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Surprised by a lion during the hike at sunrise, the author shoots and wounds the animal. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Surprised by a lion during the hike at sunrise, the author shoots and wounds the animal. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328956: Surprised by a lion during the hike at sunrise, the author shoots and wounds the animal. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

An elephant ends the troop that chased him and loads the hunters on horseback, while one of the hunters arms his arm to stop it and finish it with a swamp. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
An elephant ends the troop that chased him and loads the hunters on horseback, while one of the hunters arms his arm to stop it and finish it with a swamp. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4328958: An elephant ends the troop that chased him and loads the hunters on horseback, while one of the hunters arms his arm to stop it and finish it with a swamp. Engraving to illustrate the exploration of the Abyssinian tributaries of the Nile, by Sir Samuel W.Baker, in 1861-62, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Small contadine (peasant) from the surroundings of Rome, spinning wool with its spindle. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1870, published in “Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Small contadine (peasant) from the surroundings of Rome, spinning wool with its spindle. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1870, published in “Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4328960: Small contadine (peasant) from the surroundings of Rome, spinning wool with its spindle. Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1870, published in “Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A gypsy blacksmith and his tools, in full working session in the region of the northern borders of Croatia. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
A gypsy blacksmith and his tools, in full working session in the region of the northern borders of Croatia. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329009: A gypsy blacksmith and his tools, in full working session in the region of the northern borders of Croatia. Engraving to illustrate the memories of travel among the southern Slavs, by Georges Perrot, in 1868, published in “” Le tour du monde”” 1870-1871, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A doctor posing moxas (small sagebrush cones burned in specific parts of the body), a preventive treatment against various symptoms from indigestion to lack of appetite, crying and toothache, employs twice a year and has fixed time by the Japanese. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A doctor posing moxas (small sagebrush cones burned in specific parts of the body), a preventive treatment against various symptoms from indigestion to lack of appetite, crying and toothache, employs twice a year and has fixed time by the Japanese. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328321: A doctor posing moxas (small sagebrush cones burned in specific parts of the body), a preventive treatment against various symptoms from indigestion to lack of appetite, crying and toothache, employs twice a year and has fixed time by the Japanese. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The matsouri (fair, procession) of Roksamia, Kami temple in the vicinity of Yedo (or Edo, present-day Tokyo), on the 5th day of the 5th month of the year, the crowd gather to collect medicinal herbs in the forest and in the evening, the priests organize a solemn procession to walk the relics and holy objects in the forest until a bucher, to the sound of fives, gongs and drums, illuminated by many paper lanterns, the crowd joins them for a festive celebration.Engraving to illustrate Japan, a travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The matsouri (fair, procession) of Roksamia, Kami temple in the vicinity of Yedo (or Edo, present-day Tokyo), on the 5th day of the 5th month of the year, the crowd gather to collect medicinal herbs in the forest and in the evening, the priests organize a solemn procession to walk the relics and holy objects in the forest until a bucher, to the sound of fives, gongs and drums, illuminated by many paper lanterns, the crowd joins them for a festive celebration.Engraving to illustrate Japan, a travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328343: The matsouri (fair, procession) of Roksamia, Kami temple in the vicinity of Yedo (or Edo, present-day Tokyo), on the 5th day of the 5th month of the year, the crowd gather to collect medicinal herbs in the forest and in the evening, the priests organize a solemn procession to walk the relics and holy objects in the forest until a bucher, to the sound of fives, gongs and drums, illuminated by many paper lanterns, the crowd joins them for a festive celebration.Engraving to illustrate Japan, a travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “” Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Fire fishing in Yedo Bay (or Edo, present-day Tokyo), during the night, each boat carries a kind of grill at the front lights, the light attracts fish who are caught with a large net. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
Fire fishing in Yedo Bay (or Edo, present-day Tokyo), during the night, each boat carries a kind of grill at the front lights, the light attracts fish who are caught with a large net. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328349: Fire fishing in Yedo Bay (or Edo, present-day Tokyo), during the night, each boat carries a kind of grill at the front lights, the light attracts fish who are caught with a large net. Engraving to illustrate Japan, travel story by Aime Humbert, minister of the Swiss Confederation, in 1863-1864, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The Arcturus, a Danish liner serving between Copenhagen and Iceland, on which the author embarks to reach Reykjavik, sailing among the whales. Engraving to illustrate the voyage in Iceland, story by Noel Nougaret, in 1866, published in “” Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.
The Arcturus, a Danish liner serving between Copenhagen and Iceland, on which the author embarks to reach Reykjavik, sailing among the whales. Engraving to illustrate the voyage in Iceland, story by Noel Nougaret, in 1866, published in “” Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328356: The Arcturus, a Danish liner serving between Copenhagen and Iceland, on which the author embarks to reach Reykjavik, sailing among the whales. Engraving to illustrate the voyage in Iceland, story by Noel Nougaret, in 1866, published in “” Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Young Indians from Cerro de Pasco (central Peru), gather for breakfast. Engraving to illustrate Les iles Chincha, rect by L.Simonin, in 1860, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.
Young Indians from Cerro de Pasco (central Peru), gather for breakfast. Engraving to illustrate Les iles Chincha, rect by L.Simonin, in 1860, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection.

