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STC222016: Flirting, and Stealing, illustrations from 'In Fairyland: A Series of Pictures from the Elf-World' by William Allingham and Andrew Lang (colour litho), Doyle, Richard (1824-83) / Bridgeman Images
STC222018: Dressing the Baby Elves, and A Messenger by Moonlight, illustrations from 'In Fairyland: A Series of Pictures from the Elf-World' by William Allingham and Andrew Lang (colour litho) (see also 222021), Doyle, Richard (1824-83) / Bridgeman Images
STC222019: An Elf in Search of a Fairy, illustration from 'In Fairyland: A Series of Pictures from the Elf-World' by William Allingham and Andrew Lang (colour litho), Doyle, Richard (1824-83) / Bridgeman Images
STC222050: Carpentry Workshop in Kupang, Timor, plate 6 from 'Le Costume Ancien et Modern' by Jules Ferrario, published c.1820s-30s (colour litho), Citterio, Francesco (19th century) / Bridgeman Images
STC222074: A Banquet in Abyssinia, plate 11 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho), Italian School, (19th century) / Bridgeman Images
STC222079: A Japanese soothsayer preaching, plate 82 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho), Rancati, Antonio (1784-1816) / Bridgeman Images
STC222085: Procession of the Queen of Burma, plate 80 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho), Biasioli, Angelo (1790-1830) / Bridgeman Images
STC222091: Greek Cavalry, plate 44 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho), Italian School, (19th century) / Bridgeman Images
STC222092: Greek military uniform and armour, plate 40 from 'Le Costume Ancien et Moderne' by Jules Ferrario, published c.1820s-30s (colour litho), Italian School, (19th century) / Bridgeman Images
GHL222100: The Effusions of a Troubled Brain, or Evil Communications Corrupt Good Manners, published by G. Humphrey, 1821 (coloured etching), Lane, Theodore (1800-28) / Bridgeman Images
GHL222101: He and His Drunken Companions Raise a Riot in Covent Garden, 1735 (engraving), English School, (18th century) / Bridgeman Images
GHL222135: No Popery, or Newgate Reformer: possibly Ned Dennis wearing a 'No Popery' favour in his hat with Newgate Prison in flames behind, 1780 (engraving), Gillray, James (1757-1815) / Bridgeman Images
LEF222164: Canal (w/c & gouache on paper), Shibusawa, Kei (b.1949) / Bridgeman Images
FAF222192: View of the Via Appia Antica (b/w photo), MacPherson, Robert (1811-72) / Bridgeman Images
CND222209: Ms 599/1426 fol.1r The author presenting his book to Bruzio Visconti, from Panegyric of Bruzio Visconti written by Bartolomeo da Bologna di Bartoli (fl.1374) (vellum), Italian School, (14th century) / Bridgeman Images
XIR222225: Tile depicting the Story of Noah: The Ark on Mount Ararat after the Flood, made in Rouen (faience), Abaquesne, Masseot (fl.1526-57) / Bridgeman Images
XIR222228: Self Portrait, 1840 (oil on canvas), Wilkie, David (1785-1841) / Bridgeman Images
XIR222273: CL 22718D Patience Against Wrath, from 'Rondeaux des Vertus', created for Louis de Savoie (vellum), French School, (16th century) / Bridgeman Images
XIR222282: A Woman Spinning (oil on panel), Ryckaert, David III (1612-61) / Bridgeman Images
XIR222292: Allegory of France (oil on canvas), Poilleux-Saint-Ange, Georges Louis (b.c.1855-1913) / Bridgeman Images
XIR222295: The Entombment or, The Virgin Swooning (oil on panel), French School, (16th century) / Bridgeman Images
XYC222342: 'The shrill winds wake...', plate 5 from 'Europe. A Prophecy', 1794 (relief etching with oil & w/c), Blake, William (1757-1827) / Bridgeman Images
XYC222346: 'Ode for Music', design 93 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen and ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222347: 'The Triumphs of Owen', design 92 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222349: 'The Triumphs of Owen', design 91 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222350: 'The Triumphs of Owen', design 90 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222351: Marine Terrace, Aberystwyth, 1844 (engraving and aquatint), English School, (19th century) / Bridgeman Images
XYC222356: 'The Triumphs of Owen', design 88 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222360: 'The Descent of Odin', design 84 from 'The Poems of Thomas Gray', 1797-98 (w/c with pen & ink on paper), Blake, William (1757-1827) / Bridgeman Images
XYC222362: Interior of an Academy: The Critics, 1848 (oil on canvas), Stewart, William (1823-1906) / Bridgeman Images
XYC222364: 'Sultan' at the Marquess of Exeter's Stud, Burghley, 1826 (oil on canvas), Marshall, Lambert (1810-70) / Bridgeman Images
XYC222365: Excavating the Regent's Canal, with a view of Marylebone Chapel, c.1812 (oil on canvas), Seguier, John (1785-1856) / Bridgeman Images
XYC222367: Primrose and Foal, from 'Celebrated Horses', a set of fourteen racing prints published by the artist, 1823-24 (litho), Ward, James (1769-1859) (after) / Bridgeman Images
PAR222389: One of a pair of Louis XVI Three-branch Wall Lights, c.1775 (ormolu), French School, (18th century) / Bridgeman Images
PAR222395: A pair of Louis XVI Seven-Light Candelabra, c.1785 (ormolu), French School, (18th century) / Bridgeman Images
PAR222396: One of a pair of Demi-Lune tables, attributed to William Moore, c.1775 (inlaid harewood and satinwood), English School, (18th century) / Bridgeman Images