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THE ROYAL MARRIAGE AT BERLIN - PRINCE FREDERICK CHARLES OF HESSE (Frederic Charles de Hesse Cassel 1868-1940) AND PRINCESS MARGARET OF PRUSSIA (Marguerite Beatrice Theodora of Prussia 1872-1954) 1893 - The Graphic 1893 -
THE ROYAL MARRIAGE AT BERLIN - PRINCE FREDERICK CHARLES OF HESSE (Frederic Charles de Hesse Cassel 1868-1940) AND PRINCESS MARGARET OF PRUSSIA (Marguerite Beatrice Theodora of Prussia 1872-1954) 1893 - The Graphic 1893 -

XEE4150202: THE ROYAL MARRIAGE AT BERLIN - PRINCE FREDERICK CHARLES OF HESSE (Frederic Charles de Hesse Cassel 1868-1940) AND PRINCESS MARGARET OF PRUSSIA (Marguerite Beatrice Theodora of Prussia 1872-1954) 1893 - The Graphic 1893 -, British School, (19th century) / Bridgeman Images

ID: XEE4150202

THE ROYAL MARRIAGE AT BERLIN - PRINCE FREDERICK CHARLES OF HESSE (Frederic Charles de Hesse Cassel 1868-1940) AND PRINCESS MARGARET OF PRUSSIA (Marguerite Beatrice Theodora of Prussia 1872-1954) 1893 - The Graphic 1893 -

British School, (19th century)

Napoleon I to Sainte-Helene (Saint Helene) in October 1818 resolved to oppose arms in hand against the attempt of Hudson Lowe, British general, to force the door - in “History of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection
Napoleon I to Sainte-Helene (Saint Helene) in October 1818 resolved to oppose arms in hand against the attempt of Hudson Lowe, British general, to force the door - in “History of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection

XEE4150599: Napoleon I to Sainte-Helene (Saint Helene) in October 1818 resolved to oppose arms in hand against the attempt of Hudson Lowe, British general, to force the door - in “History of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection, French School, (19th century) / Bridgeman Images

ID: XEE4150599

Napoleon I to Sainte-Helene (Saint Helene) in October 1818 resolved to oppose arms in hand against the attempt of Hudson Lowe, British general, to force the door - in “History of the empire following the history of the consulate”” by Adolphe Thiers - 1879 - private collection

French School, (19th century)

Experience of transporting mail using atmospheric tubes, England, 1861. Engraving in “” Le Monde Illustré”” n°230 of 7 September 1861.
Experience of transporting mail using atmospheric tubes, England, 1861. Engraving in “” Le Monde Illustré”” n°230 of 7 September 1861.

XEE4151149: Experience of transporting mail using atmospheric tubes, England, 1861. Engraving in “” Le Monde Illustré”” n°230 of 7 September 1861., French School, (19th century) / Bridgeman Images

ID: XEE4151149

Experience of transporting mail using atmospheric tubes, England, 1861. Engraving in “” Le Monde Illustré”” n°230 of 7 September 1861.

French School, (19th century)

Portrait of Georg von Vincke, Prussian politician - Georg von Vincke (1811-1875), administrator, politician and Prussian landowner - engraving late 19th century
Portrait of Georg von Vincke, Prussian politician - Georg von Vincke (1811-1875), administrator, politician and Prussian landowner - engraving late 19th century

XEE4151152: Portrait of Georg von Vincke, Prussian politician - Georg von Vincke (1811-1875), administrator, politician and Prussian landowner - engraving late 19th century, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151152

Portrait of Georg von Vincke, Prussian politician - Georg von Vincke (1811-1875), administrator, politician and Prussian landowner - engraving late 19th century

Unknown Artist, (19th century)

