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Villa Les Colombes, 10 rue du General Clinchant (architect Charles Masson, 1925) Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1925-1930), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Villa Les Colombes, 10 rue du General Clinchant (architect Charles Masson, 1925) Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1925-1930), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640776: Villa Les Colombes, 10 rue du General Clinchant (architect Charles Masson, 1925) Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1925-1930), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., Masson, Charles (1894-1971) / Bridgeman Images

ID: LBY4640776

Villa Les Colombes, 10 rue du General Clinchant (architect Charles Masson, 1925) Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1925-1930), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Masson, Charles (1894-1971)

Detail, Villa Les Colombes, 10 rue du General Clinchant (architect Charles Masson, 1925) Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1925-1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail, Villa Les Colombes, 10 rue du General Clinchant (architect Charles Masson, 1925) Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1925-1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640788: Detail, Villa Les Colombes, 10 rue du General Clinchant (architect Charles Masson, 1925) Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1925-1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., Masson, Charles (1894-1971) / Bridgeman Images

ID: LBY4640788

Detail, Villa Les Colombes, 10 rue du General Clinchant (architect Charles Masson, 1925) Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1925-1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Masson, Charles (1894-1971)

Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640793: Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Masson, Charles (1894-1971) / Bridgeman Images

ID: LBY4640793

Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Masson, Charles (1894-1971)

Art Scythian (Scythian civilization or Scythia): cover of gold quiver decorates animals (deer). From Tumulus n°4 in Kelermes, Krasnodar Region, Kuban, Russia, 7th century BC
Art Scythian (Scythian civilization or Scythia): cover of gold quiver decorates animals (deer). From Tumulus n°4 in Kelermes, Krasnodar Region, Kuban, Russia, 7th century BC

LRI4640807: Art Scythian (Scythian civilization or Scythia): cover of gold quiver decorates animals (deer). From Tumulus n°4 in Kelermes, Krasnodar Region, Kuban, Russia, 7th century BC, Scythian, (7th century BC) / Bridgeman Images

ID: LRI4640807

Art Scythian (Scythian civilization or Scythia): cover of gold quiver decorates animals (deer). From Tumulus n°4 in Kelermes, Krasnodar Region, Kuban, Russia, 7th century BC

Scythian, (7th century BC)

Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640811: Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Masson, Charles (1894-1971) / Bridgeman Images

ID: LBY4640811

Detail of an architect's house, 2 at 8 rue du Lieutenant Crepin in Nancy (Meurthe and Moselle). Architect Charles Masson, 1930. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Masson, Charles (1894-1971)

Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640813: Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., Masson, Charles (1894-1971) / Bridgeman Images

ID: LBY4640813

Detail, Maison d'architecte, 2 a 8 rue du Lieutenant Crepin (architect Charles Masson, 1930), in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Masson, Charles (1894-1971)

Architect house, detail, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Architect house, detail, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640825: Architect house, detail, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., César, Félicien (1849-1930) / Bridgeman Images

ID: LBY4640825

Architect house, detail, 33 rue du General Clinchant (architect Felicien Cesar, 1910), in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

César, Félicien (1849-1930)

Fragment of a felt saddle cover.
Fragment of a felt saddle cover.

LRI4640833: Fragment of a felt saddle cover., Scythian / Bridgeman Images

ID: LRI4640833

Fragment of a felt saddle cover.

Scythian

A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640922: A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640922

A concierge lodge, 2 rue des Brices (architects Emile Andre and Joseph Hornecker, 1903) in Nancy (Meurthe and Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Maison d'architecte detail, 28 rue des Brices (architect Charles Masson, 1913) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Maison d'architecte detail, 28 rue des Brices (architect Charles Masson, 1913) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640943: Maison d'architecte detail, 28 rue des Brices (architect Charles Masson, 1913) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640943

Maison d'architecte detail, 28 rue des Brices (architect Charles Masson, 1913) La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Les Maisons Pain, 24 a 30 rue Felix Faure (Architect Cesar Pain, 1904-1909) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Les Maisons Pain, 24 a 30 rue Felix Faure (Architect Cesar Pain, 1904-1909) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640976: Les Maisons Pain, 24 a 30 rue Felix Faure (Architect Cesar Pain, 1904-1909) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., Pain, César (1872-1946) / Bridgeman Images

ID: LBY4640976

Les Maisons Pain, 24 a 30 rue Felix Faure (Architect Cesar Pain, 1904-1909) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Pain, César (1872-1946)

La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4640982: La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4640982

La Maison Ramel 25 rue Felix Faure (architect Emile Andre, 1904) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Detail of the Maisons Pain, 24 a 30 rue Felix Faure in Nancy (Meurthe and Moselle). Architect Cesar Pain (1872-1946), 1904-1909. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Detail of the Maisons Pain, 24 a 30 rue Felix Faure in Nancy (Meurthe and Moselle). Architect Cesar Pain (1872-1946), 1904-1909. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641012: Detail of the Maisons Pain, 24 a 30 rue Felix Faure in Nancy (Meurthe and Moselle). Architect Cesar Pain (1872-1946), 1904-1909. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Pain, César (1872-1946) / Bridgeman Images

