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Queen of England Victoria at Villa Palmieri in Florence in 1893.
Queen of England Victoria at Villa Palmieri in Florence in 1893.

XEE4415245: Queen of England Victoria at Villa Palmieri in Florence in 1893., Unknown Artist, (19th century) / Bridgeman Images

Isaac and Jacob Emile Pereire, French businessmen, founders of the Société de crédit mobilier (1852).
Isaac and Jacob Emile Pereire, French businessmen, founders of the Société de crédit mobilier (1852).

XEE4415267: Isaac and Jacob Emile Pereire, French businessmen, founders of the Société de crédit mobilier (1852)., Unknown Artist, (19th century) / Bridgeman Images

Ferdinand de Lesseps (1805-1894), French diplomat and administrator.
Ferdinand de Lesseps (1805-1894), French diplomat and administrator.

XEE4415278: Ferdinand de Lesseps (1805-1894), French diplomat and administrator., Unknown Artist, (19th century) / Bridgeman Images

St. Bernard of Clairvaux (San Bernardo di Chiaravalle).Theologian of the Church, founder of the Order of the Cistersians (1090-1153). Lombard wood engraving of the 15th century.
St. Bernard of Clairvaux (San Bernardo di Chiaravalle).Theologian of the Church, founder of the Order of the Cistersians (1090-1153). Lombard wood engraving of the 15th century.

XEE4415282: St. Bernard of Clairvaux (San Bernardo di Chiaravalle).Theologian of the Church, founder of the Order of the Cistersians (1090-1153). Lombard wood engraving of the 15th century., Italian School, (15th century) / Bridgeman Images

Portrait of the knight of Bouillon, young debauche, future lover of Madame d'Urban. Engraving from “The History of Prostitution and Debauche in All Peoples of the World from Antiquity to Today” by Dr. Th. -F. Debray. 1879.
Portrait of the knight of Bouillon, young debauche, future lover of Madame d'Urban. Engraving from “The History of Prostitution and Debauche in All Peoples of the World from Antiquity to Today” by Dr. Th. -F. Debray. 1879.

XEE4407298: Portrait of the knight of Bouillon, young debauche, future lover of Madame d'Urban. Engraving from “The History of Prostitution and Debauche in All Peoples of the World from Antiquity to Today” by Dr. Th. -F. Debray. 1879., French School, (19th century) / Bridgeman Images

The young French woman of modest social origin works as a domestic servant in a wealthy family. She looks at busy kids at their games with envy. Anonymous engraving of the 19th century
The young French woman of modest social origin works as a domestic servant in a wealthy family. She looks at busy kids at their games with envy. Anonymous engraving of the 19th century

XEE4407308: The young French woman of modest social origin works as a domestic servant in a wealthy family. She looks at busy kids at their games with envy. Anonymous engraving of the 19th century, French School, (19th century) / Bridgeman Images

Anonymous engraving from the 19th century
Anonymous engraving from the 19th century

XEE4407314: Anonymous engraving from the 19th century, French School, (19th century) / Bridgeman Images

Mademoiselle de Montpensier entered Orleans during the Fronde on 27 March 1652. Engraving after the painting by Alfred Johannot (1800-1837).
Mademoiselle de Montpensier entered Orleans during the Fronde on 27 March 1652. Engraving after the painting by Alfred Johannot (1800-1837).

XEE4407337: Mademoiselle de Montpensier entered Orleans during the Fronde on 27 March 1652. Engraving after the painting by Alfred Johannot (1800-1837)., Johannot, Alfred (1800-37) (after) / Bridgeman Images

Sainte Adelaide ou Adelaide de Bourgogne (931-999) in “” Les Saintes Femmes””, 1852.
Sainte Adelaide ou Adelaide de Bourgogne (931-999) in “” Les Saintes Femmes””, 1852.

XEE4407348: Sainte Adelaide ou Adelaide de Bourgogne (931-999) in “” Les Saintes Femmes””, 1852., French School, (19th century) / Bridgeman Images

The love of King Henry II (1519-1559) and of a young Italian Filippa Duco. Engraving in “The history of prostitution and debauche among all the peoples of the world from antiquity to the present day” by Dr. Th. -F. Debray. 1879.
The love of King Henry II (1519-1559) and of a young Italian Filippa Duco. Engraving in “The history of prostitution and debauche among all the peoples of the world from antiquity to the present day” by Dr. Th. -F. Debray. 1879.

XEE4407385: The love of King Henry II (1519-1559) and of a young Italian Filippa Duco. Engraving in “The history of prostitution and debauche among all the peoples of the world from antiquity to the present day” by Dr. Th. -F. Debray. 1879., French School, (19th century) / Bridgeman Images

A Lunetier (Optician - manufacturer of glasses) in 1745.
A Lunetier (Optician - manufacturer of glasses) in 1745.

