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Hexagonal pulpit with dramatic reliefs, c.1297 (marble)
Hexagonal pulpit with dramatic reliefs, c.1297 (marble)

BEN77020: Hexagonal pulpit with dramatic reliefs, c.1297 (marble), Pisano, Giovanni (c.1245-p.1314) / Bridgeman Images

Albrecht Durer's Father, 1497 (oil on lime)
Albrecht Durer's Father, 1497 (oil on lime)

BAL72628: Albrecht Durer's Father, 1497 (oil on lime), Durer or Duerer, Albrecht (1471-1528) (after) / Bridgeman Images

The Lantern Maker's Courtship, c.1854-60 (oil on panel)
The Lantern Maker's Courtship, c.1854-60 (oil on panel)

MAN62952: The Lantern Maker's Courtship, c.1854-60 (oil on panel), Hunt, William Holman (1827-1910) / Bridgeman Images

Apollo and the Seasons (oil on canvas)
Apollo and the Seasons (oil on canvas)

FIT63123: Apollo and the Seasons (oil on canvas), Wilson, Richard (1713/14-82) / Bridgeman Images

How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161)
How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161)

FIT63160: How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

Portrait of a young woman (panel)
Portrait of a young woman (panel)

XAM74811: Portrait of a young woman (panel), Master of the Female Half Lengths, (c.1490-c.1540) / Bridgeman Images

The Supplicants. The Expulsion of the Gypsies from Spain, 1872 (oil on canvas)
The Supplicants. The Expulsion of the Gypsies from Spain, 1872 (oil on canvas)

RHC79782: The Supplicants. The Expulsion of the Gypsies from Spain, 1872 (oil on canvas), Long, Edwin Longsden (1829-91) / Bridgeman Images

Lady Reading at an Open Window (oil on canvas)
Lady Reading at an Open Window (oil on canvas)

GG80897: Lady Reading at an Open Window (oil on canvas), Dufau, Clementine-Helene (1869-1937) / Bridgeman Images

The Man of Sorrows, c.1639 (oil on canvas)
The Man of Sorrows, c.1639 (oil on canvas)

FIT74989: The Man of Sorrows, c.1639 (oil on canvas), Reni, Guido (1575-1642) / Bridgeman Images

Panoramic view of the Sea of Azof showing the Allied position, from government charts and plans and from sketches made by a military engineer, pub. by Stannard and Dixon, 1855 (litho)
Panoramic view of the Sea of Azof showing the Allied position, from government charts and plans and from sketches made by a military engineer, pub. by Stannard and Dixon, 1855 (litho)

XND76038: Panoramic view of the Sea of Azof showing the Allied position, from government charts and plans and from sketches made by a military engineer, pub. by Stannard and Dixon, 1855 (litho), Butler, Augustus (1817-63) / Bridgeman Images

Portrait of Andre Gide (1869-1951) 1924 (oil on canvas)
Portrait of Andre Gide (1869-1951) 1924 (oil on canvas)

XIR78302: Portrait of Andre Gide (1869-1951) 1924 (oil on canvas), Laurens, Paul Albert (1870-1934) / Bridgeman Images

PD.2-1979 Dancers in violet dresses, arms raised, c.1900 (pastel and black chalk on paper)
PD.2-1979 Dancers in violet dresses, arms raised, c.1900 (pastel and black chalk on paper)

FIT77516: PD.2-1979 Dancers in violet dresses, arms raised, c.1900 (pastel and black chalk on paper), Degas, Edgar (1834-1917) / Bridgeman Images

Ecce Homo (tempera on panel)
Ecce Homo (tempera on panel)

XIR135394: Ecce Homo (tempera on panel), Portuguese School (15th century) / Bridgeman Images

Joan of Arc (c.1412-31), c.1845 (engraving)
Joan of Arc (c.1412-31), c.1845 (engraving)

KWE141847: Joan of Arc (c.1412-31), c.1845 (engraving), English School, (19th century) / Bridgeman Images

St. Nicholas, 10th century (tempera and gold leaf on panel)
St. Nicholas, 10th century (tempera and gold leaf on panel)

ANC141751: St. Nicholas, 10th century (tempera and gold leaf on panel) / Bridgeman Images

