BEN77020:
Hexagonal pulpit with dramatic reliefs, c.1297 (marble), Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images
ID: BEN77020
Hexagonal pulpit with dramatic reliefs, c.1297 (marble)
Pisano, Giovanni (c.1245-p.1314)
BAL72628:
Albrecht Durer's Father, 1497 (oil on lime), Durer or Duerer, Albrecht (1471-1528) (after) / Bridgeman Images
ID: BAL72628
Albrecht Durer's Father, 1497 (oil on lime)
Durer or Duerer, Albrecht (1471-1528) (after)
MAN62952:
The Lantern Maker's Courtship, c.1854-60 (oil on panel), Hunt, William Holman (1827-1910) / Bridgeman Images
ID: MAN62952
The Lantern Maker's Courtship, c.1854-60 (oil on panel)
Hunt, William Holman (1827-1910)
FIT63123:
Apollo and the Seasons (oil on canvas), Wilson, Richard (1713/14-82) / Bridgeman Images
ID: FIT63123
Apollo and the Seasons (oil on canvas)
Wilson, Richard (1713/14-82)
FIT63160:
How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images
ID: FIT63160
How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161)
Rossetti, Dante Gabriel Charles (1828-82)
XAM74811:
Portrait of a young woman (panel), Master of the Female Half Lengths, (c.1490-c.1540) / Bridgeman Images
ID: XAM74811
Portrait of a young woman (panel)
Master of the Female Half Lengths, (c.1490-c.1540)
RHC79782:
The Supplicants. The Expulsion of the Gypsies from Spain, 1872 (oil on canvas), Long, Edwin Longsden (1829-91) / Bridgeman Images
ID: RHC79782
The Supplicants. The Expulsion of the Gypsies from Spain, 1872 (oil on canvas)
Long, Edwin Longsden (1829-91)
GG80897:
Lady Reading at an Open Window (oil on canvas), Dufau, Clementine-Helene (1869-1937) / Bridgeman Images
ID: GG80897
Lady Reading at an Open Window (oil on canvas)
Dufau, Clementine-Helene (1869-1937)
FIT74989:
The Man of Sorrows, c.1639 (oil on canvas), Reni, Guido (1575-1642) / Bridgeman Images
ID: FIT74989
The Man of Sorrows, c.1639 (oil on canvas)
Reni, Guido (1575-1642)
XND76038:
Panoramic view of the Sea of Azof showing the Allied position, from government charts and plans and from sketches made by a military engineer, pub. by Stannard and Dixon, 1855 (litho), Butler, Augustus (1817-63) / Bridgeman Images
ID: XND76038
Panoramic view of the Sea of Azof showing the Allied position, from government charts and plans and from sketches made by a military engineer, pub. by Stannard and Dixon, 1855 (litho)
Butler, Augustus (1817-63)
XIR78302:
Portrait of Andre Gide (1869-1951) 1924 (oil on canvas), Laurens, Paul Albert (1870-1934) / Bridgeman Images
ID: XIR78302
Portrait of Andre Gide (1869-1951) 1924 (oil on canvas)
Laurens, Paul Albert (1870-1934)
FIT77516:
PD.2-1979 Dancers in violet dresses, arms raised, c.1900 (pastel and black chalk on paper), Degas, Edgar (1834-1917) / Bridgeman Images
ID: FIT77516
PD.2-1979 Dancers in violet dresses, arms raised, c.1900 (pastel and black chalk on paper)
Degas, Edgar (1834-1917)
XIR135394:
Ecce Homo (tempera on panel), Portuguese School (15th century) / Bridgeman Images
ID: XIR135394
Ecce Homo (tempera on panel)
Portuguese School (15th century)
KWE141847:
Joan of Arc (c.1412-31), c.1845 (engraving), English School, (19th century) / Bridgeman Images
ID: KWE141847
Joan of Arc (c.1412-31), c.1845 (engraving)
English School, (19th century)
ANC141751:
St. Nicholas, 10th century (tempera and gold leaf on panel) / Bridgeman Images
ID: ANC141751
St. Nicholas, 10th century (tempera and gold leaf on panel)
XIR141758:
Sennedjem and his wife facing a naos containing twelve divinities, from the west wall of the Tomb of Sennedjem, The Workers' Village, New Kingdom (wall painting), Egyptian 19th Dynasty (c.1292-1187 BC) / Bridgeman Images
ID: XIR141758
Sennedjem and his wife facing a naos containing twelve divinities, from the west wall of the Tomb of Sennedjem, The Workers' Village, New Kingdom (wall painting)
Solomon, engraved by Adolphe Gusmand (1821-1905) c.1868 (engraving)
Dore, Gustave (1832-83) (after)
XJF140208:
Portrait of Prince Charles Edward Stuart (1720-88) The Young Pretender (engraving) (b/w photo), English School, (19th century) / Bridgeman Images
ID: XJF140208
Portrait of Prince Charles Edward Stuart (1720-88) The Young Pretender (engraving) (b/w photo)
English School, (19th century)
STC138978:
Map of Rotterdam and Gouda, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images
ID: STC138978
Map of Rotterdam and Gouda, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Hoefnagel, Joris (1542-1600) (after)
WMA143178:
Design for 'New Silk Cloth', May 1901 (w/c and pencil on paper), Voysey, Charles Francis Annesley (1857-1941) / Bridgeman Images
ID: WMA143178
Design for 'New Silk Cloth', May 1901 (w/c and pencil on paper)
Voysey, Charles Francis Annesley (1857-1941)
XJF143242:
