilot Alexis Chedotel finds the crew abandoned by Troilus du Mesgouez known as Marquis de la Roche on the sandy island in 1578. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin., French School, (19th century) / Bridgeman Images

ID: XEE4176936

Discovered from Canada: the pilot Alexis Chedotel finds the crew abandoned by Troilus du Mesgouez known as Marquis de la Roche on the sandy island in 1578. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.

French School, (19th century)

Discovered Canada: defence of Adam Dollard des Ormeaux (1635-1660) and his companions against the Indians of Iroquois America to protect their encampment in 1657. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.
Discovered Canada: defence of Adam Dollard des Ormeaux (1635-1660) and his companions against the Indians of Iroquois America to protect their encampment in 1657. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.

XEE4176946: Discovered Canada: defence of Adam Dollard des Ormeaux (1635-1660) and his companions against the Indians of Iroquois America to protect their encampment in 1657. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin., French School, (19th century) / Bridgeman Images

ID: XEE4176946

Discovered Canada: defence of Adam Dollard des Ormeaux (1635-1660) and his companions against the Indians of Iroquois America to protect their encampment in 1657. Engraving from the end of the 19th century in “La nouvelle France” by Eugene Guenin.

French School, (19th century)


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