ID: LBY4641012

Detail of the Maisons Pain, 24 a 30 rue Felix Faure in Nancy (Meurthe and Moselle). Architect Cesar Pain (1872-1946), 1904-1909. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Pain, César (1872-1946)

Maison La Chaumiere, 10 rue d'Auxonne in Nancy (Meurthe and Moselle). Architect Lucien Weissenburger (1860-1929), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
Maison La Chaumiere, 10 rue d'Auxonne in Nancy (Meurthe and Moselle). Architect Lucien Weissenburger (1860-1929), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641024: Maison La Chaumiere, 10 rue d'Auxonne in Nancy (Meurthe and Moselle). Architect Lucien Weissenburger (1860-1929), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Weissenburger, Lucien (1860-1929) / Bridgeman Images

ID: LBY4641024

Maison La Chaumiere, 10 rue d'Auxonne in Nancy (Meurthe and Moselle). Architect Lucien Weissenburger (1860-1929), 1903. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Weissenburger, Lucien (1860-1929)

La Cure d'air Trianon, 75 rue Pasteur in Nancy (Meurthe and Moselle). Architect Georges Biet (1869-1955), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
La Cure d'air Trianon, 75 rue Pasteur in Nancy (Meurthe and Moselle). Architect Georges Biet (1869-1955), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641078: La Cure d'air Trianon, 75 rue Pasteur in Nancy (Meurthe and Moselle). Architect Georges Biet (1869-1955), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., Biet, Georges Emile (1869-1955) / Bridgeman Images

ID: LBY4641078

La Cure d'air Trianon, 75 rue Pasteur in Nancy (Meurthe and Moselle). Architect Georges Biet (1869-1955), 1902. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

Biet, Georges Emile (1869-1955)

Villa Lang, Boulevard Clemenceau (architect Lucien Weissenburger, 1906) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Villa Lang, Boulevard Clemenceau (architect Lucien Weissenburger, 1906) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641085: Villa Lang, Boulevard Clemenceau (architect Lucien Weissenburger, 1906) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., Weissenburger, Lucien (1860-1929) / Bridgeman Images

ID: LBY4641085

Villa Lang, Boulevard Clemenceau (architect Lucien Weissenburger, 1906) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

Weissenburger, Lucien (1860-1929)

Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.
Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641100: Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4641100

Immeuble Les Pins, 2 rue Albin Haller (Architect Emile Andre, 1912) in Nancy (Meurthe et Moselle). In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc. participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.
The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

LBY4641171: The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today., André, Emile (1871-1933) / Bridgeman Images

ID: LBY4641171

The building of the Banque Renauld (BNP), 9 rue Chanzy in Nancy (Meurthe and Moselle). Architects Emile Andre (1871-1933) and Paul Charbonnier (1855-1963), 1910. In Nancy, Art Nouveau takes the name of Ecole de Nancy, or Alliance provincial des industries d'art, thanks in particular to the emblematic figure of Emile Galle. Glassware, furniture, stained glass, ceramics, leather, ironwork, architecture, etc., participate in this vast movement of renovation of decorative arts that still marks the city today.

André, Emile (1871-1933)

Temple of Erechteion (View from the Parthenon). (photography)
Temple of Erechteion (View from the Parthenon). (photography)

LRI4638811: Temple of Erechteion (View from the Parthenon). (photography), Greek school, (5th century BC) / Bridgeman Images

ID: LRI4638811

Temple of Erechteion (View from the Parthenon). (photography)

Greek school, (5th century BC)

Detail of a marquee of one of the Ionic columns, Temple of Erechteion (photography)
Detail of a marquee of one of the Ionic columns, Temple of Erechteion (photography)

LRI4638826: Detail of a marquee of one of the Ionic columns, Temple of Erechteion (photography), Greek school, (5th century BC) / Bridgeman Images

ID: LRI4638826

Detail of a marquee of one of the Ionic columns, Temple of Erechteion (photography)

Greek school, (5th century BC)

Building Street Siroka in Prague, Czech Reublique.
Building Street Siroka in Prague, Czech Reublique.

LBY4638829: Building Street Siroka in Prague, Czech Reublique. / Bridgeman Images

ID: LBY4638829

Building Street Siroka in Prague, Czech Reublique.