Death and the Pedlar, from 'The Dance of Death', engraved by Hans Luutzelburger, c.1538 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images
ID: XJF143242
Death and the Pedlar, from 'The Dance of Death', engraved by Hans Luutzelburger, c.1538 (woodcut) (b/w photo)
Holbein the Younger, Hans (1497/8-1543) (after)
PLS143530:
Rock sculpture depicting the Investiture of Ardashir I (limestone), Persian, (3rd century) / Bridgeman Images
ID: PLS143530
Rock sculpture depicting the Investiture of Ardashir I (limestone)
Persian, (3rd century)
CHT175138:
Caravan of Tourists Being Photographed in Front of the Sphinx at Giza (colour litho), French School, (19th century) / Bridgeman Images
ID: CHT175138
Caravan of Tourists Being Photographed in Front of the Sphinx at Giza (colour litho)
French School, (19th century)
XIR175144:
Domovoi, a spirit of the house, 1934 (charcoal on paper) (b/w photo), Bilibin, Ivan (1876-1942) / Bridgeman Images
ID: XIR175144
Domovoi, a spirit of the house, 1934 (charcoal on paper) (b/w photo)
Bilibin, Ivan (1876-1942)
XYC173217:
Wooded Landscape with Figures, c.1788 (chalk, wash and gouache on paper), Gainsborough, Thomas (1727-88) / Bridgeman Images
ID: XYC173217
Wooded Landscape with Figures, c.1788 (chalk, wash and gouache on paper)
Gainsborough, Thomas (1727-88)
XIR173422:
Ms 2017 f.245 Dante's Inferno with a commentary by Guiniforte delli Bargigi (vellum), ca. 1440, Master of the Vitae Imperatorum (fl.1431-59) / Bridgeman Images
ID: XIR173422
Ms 2017 f.245 Dante's Inferno with a commentary by Guiniforte delli Bargigi (vellum), ca. 1440
Master of the Vitae Imperatorum (fl.1431-59)
XYC174455:
Indian Temple, said to be the Mosque of Abo-ul-Nabi, Muttra, 1827 (oil on canvas), Daniell, Thomas (1749-1840) / Bridgeman Images
ID: XYC174455
Indian Temple, said to be the Mosque of Abo-ul-Nabi, Muttra, 1827 (oil on canvas)
Daniell, Thomas (1749-1840)
XAL172635:
Ratification of the League against the Turks, 1570-71 (oil on panel), Italian School, (16th century) / Bridgeman Images
ID: XAL172635
Ratification of the League against the Turks, 1570-71 (oil on panel)
Italian School, (16th century)
XIR175587:
The seven celestial cows and the sacred bull and the four rudders of heaven, from the Tomb of Nefertari, New Kingdom (wall painting), Egyptian 19th Dynasty (c.1292-1187 BC) / Bridgeman Images
ID: XIR175587
The seven celestial cows and the sacred bull and the four rudders of heaven, from the Tomb of Nefertari, New Kingdom (wall painting)
Egyptian 19th Dynasty (c.1292-1187 BC)
CHT173791:
Scorching Heat: The Family Bath, front cover of 'Le Petit Journal pour Rire', c.1860 (coloured engraving), Grevin, Alfred (1827-92) / Bridgeman Images
ID: CHT173791
Scorching Heat: The Family Bath, front cover of 'Le Petit Journal pour Rire', c.1860 (coloured engraving)
Grevin, Alfred (1827-92)
XIR162603:
Portrait of Antoine Augustin Parmentier (1737-1813) (pastel on paper), French School, (18th century) / Bridgeman Images
ID: XIR162603
Portrait of Antoine Augustin Parmentier (1737-1813) (pastel on paper)
French School, (18th century)
XIR164800:
Facade of Notre-Dame, Paris, late 19th century (b/w photo), Giraudon, Adolphe (1849-1929) / Bridgeman Images
ID: XIR164800
Facade of Notre-Dame, Paris, late 19th century (b/w photo)
Giraudon, Adolphe (1849-1929)
XIR164813:
The Four Sons of Aymon are chased away by Charlemagne (742-814), king of France, from 'Renaud' or 'Les Quatre Fils Aymon', c.1483 (xylograph) (b/w photo), French School, (15th century) / Bridgeman Images
ID: XIR164813
The Four Sons of Aymon are chased away by Charlemagne (742-814), king of France, from 'Renaud' or 'Les Quatre Fils Aymon', c.1483 (xylograph) (b/w photo)
French School, (15th century)
CHT163109:
Tarasque, monster from Provencal tradition, mid 19th century (oil on canvas), Celse, Claude Michel (19th century) / Bridgeman Images
ID: CHT163109
Tarasque, monster from Provencal tradition, mid 19th century (oil on canvas)
Celse, Claude Michel (19th century)
XIR190315:
St. Paul Preaching at the Areopagus, from a series depicting the Acts of the Apostles, woven at the Beauvais Workshop under the direction of Philippe Behagle (1641-1705) 1695-98 (wool tapestry), Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after) / Bridgeman Images
ID: XIR190315
St. Paul Preaching at the Areopagus, from a series depicting the Acts of the Apostles, woven at the Beauvais Workshop under the direction of Philippe Behagle (1641-1705) 1695-98 (wool tapestry)
Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after)
XIR191336:
Assault on the Monastery of San Engracio in Zaragoza, 8th February 1809, 1827 (oil on canvas), Lejeune, Louis (1775-1848) / Bridgeman Images
ID: XIR191336
Assault on the Monastery of San Engracio in Zaragoza, 8th February 1809, 1827 (oil on canvas)