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Bouquet of flowers in a vase (oil on canvas)
Bouquet of flowers in a vase (oil on canvas)

XIR387363: Bouquet of flowers in a vase (oil on canvas), Dael, Jan Frans van (1764-1840) / Bridgeman Images

ID: XIR387363

Bouquet of flowers in a vase (oil on canvas)

Dael, Jan Frans van (1764-1840)

Caryatid (pastel on paper)
Caryatid (pastel on paper)

XIR180064: Caryatid (pastel on paper), Modigliani, Amedeo (1884-1920) / Bridgeman Images

ID: XIR180064

Caryatid (pastel on paper)

Modigliani, Amedeo (1884-1920)

Nympheas, c.1905 (oil on canvas)
Nympheas, c.1905 (oil on canvas)

CH376837: Nympheas, c.1905 (oil on canvas), Monet, Claude (1840-1926) / Bridgeman Images

ID: CH376837

Nympheas, c.1905 (oil on canvas)

Monet, Claude (1840-1926)

St. Francis Xavier (1506-51) and his entourage, detail of the right-hand section of a folding screen depicting the arrival of the Portuguese in Japan, Kano School (lacquer)
St. Francis Xavier (1506-51) and his entourage, detail of the right-hand section of a folding screen depicting the arrival of the Portuguese in Japan, Kano School (lacquer)

XIR160168: St. Francis Xavier (1506-51) and his entourage, detail of the right-hand section of a folding screen depicting the arrival of the Portuguese in Japan, Kano School (lacquer), Japanese School (16th century) / Bridgeman Images

ID: XIR160168

St. Francis Xavier (1506-51) and his entourage, detail of the right-hand section of a folding screen depicting the arrival of the Portuguese in Japan, Kano School (lacquer)

Japanese School (16th century)

Distribution, 1934 (watercolour, pen, ink and pencil on paper)
Distribution, 1934 (watercolour, pen, ink and pencil on paper)

CH1769209: Distribution, 1934 (watercolour, pen, ink and pencil on paper), Kandinsky, Wassily (1866-1944) / Bridgeman Images

ID: CH1769209

Distribution, 1934 (watercolour, pen, ink and pencil on paper)

Kandinsky, Wassily (1866-1944)

People celebrating at 11:00 in Whitehall, London after hearing that hostilities had ceased, 1918 (b/w photo)
People celebrating at 11:00 in Whitehall, London after hearing that hostilities had ceased, 1918 (b/w photo)

XLF3791093: People celebrating at 11:00 in Whitehall, London after hearing that hostilities had ceased, 1918 (b/w photo), Unknown photographer, (20th century) / Bridgeman Images

ID: XLF3791093

People celebrating at 11:00 in Whitehall, London after hearing that hostilities had ceased, 1918 (b/w photo)

Unknown photographer, (20th century)

The Black Plague in 1348. Engraving in “Histoire De France En Cent Paintings by Paul Lehugeur “” 1891.
The Black Plague in 1348. Engraving in “Histoire De France En Cent Paintings by Paul Lehugeur “” 1891.

XEE4181390: The Black Plague in 1348. Engraving in “Histoire De France En Cent Paintings by Paul Lehugeur “” 1891., French School, (19th century) / Bridgeman Images

ID: XEE4181390

The Black Plague in 1348. Engraving in “Histoire De France En Cent Paintings by Paul Lehugeur “” 1891.

French School, (19th century)

His Majesty King Edward VII of England, 1895 (print)
His Majesty King Edward VII of England, 1895 (print)

XLF3782940: His Majesty King Edward VII of England, 1895 (print) / Bridgeman Images

ID: XLF3782940

His Majesty King Edward VII of England, 1895 (print)

Ms 648/404 f.222r Tournament scene, from Roman des Chevaliers Galaad, Tristan et Lancelot (vellum)
Ms 648/404 f.222r Tournament scene, from Roman des Chevaliers Galaad, Tristan et Lancelot (vellum)

CND166043: Ms 648/404 f.222r Tournament scene, from Roman des Chevaliers Galaad, Tristan et Lancelot (vellum), French School, (15th century) / Bridgeman Images

ID: CND166043

Ms 648/404 f.222r Tournament scene, from Roman des Chevaliers Galaad, Tristan et Lancelot (vellum)

French School, (15th century)