View of the pronaos, Temple of Erechteion (photography)
View of the pronaos, Temple of Erechteion (photography)

LRI4638836: View of the pronaos, Temple of Erechteion (photography), Greek school, (5th century BC) / Bridgeman Images

ID: LRI4638836

View of the pronaos, Temple of Erechteion (photography)

Greek school, (5th century BC)

View of the tribune (or loggia) of the caryatid, Temple of Erechteion (photography)
View of the tribune (or loggia) of the caryatid, Temple of Erechteion (photography)

LRI4638859: View of the tribune (or loggia) of the caryatid, Temple of Erechteion (photography), Greek school, (5th century BC) / Bridgeman Images

ID: LRI4638859

View of the tribune (or loggia) of the caryatid, Temple of Erechteion (photography)

Greek school, (5th century BC)

Facade of the monastery, 6th century (photography)
Facade of the monastery, 6th century (photography)

LRI4638881: Facade of the monastery, 6th century (photography), Greek / Bridgeman Images

ID: LRI4638881

Facade of the monastery, 6th century (photography)

Greek

View of the theatre near the Temple of Apollo. 4th century BC (photography)
View of the theatre near the Temple of Apollo. 4th century BC (photography)

LRI4638899: View of the theatre near the Temple of Apollo. 4th century BC (photography), Greek school, (4th century BC) / Bridgeman Images

ID: LRI4638899

View of the theatre near the Temple of Apollo. 4th century BC (photography)

Greek school, (4th century BC)

National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.
National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.

LBY4638906: National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09. / Bridgeman Images

ID: LBY4638906

National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.

National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.
National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.

LBY4638919: National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09. / Bridgeman Images

ID: LBY4638919

National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.

National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.
National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.

LBY4638938: National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09. / Bridgeman Images

ID: LBY4638938

National Technical Library, Dejvice Campus in Prague, Czech Republic. Realisation 2009, architect Projektil. Photography 12/11/09.

Ancient Greece: view of the Greek theatre of Argos, 4th century BC.
Ancient Greece: view of the Greek theatre of Argos, 4th century BC.

LRI4638977: Ancient Greece: view of the Greek theatre of Argos, 4th century BC., Greek school, (4th century BC) / Bridgeman Images

ID: LRI4638977

Ancient Greece: view of the Greek theatre of Argos, 4th century BC.

Greek school, (4th century BC)

View of the church of Hodegetria (or Aphendiko), Bronthokion, 14th century. (photography)
View of the church of Hodegetria (or Aphendiko), Bronthokion, 14th century. (photography)

LRI4638992: View of the church of Hodegetria (or Aphendiko), Bronthokion, 14th century. (photography), Byzantine, (14th century) / Bridgeman Images

ID: LRI4638992

View of the church of Hodegetria (or Aphendiko), Bronthokion, 14th century. (photography)

Byzantine, (14th century)

Library, extension of the Faculty of Philosophy in Brno, Czech Republic. Realisation 2001, architect Kuba and Pilar. Photography 12/11/09.
Library, extension of the Faculty of Philosophy in Brno, Czech Republic. Realisation 2001, architect Kuba and Pilar. Photography 12/11/09.

LBY4639007: Library, extension of the Faculty of Philosophy in Brno, Czech Republic. Realisation 2001, architect Kuba and Pilar. Photography 12/11/09. / Bridgeman Images

ID: LBY4639007

Library, extension of the Faculty of Philosophy in Brno, Czech Republic. Realisation 2001, architect Kuba and Pilar. Photography 12/11/09.

Urban display in the city of Bnro in Czech Republic.
Urban display in the city of Bnro in Czech Republic.

LBY4639009: Urban display in the city of Bnro in Czech Republic. / Bridgeman Images

ID: LBY4639009

Urban display in the city of Bnro in Czech Republic.

Prague City Hall, Czech Republic. Photograph 10/0/01.
Prague City Hall, Czech Republic. Photograph 10/0/01.

MDA4639039: Prague City Hall, Czech Republic. Photograph 10/0/01. / Bridgeman Images

ID: MDA4639039

Prague City Hall, Czech Republic. Photograph 10/0/01.

The Gate of the Lions, 1500-1100 BC (photography)
The Gate of the Lions, 1500-1100 BC (photography)

LRI4639040: The Gate of the Lions, 1500-1100 BC (photography), Mycenaean, Late Helladic Period (c.1600-1100 BC) / Bridgeman Images

ID: LRI4639040

The Gate of the Lions, 1500-1100 BC (photography)

Mycenaean, Late Helladic Period (c.1600-1100 BC)

Nerudova Street in Prague, Czech Republic. Photograph 10/09/01.
Nerudova Street in Prague, Czech Republic. Photograph 10/09/01.

MDA4639052: Nerudova Street in Prague, Czech Republic. Photograph 10/09/01. / Bridgeman Images

ID: MDA4639052

Nerudova Street in Prague, Czech Republic. Photograph 10/09/01.

Imperial Forum (forum of Augustus): view of the temple of Avenger Mars (Marte Ultore). 2 BC. Rome
Imperial Forum (forum of Augustus): view of the temple of Avenger Mars (Marte Ultore). 2 BC. Rome

LRI4639112: Imperial Forum (forum of Augustus): view of the temple of Avenger Mars (Marte Ultore). 2 BC. Rome, Roman, (2nd century BC) / Bridgeman Images

ID: LRI4639112

Imperial Forum (forum of Augustus): view of the temple of Avenger Mars (Marte Ultore). 2 BC. Rome

Roman, (2nd century BC)


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