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Dress (Dress) of the reign of Edward II, 1307-1327. She wears an elaborate headdress with wimple and long veils wrapped over the breast, and a crimson long dress with white apron. Based on the Sloane manuscript, a brassed in Minster Church, Isle of Sheppy, and Chaucer. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Dress) of the reign of Edward II, 1307-1327. She wears an elaborate headdress with wimple and long veils wrapped over the breast, and a crimson long dress with white apron. Based on the Sloane manuscript, a brassed in Minster Church, Isle of Sheppy, and Chaucer. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594552: Dress (Dress) of the reign of Edward II, 1307-1327. She wears an elaborate headdress with wimple and long veils wrapped over the breast, and a crimson long dress with white apron. Based on the Sloane manuscript, a brassed in Minster Church, Isle of Sheppy, and Chaucer. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594552

Dress (Dress) of the reign of Edward II, 1307-1327. She wears an elaborate headdress with wimple and long veils wrapped over the breast, and a crimson long dress with white apron. Based on the Sloane manuscript, a brassed in Minster Church, Isle of Sheppy, and Chaucer. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Fashion during the reigns of King Henry IV and V, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)
Fashion during the reigns of King Henry IV and V, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)

FLO4594583: Fashion during the reigns of King Henry IV and V, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho), English School, (19th century) / Bridgeman Images

ID: FLO4594583

Fashion during the reigns of King Henry IV and V, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)

English School, (19th century)

Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)
Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)

FLO4594591: Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho), English School, (19th century) / Bridgeman Images

ID: FLO4594591

Fashion during the reign of King Henry V and early Henry VI, illustration from 'Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria', 1840 (colour litho)

English School, (19th century)

The two brightest stars in the sky, Canopus and Sirius - Canopus and Sirius - From the Southern Cross and Small Magellanic Cloud to Orion. Includes Sirius and Canopus, the two brightest stars of night sky
The two brightest stars in the sky, Canopus and Sirius - Canopus and Sirius - From the Southern Cross and Small Magellanic Cloud to Orion. Includes Sirius and Canopus, the two brightest stars of night sky

PIX4594600: The two brightest stars in the sky, Canopus and Sirius - Canopus and Sirius - From the Southern Cross and Small Magellanic Cloud to Orion. Includes Sirius and Canopus, the two brightest stars of night sky / Bridgeman Images

ID: PIX4594600

The two brightest stars in the sky, Canopus and Sirius - Canopus and Sirius - From the Southern Cross and Small Magellanic Cloud to Orion. Includes Sirius and Canopus, the two brightest stars of night sky

Southern constellations around the Clock - Southern constellations around Horologium - Southern constellations around the Clock. The two bright stars are Canopus (bottom) and Achernar. This wide angle image includes Horologium, Phoenix and Pictor, insignificant constellations roughly centred on an arc of delination 50* south, but at a scale too small to show the star identifications and stick figures. Horologium, the Pendulum Clock (originally l'Horloge and then Horologium Oscillitorium), was a constellation introduced by Abbe Nicolas Louis de Lacaille during his stay at the Cape of Good Hope between 1751 and 1752. It was named to honor Christian Huygens as the inventor of this type of clock, but the idea for such a method of regulating time came from Galileo. Lacaille's constellation drawing shows a remarkably detailed dial, weights and a pendulum that has little apparent connection with the scattering of faint stars in this part of the sky. There are no named stars and little else in Horologium to attract the eye of the casual observer. Phoenix, the Phoenix, is a long - lived mythological, eagle - like bird with vivid plumage. The word has entered the language as an entity that is able to resurrect itself after a firey death in its nest. The cycle of death and rebirth may have symbolised the rising and setting of the Sun. On the sky Phoenix is hemmed in on two sides by other birds in Grus and Tucana and a large snake in the form of Eridanus. The constellation was invented by the Dutch navigators Pieter Dirkszoon Keyser and Frederick de Houtman, and first appeared in Johan Beyer's altas of 1603. The only named star in Phoenix is Ankaa. Pictor was also named by Lacaille during his sojourn at the Cape of Good Hope. He originally called it le Easel et la Palette, the easel and palette and later Equuleus Pictorius, soon shortened to Pictor. It requires the imagination of an artist to find anything like an easle here. The constellation runs between Ca
Southern constellations around the Clock - Southern constellations around Horologium - Southern constellations around the Clock. The two bright stars are Canopus (bottom) and Achernar. This wide angle image includes Horologium, Phoenix and Pictor, insignificant constellations roughly centred on an arc of delination 50* south, but at a scale too small to show the star identifications and stick figures. Horologium, the Pendulum Clock (originally l'Horloge and then Horologium Oscillitorium), was a constellation introduced by Abbe Nicolas Louis de Lacaille during his stay at the Cape of Good Hope between 1751 and 1752. It was named to honor Christian Huygens as the inventor of this type of clock, but the idea for such a method of regulating time came from Galileo. Lacaille's constellation drawing shows a remarkably detailed dial, weights and a pendulum that has little apparent connection with the scattering of faint stars in this part of the sky. There are no named stars and little else in Horologium to attract the eye of the casual observer. Phoenix, the Phoenix, is a long - lived mythological, eagle - like bird with vivid plumage. The word has entered the language as an entity that is able to resurrect itself after a firey death in its nest. The cycle of death and rebirth may have symbolised the rising and setting of the Sun. On the sky Phoenix is hemmed in on two sides by other birds in Grus and Tucana and a large snake in the form of Eridanus. The constellation was invented by the Dutch navigators Pieter Dirkszoon Keyser and Frederick de Houtman, and first appeared in Johan Beyer's altas of 1603. The only named star in Phoenix is Ankaa. Pictor was also named by Lacaille during his sojourn at the Cape of Good Hope. He originally called it le Easel et la Palette, the easel and palette and later Equuleus Pictorius, soon shortened to Pictor. It requires the imagination of an artist to find anything like an easle here. The constellation runs between Ca