Sennedjem and his wife facing a naos containing twelve divinities, from the west wall of the Tomb of Sennedjem, The Workers' Village, New Kingdom (wall painting)
Sennedjem and his wife facing a naos containing twelve divinities, from the west wall of the Tomb of Sennedjem, The Workers' Village, New Kingdom (wall painting)

XIR141758: Sennedjem and his wife facing a naos containing twelve divinities, from the west wall of the Tomb of Sennedjem, The Workers' Village, New Kingdom (wall painting), Egyptian 19th Dynasty (c.1292-1187 BC) / Bridgeman Images

Solomon, engraved by Adolphe Gusmand (1821-1905) c.1868 (engraving)
Solomon, engraved by Adolphe Gusmand (1821-1905) c.1868 (engraving)

OTB141784: Solomon, engraved by Adolphe Gusmand (1821-1905) c.1868 (engraving), Dore, Gustave (1832-83) (after) / Bridgeman Images

Portrait of Prince Charles Edward Stuart (1720-88) The Young Pretender (engraving) (b/w photo)
Portrait of Prince Charles Edward Stuart (1720-88) The Young Pretender (engraving) (b/w photo)

XJF140208: Portrait of Prince Charles Edward Stuart (1720-88) The Young Pretender (engraving) (b/w photo), English School, (19th century) / Bridgeman Images

Map of Rotterdam and Gouda, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)
Map of Rotterdam and Gouda, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving)

STC138978: Map of Rotterdam and Gouda, from 'Civitates Orbis Terrarum' by Georg Braun (1541-1622) and Frans Hogenberg (1535-90) c.1572-1617 (coloured engraving), Hoefnagel, Joris (1542-1600) (after) / Bridgeman Images

Design for 'New Silk Cloth', May 1901 (w/c and pencil on paper)
Design for 'New Silk Cloth', May 1901 (w/c and pencil on paper)

WMA143178: Design for 'New Silk Cloth', May 1901 (w/c and pencil on paper), Voysey, Charles Francis Annesley (1857-1941) / Bridgeman Images

Death and the Pedlar, from 'The Dance of Death', engraved by Hans Luutzelburger, c.1538 (woodcut) (b/w photo)
Death and the Pedlar, from 'The Dance of Death', engraved by Hans Luutzelburger, c.1538 (woodcut) (b/w photo)

XJF143242: Death and the Pedlar, from 'The Dance of Death', engraved by Hans Luutzelburger, c.1538 (woodcut) (b/w photo), Holbein the Younger, Hans (1497/8-1543) (after) / Bridgeman Images

Rock sculpture depicting the Investiture of Ardashir I (limestone)
Rock sculpture depicting the Investiture of Ardashir I (limestone)

PLS143530: Rock sculpture depicting the Investiture of Ardashir I (limestone), Persian, (3rd century) / Bridgeman Images

Caravan of Tourists Being Photographed in Front of the Sphinx at Giza (colour litho)
Caravan of Tourists Being Photographed in Front of the Sphinx at Giza (colour litho)

CHT175138: Caravan of Tourists Being Photographed in Front of the Sphinx at Giza (colour litho), French School, (19th century) / Bridgeman Images

Domovoi, a spirit of the house, 1934 (charcoal on paper) (b/w photo)
Domovoi, a spirit of the house, 1934 (charcoal on paper) (b/w photo)

XIR175144: Domovoi, a spirit of the house, 1934 (charcoal on paper) (b/w photo), Bilibin, Ivan (1876-1942) / Bridgeman Images

Wooded Landscape with Figures, c.1788 (chalk, wash and gouache on paper)
Wooded Landscape with Figures, c.1788 (chalk, wash and gouache on paper)

XYC173217: Wooded Landscape with Figures, c.1788 (chalk, wash and gouache on paper), Gainsborough, Thomas (1727-88) / Bridgeman Images

Ms 2017 f.245 Dante's Inferno with a commentary by Guiniforte delli Bargigi (vellum), ca. 1440
Ms 2017 f.245 Dante's Inferno with a commentary by Guiniforte delli Bargigi (vellum), ca. 1440

XIR173422: Ms 2017 f.245 Dante's Inferno with a commentary by Guiniforte delli Bargigi (vellum), ca. 1440, Master of the Vitae Imperatorum (fl.1431-59) / Bridgeman Images

