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Study of a nude making a shadow with his hand (6599 F), red pencil on paper, Michelangelo Buonarroti (1475-1564), Cabinet of Drawings and Prints, The Uffizi Gallery, Florence
Study of a nude making a shadow with his hand (6599 F), red pencil on paper, Michelangelo Buonarroti (1475-1564), Cabinet of Drawings and Prints, The Uffizi Gallery, Florence

FAF493636: Study of a nude making a shadow with his hand (6599 F), red pencil on paper, Michelangelo Buonarroti (1475-1564), Cabinet of Drawings and Prints, The Uffizi Gallery, Florence, Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

The Treasury at the Pension Day, 1876 (oil on canvas)
The Treasury at the Pension Day, 1876 (oil on canvas)

XAB241172: The Treasury at the Pension Day, 1876 (oil on canvas), Makovsky, Vladimir Egorovic (1846-1920) / Bridgeman Images

The Choice of Wedding Presents, 1897-98 (oil on canvas)
The Choice of Wedding Presents, 1897-98 (oil on canvas)

XAB241173: The Choice of Wedding Presents, 1897-98 (oil on canvas), Makovsky, Vladimir Egorovic (1846-1920) / Bridgeman Images

'Zerline' from the opera 'Don Giovanni' by Wolfgang Amadeus Mozart (1756-91), c.1900 (colour litho)
'Zerline' from the opera 'Don Giovanni' by Wolfgang Amadeus Mozart (1756-91), c.1900 (colour litho)

CHT241232: 'Zerline' from the opera 'Don Giovanni' by Wolfgang Amadeus Mozart (1756-91), c.1900 (colour litho), German School, (20th century) / Bridgeman Images

Henrik Ibsen (1828-1906) 1901 (colour litho)
Henrik Ibsen (1828-1906) 1901 (colour litho)

CHT241235: Henrik Ibsen (1828-1906) 1901 (colour litho), French School, (20th century) / Bridgeman Images

View of Porto di Ripetta (b/w photo)
View of Porto di Ripetta (b/w photo)

TPG241399: View of Porto di Ripetta (b/w photo), Italian Photographer, (19th century) / Bridgeman Images

Salon interior, illustration from 'Interieurs de Style' published c.1890-1920 (w/c on paper)
Salon interior, illustration from 'Interieurs de Style' published c.1890-1920 (w/c on paper)

STC241481: Salon interior, illustration from 'Interieurs de Style' published c.1890-1920 (w/c on paper), Remon, Georges (1889-1963) / Bridgeman Images

Salon interior, illustration from 'Interieurs de Style' published c.1890-1920 (w/c on paper)
Salon interior, illustration from 'Interieurs de Style' published c.1890-1920 (w/c on paper)

STC241483: Salon interior, illustration from 'Interieurs de Style' published c.1890-1920 (w/c on paper), Remon, Georges (1889-1963) / Bridgeman Images

Living room interior, illustration from 'Interieurs de Style' published c.1890-1920 (w/c on paper)
Living room interior, illustration from 'Interieurs de Style' published c.1890-1920 (w/c on paper)

STC241486: Living room interior, illustration from 'Interieurs de Style' published c.1890-1920 (w/c on paper), Remon, Georges (1889-1963) / Bridgeman Images

Ice Slide in Russia (colour litho)
Ice Slide in Russia (colour litho)

XIR241508: Ice Slide in Russia (colour litho), Lasteyrie du Saillant, Charles (1759-1849) / Bridgeman Images

Workers drinking, illustration from 'La Maison Philibert' by Jean Lorrain (1855-1906) published in 1904 (colour litho)
Workers drinking, illustration from 'La Maison Philibert' by Jean Lorrain (1855-1906) published in 1904 (colour litho)

XIR241512: Workers drinking, illustration from 'La Maison Philibert' by Jean Lorrain (1855-1906) published in 1904 (colour litho), Bottini, Georges (1874-1907) / Bridgeman Images

Maquette for the monument to General Carlos Maria de Alvear (1788-1852) (wood & plaster)
Maquette for the monument to General Carlos Maria de Alvear (1788-1852) (wood & plaster)