PIX4594625: Southern constellations around the Clock - Southern constellations around Horologium - Southern constellations around the Clock. The two bright stars are Canopus (bottom) and Achernar. This wide angle image includes Horologium, Phoenix and Pictor, insignificant constellations roughly centred on an arc of delination 50* south, but at a scale too small to show the star identifications and stick figures. Horologium, the Pendulum Clock (originally l'Horloge and then Horologium Oscillitorium), was a constellation introduced by Abbe Nicolas Louis de Lacaille during his stay at the Cape of Good Hope between 1751 and 1752. It was named to honor Christian Huygens as the inventor of this type of clock, but the idea for such a method of regulating time came from Galileo. Lacaille's constellation drawing shows a remarkably detailed dial, weights and a pendulum that has little apparent connection with the scattering of faint stars in this part of the sky. There are no named stars and little else in Horologium to attract the eye of the casual observer. Phoenix, the Phoenix, is a long - lived mythological, eagle - like bird with vivid plumage. The word has entered the language as an entity that is able to resurrect itself after a firey death in its nest. The cycle of death and rebirth may have symbolised the rising and setting of the Sun. On the sky Phoenix is hemmed in on two sides by other birds in Grus and Tucana and a large snake in the form of Eridanus. The constellation was invented by the Dutch navigators Pieter Dirkszoon Keyser and Frederick de Houtman, and first appeared in Johan Beyer's altas of 1603. The only named star in Phoenix is Ankaa. Pictor was also named by Lacaille during his sojourn at the Cape of Good Hope. He originally called it le Easel et la Palette, the easel and palette and later Equuleus Pictorius, soon shortened to Pictor. It requires the imagination of an artist to find anything like an easle here. The constellation runs between Ca / Bridgeman Images

ID: PIX4594625

Southern constellations around the Clock - Southern constellations around Horologium - Southern constellations around the Clock. The two bright stars are Canopus (bottom) and Achernar. This wide angle image includes Horologium, Phoenix and Pictor, insignificant constellations roughly centred on an arc of delination 50* south, but at a scale too small to show the star identifications and stick figures. Horologium, the Pendulum Clock (originally l'Horloge and then Horologium Oscillitorium), was a constellation introduced by Abbe Nicolas Louis de Lacaille during his stay at the Cape of Good Hope between 1751 and 1752. It was named to honor Christian Huygens as the inventor of this type of clock, but the idea for such a method of regulating time came from Galileo. Lacaille's constellation drawing shows a remarkably detailed dial, weights and a pendulum that has little apparent connection with the scattering of faint stars in this part of the sky. There are no named stars and little else in

Dress of the reign of King Henry VII, 1485-1509. She wears a frontlet headdress with blue embroidered top and gold-decorated wings, jeweled necklace, a purple velvet dress with gold belt and cuffs. The frontlet was worn as late as the reign of James I. Based on an ancient tapestry, Royal manuscript. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress of the reign of King Henry VII, 1485-1509. She wears a frontlet headdress with blue embroidered top and gold-decorated wings, jeweled necklace, a purple velvet dress with gold belt and cuffs. The frontlet was worn as late as the reign of James I. Based on an ancient tapestry, Royal manuscript. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594631: Dress of the reign of King Henry VII, 1485-1509. She wears a frontlet headdress with blue embroidered top and gold-decorated wings, jeweled necklace, a purple velvet dress with gold belt and cuffs. The frontlet was worn as late as the reign of James I. Based on an ancient tapestry, Royal manuscript. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594631

Dress of the reign of King Henry VII, 1485-1509. She wears a frontlet headdress with blue embroidered top and gold-decorated wings, jeweled necklace, a purple velvet dress with gold belt and cuffs. The frontlet was worn as late as the reign of James I. Based on an ancient tapestry, Royal manuscript. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Boreales Constellations - Boreal constellations - A map of the sky representing the constellations of the northern hemisphere around the Earth. Engraving from “Harmonia Macrocosmica” by Andreas Cellarius, 1660 - 1661. Northern hemisphere constellations around the Earth. Plate of the Harmonia Macrocosmica of Andreas Cellarius, 1660 - 1661
Boreales Constellations - Boreal constellations - A map of the sky representing the constellations of the northern hemisphere around the Earth. Engraving from “Harmonia Macrocosmica” by Andreas Cellarius, 1660 - 1661. Northern hemisphere constellations around the Earth. Plate of the Harmonia Macrocosmica of Andreas Cellarius, 1660 - 1661

PIX4594717: Boreales Constellations - Boreal constellations - A map of the sky representing the constellations of the northern hemisphere around the Earth. Engraving from “Harmonia Macrocosmica” by Andreas Cellarius, 1660 - 1661. Northern hemisphere constellations around the Earth. Plate of the Harmonia Macrocosmica of Andreas Cellarius, 1660 - 1661 / Bridgeman Images

ID: PIX4594717

Boreales Constellations - Boreal constellations - A map of the sky representing the constellations of the northern hemisphere around the Earth. Engraving from “Harmonia Macrocosmica” by Andreas Cellarius, 1660 - 1661. Northern hemisphere constellations around the Earth. Plate of the Harmonia Macrocosmica of Andreas Cellarius, 1660 - 1661

Dress (Robe) of the reign of King George II, 1727-1760. She wears jewels in her hair, a velvet dress trimmed with ermine, with puff sleeves and long train, over a white petticoat. From portraits of distinguished persons about 1745. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress (Robe) of the reign of King George II, 1727-1760. She wears jewels in her hair, a velvet dress trimmed with ermine, with puff sleeves and long train, over a white petticoat. From portraits of distinguished persons about 1745. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594736: Dress (Robe) of the reign of King George II, 1727-1760. She wears jewels in her hair, a velvet dress trimmed with ermine, with puff sleeves and long train, over a white petticoat. From portraits of distinguished persons about 1745. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594736

Dress (Robe) of the reign of King George II, 1727-1760. She wears jewels in her hair, a velvet dress trimmed with ermine, with puff sleeves and long train, over a white petticoat. From portraits of distinguished persons about 1745. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Map of the summer sky in France - Illustration - Summer sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky in July at 2 am or in August at midnight. Map showing the sky in july at 2 a.m or in august at midnight for a latitude of 45 degrees north (metropolitan France)
Map of the summer sky in France - Illustration - Summer sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky in July at 2 am or in August at midnight. Map showing the sky in july at 2 a.m or in august at midnight for a latitude of 45 degrees north (metropolitan France)