Indian Temple, said to be the Mosque of Abo-ul-Nabi, Muttra, 1827 (oil on canvas)
Indian Temple, said to be the Mosque of Abo-ul-Nabi, Muttra, 1827 (oil on canvas)

XYC174455: Indian Temple, said to be the Mosque of Abo-ul-Nabi, Muttra, 1827 (oil on canvas), Daniell, Thomas (1749-1840) / Bridgeman Images

Ratification of the League against the Turks, 1570-71 (oil on panel)
Ratification of the League against the Turks, 1570-71 (oil on panel)

XAL172635: Ratification of the League against the Turks, 1570-71 (oil on panel), Italian School, (16th century) / Bridgeman Images

The seven celestial cows and the sacred bull and the four rudders of heaven, from the Tomb of Nefertari, New Kingdom (wall painting)
The seven celestial cows and the sacred bull and the four rudders of heaven, from the Tomb of Nefertari, New Kingdom (wall painting)

XIR175587: The seven celestial cows and the sacred bull and the four rudders of heaven, from the Tomb of Nefertari, New Kingdom (wall painting), Egyptian 19th Dynasty (c.1292-1187 BC) / Bridgeman Images

Scorching Heat: The Family Bath, front cover of 'Le Petit Journal pour Rire', c.1860 (coloured engraving)
Scorching Heat: The Family Bath, front cover of 'Le Petit Journal pour Rire', c.1860 (coloured engraving)

CHT173791: Scorching Heat: The Family Bath, front cover of 'Le Petit Journal pour Rire', c.1860 (coloured engraving), Grevin, Alfred (1827-92) / Bridgeman Images

Portrait of Antoine Augustin Parmentier (1737-1813) (pastel on paper)
Portrait of Antoine Augustin Parmentier (1737-1813) (pastel on paper)

XIR162603: Portrait of Antoine Augustin Parmentier (1737-1813) (pastel on paper), French School, (18th century) / Bridgeman Images

Facade of Notre-Dame, Paris, late 19th century (b/w photo)
Facade of Notre-Dame, Paris, late 19th century (b/w photo)

XIR164800: Facade of Notre-Dame, Paris, late 19th century (b/w photo), Giraudon, Adolphe (1849-1929) / Bridgeman Images

The Four Sons of Aymon are chased away by Charlemagne (742-814), king of France, from 'Renaud' or 'Les Quatre Fils Aymon', c.1483 (xylograph) (b/w photo)
The Four Sons of Aymon are chased away by Charlemagne (742-814), king of France, from 'Renaud' or 'Les Quatre Fils Aymon', c.1483 (xylograph) (b/w photo)

XIR164813: The Four Sons of Aymon are chased away by Charlemagne (742-814), king of France, from 'Renaud' or 'Les Quatre Fils Aymon', c.1483 (xylograph) (b/w photo), French School, (15th century) / Bridgeman Images

Tarasque, monster from Provencal tradition, mid 19th century (oil on canvas)
Tarasque, monster from Provencal tradition, mid 19th century (oil on canvas)

CHT163109: Tarasque, monster from Provencal tradition, mid 19th century (oil on canvas), Celse, Claude Michel (19th century) / Bridgeman Images

St. Paul Preaching at the Areopagus, from a series depicting the Acts of the Apostles, woven at the Beauvais Workshop under the direction of Philippe Behagle (1641-1705) 1695-98 (wool tapestry)
St. Paul Preaching at the Areopagus, from a series depicting the Acts of the Apostles, woven at the Beauvais Workshop under the direction of Philippe Behagle (1641-1705) 1695-98 (wool tapestry)

XIR190315: St. Paul Preaching at the Areopagus, from a series depicting the Acts of the Apostles, woven at the Beauvais Workshop under the direction of Philippe Behagle (1641-1705) 1695-98 (wool tapestry), Raphael (Raffaello Sanzio of Urbino) (1483-1520) (after) / Bridgeman Images

Assault on the Monastery of San Engracio in Zaragoza, 8th February 1809, 1827 (oil on canvas)
Assault on the Monastery of San Engracio in Zaragoza, 8th February 1809, 1827 (oil on canvas)

XIR191336: Assault on the Monastery of San Engracio in Zaragoza, 8th February 1809, 1827 (oil on canvas), Lejeune, Louis (1775-1848) / Bridgeman Images


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