First World War (1914-1918): Sir Douglas Haig (1861-1928), Commander-in-Chief of the British Armees, reviews French troops at the Great French Headquarters with Marechal Joseph Joffre (1852-1931). Photographie In “” Le Miroir””, January 9, 1916 - WWI: British Expeditionary Force commander Sir Douglas Haig (1861-1928) visiting French general Joseph Joffre (1852-1931) in France and reviewing troops, Photography from “” Le Miroir””, 9th January 1916
First World War (1914-1918): Sir Douglas Haig (1861-1928), Commander-in-Chief of the British Armees, reviews French troops at the Great French Headquarters with Marechal Joseph Joffre (1852-1931). Photographie In “” Le Miroir””, January 9, 1916 - WWI: British Expeditionary Force commander Sir Douglas Haig (1861-1928) visiting French general Joseph Joffre (1852-1931) in France and reviewing troops, Photography from “” Le Miroir””, 9th January 1916

XEE4151533: First World War (1914-1918): Sir Douglas Haig (1861-1928), Commander-in-Chief of the British Armees, reviews French troops at the Great French Headquarters with Marechal Joseph Joffre (1852-1931). Photographie In “” Le Miroir””, January 9, 1916 - WWI: British Expeditionary Force commander Sir Douglas Haig (1861-1928) visiting French general Joseph Joffre (1852-1931) in France and reviewing troops, Photography from “” Le Miroir””, 9th January 1916, Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4151533

First World War (1914-1918): Sir Douglas Haig (1861-1928), Commander-in-Chief of the British Armees, reviews French troops at the Great French Headquarters with Marechal Joseph Joffre (1852-1931). Photographie In “” Le Miroir””, January 9, 1916 - WWI: British Expeditionary Force commander Sir Douglas Haig (1861-1928) visiting French general Joseph Joffre (1852-1931) in France and reviewing troops, Photography from “” Le Miroir””, 9th January 1916

Unknown photographer, (20th century)

First World War (1914-1918): the English Catherine Harley, sister of Marechal French, was decoree of the War Cross by General Maurice Sarrail (1856-1929), chief of the Armee d'Orient. Photographie In “” Le Miroir””, 30 April 1916 - WWI: Field Marshal French's sister, Catherine Harley, is awarded the “” Croix de Guerre”” (Cross of War) by French general Maurice Sarrail (1856-1929) - Photography from “” Le Miroir””, 30th April 1916
First World War (1914-1918): the English Catherine Harley, sister of Marechal French, was decoree of the War Cross by General Maurice Sarrail (1856-1929), chief of the Armee d'Orient. Photographie In “” Le Miroir””, 30 April 1916 - WWI: Field Marshal French's sister, Catherine Harley, is awarded the “” Croix de Guerre”” (Cross of War) by French general Maurice Sarrail (1856-1929) - Photography from “” Le Miroir””, 30th April 1916

XEE4151561: First World War (1914-1918): the English Catherine Harley, sister of Marechal French, was decoree of the War Cross by General Maurice Sarrail (1856-1929), chief of the Armee d'Orient. Photographie In “” Le Miroir””, 30 April 1916 - WWI: Field Marshal French's sister, Catherine Harley, is awarded the “” Croix de Guerre”” (Cross of War) by French general Maurice Sarrail (1856-1929) - Photography from “” Le Miroir””, 30th April 1916, Unknown photographer, (20th century) / Bridgeman Images

ID: XEE4151561

First World War (1914-1918): the English Catherine Harley, sister of Marechal French, was decoree of the War Cross by General Maurice Sarrail (1856-1929), chief of the Armee d'Orient. Photographie In “” Le Miroir””, 30 April 1916 - WWI: Field Marshal French's sister, Catherine Harley, is awarded the “” Croix de Guerre”” (Cross of War) by French general Maurice Sarrail (1856-1929) - Photography from “” Le Miroir””, 30th April 1916

Unknown photographer, (20th century)