PIX4594760: Map of the summer sky in France - Illustration - Summer sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky in July at 2 am or in August at midnight. Map showing the sky in july at 2 a.m or in august at midnight for a latitude of 45 degrees north (metropolitan France) / Bridgeman Images

ID: PIX4594760

Map of the summer sky in France - Illustration - Summer sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky in July at 2 am or in August at midnight. Map showing the sky in july at 2 a.m or in august at midnight for a latitude of 45 degrees north (metropolitan France)

Map of the winter sky in France - Illustration - Winter sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late January at 11 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in December during the night and in February in the middle of the evening. The position of Mars is given for the beginning of February 2010. Map showing the sky visible in France in january in the end of the evening at 11 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to february in the middle of the evening and to december at night. Planet Mars is shown for the beginning of February 2010
Map of the winter sky in France - Illustration - Winter sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late January at 11 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in December during the night and in February in the middle of the evening. The position of Mars is given for the beginning of February 2010. Map showing the sky visible in France in january in the end of the evening at 11 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to february in the middle of the evening and to december at night. Planet Mars is shown for the beginning of February 2010

PIX4594782: Map of the winter sky in France - Illustration - Winter sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late January at 11 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in December during the night and in February in the middle of the evening. The position of Mars is given for the beginning of February 2010. Map showing the sky visible in France in january in the end of the evening at 11 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to february in the middle of the evening and to december at night. Planet Mars is shown for the beginning of February 2010 / Bridgeman Images

ID: PIX4594782

Map of the winter sky in France - Illustration - Winter sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late January at 11 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in December during the night and in February in the middle of the evening. The position of Mars is given for the beginning of February 2010. Map showing the sky visible in France in january in the end of the evening at 11 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to february in the middle of the evening and to december at night. Planet Mars is shown for the beginning of February 2010

Map of the winter sky in France - Illustration - Winter sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late January at 11 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in December during the night and in February in the middle of the evening. The position of Mars is given for the beginning of February 2010. Map showing the sky visible in France in january in the end of the evening at 11 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to february in the middle of the evening and to december at night. Planet Mars is shown for the beginning of February 2010
Map of the winter sky in France - Illustration - Winter sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late January at 11 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in December during the night and in February in the middle of the evening. The position of Mars is given for the beginning of February 2010. Map showing the sky visible in France in january in the end of the evening at 11 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to february in the middle of the evening and to december at night. Planet Mars is shown for the beginning of February 2010

PIX4594792: Map of the winter sky in France - Illustration - Winter sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late January at 11 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in December during the night and in February in the middle of the evening. The position of Mars is given for the beginning of February 2010. Map showing the sky visible in France in january in the end of the evening at 11 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to february in the middle of the evening and to december at night. Planet Mars is shown for the beginning of February 2010 / Bridgeman Images

ID: PIX4594792

Map of the winter sky in France - Illustration - Winter sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late January at 11 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in December during the night and in February in the middle of the evening. The position of Mars is given for the beginning of February 2010. Map showing the sky visible in France in january in the end of the evening at 11 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to february in the middle of the evening and to december at night. Planet Mars is shown for the beginning of February 2010

Map of the Autumn sky in France - Illustration - Autumn sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late October at about 9 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in mid-night September and early November. The position of the planet Jupiter is given for the beginning of November 2010. Map showing the sky visible in France in october in the end of the evening at 9 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to september in the middle of the night and to november in the beginning of the evening. Planet Jupiter is shown for the beginning of november 2010
Map of the Autumn sky in France - Illustration - Autumn sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late October at about 9 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in mid-night September and early November. The position of the planet Jupiter is given for the beginning of November 2010. Map showing the sky visible in France in october in the end of the evening at 9 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to september in the middle of the night and to november in the beginning of the evening. Planet Jupiter is shown for the beginning of november 2010

PIX4594823: Map of the Autumn sky in France - Illustration - Autumn sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late October at about 9 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in mid-night September and early November. The position of the planet Jupiter is given for the beginning of November 2010. Map showing the sky visible in France in october in the end of the evening at 9 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to september in the middle of the night and to november in the beginning of the evening. Planet Jupiter is shown for the beginning of november 2010 / Bridgeman Images

ID: PIX4594823

Map of the Autumn sky in France - Illustration - Autumn sky map. Artwork - Map plotted for a latitude of 45 degrees north, showing the sky visible in France in late October at about 9 pm, and more broadly in Europe and the world inside a strip stretching from 38 degrees to 52 degrees north latitude. This map also corresponds to the sky visible in mid-night September and early November. The position of the planet Jupiter is given for the beginning of November 2010. Map showing the sky visible in France in october in the end of the evening at 9 p.m (english hour) for a latitude of 45 degrees north. This map also shows the sky in the whole world between 38 degrees and 52 degrees north. This map also refers to september in the middle of the night and to november in the beginning of the evening. Planet Jupiter is shown for the beginning of november 2010

Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594844: Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

ID: FLO4594844

Mr. John Pritt Harley as Caleb Quotem in “The Review” at the Theatre Royal Drury Lane. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

Dress of the reign of King George III, 1780. Gown and petticoat of pale lilac lutestring trimmed with gardenia or jessamine. Handkerchief and apron of chequered gauze. Hair ornament of pearls set in five pins in the form of stars diminishing in size. From a family wardrobe preserved. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.
Dress of the reign of King George III, 1780. Gown and petticoat of pale lilac lutestring trimmed with gardenia or jessamine. Handkerchief and apron of chequered gauze. Hair ornament of pearls set in five pins in the form of stars diminishing in size. From a family wardrobe preserved. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

FLO4594862: Dress of the reign of King George III, 1780. Gown and petticoat of pale lilac lutestring trimmed with gardenia or jessamine. Handkerchief and apron of chequered gauze. Hair ornament of pearls set in five pins in the form of stars diminishing in size. From a family wardrobe preserved. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840. / Bridgeman Images

ID: FLO4594862

Dress of the reign of King George III, 1780. Gown and petticoat of pale lilac lutestring trimmed with gardenia or jessamine. Handkerchief and apron of chequered gauze. Hair ornament of pearls set in five pins in the form of stars diminishing in size. From a family wardrobe preserved. Handcoloured lithograph from “” Costumes of British Ladies from the Time of William the First to the Reign of Queen Victoria”, London, Dickinson and Son, 1840.