Removing the Thorn (St. Jerome or Androcles and the Lion), 2007 (acrylic on canvas & painted wood frame)
Removing the Thorn (St. Jerome or Androcles and the Lion), 2007 (acrylic on canvas & painted wood frame)

PJC284213: Removing the Thorn (St. Jerome or Androcles and the Lion), 2007 (acrylic on canvas & painted wood frame), Crook, PJ / Bridgeman Images

ID: PJC284213

Removing the Thorn (St. Jerome or Androcles and the Lion), 2007 (acrylic on canvas & painted wood frame)

Crook, PJ

Bust of Hesiod (stone)
Bust of Hesiod (stone)

XIR228297: Bust of Hesiod (stone), Greek / Bridgeman Images

ID: XIR228297

Bust of Hesiod (stone)

Greek

A Dedication to Bacchus, 1889 (oil on canvas) (detail of 141017)
A Dedication to Bacchus, 1889 (oil on canvas) (detail of 141017)

XKH232083: A Dedication to Bacchus, 1889 (oil on canvas) (detail of 141017), Alma-Tadema, Lawrence (1836-1912) / Bridgeman Images

ID: XKH232083

A Dedication to Bacchus, 1889 (oil on canvas) (detail of 141017)

Alma-Tadema, Lawrence (1836-1912)

Pirate William Kidd burying treasure on Oak Island (colour litho)
Pirate William Kidd burying treasure on Oak Island (colour litho)

PNP270184: Pirate William Kidd burying treasure on Oak Island (colour litho), Pyle, Howard (1853-1911) / Bridgeman Images

ID: PNP270184

Pirate William Kidd burying treasure on Oak Island (colour litho)

Pyle, Howard (1853-1911)

Black Frame, 1922 (oil on canvas)
Black Frame, 1922 (oil on canvas)

PWI92455: Black Frame, 1922 (oil on canvas), Kandinsky, Wassily (1866-1944) / Bridgeman Images

ID: PWI92455

Black Frame, 1922 (oil on canvas)

Kandinsky, Wassily (1866-1944)

The reflex box camera obscura by Johann Zahn, 1685, from 'The History of the Camera Obscura' (engraving)
The reflex box camera obscura by Johann Zahn, 1685, from 'The History of the Camera Obscura' (engraving)

XJF115145: The reflex box camera obscura by Johann Zahn, 1685, from 'The History of the Camera Obscura' (engraving), English School, (19th century) / Bridgeman Images

ID: XJF115145

The reflex box camera obscura by Johann Zahn, 1685, from 'The History of the Camera Obscura' (engraving)

English School, (19th century)

Green Bird, Mughal (gouache on paper)
Green Bird, Mughal (gouache on paper)

STC109689: Green Bird, Mughal (gouache on paper), Indian School, (17th century) / Bridgeman Images

ID: STC109689

Green Bird, Mughal (gouache on paper)

Indian School, (17th century)

The Lover's Seat: Shelley (1792-1822) and Mary Godwin in Old St. Pancras Churchyard, 1877 (oil on canvas)
The Lover's Seat: Shelley (1792-1822) and Mary Godwin in Old St. Pancras Churchyard, 1877 (oil on canvas)

VFS109713: The Lover's Seat: Shelley (1792-1822) and Mary Godwin in Old St. Pancras Churchyard, 1877 (oil on canvas), Frith, William Powell (1819-1909) / Bridgeman Images

ID: VFS109713

The Lover's Seat: Shelley (1792-1822) and Mary Godwin in Old St. Pancras Churchyard, 1877 (oil on canvas)

Frith, William Powell (1819-1909)

Window depicting Notre Dame de la Belle Verriere in the south choir (stained glass) (detail of 98069)
Window depicting Notre Dame de la Belle Verriere in the south choir (stained glass) (detail of 98069)

PWI98068: Window depicting Notre Dame de la Belle Verriere in the south choir (stained glass) (detail of 98069), French School, (13th century) / Bridgeman Images

ID: PWI98068

Window depicting Notre Dame de la Belle Verriere in the south choir (stained glass) (detail of 98069)

French School, (13th century)

The Hylle Jewel, in the form of a crowned Lombardic initial 'M' with annunciation figures, late 14th century (silver-gilt set with rubies, diamond, emerald and pearls)
The Hylle Jewel, in the form of a crowned Lombardic initial 'M' with annunciation figures, late 14th century (silver-gilt set with rubies, diamond, emerald and pearls)