LSE4328377: Young Indians from Cerro de Pasco (central Peru), gather for breakfast. Engraving to illustrate Les iles Chincha, rect by L.Simonin, in 1860, published in “Le tour du monde, nouveau journal des voyages””, edited by Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328428: The hour of rest in Argamasilla, the many railway workers lying on the track, rest in full sun. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328440: The tinajas of the Channel, the use of these huge earthen jars replaces the use of barrels and their use is very old. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328444: A sale (inn) in Estremadure, which welcomes workers and travellers as well as various pets or not, you can drink on the common jug suspended from the beams or individually and you can also eat a soup always on the fire. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328448: the gleaners of Estremadure, with their large wooden rakes to pick up the part of the crop that was forgotten in the fields after the harvest. Engraving to illustrate the voyage to Spain by Gustave Dore (1832-1883) illustrator and Baron Ch. Davillier reactor, in 1862, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Dore, Gustave (1832-83) / Bridgeman Images

At the foot of Piazza Navona, Rome (Italy). Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.
At the foot of Piazza Navona, Rome (Italy). Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection.

LSE4328456: At the foot of Piazza Navona, Rome (Italy). Engraving to illustrate the voyage to Rome, by Francis Wey, in 1864-1868, published in “Le tour du monde, nouveau journal des voyages”, under the direction of Edouard Charton, 1868, Paris. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A barber working in the streets of Calcutta. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, edited by D'Edouard Charton, edition Hachette, Paris, 1869. Selva Collection.
A barber working in the streets of Calcutta. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, edited by D'Edouard Charton, edition Hachette, Paris, 1869. Selva Collection.

LSE4328471: A barber working in the streets of Calcutta. Engraving to illustrate the voyage in the meridional provinces of India, by Alfred Grandidier, in 1862-1864, published in “” le tour du monde””, edited by D'Edouard Charton, edition Hachette, Paris, 1869. Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A cosmopolitan sailboat, the fastest fish in the world, thanks to its sail-shaped fin on its back, faulted on the shore and attacked by crows. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
A cosmopolitan sailboat, the fastest fish in the world, thanks to its sail-shaped fin on its back, faulted on the shore and attacked by crows. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328526: A cosmopolitan sailboat, the fastest fish in the world, thanks to its sail-shaped fin on its back, faulted on the shore and attacked by crows. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Back from hunting at night, the prey, a bear, is tied up and suspended from a branch that the hunters carry on the shoulder. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Back from hunting at night, the prey, a bear, is tied up and suspended from a branch that the hunters carry on the shoulder. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328534: Back from hunting at night, the prey, a bear, is tied up and suspended from a branch that the hunters carry on the shoulder. Engraving to illustrate the story Quatre mois en Florida, by M. Pousselgue, in 1851-1852, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Day and night, paintings on the body of the dancers of the religious ceremony and atonement, executed by the chiefs and his companions, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Day and night, paintings on the body of the dancers of the religious ceremony and atonement, executed by the chiefs and his companions, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328557: Day and night, paintings on the body of the dancers of the religious ceremony and atonement, executed by the chiefs and his companions, among the Mandans Indians (or noumah ka kie: pheasants), on the left bank of Missouri. Engraving to illustrate an excursion among the Indian tribes of the basins of Colombia and Upper Missouri, by G. Catlin, in 1855, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