Constellations du Cancer a Persee - Constellations from Cancer to Perseus - At the end of the summer, before the end of the night, beautiful constellations spread from the bottom up: Cancer and its beautiful cluster of stars, the Little Dog on the right, then the Gemels, the Coach and finally Persee. 12 September 2007 At the end of summer, before the end of the night, some nice constellations are visible from bottom to top: the Cancer and its nice star cluster, Canis Minor on the right, then Gemini, Auriga and Perseus. September 12 200
Constellations du Cancer a Persee - Constellations from Cancer to Perseus - At the end of the summer, before the end of the night, beautiful constellations spread from the bottom up: Cancer and its beautiful cluster of stars, the Little Dog on the right, then the Gemels, the Coach and finally Persee. 12 September 2007 At the end of summer, before the end of the night, some nice constellations are visible from bottom to top: the Cancer and its nice star cluster, Canis Minor on the right, then Gemini, Auriga and Perseus. September 12 200

PIX4594863: Constellations du Cancer a Persee - Constellations from Cancer to Perseus - At the end of the summer, before the end of the night, beautiful constellations spread from the bottom up: Cancer and its beautiful cluster of stars, the Little Dog on the right, then the Gemels, the Coach and finally Persee. 12 September 2007 At the end of summer, before the end of the night, some nice constellations are visible from bottom to top: the Cancer and its nice star cluster, Canis Minor on the right, then Gemini, Auriga and Perseus. September 12 200 / Bridgeman Images

ID: PIX4594863

Constellations du Cancer a Persee - Constellations from Cancer to Perseus - At the end of the summer, before the end of the night, beautiful constellations spread from the bottom up: Cancer and its beautiful cluster of stars, the Little Dog on the right, then the Gemels, the Coach and finally Persee. 12 September 2007 At the end of summer, before the end of the night, some nice constellations are visible from bottom to top: the Cancer and its nice star cluster, Canis Minor on the right, then Gemini, Auriga and Perseus. September 12 200

Cloud and star sky - mountain Sainte Victoire - Starry sky with clouds - Montagne Sainte - Victoir
Cloud and star sky - mountain Sainte Victoire - Starry sky with clouds - Montagne Sainte - Victoir

PIX4594867: Cloud and star sky - mountain Sainte Victoire - Starry sky with clouds - Montagne Sainte - Victoir / Bridgeman Images

ID: PIX4594867

Cloud and star sky - mountain Sainte Victoire - Starry sky with clouds - Montagne Sainte - Victoir

Constellations of Cancer a Persee - Constellations from Cancer to Perseus - At the end of the summer, before the end of the night, beautiful constellations spread from the bottom up: Cancer and its beautiful cluster of stars, the Little Dog on the right, then the Gemels, the Coach and finally Persee. September 12, 2007. In overprint, the mythological forms of these constellations, extracted from the Uranographia of Hevelius. At the end of summer, before the end of the night, some nice constellations are visible from bottom to top: the Cancer and its nice star cluster, Canis Minor on the right, then Gemini, Auriga and Perseus. September 12 2007. Mythological Constellations forms from “Uranographia” star atlas by Hevelius (1690) have been added
Constellations of Cancer a Persee - Constellations from Cancer to Perseus - At the end of the summer, before the end of the night, beautiful constellations spread from the bottom up: Cancer and its beautiful cluster of stars, the Little Dog on the right, then the Gemels, the Coach and finally Persee. September 12, 2007. In overprint, the mythological forms of these constellations, extracted from the Uranographia of Hevelius. At the end of summer, before the end of the night, some nice constellations are visible from bottom to top: the Cancer and its nice star cluster, Canis Minor on the right, then Gemini, Auriga and Perseus. September 12 2007. Mythological Constellations forms from “Uranographia” star atlas by Hevelius (1690) have been added

PIX4594868: Constellations of Cancer a Persee - Constellations from Cancer to Perseus - At the end of the summer, before the end of the night, beautiful constellations spread from the bottom up: Cancer and its beautiful cluster of stars, the Little Dog on the right, then the Gemels, the Coach and finally Persee. September 12, 2007. In overprint, the mythological forms of these constellations, extracted from the Uranographia of Hevelius. At the end of summer, before the end of the night, some nice constellations are visible from bottom to top: the Cancer and its nice star cluster, Canis Minor on the right, then Gemini, Auriga and Perseus. September 12 2007. Mythological Constellations forms from “Uranographia” star atlas by Hevelius (1690) have been added / Bridgeman Images

ID: PIX4594868

Constellations of Cancer a Persee - Constellations from Cancer to Perseus - At the end of the summer, before the end of the night, beautiful constellations spread from the bottom up: Cancer and its beautiful cluster of stars, the Little Dog on the right, then the Gemels, the Coach and finally Persee. September 12, 2007. In overprint, the mythological forms of these constellations, extracted from the Uranographia of Hevelius. At the end of summer, before the end of the night, some nice constellations are visible from bottom to top: the Cancer and its nice star cluster, Canis Minor on the right, then Gemini, Auriga and Perseus. September 12 2007. Mythological Constellations forms from “Uranographia” star atlas by Hevelius (1690) have been added

Orion to Andromede - Pointe du Raz - From Orion to Andromeda - Pointe du Raz - Directon south - east, Orion is standing behind the semaphore of Pointe du Raz. Higher, the Taurus and the Pleiades, then Persee and the Triangle, and finally Andromede (and Cassiope all left). Brittany, 27 September 2008. Toward South - East, Orion is rising behind the semaphore. Higher, the Taurus and the Pleiades, then Perseus and the Triangulum and finally Andromeda (and Cassiopeia on the far left). Pointe du Raz, Brittany, 27 September 2008
Orion to Andromede - Pointe du Raz - From Orion to Andromeda - Pointe du Raz - Directon south - east, Orion is standing behind the semaphore of Pointe du Raz. Higher, the Taurus and the Pleiades, then Persee and the Triangle, and finally Andromede (and Cassiope all left). Brittany, 27 September 2008. Toward South - East, Orion is rising behind the semaphore. Higher, the Taurus and the Pleiades, then Perseus and the Triangulum and finally Andromeda (and Cassiopeia on the far left). Pointe du Raz, Brittany, 27 September 2008

