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Piazza Navona (Piazza Navona) in Rome with the fountain of Neptune in the foreground, Oil painting on canvas by Giovanni Paolo Pannini (Panini) (1691-1765). Photography, KIM Youngtae, Nantes, Musee des Beaux Art de Nantes.
Piazza Navona (Piazza Navona) in Rome with the fountain of Neptune in the foreground, Oil painting on canvas by Giovanni Paolo Pannini (Panini) (1691-1765). Photography, KIM Youngtae, Nantes, Musee des Beaux Art de Nantes.

YOU4419364: Piazza Navona (Piazza Navona) in Rome with the fountain of Neptune in the foreground, Oil painting on canvas by Giovanni Paolo Pannini (Panini) (1691-1765). Photography, KIM Youngtae, Nantes, Musee des Beaux Art de Nantes., Pannini or Panini, Giovanni Paolo (1691/2-1765) / Bridgeman Images

Saint Jerome meditating, Painting attributed to Artus Wolffort (1581-1641). Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon.
Saint Jerome meditating, Painting attributed to Artus Wolffort (1581-1641). Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon.

YOU4419426: Saint Jerome meditating, Painting attributed to Artus Wolffort (1581-1641). Photography, KIM Youngtae, Lyon, Musee des Beaux Arts de Lyon., Wolfaerts or Wolffort, Artus (1581-1641) / Bridgeman Images

Portrait of Michel Lepeletier de Saint Fargeau (1760-1793), French politician, lawyer, very active as a member of the Convention during the Revolution, he drew up a national education plan on the basis of that of Condorcet whose ideas will be taken up by Jules Ferry. He was assassine for voting the death of Louis XVI, Painting in the Oil On Canvas by Jean Francois Garneray (1755-1837). Photography, KIM Youngtae, Paris, Musee Carnavalet.
Portrait of Michel Lepeletier de Saint Fargeau (1760-1793), French politician, lawyer, very active as a member of the Convention during the Revolution, he drew up a national education plan on the basis of that of Condorcet whose ideas will be taken up by Jules Ferry. He was assassine for voting the death of Louis XVI, Painting in the Oil On Canvas by Jean Francois Garneray (1755-1837). Photography, KIM Youngtae, Paris, Musee Carnavalet.

YOU4419484: Portrait of Michel Lepeletier de Saint Fargeau (1760-1793), French politician, lawyer, very active as a member of the Convention during the Revolution, he drew up a national education plan on the basis of that of Condorcet whose ideas will be taken up by Jules Ferry. He was assassine for voting the death of Louis XVI, Painting in the Oil On Canvas by Jean Francois Garneray (1755-1837). Photography, KIM Youngtae, Paris, Musee Carnavalet., Garneray, Jean Francois (1755-1837) / Bridgeman Images

Effigy of Dante Alighieri (1265-1321), poet, Italian writer, author of the Divine Comedie, headdress of a liripion - Painting by Juste of Ghent (Joos van Wassenhove) (circa 1435-around 1475) and Pedro Berruguete (circa 1450-before 1504), part of a set of 28 effigies of illustrious men from the Studiolo of the Palazzo Ducale d'Urbino, commissioned by the Duke Federico da Montefeltre (1422-1482)., Paris, Musee du Louvre.
Effigy of Dante Alighieri (1265-1321), poet, Italian writer, author of the Divine Comedie, headdress of a liripion - Painting by Juste of Ghent (Joos van Wassenhove) (circa 1435-around 1475) and Pedro Berruguete (circa 1450-before 1504), part of a set of 28 effigies of illustrious men from the Studiolo of the Palazzo Ducale d'Urbino, commissioned by the Duke Federico da Montefeltre (1422-1482)., Paris, Musee du Louvre.

YOU4419728: Effigy of Dante Alighieri (1265-1321), poet, Italian writer, author of the Divine Comedie, headdress of a liripion - Painting by Juste of Ghent (Joos van Wassenhove) (circa 1435-around 1475) and Pedro Berruguete (circa 1450-before 1504), part of a set of 28 effigies of illustrious men from the Studiolo of the Palazzo Ducale d'Urbino, commissioned by the Duke Federico da Montefeltre (1422-1482)., Paris, Musee du Louvre., Joos van Gent (Joos van Wassenhove) (fl.1460-75) / Bridgeman Images

The death of Gericault, 1824 (painting)
The death of Gericault, 1824 (painting)

YOU4419821: The death of Gericault, 1824 (painting), Scheffer, Ary (1795-1858) / Bridgeman Images

The Virgin of the Bentivoglio, 1488 (painting)
The Virgin of the Bentivoglio, 1488 (painting)

LRI4637594: The Virgin of the Bentivoglio, 1488 (painting), Costa, Lorenzo (1459/60-1535) / Bridgeman Images

April Landscape of late winter with a tree still without leaves. Painting of” Antonio Fontanesi (1812-1882), 1873 Sun. 168x258 cm Turin, Galleria Civica d'Arte Moderna Italy
April Landscape of late winter with a tree still without leaves. Painting of” Antonio Fontanesi (1812-1882), 1873 Sun. 168x258 cm Turin, Galleria Civica d'Arte Moderna Italy