NCO98500: The Hylle Jewel, in the form of a crowned Lombardic initial 'M' with annunciation figures, late 14th century (silver-gilt set with rubies, diamond, emerald and pearls), French School, (14th century) (attr.to) / Bridgeman Images

ID: NCO98500

The Hylle Jewel, in the form of a crowned Lombardic initial 'M' with annunciation figures, late 14th century (silver-gilt set with rubies, diamond, emerald and pearls)

French School, (14th century) (attr.to)

Fascimile of January: banquet scene by the Limbourg brothers, from the 'Tres Riches Heures du Duc de Berry' (vellum) (for original see 8433)
Fascimile of January: banquet scene by the Limbourg brothers, from the 'Tres Riches Heures du Duc de Berry' (vellum) (for original see 8433)

BAL65833: Fascimile of January: banquet scene by the Limbourg brothers, from the 'Tres Riches Heures du Duc de Berry' (vellum) (for original see 8433), French School, (15th century) (after) / Bridgeman Images

ID: BAL65833

Fascimile of January: banquet scene by the Limbourg brothers, from the 'Tres Riches Heures du Duc de Berry' (vellum) (for original see 8433)

French School, (15th century) (after)

Boulter's Lock: Sunday Afternoon, 1885-97
Boulter's Lock: Sunday Afternoon, 1885-97

WGL55950: Boulter's Lock: Sunday Afternoon, 1885-97, Gregory, Edward John (1850-1909) / Bridgeman Images

ID: WGL55950

Boulter's Lock: Sunday Afternoon, 1885-97

Gregory, Edward John (1850-1909)

The Lovers, 2006 (oil on canvas)
The Lovers, 2006 (oil on canvas)

SNW282622: The Lovers, 2006 (oil on canvas), Nedelcheva-Williams, Zanara/ Sabina / Bridgeman Images

ID: SNW282622

The Lovers, 2006 (oil on canvas)

Nedelcheva-Williams, Zanara/ Sabina

First in War, First in Peace and First in the Hearts of His Countrymen (colour litho)
First in War, First in Peace and First in the Hearts of His Countrymen (colour litho)

NYH182489: First in War, First in Peace and First in the Hearts of His Countrymen (colour litho), American School, (19th century) / Bridgeman Images

ID: NYH182489

First in War, First in Peace and First in the Hearts of His Countrymen (colour litho)

American School, (19th century)

Lewis Carroll, 19th century (b/w photo)
Lewis Carroll, 19th century (b/w photo)

CHT163320: Lewis Carroll, 19th century (b/w photo), Rejlander, Oscar Gustav (1813-1875) / Bridgeman Images

ID: CHT163320

Lewis Carroll, 19th century (b/w photo)

Rejlander, Oscar Gustav (1813-1875)

Henri (Le Douanier) Rousseau (1844-1910) in front of his painting 'The Merry Jesters', in his studio at rue Perrel, Paris, c.1907 (b/w photo)
Henri (Le Douanier) Rousseau (1844-1910) in front of his painting 'The Merry Jesters', in his studio at rue Perrel, Paris, c.1907 (b/w photo)

LRS161095: Henri (Le Douanier) Rousseau (1844-1910) in front of his painting 'The Merry Jesters', in his studio at rue Perrel, Paris, c.1907 (b/w photo), Dornac (Paul Francois Arnold Cardon) (1859-1941) / Bridgeman Images

ID: LRS161095

Henri (Le Douanier) Rousseau (1844-1910) in front of his painting 'The Merry Jesters', in his studio at rue Perrel, Paris, c.1907 (b/w photo)

Dornac (Paul Francois Arnold Cardon) (1859-1941)

Ms 241 f.1 Historiated initial 'A' depicting St. Gregory, from the Antiphonal for the consecration of the Abbey Church of Vauclair, 1257 (vellum)
Ms 241 f.1 Historiated initial 'A' depicting St. Gregory, from the Antiphonal for the consecration of the Abbey Church of Vauclair, 1257 (vellum)

XIR175563: Ms 241 f.1 Historiated initial 'A' depicting St. Gregory, from the Antiphonal for the consecration of the Abbey Church of Vauclair, 1257 (vellum), French School, (13th century) / Bridgeman Images