Pope Pius IX (pio 9) (1792-1878) collected at the foot of the statue of St. Peter, at the entrance of the Basilica, in the Vatican. Engraving to illustrate the Rome story, by Francis Wey, in 1864-1868, published in “” le tour du monde””, edited by D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
Pope Pius IX (pio 9) (1792-1878) collected at the foot of the statue of St. Peter, at the entrance of the Basilica, in the Vatican. Engraving to illustrate the Rome story, by Francis Wey, in 1864-1868, published in “” le tour du monde””, edited by D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328586: Pope Pius IX (pio 9) (1792-1878) collected at the foot of the statue of St. Peter, at the entrance of the Basilica, in the Vatican. Engraving to illustrate the Rome story, by Francis Wey, in 1864-1868, published in “” le tour du monde””, edited by D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.
The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection.

LSE4328591: The scars, Muslims in procession during the commemorative feast of the martyrdom of Hossein, hit their head with a sword, each of them covered with a white sheet, to collect the blood flowing from their wounds. Engraving to illustrate the voyage in the provinces of the Caucasus, by Basile Vereschaguine, in 1864-1865, published in “” le tour du monde””, under the direction of D'Edouard Charton, Hachette, Paris 1869.Selva Collection., Unknown Artist, (19th century) / Bridgeman Images

A mullah (or mullah or mullah, Shiite religious leader) praying, in a mosque in Tashkent, capital of Russian Turkestan, engraving after a drawing by Sedoff, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection.
A mullah (or mullah or mullah, Shiite religious leader) praying, in a mosque in Tashkent, capital of Russian Turkestan, engraving after a drawing by Sedoff, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection.

LSE4329384: A mullah (or mullah or mullah, Shiite religious leader) praying, in a mosque in Tashkent, capital of Russian Turkestan, engraving after a drawing by Sedoff, to illustrate Basile Vereschagin's journey to Central Asia in 1867-1868, published in “Le tour du monde” 1873, edited by Edouard Charton, Hachette, Paris. Selva Collection., Sedoff, (19th century) / Bridgeman Images

A rock with pagoda stagees, and various boats on the blue river (China), engraving after the drawing of L.Delaporte, to illustrate the voyage of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
A rock with pagoda stagees, and various boats on the blue river (China), engraving after the drawing of L.Delaporte, to illustrate the voyage of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329417: A rock with pagoda stagees, and various boats on the blue river (China), engraving after the drawing of L.Delaporte, to illustrate the voyage of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Delaporte, Louis (fl.1866-73) / Bridgeman Images

Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329422: Rixe on the heights that dominate Tong-hay (or Tong hay), one of the members of the expedition that left on the heights of the city to draw by nature, is followed by a crowd of curious, who declare a general fight, each wishing to see as closely as possible the works of the cartoonist, engraving after the drawing of Emile Bayard, to illustrate the journey of exploration in Indochina by Francis Garnier, lieutenant of ship, in 1866-1868, published in “Le tour du monde”” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Bayard, Emile Antoine (1837-91) / Bridgeman Images

Portrait of Philip, governor of Kresarsoak, the most famous Greenlandic hunters, surrounds his five sons and wife leaving his house, engraved after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” The tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of Philip, governor of Kresarsoak, the most famous Greenlandic hunters, surrounds his five sons and wife leaving his house, engraved after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” The tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329439: Portrait of Philip, governor of Kresarsoak, the most famous Greenlandic hunters, surrounds his five sons and wife leaving his house, engraved after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” The tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Castelli, H. (19th Century) / Bridgeman Images