Handel conducting one of his oratorios - George Frederick Handel (Georg Friedrich Handel, 1685-1759) conducting one of his oratorios - engraving in “” Popular music””” illustrious weekly newspaper - 1882
Handel conducting one of his oratorios - George Frederick Handel (Georg Friedrich Handel, 1685-1759) conducting one of his oratorios - engraving in “” Popular music””” illustrious weekly newspaper - 1882

XEE4151808: Handel conducting one of his oratorios - George Frederick Handel (Georg Friedrich Handel, 1685-1759) conducting one of his oratorios - engraving in “” Popular music””” illustrious weekly newspaper - 1882, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151808

Handel conducting one of his oratorios - George Frederick Handel (Georg Friedrich Handel, 1685-1759) conducting one of his oratorios - engraving in “” Popular music””” illustrious weekly newspaper - 1882

Unknown Artist, (19th century)

A meeting between Major-General Sir Arthur Wellesley (Duke of Wellington) and Vice-Admiral Horatio Nelson, September 1805, engraved by Samuel William Reynolds (1794-1872) after John Prescott Knight (1803-1881)
A meeting between Major-General Sir Arthur Wellesley (Duke of Wellington) and Vice-Admiral Horatio Nelson, September 1805, engraved by Samuel William Reynolds (1794-1872) after John Prescott Knight (1803-1881)

XEE4151864: A meeting between Major-General Sir Arthur Wellesley (Duke of Wellington) and Vice-Admiral Horatio Nelson, September 1805, engraved by Samuel William Reynolds (1794-1872) after John Prescott Knight (1803-1881), Reynolds, Samuel William I (1773-1835) / Bridgeman Images

ID: XEE4151864

A meeting between Major-General Sir Arthur Wellesley (Duke of Wellington) and Vice-Admiral Horatio Nelson, September 1805, engraved by Samuel William Reynolds (1794-1872) after John Prescott Knight (1803-1881)

Reynolds, Samuel William I (1773-1835)

Portrait of John Gibson (1790-1866), English sculptor - John Gibson, British sculptor
Portrait of John Gibson (1790-1866), English sculptor - John Gibson, British sculptor

XEE4151986: Portrait of John Gibson (1790-1866), English sculptor - John Gibson, British sculptor, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4151986

Portrait of John Gibson (1790-1866), English sculptor - John Gibson, British sculptor

Unknown Artist, (19th century)

Franco-Prussian War (1870-1871) interview between Count Bismarck and M. Jules Favre, September 1870 - political interview between Chancellor Bismarck (1815-1898), Jules Favre (1809-1880) in Versailles in the house of Madame Jesse - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.
Franco-Prussian War (1870-1871) interview between Count Bismarck and M. Jules Favre, September 1870 - political interview between Chancellor Bismarck (1815-1898), Jules Favre (1809-1880) in Versailles in the house of Madame Jesse - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

XEE4152203: Franco-Prussian War (1870-1871) interview between Count Bismarck and M. Jules Favre, September 1870 - political interview between Chancellor Bismarck (1815-1898), Jules Favre (1809-1880) in Versailles in the house of Madame Jesse - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection., Pacher, Jules (19th-20th century) / Bridgeman Images

ID: XEE4152203

Franco-Prussian War (1870-1871) interview between Count Bismarck and M. Jules Favre, September 1870 - political interview between Chancellor Bismarck (1815-1898), Jules Favre (1809-1880) in Versailles in the house of Madame Jesse - engraving in “Histoire de France from the most remote times to the present day” drawing by Jules Pacher. Patriotic imagery of Pont-Mousson. Late 19th century. Private collection.

