792458 Search Results
XOS3086647: Title page of Principia philosophiae by Rene Descartes, 1644, Dutch School, (17th century) / Bridgeman Images
XJF3086915: Port Louis, Mauritius, from the Eastern side of the harbour, c.1830 (lithograph), Bradshaw,T.(fl.1830) (after) / Bridgeman Images
XEE4143179: Pearl peachers in Ceylon (present-day Sri Lanka) in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., French School, (19th century) / Bridgeman Images
XEE4143313: Beauty and the Beast: Belle's father arrives at the castle discovers a table filled with victuals, c.1910 (lithograph), Dulac, Edmund (1882-1953) / Bridgeman Images
XEE4143347: Return of the troops after the Risorgimento, Paris, 14 August 1859: the wounded of the Italian army pass under the arch of triumph elevated Place de la Bastille. Engraving in “” Le Monde Illustré”” n°123 of 20 August 1859., French School, (19th century) / Bridgeman Images
XEE4143398: Map of the city of Antwerp (Belgium) in 1859; representing the project of the new fortifications. Engraving in “” Le Monde Illustré”” n°128 of September 24, 1859., French School, (19th century) / Bridgeman Images
XEE4143401: The canteen of the bagne de Rochefort in the 19th century. Engraving in “Histoire des bagnes depuis leur création à nos jours”” (1877) by Pierre Zaccone (1817-1895) (Colonia Penale - Penal colony) Private collection., Anonymous / Bridgeman Images
XEE4143428: The public writer at the Toulon Bagne in the 19th century. Engraving in “Histoire des bagnes depuis leur création à nos jours”” (1877) by Pierre Zaccone (1817-1895) (Colonia Penale - Penal colony). Private collection., Anonymous / Bridgeman Images
XEE4143439: Forcats bucherons at the Toulon Bagne in the 19th century. Engraving in “Histoire des bagnes depuis leur création à nos jours”” (1877) by Pierre Zaccone (1817-1895) (Colonia Penale - Penal colony). Private collection., Anonymous / Bridgeman Images
XEE4143448: Return of the French troops after the Risorgimento, Paris, 14 August 1859: defile the Turcos (Algerian Tirailleurs) in front of the Statue of Peace, Boulevard des Capucines. Engraving in “” Le Monde Illustré”” n°123 of 20 August 1859., French School, (19th century) / Bridgeman Images
XEE4143455: Attempted escape from the Toulon Bagne in the 19th century. Engraving in “Histoire des bagnes depuis leur création à nos jours”” (1877) by Pierre Zaccone (1817-1895) (Colonia Penale - Penal colony). Private collection., Anonymous / Bridgeman Images
XEE4143474: View of the defile and the fort of Finstermunz (1471). Tyrol, Switzerland, 1859. Engraving in “” le Monde Illustrous”” n°121 of 6 August 1859., French School, (19th century) / Bridgeman Images
XEE4143492: The chapel of the Toulon bagne in the 19th century. Engraving in “Histoire des bagnes depuis leur création à nos jours”” (1877) by Pierre Zaccone (1817-1895) (Colonia Penale - Penal colony). Private collection., Anonymous / Bridgeman Images
XEE4142927: Duce Benito Mussolini, head of the fascist government, who came to see a show at the “Teatro Argentina” in Rome, settles in between Italian spectators, who are so close to him. Illustration of Achille Beltrame in “” La domenica del corriere”” 24/01/1937., Beltrame, Achille (1871-1945) / Bridgeman Images
XEE4142939: The royal couple, Victor Emmanuel III (Victor-Emmanuel) (Vittorio Emanuele III) (1869-1947) and his wife Helene of Montenegro followed by Prince Humbert (Umberto) II and Mary Jose (Marie-Jose of Belgium, Maria Jose of Savoie) go to the Paolina Chapel (Paoline) to receive the Golden Rose blessed by the Pope on the 4th Sunday of Careme. Illustration of Achille Beltrame in “” La domenica del Corriere”” from 18/04/1937., Beltrame, Achille (1871-1945) / Bridgeman Images
XEE4142944: Spanish Civil War: view of the ruins of the city of Eibar in the Basque country devasted by the red. Illustration of Achille Beltrame in “La domenica del Corriere”” of 09/05/1937., Beltrame, Achille (1871-1945) / Bridgeman Images
XEE4142997: Spanish Civil War: a tribute on the Aragonese front to Italian and Spanish victims. Illustration of Achilles Beltrame in “La domenica del corriere”” from 21/11/1937, Beltrame, Achille (1871-1945) / Bridgeman Images
XEE4143019: Allegory of the end of the 19th century: the year 1900 climbs into the car of progress; the 19th century wishes him a good journey. Illustration by Girrane Gustave, his real name Garnier Benoit Joseph (1865-1922). Cover of “” The illustrious progress”” of December 31, 1899., Garnier, Gustave (Girrane) (1865-1922) / Bridgeman Images
XEE4143027: Gold mining. Coin minting and verification workshop. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images
XEE4143050: Religious wars: the Huguenots seized the castle of Dampierre in 1567. Chromolithography of the late 19th century, French School, (19th century) / Bridgeman Images
XEE4143101: View of the City of New Delhi near the Mosquee Juma Masjid, India in 1857 in “” The Illustrated London News”” (28 November 1857)., Unknown Artist, (19th century) / Bridgeman Images
XEE4143110: Gold seeker: method of washing native gold that is separated from stones and sand. Chromolitography of the late 19th century., Unknown Artist, (19th century) / Bridgeman Images
XEE4143157: Crystal engravers workshop in France in the 19th century. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Anonymous / Bridgeman Images
XEE4143171: Outillage de l'golfevre. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., French School, (19th century) / Bridgeman Images
XEE4143558: Experience of mechanical minting by Nicolas Briot (Engraveur du Royaume de France) (1579-1646) in 1616. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
XEE4143592: Manufacture of pen holder (pen holder) and pencil holder (pencil holder). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
XEE4143610: Portrait of Frederic Millet (1796-1859), French miniaturist. Engraving in “” Le Monde Illustré”” n°133 of October 29, 1859., French School, (19th century) / Bridgeman Images
XEE4143617: The art of glass: glass tempered in ancient Rome. A craftsman throws a glass vase against slabs and the object does not break to the surprise of spectators, including Emperor Tibere (Tiberio Claudio Nerone, 42 BC-37 AD). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
XEE4143632: Two peasants from the Sierra Almagrera in Spain discovered the Jaroso silver deposit in 1838. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
XEE4143635: Gold seekers in Australia: stain of daily life of miners during their rest days (cleaning and drying of linen, socks, etc.). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
XEE4143657: The Plantation of a Liberty Tree during the Revolution (Liberty pole) - Plantation of a Liberty Tree (poplar) in France. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
XEE4143671: The art of tour: shooting a steel monster cannon. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
XEE4143709: The art of glass: making ice cream. Step called “the big flow”. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
XEE4143725: The art of lapidary: engraving of camee shell (camee-shell). Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
XEE4143744: Pottery: destruction of the “Henri II” factory during the looting of the castle of Oiron (Deux Sevres) in 1568 during the League. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
XEE4143752: Pottery: mechanical molding of hollow parts. Engraving from 1885 in “” Les arts et metiers illustres”” by Adolphe BITARD., Unknown Artist, (19th century) / Bridgeman Images