PIX4594912: Orion to Andromede - Pointe du Raz - From Orion to Andromeda - Pointe du Raz - Directon south - east, Orion is standing behind the semaphore of Pointe du Raz. Higher, the Taurus and the Pleiades, then Persee and the Triangle, and finally Andromede (and Cassiope all left). Brittany, 27 September 2008. Toward South - East, Orion is rising behind the semaphore. Higher, the Taurus and the Pleiades, then Perseus and the Triangulum and finally Andromeda (and Cassiopeia on the far left). Pointe du Raz, Brittany, 27 September 2008 / Bridgeman Images

ID: PIX4594912

Orion to Andromede - Pointe du Raz - From Orion to Andromeda - Pointe du Raz - Directon south - east, Orion is standing behind the semaphore of Pointe du Raz. Higher, the Taurus and the Pleiades, then Persee and the Triangle, and finally Andromede (and Cassiope all left). Brittany, 27 September 2008. Toward South - East, Orion is rising behind the semaphore. Higher, the Taurus and the Pleiades, then Perseus and the Triangulum and finally Andromeda (and Cassiopeia on the far left). Pointe du Raz, Brittany, 27 September 2008

Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594915: Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

ID: FLO4594915

Mr. Giuseppe de Begnis as Don Geronio in “Il Turco in Italia”” at the Italian Opera House Haymarket. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Frederic de Waldeck. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

Sarah Booth as Christine in “Love in Humble Life” the Theatre Royal Covent Garden. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.
Sarah Booth as Christine in “Love in Humble Life” the Theatre Royal Covent Garden. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

FLO4594936: Sarah Booth as Christine in “Love in Humble Life” the Theatre Royal Covent Garden. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825. / Bridgeman Images

ID: FLO4594936

Sarah Booth as Christine in “Love in Humble Life” the Theatre Royal Covent Garden. Handcoloured stipple copperplate engraving by Robert Cooper after a painting by Michael William Sharp. From D. Terry's “” British Theatrical Gallery,” London, Henry Berthoud Jr., 1825.

Apollo 11: E. Aldrin on the Moon 07/1969 - Apollo 11: Edwin Aldrin carrying experiment packages - Edwin Aldrin carries scientific material. 20/07/1969. Edwin Aldrin carrying experiment packages. Jul 20 1969
Apollo 11: E. Aldrin on the Moon 07/1969 - Apollo 11: Edwin Aldrin carrying experiment packages - Edwin Aldrin carries scientific material. 20/07/1969. Edwin Aldrin carrying experiment packages. Jul 20 1969

PIX4596066: Apollo 11: E. Aldrin on the Moon 07/1969 - Apollo 11: Edwin Aldrin carrying experiment packages - Edwin Aldrin carries scientific material. 20/07/1969. Edwin Aldrin carrying experiment packages. Jul 20 1969 / Bridgeman Images

ID: PIX4596066

Apollo 11: E. Aldrin on the Moon 07/1969 - Apollo 11: Edwin Aldrin carrying experiment packages - Edwin Aldrin carries scientific material. 20/07/1969. Edwin Aldrin carrying experiment packages. Jul 20 1969

Brunswick. Brunswick lily or chandelier flower, Brunsvigia multiflora. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
Brunswick. Brunswick lily or chandelier flower, Brunsvigia multiflora. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596067: Brunswick. Brunswick lily or chandelier flower, Brunsvigia multiflora. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596067

Brunswick. Brunswick lily or chandelier flower, Brunsvigia multiflora. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Red Amaranth has Crete. Cockscomb, Celosia cristata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
Red Amaranth has Crete. Cockscomb, Celosia cristata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596120: Red Amaranth has Crete. Cockscomb, Celosia cristata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596120

Red Amaranth has Crete. Cockscomb, Celosia cristata. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The flesh-colored Robin. Bristly locust tree, Robinia hispida. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The flesh-colored Robin. Bristly locust tree, Robinia hispida. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596142: The flesh-colored Robin. Bristly locust tree, Robinia hispida. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596142

The flesh-colored Robin. Bristly locust tree, Robinia hispida. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The Mead. Shooting star, Dodecatheon meadia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Mead. Shooting star, Dodecatheon meadia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596165: The Mead. Shooting star, Dodecatheon meadia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596165

The Mead. Shooting star, Dodecatheon meadia. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Apollo 11: the deployed instruments - Apollo 11: instruments deployed - View of the seismometer and the laser reflector. In the background, the Lem, the flag and the television camera. 20/07/1969. This picture gives a view of the two experiments, the seismometer and the laser ranging retroreflector (LRRR). In the background, one can see the LM, the U.S. flag, and the TV camera
Apollo 11: the deployed instruments - Apollo 11: instruments deployed - View of the seismometer and the laser reflector. In the background, the Lem, the flag and the television camera. 20/07/1969. This picture gives a view of the two experiments, the seismometer and the laser ranging retroreflector (LRRR). In the background, one can see the LM, the U.S. flag, and the TV camera

PIX4596170: Apollo 11: the deployed instruments - Apollo 11: instruments deployed - View of the seismometer and the laser reflector. In the background, the Lem, the flag and the television camera. 20/07/1969. This picture gives a view of the two experiments, the seismometer and the laser ranging retroreflector (LRRR). In the background, one can see the LM, the U.S. flag, and the TV camera / Bridgeman Images

ID: PIX4596170

Apollo 11: the deployed instruments - Apollo 11: instruments deployed - View of the seismometer and the laser reflector. In the background, the Lem, the flag and the television camera. 20/07/1969. This picture gives a view of the two experiments, the seismometer and the laser ranging retroreflector (LRRR). In the background, one can see the LM, the U.S. flag, and the TV camera

The spiny jasmine of China. Spiny jasmine, Lycium europaeum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The spiny jasmine of China. Spiny jasmine, Lycium europaeum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596171: The spiny jasmine of China. Spiny jasmine, Lycium europaeum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596171

