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Plate depicting a dove near its nest.
Plate depicting a dove near its nest.

GIA4776157: Plate depicting a dove near its nest., Unknown Artist, (19th century) / Bridgeman Images

Fanny Persiani and Tamburini in the opera “L'elixir d'amour”” (“L'elisir d'amore”) by Gaetano Donizetti. Paris, 1839.
Fanny Persiani and Tamburini in the opera “L'elixir d'amour”” (“L'elisir d'amore”) by Gaetano Donizetti. Paris, 1839.

GIA4776235: Fanny Persiani and Tamburini in the opera “L'elixir d'amour”” (“L'elisir d'amore”) by Gaetano Donizetti. Paris, 1839., Unknown Artist, (19th century) / Bridgeman Images

Scenography of Sanquirico for the opera by Gaetano Donizetti: “” Ugo, conte di Parigi”””. 1832.
Scenography of Sanquirico for the opera by Gaetano Donizetti: “” Ugo, conte di Parigi”””. 1832.

GIA4776257: Scenography of Sanquirico for the opera by Gaetano Donizetti: “” Ugo, conte di Parigi”””. 1832., Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Scenography of Sanquirico for the opera “Anna Bolena” by Gaetano Donizetti. Teatro Carcano, Milan, 1831. Representation of Windsor Castle Park.
Scenography of Sanquirico for the opera “Anna Bolena” by Gaetano Donizetti. Teatro Carcano, Milan, 1831. Representation of Windsor Castle Park.

GIA4776260: Scenography of Sanquirico for the opera “Anna Bolena” by Gaetano Donizetti. Teatro Carcano, Milan, 1831. Representation of Windsor Castle Park., Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Scenography of Sanquirico for the opera “” Il pirata”” (The Pirate) by Vincenzo Bellini, 1827.
Scenography of Sanquirico for the opera “” Il pirata”” (The Pirate) by Vincenzo Bellini, 1827.

GIA4776341: Scenography of Sanquirico for the opera “” Il pirata”” (The Pirate) by Vincenzo Bellini, 1827., Sanquirico, Alessandro (1777-1849) / Bridgeman Images

Representation of Dulcamare and Alina (performed respectively by Frezzolini and Heinefetter) in the opera “Elixir d'amour”” (L'elisir d'amore) by Gaetano Donizetti. 1832.
Representation of Dulcamare and Alina (performed respectively by Frezzolini and Heinefetter) in the opera “Elixir d'amour”” (L'elisir d'amore) by Gaetano Donizetti. 1832.

GIA4776368: Representation of Dulcamare and Alina (performed respectively by Frezzolini and Heinefetter) in the opera “Elixir d'amour”” (L'elisir d'amore) by Gaetano Donizetti. 1832., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Abraham, Marquis Duquesne (1610 - 1688), French sailor.
Portrait of Abraham, Marquis Duquesne (1610 - 1688), French sailor.

GIA4776538: Portrait of Abraham, Marquis Duquesne (1610 - 1688), French sailor., Unknown artist, (18th century) / Bridgeman Images

The Sphinx, the first steamboat of the French navy built in 1830 (engraving)
The Sphinx, the first steamboat of the French navy built in 1830 (engraving)

GIA4776581: The Sphinx, the first steamboat of the French navy built in 1830 (engraving), Unknown Artist, (19th century) / Bridgeman Images

Physics: a board representing the study of light diffraction and the study of colours. Athanase Kircher (or Athanasius Kircheri 1602-1680), German Jesuite. Engraving of “Ars magna lucis et umbrae”, Rome 1646.
Physics: a board representing the study of light diffraction and the study of colours. Athanase Kircher (or Athanasius Kircheri 1602-1680), German Jesuite. Engraving of “Ars magna lucis et umbrae”, Rome 1646.

GIA4776687: Physics: a board representing the study of light diffraction and the study of colours. Athanase Kircher (or Athanasius Kircheri 1602-1680), German Jesuite. Engraving of “Ars magna lucis et umbrae”, Rome 1646., Unknown Artist, (17th century) / Bridgeman Images

Series of chromolithographs of opera costumes on the occasion of Giuseppe Verdi's first representation of Aida: Amonasro. 1872
Series of chromolithographs of opera costumes on the occasion of Giuseppe Verdi's first representation of Aida: Amonasro. 1872

GIA4776857: Series of chromolithographs of opera costumes on the occasion of Giuseppe Verdi's first representation of Aida: Amonasro. 1872, Unknown Artist, (19th century) / Bridgeman Images