ID: XIR175563

Ms 241 f.1 Historiated initial 'A' depicting St. Gregory, from the Antiphonal for the consecration of the Abbey Church of Vauclair, 1257 (vellum)

French School, (13th century)

Duke William and the Norman invasion fleet cross the channel, Bayeux Tapestry (wool embroidery on linen)
Duke William and the Norman invasion fleet cross the channel, Bayeux Tapestry (wool embroidery on linen)

XIR190213: Duke William and the Norman invasion fleet cross the channel, Bayeux Tapestry (wool embroidery on linen), English School, (11th century) / Bridgeman Images

ID: XIR190213

Duke William and the Norman invasion fleet cross the channel, Bayeux Tapestry (wool embroidery on linen)

English School, (11th century)

The Hand of God, or The Creation, 1902 (marble)
The Hand of God, or The Creation, 1902 (marble)

PHG190967: The Hand of God, or The Creation, 1902 (marble), Rodin, Auguste (1840-1917) / Bridgeman Images

ID: PHG190967

The Hand of God, or The Creation, 1902 (marble)

Rodin, Auguste (1840-1917)

Sergeant Joseph Levin of the American Army Chemical Warfare Service, c.1917 (b/w photo)
Sergeant Joseph Levin of the American Army Chemical Warfare Service, c.1917 (b/w photo)

XRH867518: Sergeant Joseph Levin of the American Army Chemical Warfare Service, c.1917 (b/w photo) / Bridgeman Images

ID: XRH867518

Sergeant Joseph Levin of the American Army Chemical Warfare Service, c.1917 (b/w photo)

Massacre of the Innocents, 1575-1600 (oil on panel)
Massacre of the Innocents, 1575-1600 (oil on panel)

XIR6601: Massacre of the Innocents, 1575-1600 (oil on panel), Brueghel, Pieter the Younger (c.1564-1638) / Bridgeman Images

ID: XIR6601

Massacre of the Innocents, 1575-1600 (oil on panel)

Brueghel, Pieter the Younger (c.1564-1638)

Portrait of John Hanning Speke (1827-64)
Portrait of John Hanning Speke (1827-64)

RGS38170: Portrait of John Hanning Speke (1827-64), Wilson, James Watney (fl.1871-1884) / Bridgeman Images

ID: RGS38170

Portrait of John Hanning Speke (1827-64)

Wilson, James Watney (fl.1871-1884)

John Minton, 1952 (oil on canvas)
John Minton, 1952 (oil on canvas)

GDK619737: John Minton, 1952 (oil on canvas), Freud, Lucian (1922-2011) / Bridgeman Images

ID: GDK619737

John Minton, 1952 (oil on canvas)

Freud, Lucian (1922-2011)

Heathcliff Returns, 1993 (oil on canvas)
Heathcliff Returns, 1993 (oil on canvas)

JTB243244: Heathcliff Returns, 1993 (oil on canvas), Barry, Jonathan / Bridgeman Images

ID: JTB243244

Heathcliff Returns, 1993 (oil on canvas)

Barry, Jonathan

The Flight into Egypt, c.1647/50 (oil on canvas)
The Flight into Egypt, c.1647/50 (oil on canvas)

DTR114692: The Flight into Egypt, c.1647/50 (oil on canvas), Murillo, Bartolome Esteban (1618-82) / Bridgeman Images

ID: DTR114692

The Flight into Egypt, c.1647/50 (oil on canvas)

Murillo, Bartolome Esteban (1618-82)

The Red Model, 1935 (oil on canvas)
The Red Model, 1935 (oil on canvas)

XIR95074: The Red Model, 1935 (oil on canvas), Magritte, Rene (1898-1967) / Bridgeman Images

ID: XIR95074

The Red Model, 1935 (oil on canvas)

Magritte, Rene (1898-1967)

Eyes in the Heat (Sounds in the Grass Series) 1946 (oil on canvas)
Eyes in the Heat (Sounds in the Grass Series) 1946 (oil on canvas)

BAL41916: Eyes in the Heat (Sounds in the Grass Series) 1946 (oil on canvas), Pollock, Jackson (1912-56) / Bridgeman Images

ID: BAL41916

Eyes in the Heat (Sounds in the Grass Series) 1946 (oil on canvas)

Pollock, Jackson (1912-56)


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