The spiny jasmine of China. Spiny jasmine, Lycium europaeum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Apollo 11: Lem shadow and footprints - Apollo 11: LM shadow and footprints - Footprints of astronauts Armstrong and Aldrin around the lunar module (Lem). This photograph shows in fine detail the impressions in the lunar soil made by astronauts Neil A. Armstrong and Edwin E. Aldrin Jr. during their lunar surface extravehicular activity (EVA). While astronauts Armstrong, commander, and Aldrin, lunar module pilot, descended in the Lunar Module (LM) “” Eagle”” to explore the Sea of Tranquility region of the moon, astronaut Michael Collins, command module pilot, remained with the Command and Service Modules (CSM) “” Columbia””” in lunar orbit. 20 July 1969
Apollo 11: Lem shadow and footprints - Apollo 11: LM shadow and footprints - Footprints of astronauts Armstrong and Aldrin around the lunar module (Lem). This photograph shows in fine detail the impressions in the lunar soil made by astronauts Neil A. Armstrong and Edwin E. Aldrin Jr. during their lunar surface extravehicular activity (EVA). While astronauts Armstrong, commander, and Aldrin, lunar module pilot, descended in the Lunar Module (LM) “” Eagle”” to explore the Sea of Tranquility region of the moon, astronaut Michael Collins, command module pilot, remained with the Command and Service Modules (CSM) “” Columbia””” in lunar orbit. 20 July 1969

PIX4596200: Apollo 11: Lem shadow and footprints - Apollo 11: LM shadow and footprints - Footprints of astronauts Armstrong and Aldrin around the lunar module (Lem). This photograph shows in fine detail the impressions in the lunar soil made by astronauts Neil A. Armstrong and Edwin E. Aldrin Jr. during their lunar surface extravehicular activity (EVA). While astronauts Armstrong, commander, and Aldrin, lunar module pilot, descended in the Lunar Module (LM) “” Eagle”” to explore the Sea of Tranquility region of the moon, astronaut Michael Collins, command module pilot, remained with the Command and Service Modules (CSM) “” Columbia””” in lunar orbit. 20 July 1969 / Bridgeman Images

ID: PIX4596200

Apollo 11: Lem shadow and footprints - Apollo 11: LM shadow and footprints - Footprints of astronauts Armstrong and Aldrin around the lunar module (Lem). This photograph shows in fine detail the impressions in the lunar soil made by astronauts Neil A. Armstrong and Edwin E. Aldrin Jr. during their lunar surface extravehicular activity (EVA). While astronauts Armstrong, commander, and Aldrin, lunar module pilot, descended in the Lunar Module (LM) “” Eagle”” to explore the Sea of Tranquility region of the moon, astronaut Michael Collins, command module pilot, remained with the Command and Service Modules (CSM) “” Columbia””” in lunar orbit. 20 July 1969

The Bread of Pigs has red flowers. Persian cyclamen, Cyclamen persicum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Bread of Pigs has red flowers. Persian cyclamen, Cyclamen persicum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596205: The Bread of Pigs has red flowers. Persian cyclamen, Cyclamen persicum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596205

The Bread of Pigs has red flowers. Persian cyclamen, Cyclamen persicum. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

The Flower stains the Incas. Peruvian lily or lily of the Incas. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
The Flower stains the Incas. Peruvian lily or lily of the Incas. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596242: The Flower stains the Incas. Peruvian lily or lily of the Incas. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596242

The Flower stains the Incas. Peruvian lily or lily of the Incas. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Apollo 11: the Lem joins the control module - Apollo 11: the Lunar Module approaches CSM for docking - The lunar module, with its edge Armstrong and Aldrin, approaching the control module. The Earth is visible on the horizon. 21/07/1969. The Apollo 11 Lunar Module ascent stage, with Astronauts Neil Armstrong and Edwin Aldrin aboard, is photographed from the Command and Service Modules (CSM) during rendezvous in lunar orbit
Apollo 11: the Lem joins the control module - Apollo 11: the Lunar Module approaches CSM for docking - The lunar module, with its edge Armstrong and Aldrin, approaching the control module. The Earth is visible on the horizon. 21/07/1969. The Apollo 11 Lunar Module ascent stage, with Astronauts Neil Armstrong and Edwin Aldrin aboard, is photographed from the Command and Service Modules (CSM) during rendezvous in lunar orbit

PIX4596249: Apollo 11: the Lem joins the control module - Apollo 11: the Lunar Module approaches CSM for docking - The lunar module, with its edge Armstrong and Aldrin, approaching the control module. The Earth is visible on the horizon. 21/07/1969. The Apollo 11 Lunar Module ascent stage, with Astronauts Neil Armstrong and Edwin Aldrin aboard, is photographed from the Command and Service Modules (CSM) during rendezvous in lunar orbit / Bridgeman Images

ID: PIX4596249

Apollo 11: the Lem joins the control module - Apollo 11: the Lunar Module approaches CSM for docking - The lunar module, with its edge Armstrong and Aldrin, approaching the control module. The Earth is visible on the horizon. 21/07/1969. The Apollo 11 Lunar Module ascent stage, with Astronauts Neil Armstrong and Edwin Aldrin aboard, is photographed from the Command and Service Modules (CSM) during rendezvous in lunar orbit

