XIR64864:
The Small Box, engraved by Charles Emmanuel Patas (1744-1802) c.1777 (engraving) (b/w photo), Moreau, Jean Michel the Younger (1741-1814) (after) / Bridgeman Images
ID: XIR64864
The Small Box, engraved by Charles Emmanuel Patas (1744-1802) c.1777 (engraving) (b/w photo)
Moreau, Jean Michel the Younger (1741-1814) (after)
XZO60551:
Performance of Bach's The Passion, in the Ancient Conservatory, 16th May 1885 (w/c on paper), Unknown Artist, (19th century) / Bridgeman Images
ID: XZO60551
Performance of Bach's The Passion, in the Ancient Conservatory, 16th May 1885 (w/c on paper)
Unknown Artist, (19th century)
FIT63123:
Apollo and the Seasons (oil on canvas), Wilson, Richard (1713/14-82) / Bridgeman Images
ID: FIT63123
Apollo and the Seasons (oil on canvas)
Wilson, Richard (1713/14-82)
FIT63160:
How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images
ID: FIT63160
How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161)
Rossetti, Dante Gabriel Charles (1828-82)
XIR62452:
Louis Pascal, 1891 (oil on board), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images
ID: XIR62452
Louis Pascal, 1891 (oil on board)
Toulouse-Lautrec, Henri de (1864-1901)
MAN62952:
The Lantern Maker's Courtship, c.1854-60 (oil on panel), Hunt, William Holman (1827-1910) / Bridgeman Images
ID: MAN62952
The Lantern Maker's Courtship, c.1854-60 (oil on panel)
Elamite woman spinning, Neo-Elamite Period, c.700-600 BC (bitumen)
BEN65214:
The Pentecost, c.1305 (fresco), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images
ID: BEN65214
The Pentecost, c.1305 (fresco)
Giotto (Giotto di Bondone) (c.1266-1337)
GHL10438:
A View of Calcutta, from a point opposite to Kidderpore, 1837, engraved by Robert Havell the Younger (1793-1878) (aquatint), Fraser, James Baillie (1783-1856) (after) / Bridgeman Images
ID: GHL10438
A View of Calcutta, from a point opposite to Kidderpore, 1837, engraved by Robert Havell the Younger (1793-1878) (aquatint)
Fraser, James Baillie (1783-1856) (after)
RHC10459:
The Banker's Private Room, Negotiating a Loan, 1870 (oil on canvas), Horsley, John Callcott (1817-1903) / Bridgeman Images
ID: RHC10459
The Banker's Private Room, Negotiating a Loan, 1870 (oil on canvas)
Horsley, John Callcott (1817-1903)
BAL10561:
Wayside Railway Station (pen and wash), Daumier, Honore (1808-79) / Bridgeman Images
ID: BAL10561
Wayside Railway Station (pen and wash)
Daumier, Honore (1808-79)
JB11369:
Fabric from Hammersmith Terrace (textile), Morris, William (1834-96) / Bridgeman Images
ID: JB11369
Fabric from Hammersmith Terrace (textile)
Morris, William (1834-96)
SC27802:
H.M.S. Victory at the Battle of Trafalgar, 1805 (w/c), Constable, John (1776-1837) / Bridgeman Images
ID: SC27802
H.M.S. Victory at the Battle of Trafalgar, 1805 (w/c)
Constable, John (1776-1837)
XIR33793:
13076-77 f.24v Black Death at Tournai, by Gilles de Muisit, after 1349 (vellum) (b/w photo), Le Muisit, Gilles (1272-1352) / Bridgeman Images
ID: XIR33793
13076-77 f.24v Black Death at Tournai, by Gilles de Muisit, after 1349 (vellum) (b/w photo)
Le Muisit, Gilles (1272-1352)
XIR34109:
The Barrier at the Champs Elysees. The Suppression of Right of Entry to Paris in 1790 (coloured engraving), French School, (18th century) / Bridgeman Images
ID: XIR34109
The Barrier at the Champs Elysees. The Suppression of Right of Entry to Paris in 1790 (coloured engraving)
French School, (18th century)
XIR34129:
The Douris Cup, an Attic red-figure cup depicting Eos carrying the body of her son Memnon, killed by Achilles, made by Kalliades, c.490 BC (see 85700 and 85701 for outside), Greek school, (5th century BC) / Bridgeman Images
ID: XIR34129
The Douris Cup, an Attic red-figure cup depicting Eos carrying the body of her son Memnon, killed by Achilles, made by Kalliades, c.490 BC (see 85700 and 85701 for outside)
Greek school, (5th century BC)
CH27094:
The Morning of the Resurrection, 1882 (oil on panel), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images
ID: CH27094
The Morning of the Resurrection, 1882 (oil on panel)