Pacher, Jules (19th-20th century)

Celie daughter of Frederic (Comme il vous please) Celia (As You Like it) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Celie daughter of Frederic (Comme il vous please) Celia (As You Like it) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152759: Celie daughter of Frederic (Comme il vous please) Celia (As You Like it) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

ID: XEE4152759

Celie daughter of Frederic (Comme il vous please) Celia (As You Like it) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

English School, (19th century)

Lady Grey (Henry VI) (Henry VI) (Elizabeth Woodville) in - “” Galerie des femmes de Shakespeare, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838
Lady Grey (Henry VI) (Henry VI) (Elizabeth Woodville) in - “” Galerie des femmes de Shakespeare, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

XEE4152893: Lady Grey (Henry VI) (Henry VI) (Elizabeth Woodville) in - “” Galerie des femmes de Shakespeare, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838, English School, (19th century) / Bridgeman Images

ID: XEE4152893

Lady Grey (Henry VI) (Henry VI) (Elizabeth Woodville) in - “” Galerie des femmes de Shakespeare, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes”, circa 1838

English School, (19th century)

Perdita (The Winter Tale) - (The Winter's Tale) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838
Perdita (The Winter Tale) - (The Winter's Tale) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838

XEE4152911: Perdita (The Winter Tale) - (The Winter's Tale) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838, English School, (19th century) / Bridgeman Images

ID: XEE4152911

Perdita (The Winter Tale) - (The Winter's Tale) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by early London artists, enriched with critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes,” circa 1838

English School, (19th century)

Lady Anne (Richard III) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838
Lady Anne (Richard III) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838

XEE4152914: Lady Anne (Richard III) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838, English School, (19th century) / Bridgeman Images

ID: XEE4152914

Lady Anne (Richard III) in - “” Shakespeare Women's Gallery, collection of forty-five serious portraits by the early London artists, enriched by critical and literary notices””” circa 1838 - from “” Gallery of the women of Shakespeare, Collection of forty five portraits engraved by the first artists of London, enriched by critical and literary notes””, circa 1838

English School, (19th century)

Rag-and-chain pump for draining a mine operated by men in treadmill. From Agricola (George Bauer) De re metallica, Basle, 1556 - The ball pump in “De Re Metallica” by Georgius Agricola, known as Agricola, by his real name Georg Pawer or George Bauer (1494-1555) Hydraulic machine
Rag-and-chain pump for draining a mine operated by men in treadmill. From Agricola (George Bauer) De re metallica, Basle, 1556 - The ball pump in “De Re Metallica” by Georgius Agricola, known as Agricola, by his real name Georg Pawer or George Bauer (1494-1555) Hydraulic machine

XEE4152937: Rag-and-chain pump for draining a mine operated by men in treadmill. From Agricola (George Bauer) De re metallica, Basle, 1556 - The ball pump in “De Re Metallica” by Georgius Agricola, known as Agricola, by his real name Georg Pawer or George Bauer (1494-1555) Hydraulic machine, Unknown Artist, (16th century) / Bridgeman Images

ID: XEE4152937

Rag-and-chain pump for draining a mine operated by men in treadmill. From Agricola (George Bauer) De re metallica, Basle, 1556 - The ball pump in “De Re Metallica” by Georgius Agricola, known as Agricola, by his real name Georg Pawer or George Bauer (1494-1555) Hydraulic machine

Unknown Artist, (16th century)

View of the railway bridge over the Rhine connecting Kehl (Germany) to Strasbourg (France), 1861. Engraving in “” Le Monde Illustré”” n°209 of 13 April 1861.
View of the railway bridge over the Rhine connecting Kehl (Germany) to Strasbourg (France), 1861. Engraving in “” Le Monde Illustré”” n°209 of 13 April 1861.

XEE4153414: View of the railway bridge over the Rhine connecting Kehl (Germany) to Strasbourg (France), 1861. Engraving in “” Le Monde Illustré”” n°209 of 13 April 1861., French School, (19th century) / Bridgeman Images

ID: XEE4153414

View of the railway bridge over the Rhine connecting Kehl (Germany) to Strasbourg (France), 1861. Engraving in “” Le Monde Illustré”” n°209 of 13 April 1861.