LRI4637755: April Landscape of late winter with a tree still without leaves. Painting of” Antonio Fontanesi (1812-1882), 1873 Sun. 168x258 cm Turin, Galleria Civica d'Arte Moderna Italy, Fontanesi, Antonio (1818-82) / Bridgeman Images

Portrait of Helene Fourment (1614-1673), in the glove Portrait of the artist's wife. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) 1630-1631 Dim. 96.6 x 69.3 cm. Alte Pinakothek, Bayerische Staatsgemaeldesammlungen, Munich
Portrait of Helene Fourment (1614-1673), in the glove Portrait of the artist's wife. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) 1630-1631 Dim. 96.6 x 69.3 cm. Alte Pinakothek, Bayerische Staatsgemaeldesammlungen, Munich

LRI4638235: Portrait of Helene Fourment (1614-1673), in the glove Portrait of the artist's wife. Painting by Pierre Paul (Pierre-Paul) Rubens (or Peter Paul or Petrus Paulus) (1577-1640) 1630-1631 Dim. 96.6 x 69.3 cm. Alte Pinakothek, Bayerische Staatsgemaeldesammlungen, Munich, Rubens, Peter Paul (1577-1640) / Bridgeman Images

Feast of Corpus Christi in Saint Peter square in Rome (Painting, 17th century)
Feast of Corpus Christi in Saint Peter square in Rome (Painting, 17th century)

LRI4643402: Feast of Corpus Christi in Saint Peter square in Rome (Painting, 17th century), Italian School, (17th century) / Bridgeman Images

Ladies in car, detail  (Painting, 17th century)
Ladies in car, detail  (Painting, 17th century)

LRI4643407: Ladies in car, detail (Painting, 17th century), Italian School, (17th century) / Bridgeman Images

Livestock branding near Rome, detail (painting, 18th century)
Livestock branding near Rome, detail (painting, 18th century)

LRI4643562: Livestock branding near Rome, detail (painting, 18th century), Bottani, Giuseppe (1717-84) / Bridgeman Images

View over Campo Vaccino in Rome (painting, 18th century)
View over Campo Vaccino in Rome (painting, 18th century)

LRI4643627: View over Campo Vaccino in Rome (painting, 18th century), Monaldi, Paolo (fl.1760) / Bridgeman Images

Old trade: the chimney sweep (Lithograph, 19th century)
Old trade: the chimney sweep (Lithograph, 19th century)

LRI4644072: Old trade: the chimney sweep (Lithograph, 19th century), Unknown Artist, (19th century) / Bridgeman Images

Italy has the faith and Pope Pius IX. Propaganda poster for the papal states, 19th century (lithography)
Italy has the faith and Pope Pius IX. Propaganda poster for the papal states, 19th century (lithography)

LRI4644074: Italy has the faith and Pope Pius IX. Propaganda poster for the papal states, 19th century (lithography), Italian School, (19th century) / Bridgeman Images

Artisanal manufacture of chocolate Anonymous painting of a sign. 1875-1900 Milan, museo di Milano
Artisanal manufacture of chocolate Anonymous painting of a sign. 1875-1900 Milan, museo di Milano

LRI4644104: Artisanal manufacture of chocolate Anonymous painting of a sign. 1875-1900 Milan, museo di Milano, Italian School, (19th century) / Bridgeman Images

Portrait of Frederic III the Wise, Grand Elector of Saxony (Painting, 16th century)
Portrait of Frederic III the Wise, Grand Elector of Saxony (Painting, 16th century)

LRI4663180: Portrait of Frederic III the Wise, Grand Elector of Saxony (Painting, 16th century), Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

Portrait of a gentleman said the fiance Painting by Lucas Cranach the Elder (1472-1553) 1539 Sao Paulo, Museum of Art
Portrait of a gentleman said the fiance Painting by Lucas Cranach the Elder (1472-1553) 1539 Sao Paulo, Museum of Art

LRI4663190: Portrait of a gentleman said the fiance Painting by Lucas Cranach the Elder (1472-1553) 1539 Sao Paulo, Museum of Art, Cranach, Lucas the Elder (1472-1553) / Bridgeman Images

Woman wiping her arm. Painting by Edgar Degas (1834-1917). Pastel. Sao Paulo Art Museum, Brazil
Woman wiping her arm. Painting by Edgar Degas (1834-1917). Pastel. Sao Paulo Art Museum, Brazil

LRI4663285: Woman wiping her arm. Painting by Edgar Degas (1834-1917). Pastel. Sao Paulo Art Museum, Brazil, Degas, Edgar (1834-1917) / Bridgeman Images

Portrait of Yvonne Lerolle in three aspects, 1897 (oil on canvas)
Portrait of Yvonne Lerolle in three aspects, 1897 (oil on canvas)

LRI4663327: Portrait of Yvonne Lerolle in three aspects, 1897 (oil on canvas), Denis, Maurice (1870-1943) / Bridgeman Images

Portrait of the Children of Gabriel Thomas (oil on canvas, 1894)
Portrait of the Children of Gabriel Thomas (oil on canvas, 1894)