XIR241516: Maquette for the monument to General Carlos Maria de Alvear (1788-1852) (wood & plaster), Bourdelle, Emile-Antoine (1861-1929) / Bridgeman Images

Dargarh Sharif of Khwajah Muin-ud-din Chishti, founded in 1166 (photo)
Dargarh Sharif of Khwajah Muin-ud-din Chishti, founded in 1166 (photo)

XIR241525: Dargarh Sharif of Khwajah Muin-ud-din Chishti, founded in 1166 (photo), Indian School (12th century) / Bridgeman Images

Queenston, On the Landing Between Lake Ontario and Lake Erie, from 'Ackermann's Repository of Arts', 1814 (coloured engraving)
Queenston, On the Landing Between Lake Ontario and Lake Erie, from 'Ackermann's Repository of Arts', 1814 (coloured engraving)

XIR241530: Queenston, On the Landing Between Lake Ontario and Lake Erie, from 'Ackermann's Repository of Arts', 1814 (coloured engraving), English School, (19th century) / Bridgeman Images

View of the Port of Acapulco (pen & ink on paper)
View of the Port of Acapulco (pen & ink on paper)

XIR241534: View of the Port of Acapulco (pen & ink on paper), French School, (16th century) / Bridgeman Images

Sign representing a vinegar seller with his barrow, 1757 (polychrome wood)
Sign representing a vinegar seller with his barrow, 1757 (polychrome wood)

XIR241544: Sign representing a vinegar seller with his barrow, 1757 (polychrome wood), French School, (18th century) / Bridgeman Images

The Garden at Thorenc, 1970 (oil on canvas)
The Garden at Thorenc, 1970 (oil on canvas)

XIR241554: The Garden at Thorenc, 1970 (oil on canvas), Goetz, Henri-Bernard (1909-89) / Bridgeman Images

View of the Church of San Tirso (photo)
View of the Church of San Tirso (photo)

XIR241562: View of the Church of San Tirso (photo), Spanish School, (12th century) / Bridgeman Images

Church of San Miguel de Escalada, founded in 913 (photo)
Church of San Miguel de Escalada, founded in 913 (photo)

XIR241567: Church of San Miguel de Escalada, founded in 913 (photo), Spanish School, (10th century) / Bridgeman Images

A view of Cairo from the north with the White Mosque, one of 24 illustrations produced by G.W. Seitz, printed c.1873 (colour litho)
A view of Cairo from the north with the White Mosque, one of 24 illustrations produced by G.W. Seitz, printed c.1873 (colour litho)

STC238531: A view of Cairo from the north with the White Mosque, one of 24 illustrations produced by G.W. Seitz, printed c.1873 (colour litho), Werner, Carl Friedrich Heinrich (1808-94) (after) / Bridgeman Images

Malcolm X (1925-65) 1968 (screenprint on plexiglass)
Malcolm X (1925-65) 1968 (screenprint on plexiglass)

XIR238603: Malcolm X (1925-65) 1968 (screenprint on plexiglass), Rancillac, Bernard (b.1931) / Bridgeman Images

Study for the body of St. George (charcoal on paper)
Study for the body of St. George (charcoal on paper)

XIR238607: Study for the body of St. George (charcoal on paper), Tintoretto, Jacopo Robusti (1518-94) / Bridgeman Images

The Card Game, 1928 (oil on canvas)
The Card Game, 1928 (oil on canvas)

XIR238617: The Card Game, 1928 (oil on canvas), Gromaire, Marcel (1892-1971) / Bridgeman Images

Portrait of the Duke of Nemours, 1950 (oil on canvas)
Portrait of the Duke of Nemours, 1950 (oil on canvas)

XIR238621: Portrait of the Duke of Nemours, 1950 (oil on canvas), Lapicque, Charles (1898-1988) / Bridgeman Images

Historiated initial 'F' depicting a bishop saint blessing a young cripple and 'I' depicting a prophet, Florentine School (vellum)
Historiated initial 'F' depicting a bishop saint blessing a young cripple and 'I' depicting a prophet, Florentine School (vellum)

XIR238634: Historiated initial 'F' depicting a bishop saint blessing a young cripple and 'I' depicting a prophet, Florentine School (vellum), Italian School, (14th century) / Bridgeman Images