French School, (19th century)

Portrait of Georg August Schweinfurth (1836-1925) German explorer, botanist and anthropologist engraving from “” Histoire picturesque des grands voyages au nineteenth century””. 1877
Portrait of Georg August Schweinfurth (1836-1925) German explorer, botanist and anthropologist engraving from “” Histoire picturesque des grands voyages au nineteenth century””. 1877

XEE4153661: Portrait of Georg August Schweinfurth (1836-1925) German explorer, botanist and anthropologist engraving from “” Histoire picturesque des grands voyages au nineteenth century””. 1877, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4153661

Portrait of Georg August Schweinfurth (1836-1925) German explorer, botanist and anthropologist engraving from “” Histoire picturesque des grands voyages au nineteenth century””. 1877

Unknown Artist, (19th century)

German weapon: General Staff Guard - Engraving by Maurice Pallandre in “The Fighters of 1870-71”” by Commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)
German weapon: General Staff Guard - Engraving by Maurice Pallandre in “The Fighters of 1870-71”” by Commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)

XEE4160734: German weapon: General Staff Guard - Engraving by Maurice Pallandre in “The Fighters of 1870-71”” by Commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg), Pallandre, Maurice (19th century) / Bridgeman Images

ID: XEE4160734

German weapon: General Staff Guard - Engraving by Maurice Pallandre in “The Fighters of 1870-71”” by Commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)

Pallandre, Maurice (19th century)

German Armee: Fortress Artillery - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by Commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)
German Armee: Fortress Artillery - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by Commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)

XEE4160763: German Armee: Fortress Artillery - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by Commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg), Pallandre, Maurice (19th century) / Bridgeman Images

ID: XEE4160763

German Armee: Fortress Artillery - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by Commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)

Pallandre, Maurice (19th century)

German Armee: Hunters of the Guard - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by the commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)
German Armee: Hunters of the Guard - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by the commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)

XEE4160791: German Armee: Hunters of the Guard - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by the commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg), Pallandre, Maurice (19th century) / Bridgeman Images

ID: XEE4160791

German Armee: Hunters of the Guard - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by the commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)

Pallandre, Maurice (19th century)

German Armee: Pioneers of the Guard - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by the commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)
German Armee: Pioneers of the Guard - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by the commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)

XEE4160799: German Armee: Pioneers of the Guard - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by the commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg), Pallandre, Maurice (19th century) / Bridgeman Images

ID: XEE4160799

German Armee: Pioneers of the Guard - Engraving by Maurice Pallandre in “The fighters of 1870-71”” by the commander Leonce Rousset (1850-1938) - Franco-German War”” (1870-1871) - Franco Prussian War - (Deutsch-Franzosischer Krieg)

Pallandre, Maurice (19th century)

Morning Journal No. 21311 of 20 October 1942: The Sto - Compulsory Labour Service - Why go to work in Germany -
Morning Journal No. 21311 of 20 October 1942: The Sto - Compulsory Labour Service - Why go to work in Germany -

XEE4161325: Morning Journal No. 21311 of 20 October 1942: The Sto - Compulsory Labour Service - Why go to work in Germany -, French School, (20th century) / Bridgeman Images

ID: XEE4161325

Morning Journal No. 21311 of 20 October 1942: The Sto - Compulsory Labour Service - Why go to work in Germany -

French School, (20th century)

The burning of Bishops Nicholas Ridley and Hugh Latimer at the stake near the gates of Balliol College, Oxford, England, 16 October 1555. The torment of Ridley and Latimer in Oxford, after Hayter's painting
The burning of Bishops Nicholas Ridley and Hugh Latimer at the stake near the gates of Balliol College, Oxford, England, 16 October 1555. The torment of Ridley and Latimer in Oxford, after Hayter's painting

XEE4161354: The burning of Bishops Nicholas Ridley and Hugh Latimer at the stake near the gates of Balliol College, Oxford, England, 16 October 1555. The torment of Ridley and Latimer in Oxford, after Hayter's painting, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4161354