XEE4407424: A Lunetier (Optician - manufacturer of glasses) in 1745., Unknown Artist, (19th century) / Bridgeman Images

Portrait of The Emperor Francois Joseph of Austria (1830-1916) and King of Hungary (1867-1916), from the house of Habsburg-Lorraine. Photograph of the Victor Angerer workshop in Vienna.
Portrait of The Emperor Francois Joseph of Austria (1830-1916) and King of Hungary (1867-1916), from the house of Habsburg-Lorraine. Photograph of the Victor Angerer workshop in Vienna.

XEE4407437: Portrait of The Emperor Francois Joseph of Austria (1830-1916) and King of Hungary (1867-1916), from the house of Habsburg-Lorraine. Photograph of the Victor Angerer workshop in Vienna., Austrian Photographer, (19th century) / Bridgeman Images

France, 1719: Scottish banker John Law (1671 - 1729). To his left, English lords. On his right, women asking for money. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.
France, 1719: Scottish banker John Law (1671 - 1729). To his left, English lords. On his right, women asking for money. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.

XEE4407522: France, 1719: Scottish banker John Law (1671 - 1729). To his left, English lords. On his right, women asking for money. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870., Unknown Artist, (19th century) / Bridgeman Images

Paris, the Tuileries (1721): King of France Louis XV (1710 - 1774) showing himself on the balcony of the Tuileries. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.
Paris, the Tuileries (1721): King of France Louis XV (1710 - 1774) showing himself on the balcony of the Tuileries. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.

XEE4407524: Paris, the Tuileries (1721): King of France Louis XV (1710 - 1774) showing himself on the balcony of the Tuileries. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870., Unknown Artist, (19th century) / Bridgeman Images

Admiral Tourville (Anne Hilarion of Costentin (Cotentin), Count of Tourville (1642-1701). on the ship “Soleil Royal”. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.
Admiral Tourville (Anne Hilarion of Costentin (Cotentin), Count of Tourville (1642-1701). on the ship “Soleil Royal”. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870.

XEE4407526: Admiral Tourville (Anne Hilarion of Costentin (Cotentin), Count of Tourville (1642-1701). on the ship “Soleil Royal”. Engraving of the 19th century. In “Histoire de France” by Jules Michelet, 1870., Unknown Artist, (19th century) / Bridgeman Images

portrait of Theodore Aubanel, 1829 -1886 French poet and playwright.
portrait of Theodore Aubanel, 1829 -1886 French poet and playwright.

XEE4407565: portrait of Theodore Aubanel, 1829 -1886 French poet and playwright., French School, (19th century) / Bridgeman Images

Portrait of Clovis King of the Francs from 481-511 AD.
Portrait of Clovis King of the Francs from 481-511 AD.

XEE4407573: Portrait of Clovis King of the Francs from 481-511 AD., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Charles V (Charles V) (1500-1558).Chromolithography, 1905.
Portrait of Charles V (Charles V) (1500-1558).Chromolithography, 1905.

XEE4407585: Portrait of Charles V (Charles V) (1500-1558).Chromolithography, 1905., German School, (20th century) / Bridgeman Images

Father Kircher's Catoptric Machine - Machine by which a man looking at a plane mirror sees the face of a donkey, an ox, or any other animal - In “Ars Magna Lucis Et Umbrae”” by Athanasius Kircher, 1646
Father Kircher's Catoptric Machine - Machine by which a man looking at a plane mirror sees the face of a donkey, an ox, or any other animal - In “Ars Magna Lucis Et Umbrae”” by Athanasius Kircher, 1646

XEE4407650: Father Kircher's Catoptric Machine - Machine by which a man looking at a plane mirror sees the face of a donkey, an ox, or any other animal - In “Ars Magna Lucis Et Umbrae”” by Athanasius Kircher, 1646, Kircher, Athanasius (1602-80) / Bridgeman Images

Steam car from Gurney (Gurney Goldsworthy) experimented in London in 1827.
Steam car from Gurney (Gurney Goldsworthy) experimented in London in 1827.

XEE4407699: Steam car from Gurney (Gurney Goldsworthy) experimented in London in 1827., Unknown Artist, (19th century) / Bridgeman Images

Ostrich free in southern Africa. Engraving from 1895 from a drawing by Lichtenstein from 1804.
Ostrich free in southern Africa. Engraving from 1895 from a drawing by Lichtenstein from 1804.

XEE4407707: Ostrich free in southern Africa. Engraving from 1895 from a drawing by Lichtenstein from 1804., Unknown Artist, (19th century) / Bridgeman Images

Interior of a plumassier workshop in the 18th century. 18th century engraving.
Interior of a plumassier workshop in the 18th century. 18th century engraving.