Annorasouak, the witch, in her hut at the Aukpadlartok glacier, maintained by the indigenous Paians and Christians, engraving after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” Le tour du monde”” 1873, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.
Annorasouak, the witch, in her hut at the Aukpadlartok glacier, maintained by the indigenous Paians and Christians, engraving after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” Le tour du monde”” 1873, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329449: Annorasouak, the witch, in her hut at the Aukpadlartok glacier, maintained by the indigenous Paians and Christians, engraving after a drawing by H.Castelli, to illustrate the story “The Land of Desolation”” by Isaac J. Hayes, a doctor embarked on the ship the panthere for a voyage to Greenland in 1869, published in “” Le tour du monde”” 1873, under the directed by Edouard Charton, edition Hachette, Paris. Selva Collection., Castelli, H. (19th Century) / Bridgeman Images

The Indians of the state of Boyaca, descending a mountain covered with grass on straw horses, consisting of a bundle of long grass on which one sits a caliphourchon to descend the slopes at full speed, by the force of gravite alone, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by the doctor Saffray, in 1869, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The Indians of the state of Boyaca, descending a mountain covered with grass on straw horses, consisting of a bundle of long grass on which one sits a caliphourchon to descend the slopes at full speed, by the force of gravite alone, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by the doctor Saffray, in 1869, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329458: The Indians of the state of Boyaca, descending a mountain covered with grass on straw horses, consisting of a bundle of long grass on which one sits a caliphourchon to descend the slopes at full speed, by the force of gravite alone, engraving after the drawing of A. de Neuville, illustrating the journey to New Granada, by the doctor Saffray, in 1869, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

Portrait of Dr. Saffray, arms on his mount, in travel dress, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Portrait of Dr. Saffray, arms on his mount, in travel dress, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329470: Portrait of Dr. Saffray, arms on his mount, in travel dress, engraving after the drawing of A. de Neuville, illustrating the voyage to New Granada, by Dr. Saffray, in 1869, published in “” Le tour du monde””” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

The Bulgarian harvesters, during their break, with their fake and the objects of their daily laborious: pipe, bottle of wine and a kind of biniou, engraving after the drawing by E.Metzmacher, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The Bulgarian harvesters, during their break, with their fake and the objects of their daily laborious: pipe, bottle of wine and a kind of biniou, engraving after the drawing by E.Metzmacher, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329479: The Bulgarian harvesters, during their break, with their fake and the objects of their daily laborious: pipe, bottle of wine and a kind of biniou, engraving after the drawing by E.Metzmacher, illustrating the journey to Bulgaria, by Guillaume Lejean, in 1867, published in “Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Metzmacher, Emile Pierre (1815-90) / Bridgeman Images

Les charmeurs de serpents, who trade reptiles, which they attract by blowing in their toumril (flute), engraving after the drawing of A. de Neuville, illustrating the voyage to India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
Les charmeurs de serpents, who trade reptiles, which they attract by blowing in their toumril (flute), engraving after the drawing of A. de Neuville, illustrating the voyage to India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329552: Les charmeurs de serpents, who trade reptiles, which they attract by blowing in their toumril (flute), engraving after the drawing of A. de Neuville, illustrating the voyage to India of the Rajahs, in 1864-1868, by Louis Rousselet, published in “” Le tour du monde”” 1873, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Neuville, Alphonse Marie de (1835-85) / Bridgeman Images

Pelerins Bambaras (mollem or Muslim religious leaders), respectful of all the populations they try to moralize, they manufacture grisgris and practice a little medicine, very employed as carriers of news and for the preliminaries of peace, here, during a stop in Baoure, stage on the way to Boudougou (Ivory Coast), engraving after the drawing by P. Sellier, illustrating the voyage to the Côte d'Afrique in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.
Pelerins Bambaras (mollem or Muslim religious leaders), respectful of all the populations they try to moralize, they manufacture grisgris and practice a little medicine, very employed as carriers of news and for the preliminaries of peace, here, during a stop in Baoure, stage on the way to Boudougou (Ivory Coast), engraving after the drawing by P. Sellier, illustrating the voyage to the Côte d'Afrique in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329568: Pelerins Bambaras (mollem or Muslim religious leaders), respectful of all the populations they try to moralize, they manufacture grisgris and practice a little medicine, very employed as carriers of news and for the preliminaries of peace, here, during a stop in Baoure, stage on the way to Boudougou (Ivory Coast), engraving after the drawing by P. Sellier, illustrating the voyage to the Côte d'Afrique in 1868, by Vice Admiral Fleuriot de Langles, published in “” Le tour du monde””” 1873, edited by Edouard Charton, edition Hachette, Paris. Selva Collection., Sellier, P. (19th century) (after) / Bridgeman Images