Costume for the character of Tancrede draws by Gironi for the opera “Tancredi”” (Tancrede) by Gioacchino Rossini. 1813
Costume for the character of Tancrede draws by Gironi for the opera “Tancredi”” (Tancrede) by Gioacchino Rossini. 1813

GIA4776897: Costume for the character of Tancrede draws by Gironi for the opera “Tancredi”” (Tancrede) by Gioacchino Rossini. 1813, Unknown Artist, (19th century) / Bridgeman Images

A sea snake represents in the waters of the Atlas de Urbano Monte, 16th century.
A sea snake represents in the waters of the Atlas de Urbano Monte, 16th century.

GIA4776973: A sea snake represents in the waters of the Atlas de Urbano Monte, 16th century., Italian School, (16th century) / Bridgeman Images

Grand Moghol (Mogol or Moghul) (probably Aurangzeb (1618-1707), also known as Alamgir): the Throne Hall. “De China Monumenta” by Athanasius Kircher (1601 - 1680), Jesuit, Orientalist and German scholar, Amsterdam 1667.
Grand Moghol (Mogol or Moghul) (probably Aurangzeb (1618-1707), also known as Alamgir): the Throne Hall. “De China Monumenta” by Athanasius Kircher (1601 - 1680), Jesuit, Orientalist and German scholar, Amsterdam 1667.

GIA4777009: Grand Moghol (Mogol or Moghul) (probably Aurangzeb (1618-1707), also known as Alamgir): the Throne Hall. “De China Monumenta” by Athanasius Kircher (1601 - 1680), Jesuit, Orientalist and German scholar, Amsterdam 1667., Unknown Artist, (17th century) / Bridgeman Images

The Chinese Emperor and Supreme Ruler of the Tartars - Chinese emperor Kangxi (1652-1722) Qing dynasty, engraving by Athanasius Kircher (1601-1680) from “” China Monumentis, qua sacris qua profanis””” 1667 - Chinese Emperor Kangxi (1652-1722) Qing Dynasty, engraving by Athanasius Kircher (01-1680) Engraving from “De China Monumenta” by Athanasius Kircher ( 1601 - 1680), Jesuite, Orientalist and German scholar, Amsterdam 1667.
The Chinese Emperor and Supreme Ruler of the Tartars - Chinese emperor Kangxi (1652-1722) Qing dynasty, engraving by Athanasius Kircher (1601-1680) from “” China Monumentis, qua sacris qua profanis””” 1667 - Chinese Emperor Kangxi (1652-1722) Qing Dynasty, engraving by Athanasius Kircher (01-1680) Engraving from “De China Monumenta” by Athanasius Kircher ( 1601 - 1680), Jesuite, Orientalist and German scholar, Amsterdam 1667.

GIA4777020: The Chinese Emperor and Supreme Ruler of the Tartars - Chinese emperor Kangxi (1652-1722) Qing dynasty, engraving by Athanasius Kircher (1601-1680) from “” China Monumentis, qua sacris qua profanis””” 1667 - Chinese Emperor Kangxi (1652-1722) Qing Dynasty, engraving by Athanasius Kircher (01-1680) Engraving from “De China Monumenta” by Athanasius Kircher ( 1601 - 1680), Jesuite, Orientalist and German scholar, Amsterdam 1667., Unknown Artist, (17th century) / Bridgeman Images

Cobra and poisonous snake from India. “De China Monumenta” by Athanasius Kircher (1601 - 1680), Jesuit, Orientalist and German scholar, Amsterdam 1667.
Cobra and poisonous snake from India. “De China Monumenta” by Athanasius Kircher (1601 - 1680), Jesuit, Orientalist and German scholar, Amsterdam 1667.

GIA4777047: Cobra and poisonous snake from India. “De China Monumenta” by Athanasius Kircher (1601 - 1680), Jesuit, Orientalist and German scholar, Amsterdam 1667., Unknown Artist, (17th century) / Bridgeman Images

Illustration of Honore de Balzac's novel “La Mye du Roy”” by Leon Lebegue (1863-1944), 1902 edition.
Illustration of Honore de Balzac's novel “La Mye du Roy”” by Leon Lebegue (1863-1944), 1902 edition.

