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The Small Box, engraved by Charles Emmanuel Patas (1744-1802) c.1777 (engraving) (b/w photo)
The Small Box, engraved by Charles Emmanuel Patas (1744-1802) c.1777 (engraving) (b/w photo)

XIR64864: The Small Box, engraved by Charles Emmanuel Patas (1744-1802) c.1777 (engraving) (b/w photo), Moreau, Jean Michel the Younger (1741-1814) (after) / Bridgeman Images

Performance of Bach's The Passion, in the Ancient Conservatory, 16th May 1885 (w/c on paper)
Performance of Bach's The Passion, in the Ancient Conservatory, 16th May 1885 (w/c on paper)

XZO60551: Performance of Bach's The Passion, in the Ancient Conservatory, 16th May 1885 (w/c on paper), Unknown Artist, (19th century) / Bridgeman Images

Apollo and the Seasons (oil on canvas)
Apollo and the Seasons (oil on canvas)

FIT63123: Apollo and the Seasons (oil on canvas), Wilson, Richard (1713/14-82) / Bridgeman Images

How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161)
How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161)

FIT63160: How They Met Themselves, c.1850/60 (pen & Indian ink) (see also 63161), Rossetti, Dante Gabriel Charles (1828-82) / Bridgeman Images

Louis Pascal, 1891 (oil on board)
Louis Pascal, 1891 (oil on board)

XIR62452: Louis Pascal, 1891 (oil on board), Toulouse-Lautrec, Henri de (1864-1901) / Bridgeman Images

The Lantern Maker's Courtship, c.1854-60 (oil on panel)
The Lantern Maker's Courtship, c.1854-60 (oil on panel)

MAN62952: The Lantern Maker's Courtship, c.1854-60 (oil on panel), Hunt, William Holman (1827-1910) / Bridgeman Images

Elamite woman spinning, Neo-Elamite Period, c.700-600 BC (bitumen)
Elamite woman spinning, Neo-Elamite Period, c.700-600 BC (bitumen)

SCP65132: Elamite woman spinning, Neo-Elamite Period, c.700-600 BC (bitumen) / Bridgeman Images

The Pentecost, c.1305 (fresco)
The Pentecost, c.1305 (fresco)

BEN65214: The Pentecost, c.1305 (fresco), Giotto (Giotto di Bondone) (c.1266-1337) / Bridgeman Images

A View of Calcutta, from a point opposite to Kidderpore, 1837, engraved by Robert Havell the Younger (1793-1878) (aquatint)
A View of Calcutta, from a point opposite to Kidderpore, 1837, engraved by Robert Havell the Younger (1793-1878) (aquatint)

GHL10438: A View of Calcutta, from a point opposite to Kidderpore, 1837, engraved by Robert Havell the Younger (1793-1878) (aquatint), Fraser, James Baillie (1783-1856) (after) / Bridgeman Images

The Banker's Private Room, Negotiating a Loan, 1870 (oil on canvas)
The Banker's Private Room, Negotiating a Loan, 1870 (oil on canvas)

RHC10459: The Banker's Private Room, Negotiating a Loan, 1870 (oil on canvas), Horsley, John Callcott (1817-1903) / Bridgeman Images

Wayside Railway Station (pen and wash)
Wayside Railway Station (pen and wash)

BAL10561: Wayside Railway Station (pen and wash), Daumier, Honore (1808-79) / Bridgeman Images

Fabric from Hammersmith Terrace (textile)
Fabric from Hammersmith Terrace (textile)

JB11369: Fabric from Hammersmith Terrace (textile), Morris, William (1834-96) / Bridgeman Images

H.M.S. Victory at the Battle of Trafalgar, 1805 (w/c)
H.M.S. Victory at the Battle of Trafalgar, 1805 (w/c)

SC27802: H.M.S. Victory at the Battle of Trafalgar, 1805 (w/c), Constable, John (1776-1837) / Bridgeman Images

13076-77 f.24v Black Death at Tournai, by Gilles de Muisit, after 1349 (vellum) (b/w photo)
13076-77 f.24v Black Death at Tournai, by Gilles de Muisit, after 1349 (vellum) (b/w photo)

XIR33793: 13076-77 f.24v Black Death at Tournai, by Gilles de Muisit, after 1349 (vellum) (b/w photo), Le Muisit, Gilles (1272-1352) / Bridgeman Images

The Barrier at the Champs Elysees. The Suppression of Right of Entry to Paris in 1790 (coloured engraving)
The Barrier at the Champs Elysees. The Suppression of Right of Entry to Paris in 1790 (coloured engraving)

XIR34109: The Barrier at the Champs Elysees. The Suppression of Right of Entry to Paris in 1790 (coloured engraving), French School, (18th century) / Bridgeman Images