The burning of Bishops Nicholas Ridley and Hugh Latimer at the stake near the gates of Balliol College, Oxford, England, 16 October 1555. The torment of Ridley and Latimer in Oxford, after Hayter's painting

Unknown Artist, (19th century)

the visit of William, the king of Prussia, to Napoleon III, the emperor of the French, at Compiegne, France 1861 - Visit of William I of Prussia (1797-1888) to Compiegne en presence of Napoleon III - Engraving from “” The Illustrous Universe”, 1861
the visit of William, the king of Prussia, to Napoleon III, the emperor of the French, at Compiegne, France 1861 - Visit of William I of Prussia (1797-1888) to Compiegne en presence of Napoleon III - Engraving from “” The Illustrous Universe”, 1861

XEE4161408: the visit of William, the king of Prussia, to Napoleon III, the emperor of the French, at Compiegne, France 1861 - Visit of William I of Prussia (1797-1888) to Compiegne en presence of Napoleon III - Engraving from “” The Illustrous Universe”, 1861, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4161408

the visit of William, the king of Prussia, to Napoleon III, the emperor of the French, at Compiegne, France 1861 - Visit of William I of Prussia (1797-1888) to Compiegne en presence of Napoleon III - Engraving from “” The Illustrous Universe”, 1861

Unknown Artist, (19th century)

Hamburg - Germany - Horticultural Exhibition 1869 - Hamburg - the park of the International Horticulture Exhibition
Hamburg - Germany - Horticultural Exhibition 1869 - Hamburg - the park of the International Horticulture Exhibition

XEE4161436: Hamburg - Germany - Horticultural Exhibition 1869 - Hamburg - the park of the International Horticulture Exhibition, Unknown Artist, (19th century) / Bridgeman Images

ID: XEE4161436

Hamburg - Germany - Horticultural Exhibition 1869 - Hamburg - the park of the International Horticulture Exhibition

Unknown Artist, (19th century)

The cross and four squares in De laudibus sancte crucis - la croix à quatre carre - in “Le Liber de laudibus Sanctae Crucis ou Opus in honorem Sanctae Crucis conditum (book of praises of the Holy Cross) redige by the abbe of Fulda, Raban Maur (ca. 780-856) -
The cross and four squares in De laudibus sancte crucis - la croix à quatre carre - in “Le Liber de laudibus Sanctae Crucis ou Opus in honorem Sanctae Crucis conditum (book of praises of the Holy Cross) redige by the abbe of Fulda, Raban Maur (ca. 780-856) -

XEE4161644: The cross and four squares in De laudibus sancte crucis - la croix à quatre carre - in “Le Liber de laudibus Sanctae Crucis ou Opus in honorem Sanctae Crucis conditum (book of praises of the Holy Cross) redige by the abbe of Fulda, Raban Maur (ca. 780-856) -, Unknown Artist / Bridgeman Images

ID: XEE4161644

The cross and four squares in De laudibus sancte crucis - la croix à quatre carre - in “Le Liber de laudibus Sanctae Crucis ou Opus in honorem Sanctae Crucis conditum (book of praises of the Holy Cross) redige by the abbe of Fulda, Raban Maur (ca. 780-856) -

Unknown Artist

Portrait of Jean George (Johann Georg) Palitzsch (1723-1788), German astronomer. Engraving in “” Le Magasin picturesque””, 1852.
Portrait of Jean George (Johann Georg) Palitzsch (1723-1788), German astronomer. Engraving in “” Le Magasin picturesque””, 1852.

XEE4162145: Portrait of Jean George (Johann Georg) Palitzsch (1723-1788), German astronomer. Engraving in “” Le Magasin picturesque””, 1852., French School, (19th century) / Bridgeman Images

ID: XEE4162145

Portrait of Jean George (Johann Georg) Palitzsch (1723-1788), German astronomer. Engraving in “” Le Magasin picturesque””, 1852.