BAL32910:
Goldmining in California, 1871 (colour litho), Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images
ID: BAL32910
Goldmining in California, 1871 (colour litho)
Currier, N. (1813-88) and Ives, J.M. (1824-95)
BAL66915:
View of Olevano (board), Horny, Franz Theobald (1798-1824) / Bridgeman Images
ID: BAL66915
View of Olevano (board)
Horny, Franz Theobald (1798-1824)
XTD70944:
Funeral of Genghis Khan, c.1430, Persian School, (15th century) / Bridgeman Images
ID: XTD70944
Funeral of Genghis Khan, c.1430
Persian School, (15th century)
BAL70961:
W.18v Study of column capitals (coloured pencil), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images
ID: BAL70961
W.18v Study of column capitals (coloured pencil)
Buonarroti, Michelangelo (1475-1564)
NSW71246:
South Sea whalers boiling blubber, with whale alongside, c.1875-85 (w/c), Brierly, Oswald Walters (1817-94) / Bridgeman Images
ID: NSW71246
South Sea whalers boiling blubber, with whale alongside, c.1875-85 (w/c)
Brierly, Oswald Walters (1817-94)
XIR67331:
Honore de Balzac (1799-1850) 1897 (plaster), Rodin, Auguste (1840-1917) / Bridgeman Images
ID: XIR67331
Honore de Balzac (1799-1850) 1897 (plaster)
Rodin, Auguste (1840-1917)
STC67487:
Exodus 34 1-10 Moses receives the second tablets with the Ten Commandments, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut), German School, (15th century) / Bridgeman Images
ID: STC67487
Exodus 34 1-10 Moses receives the second tablets with the Ten Commandments, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)
German School, (15th century)
XND70139:
Charles Dickens astride the English Channel, cover illustration from 'L'Eclipse', 14th June 1868, Gill, Andre (1840-85) / Bridgeman Images
ID: XND70139
Charles Dickens astride the English Channel, cover illustration from 'L'Eclipse', 14th June 1868
Gill, Andre (1840-85)
RAF70303:
The Prague Stock Exchange (oil on panel), Sadeler or Saedeler, Aegidius (1570-1629) / Bridgeman Images
ID: RAF70303
The Prague Stock Exchange (oil on panel)
Sadeler or Saedeler, Aegidius (1570-1629)
VLS70326:
Pieta, 1516-17 (oil on panel), Piombo, Sebastiano del (S. Luciani) (c.1485-1547) / Bridgeman Images
ID: VLS70326
Pieta, 1516-17 (oil on panel)
Piombo, Sebastiano del (S. Luciani) (c.1485-1547)
XIR70355:
Louis Bonaparte (1778-1846) King of Holland and Louis Napoleon (1804-31) Crown Prince of Holland, c.1806 (oil on canvas), Wicar, Jean Baptiste Joseph (1762-1834) (after) / Bridgeman Images
ID: XIR70355
Louis Bonaparte (1778-1846) King of Holland and Louis Napoleon (1804-31) Crown Prince of Holland, c.1806 (oil on canvas)
Wicar, Jean Baptiste Joseph (1762-1834) (after)
XTD69808:
Arts and Sciences, 1636 (originally painted for the Queen's House in Greenwich but removed from there by the Duchess of Marlborough with permission from Queen Anne), Gentileschi, Orazio (1563-1639) / Bridgeman Images
ID: XTD69808
Arts and Sciences, 1636 (originally painted for the Queen's House in Greenwich but removed from there by the Duchess of Marlborough with permission from Queen Anne)
Gentileschi, Orazio (1563-1639)
MHB68130:
The Evening, Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images
LOU69525:
00357 Votive stele depicting Tanit, goddess of Carthage, holding a caduceus with a dolphin and an inscription below, Phoenician, from Tophet El-Horfa, Algeria, 2nd-1st century BC (limestone) / Bridgeman Images
ID: LOU69525
00357 Votive stele depicting Tanit, goddess of Carthage, holding a caduceus with a dolphin and an inscription below, Phoenician, from Tophet El-Horfa, Algeria, 2nd-1st century BC (limestone)
XNR68865:
Anemones, Renoir, Pierre Auguste (1841-1919) / Bridgeman Images
ID: XNR68865
Anemones
Renoir, Pierre Auguste (1841-1919)
XIR19811:
Dredging a canal (pen, ink & w/c on paper), Grevenbroeck, Jan van (1731-1807) / Bridgeman Images
ID: XIR19811
Dredging a canal (pen, ink & w/c on paper)
Grevenbroeck, Jan van (1731-1807)
XIR19832:
Two rooms from the Tomb of Nefertari (photo), Egyptian 19th Dynasty (c.1292-1187 BC) / Bridgeman Images