GIA4786709: Illustration of Honore de Balzac's novel “La Mye du Roy”” by Leon Lebegue (1863-1944), 1902 edition., Lebegue, Leon (1863-1944) / Bridgeman Images

Illustration of Honore de Balzac's novel “La Mye du Roy”” by Leon Lebegue (1863-1944), 1902 edition.
Illustration of Honore de Balzac's novel “La Mye du Roy”” by Leon Lebegue (1863-1944), 1902 edition.

GIA4786736: Illustration of Honore de Balzac's novel “La Mye du Roy”” by Leon Lebegue (1863-1944), 1902 edition., Lebegue, Leon (1863-1944) / Bridgeman Images

Illustration of Honore de Balzac's novel “La Mye du Roy”” by Leon Lebegue (1863-1944), 1902 edition.
Illustration of Honore de Balzac's novel “La Mye du Roy”” by Leon Lebegue (1863-1944), 1902 edition.

GIA4786741: Illustration of Honore de Balzac's novel “La Mye du Roy”” by Leon Lebegue (1863-1944), 1902 edition., Lebegue, Leon (1863-1944) / Bridgeman Images

Meeting between Sir Henry Morton Stanley (1841-1904) and David Livingstone (1813-1873) in 1871.
Meeting between Sir Henry Morton Stanley (1841-1904) and David Livingstone (1813-1873) in 1871.

GIA4786933: Meeting between Sir Henry Morton Stanley (1841-1904) and David Livingstone (1813-1873) in 1871., Unknown Artist, (19th century) / Bridgeman Images

The “Nautilus” diver bell of Dr. Antoine Prosper Payerne experimented in the Seine, Paris, and then perfected in the United States. Engraving (1858) in Le “” Monde illustrious””.
The “Nautilus” diver bell of Dr. Antoine Prosper Payerne experimented in the Seine, Paris, and then perfected in the United States. Engraving (1858) in Le “” Monde illustrious””.

GIA4786956: The “Nautilus” diver bell of Dr. Antoine Prosper Payerne experimented in the Seine, Paris, and then perfected in the United States. Engraving (1858) in Le “” Monde illustrious””., Unknown Artist, (19th century) / Bridgeman Images

Shaking Quakers religious procession (dance) in New York. Illustration of the 19th century.
Shaking Quakers religious procession (dance) in New York. Illustration of the 19th century.

GIA4787065: Shaking Quakers religious procession (dance) in New York. Illustration of the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The ship “Provence” represents in the Rue du Quatre Septembre in Paris, composed by Henri Lanos intended to represent the immense size of the Transatlantic.
The ship “Provence” represents in the Rue du Quatre Septembre in Paris, composed by Henri Lanos intended to represent the immense size of the Transatlantic.

GIA4787182: The ship “Provence” represents in the Rue du Quatre Septembre in Paris, composed by Henri Lanos intended to represent the immense size of the Transatlantic., Lanos, Henri (1859-1929) / Bridgeman Images

Joan of Arc hears her Celestic voices: the Archangel Saint Michael, Saint Catherine and Saint Margarita ordered her to go to France to help the king and assured him that God will help him. 19th century.
Joan of Arc hears her Celestic voices: the Archangel Saint Michael, Saint Catherine and Saint Margarita ordered her to go to France to help the king and assured him that God will help him. 19th century.

GIA4787341: Joan of Arc hears her Celestic voices: the Archangel Saint Michael, Saint Catherine and Saint Margarita ordered her to go to France to help the king and assured him that God will help him. 19th century., Unknown Artist, (19th century) / Bridgeman Images

Monastery's vegetable garden: monks garden to grow vegetables in their garden. Engraving of the 19th century
Monastery's vegetable garden: monks garden to grow vegetables in their garden. Engraving of the 19th century

GIA4787368: Monastery's vegetable garden: monks garden to grow vegetables in their garden. Engraving of the 19th century, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Francois Pilatre de Rozier (1756-1785), French chemist and aeronaute.
Portrait of Francois Pilatre de Rozier (1756-1785), French chemist and aeronaute.

GIA4787529: Portrait of Francois Pilatre de Rozier (1756-1785), French chemist and aeronaute., Unknown Artist, (19th century) / Bridgeman Images

The queen's liquor inspires the necklace case. Drawing by Felix Philippoteaux (1815-1884) for Alexandre Dumas's “The Queen's Necklace”.
The queen's liquor inspires the necklace case. Drawing by Felix Philippoteaux (1815-1884) for Alexandre Dumas's “The Queen's Necklace”.