French School, (19th century)

Portrait of General John French (1852-1925), English soldier, commander of the British army during the First World War. Photograph in “” Readings for All”” of May 1, 1915.
Portrait of General John French (1852-1925), English soldier, commander of the British army during the First World War. Photograph in “” Readings for All”” of May 1, 1915.

XEE4164992: Portrait of General John French (1852-1925), English soldier, commander of the British army during the First World War. Photograph in “” Readings for All”” of May 1, 1915., Unknown photographer, (19th-20th century) / Bridgeman Images

ID: XEE4164992

Portrait of General John French (1852-1925), English soldier, commander of the British army during the First World War. Photograph in “” Readings for All”” of May 1, 1915.

Unknown photographer, (19th-20th century)

Colonialism: map of the German colonial empire as desired by Germany after the First World War (after 1918). In “” Readings for All”” of March 15, 1919.
Colonialism: map of the German colonial empire as desired by Germany after the First World War (after 1918). In “” Readings for All”” of March 15, 1919.

XEE4165378: Colonialism: map of the German colonial empire as desired by Germany after the First World War (after 1918). In “” Readings for All”” of March 15, 1919., French School, (20th century) / Bridgeman Images

ID: XEE4165378

Colonialism: map of the German colonial empire as desired by Germany after the First World War (after 1918). In “” Readings for All”” of March 15, 1919.

French School, (20th century)

First World War: German soldiers from the bronze monuments of a cemetery. In “” Le petit journal””” of October 28, 1917.
First World War: German soldiers from the bronze monuments of a cemetery. In “” Le petit journal””” of October 28, 1917.

XEE4165967: First World War: German soldiers from the bronze monuments of a cemetery. In “” Le petit journal””” of October 28, 1917., Unknown Artist / Bridgeman Images

ID: XEE4165967

First World War: German soldiers from the bronze monuments of a cemetery. In “” Le petit journal””” of October 28, 1917.

Unknown Artist

First World War: French children transported to Holland are searched by German officers on the quay of a station. In “” Le petit journal””” of March 11, 1917.
First World War: French children transported to Holland are searched by German officers on the quay of a station. In “” Le petit journal””” of March 11, 1917.

XEE4166105: First World War: French children transported to Holland are searched by German officers on the quay of a station. In “” Le petit journal””” of March 11, 1917., Unknown Artist / Bridgeman Images

ID: XEE4166105

First World War: French children transported to Holland are searched by German officers on the quay of a station. In “” Le petit journal””” of March 11, 1917.

Unknown Artist

First World War: Lille residents refusing to sign a petition from German soldiers for peace. In “” Le petit journal””” du 25 February 1917. - World War I, Citizens of Lille refusing to sign a German Peace Petition, Illustration from French newspaper “” Le petit journal”””, February 25, 1917 -
First World War: Lille residents refusing to sign a petition from German soldiers for peace. In “” Le petit journal””” du 25 February 1917. - World War I, Citizens of Lille refusing to sign a German Peace Petition, Illustration from French newspaper “” Le petit journal”””, February 25, 1917 -

XEE4166114: First World War: Lille residents refusing to sign a petition from German soldiers for peace. In “” Le petit journal””” du 25 February 1917. - World War I, Citizens of Lille refusing to sign a German Peace Petition, Illustration from French newspaper “” Le petit journal”””, February 25, 1917 -, Unknown Artist / Bridgeman Images

ID: XEE4166114

First World War: Lille residents refusing to sign a petition from German soldiers for peace. In “” Le petit journal””” du 25 February 1917. - World War I, Citizens of Lille refusing to sign a German Peace Petition, Illustration from French newspaper “” Le petit journal”””, February 25, 1917 -

Unknown Artist

Inauguration of a monument in memory of the French soldiers prisoners in Mainz, Germany, during the War of 1870: General von Eichhorn, representative of the German emperor, laid a wreath at the foot of the monument. One of “La-Croix-Illustree”, November 28, 1906.
Inauguration of a monument in memory of the French soldiers prisoners in Mainz, Germany, during the War of 1870: General von Eichhorn, representative of the German emperor, laid a wreath at the foot of the monument. One of “La-Croix-Illustree”, November 28, 1906.