LRI4664082: Portrait of the Children of Gabriel Thomas (oil on canvas, 1894), Morisot, Berthe (1841-95) / Bridgeman Images

Young Woman Powdering Her Face (oil on canvas, 19th century)
Young Woman Powdering Her Face (oil on canvas, 19th century)

LRI4664099: Young Woman Powdering Her Face (oil on canvas, 19th century), Morisot, Berthe (1841-95) / Bridgeman Images

Rinaldo abandons Armida, 1757 (Fresco)
Rinaldo abandons Armida, 1757 (Fresco)

LRI4664230: Rinaldo abandons Armida, 1757 (Fresco), Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804) / Bridgeman Images

Jane Avril (oil on cardboard, 1893)
Jane Avril (oil on cardboard, 1893)

LRI4664300: Jane Avril (oil on cardboard, 1893), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

Battle scene between the Ottoman army of Murad III (1546-1595) (left) and the defensers of a strong Detail tartar. Codex miniature R-1296. 16th century Topkapi Sarayi Museum Library Istanbul
Battle scene between the Ottoman army of Murad III (1546-1595) (left) and the defensers of a strong Detail tartar. Codex miniature R-1296. 16th century Topkapi Sarayi Museum Library Istanbul

LRI4646770: Battle scene between the Ottoman army of Murad III (1546-1595) (left) and the defensers of a strong Detail tartar. Codex miniature R-1296. 16th century Topkapi Sarayi Museum Library Istanbul, Ottoman School, (16th century) / Bridgeman Images

Map of Antwerp (engraving, 16th century)
Map of Antwerp (engraving, 16th century)

LRI4646894: Map of Antwerp (engraving, 16th century), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

Map of Lyon - France (engraving, 16th century)
Map of Lyon - France (engraving, 16th century)

LRI4647040: Map of Lyon - France (engraving, 16th century), Hogenberg, Franz (1540-c.1590) / Bridgeman Images

Symbols of the arts in the city. Corporation table, 17th century
Symbols of the arts in the city. Corporation table, 17th century

LRI4647164: Symbols of the arts in the city. Corporation table, 17th century, Unknown Artist, (17th century) / Bridgeman Images

Symbol of the masons (Corporation table, 17th century)
Symbol of the masons (Corporation table, 17th century)

LRI4647169: Symbol of the masons (Corporation table, 17th century), Unknown Artist, (17th century) / Bridgeman Images

Status of masons (Corporation table, 17th century)
Status of masons (Corporation table, 17th century)

LRI4647185: Status of masons (Corporation table, 17th century), Unknown Artist, (17th century) / Bridgeman Images

God asks Jacob to go to Bethel and build a Miniature altar from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi
God asks Jacob to go to Bethel and build a Miniature altar from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi

LRI4647539: God asks Jacob to go to Bethel and build a Miniature altar from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi, Unknown Artist, (14th century) / Bridgeman Images

Jacob goes to Laban in Mesopotamia Miniature from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi
Jacob goes to Laban in Mesopotamia Miniature from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi

LRI4647549: Jacob goes to Laban in Mesopotamia Miniature from Codex 212 (or padovano or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi, Unknown Artist, (14th century) / Bridgeman Images

The envious Philistines fill the hollow wells by Isaac Miniature from the codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi
The envious Philistines fill the hollow wells by Isaac Miniature from the codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi

LRI4647611: The envious Philistines fill the hollow wells by Isaac Miniature from the codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi, Unknown Artist, (14th century) / Bridgeman Images

Miniature pentecote from a gradual antiphonary (tropair) (ms. 65) 12th century Plaisance, Biblioteca Capitolare
Miniature pentecote from a gradual antiphonary (tropair) (ms. 65) 12th century Plaisance, Biblioteca Capitolare

LRI4647903: Miniature pentecote from a gradual antiphonary (tropair) (ms. 65) 12th century Plaisance, Biblioteca Capitolare, Unknown Artist, (12th century) / Bridgeman Images

The Inca, 1946 (chalk on laid paper)
The Inca, 1946 (chalk on laid paper)

JLJ4648133: The Inca, 1946 (chalk on laid paper), Artaud, Antonin (1896-1948) / Bridgeman Images

The Passage of the Italian Military Train Painting by Achille Beltrame (1871-1945) Milan, Museo di Storia Contemporanea
The Passage of the Italian Military Train Painting by Achille Beltrame (1871-1945) Milan, Museo di Storia Contemporanea

LRI4644469: The Passage of the Italian Military Train Painting by Achille Beltrame (1871-1945) Milan, Museo di Storia Contemporanea, Beltrame, Achille (1871-1945) / Bridgeman Images

Warning after the escape of Italian prisoners of war on February 16th 1916 asking the Austrian population not to help them (engraving, 1916)
Warning after the escape of Italian prisoners of war on February 16th 1916 asking the Austrian population not to help them (engraving, 1916)

LRI4644500: Warning after the escape of Italian prisoners of war on February 16th 1916 asking the Austrian population not to help them (engraving, 1916), Anonymous / Bridgeman Images


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