XEE4407715: Interior of a plumassier workshop in the 18th century. 18th century engraving., Unknown artist, (18th century) / Bridgeman Images

English Admiral Augustus Keppel before the Council of War after THE NAVAL BATTLE OF OUESANT (100 nautical miles west of the island, during the American War of Independence) on 27 July 1778.
English Admiral Augustus Keppel before the Council of War after THE NAVAL BATTLE OF OUESANT (100 nautical miles west of the island, during the American War of Independence) on 27 July 1778.

XEE4407731: English Admiral Augustus Keppel before the Council of War after THE NAVAL BATTLE OF OUESANT (100 nautical miles west of the island, during the American War of Independence) on 27 July 1778., Unknown Artist, (19th century) / Bridgeman Images

Making cards to play by old methods. Decoupage of playing cards. Engraving from 1893.
Making cards to play by old methods. Decoupage of playing cards. Engraving from 1893.

XEE4407743: Making cards to play by old methods. Decoupage of playing cards. Engraving from 1893., Unknown Artist, (19th century) / Bridgeman Images

Beaver cutting a tree trunk to make a barage.
Beaver cutting a tree trunk to make a barage.

XEE4407755: Beaver cutting a tree trunk to make a barage., Unknown Artist, (19th century) / Bridgeman Images

Achilles invokes his mother Thetis. Illustration by Clement Gontier (1876-1918) for Homere's “The Iliad” (Omero). Paris, Henri Laurens, 1930.
Achilles invokes his mother Thetis. Illustration by Clement Gontier (1876-1918) for Homere's “The Iliad” (Omero). Paris, Henri Laurens, 1930.

XEE4407833: Achilles invokes his mother Thetis. Illustration by Clement Gontier (1876-1918) for Homere's “The Iliad” (Omero). Paris, Henri Laurens, 1930., Gontier, Clement (1876-1918) / Bridgeman Images

Portrait of Berthold Auerbach (1812-1882), German writer.
Portrait of Berthold Auerbach (1812-1882), German writer.

XEE4404198: Portrait of Berthold Auerbach (1812-1882), German writer., Unknown Artist, (19th century) / Bridgeman Images

Herault publishes the edit. Anonymous illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Herault publishes the edit. Anonymous illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404240: Herault publishes the edit. Anonymous illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The king's son saw the princess. Illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The king's son saw the princess. Illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404259: The king's son saw the princess. Illustration for “” Donkey Skin”” tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The cook responds to the princess that he prepares Riquet's wedding feast. Anonymous illustration for “” Riquet a la houppe””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The cook responds to the princess that he prepares Riquet's wedding feast. Anonymous illustration for “” Riquet a la houppe””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404283: The cook responds to the princess that he prepares Riquet's wedding feast. Anonymous illustration for “” Riquet a la houppe””, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The good fee sleeps the inhabitants of the castle. Anonymous illustration for “La belle au bois dormant”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The good fee sleeps the inhabitants of the castle. Anonymous illustration for “La belle au bois dormant”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404284: The good fee sleeps the inhabitants of the castle. Anonymous illustration for “La belle au bois dormant”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Trout changed to a sow. Anonymous illustration for the tale “L'oiseau Bleu”, tale by Madame d'Aulnoy (1650-1705), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Trout changed to a sow. Anonymous illustration for the tale “L'oiseau Bleu”, tale by Madame d'Aulnoy (1650-1705), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404285: Trout changed to a sow. Anonymous illustration for the tale “L'oiseau Bleu”, tale by Madame d'Aulnoy (1650-1705), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Anonymous illustration for “The Little Red Riding Hood”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Anonymous illustration for “The Little Red Riding Hood”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404309: Anonymous illustration for “The Little Red Riding Hood”, tale by Charles Perrault (1628-1703), French writer. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The loggers abandon their children, Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The loggers abandon their children, Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404314: The loggers abandon their children, Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

Engagement of the Marquis of Carabas and the King's daughter. Illustration for “” Le chat Botte””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
Engagement of the Marquis of Carabas and the King's daughter. Illustration for “” Le chat Botte””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404325: Engagement of the Marquis of Carabas and the King's daughter. Illustration for “” Le chat Botte””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images

The little poucet sows rocks in his way. Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).
The little poucet sows rocks in his way. Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century).

XEE4404332: The little poucet sows rocks in his way. Illustration for “” Le Pepetit poucet””, tale by Charles Perrault (1628-1703), French writer. Anonymous illustration. Imagery Marcel Vagne, Jarville Nancy, undated (late 19th century)., Unknown Artist, (19th century) / Bridgeman Images


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