XEE4166241: Inauguration of a monument in memory of the French soldiers prisoners in Mainz, Germany, during the War of 1870: General von Eichhorn, representative of the German emperor, laid a wreath at the foot of the monument. One of “La-Croix-Illustree”, November 28, 1906., French School, (20th century) / Bridgeman Images

ID: XEE4166241

Inauguration of a monument in memory of the French soldiers prisoners in Mainz, Germany, during the War of 1870: General von Eichhorn, representative of the German emperor, laid a wreath at the foot of the monument. One of “La-Croix-Illustree”, November 28, 1906.

French School, (20th century)

Election in England, 1906: scene at the entrance of a polling division. The supporters of the candidates walk out with the names of their favorite. In the middle there's a man sandwich in a brioche. At the bottom right, a dog adorns the British flag. One of “La-Croix-Illustree”, February 18, 1906.
Election in England, 1906: scene at the entrance of a polling division. The supporters of the candidates walk out with the names of their favorite. In the middle there's a man sandwich in a brioche. At the bottom right, a dog adorns the British flag. One of “La-Croix-Illustree”, February 18, 1906.

XEE4166282: Election in England, 1906: scene at the entrance of a polling division. The supporters of the candidates walk out with the names of their favorite. In the middle there's a man sandwich in a brioche. At the bottom right, a dog adorns the British flag. One of “La-Croix-Illustree”, February 18, 1906., French School, (20th century) / Bridgeman Images

ID: XEE4166282

Election in England, 1906: scene at the entrance of a polling division. The supporters of the candidates walk out with the names of their favorite. In the middle there's a man sandwich in a brioche. At the bottom right, a dog adorns the British flag. One of “La-Croix-Illustree”, February 18, 1906.

French School, (20th century)

The Prussian ship the “Teutonia” in the port of Hamburg in Germany. French soldiers were held prisoner in the War of 1870. Engraving in “” Le Monde Illustré”” n°743 of 8 July 1871.
The Prussian ship the “Teutonia” in the port of Hamburg in Germany. French soldiers were held prisoner in the War of 1870. Engraving in “” Le Monde Illustré”” n°743 of 8 July 1871.

XEE4166338: The Prussian ship the “Teutonia” in the port of Hamburg in Germany. French soldiers were held prisoner in the War of 1870. Engraving in “” Le Monde Illustré”” n°743 of 8 July 1871., French School, (19th century) / Bridgeman Images

ID: XEE4166338

The Prussian ship the “Teutonia” in the port of Hamburg in Germany. French soldiers were held prisoner in the War of 1870. Engraving in “” Le Monde Illustré”” n°743 of 8 July 1871.

French School, (19th century)

Portrait of Margaret of Anjou, Queen of England (1430-1482). in “” The illustrious women of France”” by Countess DROHOJOWSKA. Illustrated by drawings by MM JULES AND BAYALOS. circa 1850.
Portrait of Margaret of Anjou, Queen of England (1430-1482). in “” The illustrious women of France”” by Countess DROHOJOWSKA. Illustrated by drawings by MM JULES AND BAYALOS. circa 1850.

XEE4167161: Portrait of Margaret of Anjou, Queen of England (1430-1482). in “” The illustrious women of France”” by Countess DROHOJOWSKA. Illustrated by drawings by MM JULES AND BAYALOS. circa 1850., David, Jules (1808-1892) & Bayalos, Aime de (19th century) / Bridgeman Images

ID: XEE4167161

Portrait of Margaret of Anjou, Queen of England (1430-1482). in “” The illustrious women of France”” by Countess DROHOJOWSKA. Illustrated by drawings by MM JULES AND BAYALOS. circa 1850.

David, Jules (1808-1892) & Bayalos, Aime de (19th century)


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