Apollo 11: astronauts in quarantine - Apollo 11: astronauts wives visit their husbands in quarantine - Visit of the wives (from left to right: Mrs Pat Collins, Mrs Jan Armstrong and Mrs Jean Aldrin) to the crew of Apollo 11 (from left to right in the van: Neil Armstrong, Edwin Aldrin and Michael Collins). 27/07/1969. The Apollo 11 crewmen, still under a 21 - day quarantine, are greeted by their wives as they arrive at Ellington Air Force Base after a flight aboard a U.S. Air Force C141 transport from Hawaii. Looking through the window of the Mobile Quarantine Facility are (left to right) Astronauts Neil Armstrong, Edwin Aldrin Jr., and Michael Collins. The wives are (left to right) Mrs. Pat Collins, Mrs. Jan Armstrong, and Mrs. Jean Aldrin
Apollo 11: astronauts in quarantine - Apollo 11: astronauts wives visit their husbands in quarantine - Visit of the wives (from left to right: Mrs Pat Collins, Mrs Jan Armstrong and Mrs Jean Aldrin) to the crew of Apollo 11 (from left to right in the van: Neil Armstrong, Edwin Aldrin and Michael Collins). 27/07/1969. The Apollo 11 crewmen, still under a 21 - day quarantine, are greeted by their wives as they arrive at Ellington Air Force Base after a flight aboard a U.S. Air Force C141 transport from Hawaii. Looking through the window of the Mobile Quarantine Facility are (left to right) Astronauts Neil Armstrong, Edwin Aldrin Jr., and Michael Collins. The wives are (left to right) Mrs. Pat Collins, Mrs. Jan Armstrong, and Mrs. Jean Aldrin

PIX4596303: Apollo 11: astronauts in quarantine - Apollo 11: astronauts wives visit their husbands in quarantine - Visit of the wives (from left to right: Mrs Pat Collins, Mrs Jan Armstrong and Mrs Jean Aldrin) to the crew of Apollo 11 (from left to right in the van: Neil Armstrong, Edwin Aldrin and Michael Collins). 27/07/1969. The Apollo 11 crewmen, still under a 21 - day quarantine, are greeted by their wives as they arrive at Ellington Air Force Base after a flight aboard a U.S. Air Force C141 transport from Hawaii. Looking through the window of the Mobile Quarantine Facility are (left to right) Astronauts Neil Armstrong, Edwin Aldrin Jr., and Michael Collins. The wives are (left to right) Mrs. Pat Collins, Mrs. Jan Armstrong, and Mrs. Jean Aldrin / Bridgeman Images

ID: PIX4596303

Apollo 11: astronauts in quarantine - Apollo 11: astronauts wives visit their husbands in quarantine - Visit of the wives (from left to right: Mrs Pat Collins, Mrs Jan Armstrong and Mrs Jean Aldrin) to the crew of Apollo 11 (from left to right in the van: Neil Armstrong, Edwin Aldrin and Michael Collins). 27/07/1969. The Apollo 11 crewmen, still under a 21 - day quarantine, are greeted by their wives as they arrive at Ellington Air Force Base after a flight aboard a U.S. Air Force C141 transport from Hawaii. Looking through the window of the Mobile Quarantine Facility are (left to right) Astronauts Neil Armstrong, Edwin Aldrin Jr., and Michael Collins. The wives are (left to right) Mrs. Pat Collins, Mrs. Jan Armstrong, and Mrs. Jean Aldrin

Apollo 11: E. Aldrin during the return trip - Apollo 11: Edwin Aldrin Jr. in Apollo spacecraft - Edwin Aldrin makes a weightlessness sandwich in the Apollo spacecraft on the return voyage to Earth. Television broadcast, 22 July 1969. Astronaut Edwin E. Aldrin Jr., Apollo 11 lunar module pilot, performs for his Earth - bound television audience, in this color reproduction taken from a TV transmission, from the Apollo 11 spacecraft during its trans - Earth journey home from the moon. Aldrin illustrates how to make a sandwich under zero - gravity conditions. When this picture was made, Apollo 11 was approximately 137,000 nautical miles from Earth, traveling at a speed of about 4,300 feet per second. Also, aboard the spacecraft were astronauts Neil A. Armstrong, commander; and Michael Collins, command module pilot. July 22, 1969
Apollo 11: E. Aldrin during the return trip - Apollo 11: Edwin Aldrin Jr. in Apollo spacecraft - Edwin Aldrin makes a weightlessness sandwich in the Apollo spacecraft on the return voyage to Earth. Television broadcast, 22 July 1969. Astronaut Edwin E. Aldrin Jr., Apollo 11 lunar module pilot, performs for his Earth - bound television audience, in this color reproduction taken from a TV transmission, from the Apollo 11 spacecraft during its trans - Earth journey home from the moon. Aldrin illustrates how to make a sandwich under zero - gravity conditions. When this picture was made, Apollo 11 was approximately 137,000 nautical miles from Earth, traveling at a speed of about 4,300 feet per second. Also, aboard the spacecraft were astronauts Neil A. Armstrong, commander; and Michael Collins, command module pilot. July 22, 1969

PIX4596315: Apollo 11: E. Aldrin during the return trip - Apollo 11: Edwin Aldrin Jr. in Apollo spacecraft - Edwin Aldrin makes a weightlessness sandwich in the Apollo spacecraft on the return voyage to Earth. Television broadcast, 22 July 1969. Astronaut Edwin E. Aldrin Jr., Apollo 11 lunar module pilot, performs for his Earth - bound television audience, in this color reproduction taken from a TV transmission, from the Apollo 11 spacecraft during its trans - Earth journey home from the moon. Aldrin illustrates how to make a sandwich under zero - gravity conditions. When this picture was made, Apollo 11 was approximately 137,000 nautical miles from Earth, traveling at a speed of about 4,300 feet per second. Also, aboard the spacecraft were astronauts Neil A. Armstrong, commander; and Michael Collins, command module pilot. July 22, 1969 / Bridgeman Images

ID: PIX4596315

Apollo 11: E. Aldrin during the return trip - Apollo 11: Edwin Aldrin Jr. in Apollo spacecraft - Edwin Aldrin makes a weightlessness sandwich in the Apollo spacecraft on the return voyage to Earth. Television broadcast, 22 July 1969. Astronaut Edwin E. Aldrin Jr., Apollo 11 lunar module pilot, performs for his Earth - bound television audience, in this color reproduction taken from a TV transmission, from the Apollo 11 spacecraft during its trans - Earth journey home from the moon. Aldrin illustrates how to make a sandwich under zero - gravity conditions. When this picture was made, Apollo 11 was approximately 137,000 nautical miles from Earth, traveling at a speed of about 4,300 feet per second. Also, aboard the spacecraft were astronauts Neil A. Armstrong, commander; and Michael Collins, command module pilot. July 22, 1969