The German ship La Hansa caught in the ice, the crew hasten to unpack the necessary objects and provisions, before abandoning the ship and continuing the expedition on the ice, engraved after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
The German ship La Hansa caught in the ice, the crew hasten to unpack the necessary objects and provisions, before abandoning the ship and continuing the expedition on the ice, engraved after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329589: The German ship La Hansa caught in the ice, the crew hasten to unpack the necessary objects and provisions, before abandoning the ship and continuing the expedition on the ice, engraved after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869-1870, by Captain Hegemann, published in “” Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Moynet, Jean Pierre (1819-76) / Bridgeman Images

After the abandonment of their ship, the crew of La Hansa built a camp on a derive glacon, illuminated by the aurora boreale, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, under the direction of EDouard Charton, edition Hachette, Paris. Selva Collection.
After the abandonment of their ship, the crew of La Hansa built a camp on a derive glacon, illuminated by the aurora boreale, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, under the direction of EDouard Charton, edition Hachette, Paris. Selva Collection.

LSE4329595: After the abandonment of their ship, the crew of La Hansa built a camp on a derive glacon, illuminated by the aurora boreale, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole, in 1869-1870, by Captain Hegemann, published in “Le tour du monde”” 1874, under the direction of EDouard Charton, edition Hachette, Paris. Selva Collection., Moynet, Jean Pierre (1819-76) / Bridgeman Images

After the destruction of their makeshift camp, the crew of La Hansa carried the boats and the material recovered from their ship, from one iceberg to the other, in order to continue the expedition and find help from an eskimo camp, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869- 1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.
After the destruction of their makeshift camp, the crew of La Hansa carried the boats and the material recovered from their ship, from one iceberg to the other, in order to continue the expedition and find help from an eskimo camp, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869- 1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection.

LSE4329597: After the destruction of their makeshift camp, the crew of La Hansa carried the boats and the material recovered from their ship, from one iceberg to the other, in order to continue the expedition and find help from an eskimo camp, engraving after the drawing of J.Moynet, illustrating the voyage of the ships La Germania and La Hansa to the North Pole in 1869- 1870, by Captain Hegemann, published in “Le tour du monde”” 1874, edited by Edouard Charton, Hachette edition, Paris. Selva Collection., Moynet, Jean Pierre (1819-76) / Bridgeman Images

The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of
The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of

LSE4327724: The Battle of Valmy (20 September 1792), at the foot of the mill, the two leaders of the French Republican army, Charles Dumouriez (1739-1823) and Francois Kellermann (1735-1820) gathered their troops and repelled the Prussian invaders, to the victorious cry of "live the nation”. Engraving in "Le petit journal" 20/9/1903. Selva Collection., Unknown Artist, (20th century) / Bridgeman Images

Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection.
Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection.

LSE4327770: Cover of “” Tout ca n'est rien quand on a la saintete””, collection of drawings and caricatures by Sine (ne Maurice Sinet in 1928), play of words and images on the pope, Pauvert edition, 1959, Paris. Selva Collection., Sine, (Sinet, Maurice) (1928-2016) / Bridgeman Images

Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luce Arrabal, and in the foreground, Godard (photographer) trinque with Claire Rado (artist). Photography Leonard de Selva, Paris 2008.
Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luce Arrabal, and in the foreground, Godard (photographer) trinque with Claire Rado (artist). Photography Leonard de Selva, Paris 2008.

LSE4327772: Meeting at Arrabal, Paris, March 19, 2008 (from left to right): Andre Stas (Belgian painter and collagist) Olivier O. Olivier (painter), Fernando Arrabal (playwright), Fanchon Daemers (singer and musicologist), Penelope Chevillard, Bovnella Eruli (academic), Luce Arrabal, and in the foreground, Godard (photographer) trinque with Claire Rado (artist). Photography Leonard de Selva, Paris 2008. / Bridgeman Images


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