GIA4787557: The queen's liquor inspires the necklace case. Drawing by Felix Philippoteaux (1815-1884) for Alexandre Dumas's “The Queen's Necklace”., Philippoteaux, Felix (c.1815-84) / Bridgeman Images

Game of the German goose. 19th century.
Game of the German goose. 19th century.

GIA4760670: Game of the German goose. 19th century., German School, (19th century) / Bridgeman Images

Portrait of the Pope of Innocent IV (1195 - 1254) in Liber chronicarum by Hartmann Schedel Nuremberg 1497
Portrait of the Pope of Innocent IV (1195 - 1254) in Liber chronicarum by Hartmann Schedel Nuremberg 1497

GIA4760739: Portrait of the Pope of Innocent IV (1195 - 1254) in Liber chronicarum by Hartmann Schedel Nuremberg 1497, Schedel, Hartmann (1440-1514) / Bridgeman Images

Miniature of the Codex “Manesse”, or “Manessesche Liederhandschrift”, which is a manuscript made in Alsace between 1300 and 1330 for a notable Zurich. Representation of Wolfram von Eschenbach, a German poet, who wrote the novel “” Parzival”” between 1200 and 1210. Heidelberg.
Miniature of the Codex “Manesse”, or “Manessesche Liederhandschrift”, which is a manuscript made in Alsace between 1300 and 1330 for a notable Zurich. Representation of Wolfram von Eschenbach, a German poet, who wrote the novel “” Parzival”” between 1200 and 1210. Heidelberg.

GIA4762278: Miniature of the Codex “Manesse”, or “Manessesche Liederhandschrift”, which is a manuscript made in Alsace between 1300 and 1330 for a notable Zurich. Representation of Wolfram von Eschenbach, a German poet, who wrote the novel “” Parzival”” between 1200 and 1210. Heidelberg., Unknown Artist, (14th century) / Bridgeman Images

View of the city of Mosul on the Tiger in Iraq.
View of the city of Mosul on the Tiger in Iraq.

GIA4772978: View of the city of Mosul on the Tiger in Iraq., Unknown Artist, (19th century) / Bridgeman Images

Peter the Hermit preaching the Crusade (1095 - 1099)
Peter the Hermit preaching the Crusade (1095 - 1099)

GIA4760859: Peter the Hermit preaching the Crusade (1095 - 1099), Unknown Artist, (19th century) / Bridgeman Images

Florence: View of Pitti Palace in the middle of the 18th century
Florence: View of Pitti Palace in the middle of the 18th century

GIA4760924: Florence: View of Pitti Palace in the middle of the 18th century, Unknown artist, (18th century) / Bridgeman Images

Portrait of Gustave Roger (1815 - 1879), French tenor, in “Les mousquetaires de la reine” by Jacques Fromental Halevy, 1846.
Portrait of Gustave Roger (1815 - 1879), French tenor, in “Les mousquetaires de la reine” by Jacques Fromental Halevy, 1846.

GIA4761224: Portrait of Gustave Roger (1815 - 1879), French tenor, in “Les mousquetaires de la reine” by Jacques Fromental Halevy, 1846., Unknown Artist, (19th century) / Bridgeman Images

The king of Ys, legendary city of Brittany that would have been overwhelmed by the waves in the 4th or 5th century. Edouard Lalo (1823 - 1892), represented at the top left, composed the opera “King of Ys” (1888). chromolithographof the 19th century.
The king of Ys, legendary city of Brittany that would have been overwhelmed by the waves in the 4th or 5th century. Edouard Lalo (1823 - 1892), represented at the top left, composed the opera “King of Ys” (1888). chromolithographof the 19th century.

GIA4761741: The king of Ys, legendary city of Brittany that would have been overwhelmed by the waves in the 4th or 5th century. Edouard Lalo (1823 - 1892), represented at the top left, composed the opera “King of Ys” (1888). chromolithographof the 19th century., Unknown Artist, (19th century) / Bridgeman Images

The Little Mermaid (lithograph)
The Little Mermaid (lithograph)

GIA4761826: The Little Mermaid (lithograph), Dulac, Edmund (1882-1953) / Bridgeman Images

Sleeping Beauty. Tale by Charles Perrault. Illustration by Edouard de Beaumont, 1887.
Sleeping Beauty. Tale by Charles Perrault. Illustration by Edouard de Beaumont, 1887.

GIA4761902: Sleeping Beauty. Tale by Charles Perrault. Illustration by Edouard de Beaumont, 1887., Beaumont, Edouard de (1821-88) (after) / Bridgeman Images


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