Ms Fr 150 fol.25v Mirror, from 'Les Premieres Oeuvres de Jacques Devaulx Pilote en la Marine', 1583 (pen & ink on paper)
Ms Fr 150 fol.25v Mirror, from 'Les Premieres Oeuvres de Jacques Devaulx Pilote en la Marine', 1583 (pen & ink on paper)

XIR238680: Ms Fr 150 fol.25v Mirror, from 'Les Premieres Oeuvres de Jacques Devaulx Pilote en la Marine', 1583 (pen & ink on paper), Devaulx, Jacques (16th century) / Bridgeman Images

Virgin and Child with Saints, left hand panel from the Diptych of Jean du Cellier, c.1490 (oil on panel)
Virgin and Child with Saints, left hand panel from the Diptych of Jean du Cellier, c.1490 (oil on panel)

XIR238682: Virgin and Child with Saints, left hand panel from the Diptych of Jean du Cellier, c.1490 (oil on panel), Memling, Hans (c.1433-94) / Bridgeman Images

Two Dominican Saints (oil on panel)
Two Dominican Saints (oil on panel)

XIR238691: Two Dominican Saints (oil on panel), Grunewald, Matthias (Mathis Nithart Gothart) (c.1480-1528) / Bridgeman Images

Head of a Man (silverpoint on paper)
Head of a Man (silverpoint on paper)

XIR238695: Head of a Man (silverpoint on paper), Ghirlandaio, Davide (1452-1525) / Bridgeman Images

Relief depicting a Hittite idol, 11th-9th century BC (stone)
Relief depicting a Hittite idol, 11th-9th century BC (stone)

XIR238720: Relief depicting a Hittite idol, 11th-9th century BC (stone), Assyrian School / Bridgeman Images

The Reader (oil on canvas)
The Reader (oil on canvas)

XIR238757: The Reader (oil on canvas), Greuze, Jean Baptiste (1725-1805) (attr. to) / Bridgeman Images

Rosine, Count Almaviva and the Doctor, scene from Act II scene 13 of 'The Barber of Seville' by Pierre Augustin Caron de Beamarchais (1732-99) (coloured engraving)
Rosine, Count Almaviva and the Doctor, scene from Act II scene 13 of 'The Barber of Seville' by Pierre Augustin Caron de Beamarchais (1732-99) (coloured engraving)

CHT238772: Rosine, Count Almaviva and the Doctor, scene from Act II scene 13 of 'The Barber of Seville' by Pierre Augustin Caron de Beamarchais (1732-99) (coloured engraving), French School, (18th century) / Bridgeman Images

Workers Building a House (pen & ink and w/c on paper)
Workers Building a House (pen & ink and w/c on paper)

CHT238796: Workers Building a House (pen & ink and w/c on paper), Indian School / Bridgeman Images

Head of a monk, from the The Vallardi Album (pen & ink on paper) (b/w photo)
Head of a monk, from the The Vallardi Album (pen & ink on paper) (b/w photo)

XIR242757: Head of a monk, from the The Vallardi Album (pen & ink on paper) (b/w photo), Pisanello, Antonio (1395-1455) / Bridgeman Images

Leon Trotsky (1879-1940) at Brest-Litovsk, 1917 (b/w photo)
Leon Trotsky (1879-1940) at Brest-Litovsk, 1917 (b/w photo)

CHT242762: Leon Trotsky (1879-1940) at Brest-Litovsk, 1917 (b/w photo), Russian Photographer (20th century) / Bridgeman Images

Ulysses and Diomedes recognizing Achilles disguised as the female Pyrrha among the Daughters of Lycomedes at Skyros, from Pompeii (fresco) (b/w photo)
Ulysses and Diomedes recognizing Achilles disguised as the female Pyrrha among the Daughters of Lycomedes at Skyros, from Pompeii (fresco) (b/w photo)

FAF242790: Ulysses and Diomedes recognizing Achilles disguised as the female Pyrrha among the Daughters of Lycomedes at Skyros, from Pompeii (fresco) (b/w photo), Roman, (1st century AD) / Bridgeman Images


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