First lunar samples from the Apollo 11 mission - Apollo 11 sample return container - Arrival of the first lunar samples at Ellington Air Force Base. From g. to d.: George M. Low (Director of the Apollo Rocket Program at the Manned Spacecraft Center - MSC), Samuel C. Phillips (Lt. Gen. of the U.S. Air Force, Director of the Apollo Program), George S. Trimble (Deputy Director), Eugene G. Edmonds (Photographic Technology Laboratory at MSC), Richard S. Johnston (Assistant Director of MSC), Dr. Thomas O. Paine, administrator of NASA) and Dr. Robert R. Gilruth (director of MSC). 25/07/1969. The first Apollo 11 sample return container, containing lunar surface material, arrives at Ellington Air Force Base by air from the Pacific recovery area. Happily posing for photographs with the rock box are (left to right) George M. Low, Manager, Apollo Spacecraft Program, Manned Spacecraft Center (MSC); U.S. Air Force Lt. Gen. Samuel C. Phillips, Apollo Program Director, Office of Manned Space Flight, NASA HQ.; George S. Trimble, MSC Deputy Director (almost obscured); Eugene G. Edmonds, MSC Photographic Technology Laboratory; Richard S. Johnston (in back), Special Assistant to the MSC Director; Dr. Thomas O. Paine, NASA Administrator; and Dr. Robert R. Gilruth, MSC Director
First lunar samples from the Apollo 11 mission - Apollo 11 sample return container - Arrival of the first lunar samples at Ellington Air Force Base. From g. to d.: George M. Low (Director of the Apollo Rocket Program at the Manned Spacecraft Center - MSC), Samuel C. Phillips (Lt. Gen. of the U.S. Air Force, Director of the Apollo Program), George S. Trimble (Deputy Director), Eugene G. Edmonds (Photographic Technology Laboratory at MSC), Richard S. Johnston (Assistant Director of MSC), Dr. Thomas O. Paine, administrator of NASA) and Dr. Robert R. Gilruth (director of MSC). 25/07/1969. The first Apollo 11 sample return container, containing lunar surface material, arrives at Ellington Air Force Base by air from the Pacific recovery area. Happily posing for photographs with the rock box are (left to right) George M. Low, Manager, Apollo Spacecraft Program, Manned Spacecraft Center (MSC); U.S. Air Force Lt. Gen. Samuel C. Phillips, Apollo Program Director, Office of Manned Space Flight, NASA HQ.; George S. Trimble, MSC Deputy Director (almost obscured); Eugene G. Edmonds, MSC Photographic Technology Laboratory; Richard S. Johnston (in back), Special Assistant to the MSC Director; Dr. Thomas O. Paine, NASA Administrator; and Dr. Robert R. Gilruth, MSC Director

PIX4596318: First lunar samples from the Apollo 11 mission - Apollo 11 sample return container - Arrival of the first lunar samples at Ellington Air Force Base. From g. to d.: George M. Low (Director of the Apollo Rocket Program at the Manned Spacecraft Center - MSC), Samuel C. Phillips (Lt. Gen. of the U.S. Air Force, Director of the Apollo Program), George S. Trimble (Deputy Director), Eugene G. Edmonds (Photographic Technology Laboratory at MSC), Richard S. Johnston (Assistant Director of MSC), Dr. Thomas O. Paine, administrator of NASA) and Dr. Robert R. Gilruth (director of MSC). 25/07/1969. The first Apollo 11 sample return container, containing lunar surface material, arrives at Ellington Air Force Base by air from the Pacific recovery area. Happily posing for photographs with the rock box are (left to right) George M. Low, Manager, Apollo Spacecraft Program, Manned Spacecraft Center (MSC); U.S. Air Force Lt. Gen. Samuel C. Phillips, Apollo Program Director, Office of Manned Space Flight, NASA HQ.; George S. Trimble, MSC Deputy Director (almost obscured); Eugene G. Edmonds, MSC Photographic Technology Laboratory; Richard S. Johnston (in back), Special Assistant to the MSC Director; Dr. Thomas O. Paine, NASA Administrator; and Dr. Robert R. Gilruth, MSC Director / Bridgeman Images

ID: PIX4596318

First lunar samples from the Apollo 11 mission - Apollo 11 sample return container - Arrival of the first lunar samples at Ellington Air Force Base. From g. to d.: George M. Low (Director of the Apollo Rocket Program at the Manned Spacecraft Center - MSC), Samuel C. Phillips (Lt. Gen. of the U.S. Air Force, Director of the Apollo Program), George S. Trimble (Deputy Director), Eugene G. Edmonds (Photographic Technology Laboratory at MSC), Richard S. Johnston (Assistant Director of MSC), Dr. Thomas O. Paine, administrator of NASA) and Dr. Robert R. Gilruth (director of MSC). 25/07/1969. The first Apollo 11 sample return container, containing lunar surface material, arrives at Ellington Air Force Base by air from the Pacific recovery area. Happily posing for photographs with the rock box are (left to right) George M. Low, Manager, Apollo Spacecraft Program, Manned Spacecraft Center (MSC); U.S. Air Force Lt. Gen. Samuel C. Phillips, Apollo Program Director, Office of Manned Space Flight, N

Ophrise has insect-shaped flowers. Fly orchid, Ophrys insectifera. Doris longwing, Heliconius doris. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
Ophrise has insect-shaped flowers. Fly orchid, Ophrys insectifera. Doris longwing, Heliconius doris. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596338: Ophrise has insect-shaped flowers. Fly orchid, Ophrys insectifera. Doris longwing, Heliconius doris. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596338

Ophrise has insect-shaped flowers. Fly orchid, Ophrys insectifera. Doris longwing, Heliconius doris. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

Purple tree with purple flowers. Violet hibiscus, Hibiscus syriacus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.
Purple tree with purple flowers. Violet hibiscus, Hibiscus syriacus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.

FLO4596344: Purple tree with purple flowers. Violet hibiscus, Hibiscus syriacus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776. / Bridgeman Images

ID: FLO4596344

Purple tree with purple flowers. Violet hibiscus, Hibiscus syriacus. Handcoloured etching from Pierre Joseph Buchoz 'Precious and illuminated collection of the most beautiful and curious flowers, grown both in the gardens of China and in those of Europe, Paris, 1776.


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