The Douris Cup, an Attic red-figure cup depicting Eos carrying the body of her son Memnon, killed by Achilles, made by Kalliades, c.490 BC (see 85700 and 85701 for outside)
The Douris Cup, an Attic red-figure cup depicting Eos carrying the body of her son Memnon, killed by Achilles, made by Kalliades, c.490 BC (see 85700 and 85701 for outside)

XIR34129: The Douris Cup, an Attic red-figure cup depicting Eos carrying the body of her son Memnon, killed by Achilles, made by Kalliades, c.490 BC (see 85700 and 85701 for outside), Greek school, (5th century BC) / Bridgeman Images

The Morning of the Resurrection, 1882 (oil on panel)
The Morning of the Resurrection, 1882 (oil on panel)

CH27094: The Morning of the Resurrection, 1882 (oil on panel), Burne-Jones, Edward Coley (1833-98) / Bridgeman Images

Youth (oil on canvas)
Youth (oil on canvas)

CH27127: Youth (oil on canvas), Bouguereau, William-Adolphe (1825-1905) / Bridgeman Images

Goldmining in California, 1871 (colour litho)
Goldmining in California, 1871 (colour litho)

BAL32910: Goldmining in California, 1871 (colour litho), Currier, N. (1813-88) and Ives, J.M. (1824-95) / Bridgeman Images

View of Olevano (board)
View of Olevano (board)

BAL66915: View of Olevano (board), Horny, Franz Theobald (1798-1824) / Bridgeman Images

Funeral of Genghis Khan, c.1430
Funeral of Genghis Khan, c.1430

XTD70944: Funeral of Genghis Khan, c.1430, Persian School, (15th century) / Bridgeman Images

W.18v Study of column capitals (coloured pencil)
W.18v Study of column capitals (coloured pencil)

BAL70961: W.18v Study of column capitals (coloured pencil), Buonarroti, Michelangelo (1475-1564) / Bridgeman Images

South Sea whalers boiling blubber, with whale alongside, c.1875-85 (w/c)
South Sea whalers boiling blubber, with whale alongside, c.1875-85 (w/c)

NSW71246: South Sea whalers boiling blubber, with whale alongside, c.1875-85 (w/c), Brierly, Oswald Walters (1817-94) / Bridgeman Images

Honore de Balzac (1799-1850) 1897 (plaster)
Honore de Balzac (1799-1850) 1897 (plaster)

XIR67331: Honore de Balzac (1799-1850) 1897 (plaster), Rodin, Auguste (1840-1917) / Bridgeman Images

Exodus 34 1-10 Moses receives the second tablets with the Ten Commandments, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)
Exodus 34 1-10 Moses receives the second tablets with the Ten Commandments, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut)

STC67487: Exodus 34 1-10 Moses receives the second tablets with the Ten Commandments, from the 'Nuremberg Bible (Biblia Sacra Germanaica)' (coloured woodcut), German School, (15th century) / Bridgeman Images

Charles Dickens astride the English Channel, cover illustration from 'L'Eclipse', 14th June 1868
Charles Dickens astride the English Channel, cover illustration from 'L'Eclipse', 14th June 1868

XND70139: Charles Dickens astride the English Channel, cover illustration from 'L'Eclipse', 14th June 1868, Gill, Andre (1840-85) / Bridgeman Images

The Prague Stock Exchange (oil on panel)
The Prague Stock Exchange (oil on panel)

RAF70303: The Prague Stock Exchange (oil on panel), Sadeler or Saedeler, Aegidius (1570-1629) / Bridgeman Images

Pieta, 1516-17 (oil on panel)
Pieta, 1516-17 (oil on panel)

VLS70326: Pieta, 1516-17 (oil on panel), Piombo, Sebastiano del (S. Luciani) (c.1485-1547) / Bridgeman Images

Louis Bonaparte (1778-1846) King of Holland and Louis Napoleon (1804-31) Crown Prince of Holland, c.1806 (oil on canvas)
Louis Bonaparte (1778-1846) King of Holland and Louis Napoleon (1804-31) Crown Prince of Holland, c.1806 (oil on canvas)

XIR70355: Louis Bonaparte (1778-1846) King of Holland and Louis Napoleon (1804-31) Crown Prince of Holland, c.1806 (oil on canvas), Wicar, Jean Baptiste Joseph (1762-1834) (after) / Bridgeman Images

Arts and Sciences, 1636 (originally painted for the Queen's House in Greenwich but removed from there by the Duchess of Marlborough with permission from Queen Anne)
Arts and Sciences, 1636 (originally painted for the Queen's House in Greenwich but removed from there by the Duchess of Marlborough with permission from Queen Anne)

XTD69808: Arts and Sciences, 1636 (originally painted for the Queen's House in Greenwich but removed from there by the Duchess of Marlborough with permission from Queen Anne), Gentileschi, Orazio (1563-1639) / Bridgeman Images

The Evening
The Evening

MHB68130: The Evening, Corot, Jean Baptiste Camille (1796-1875) / Bridgeman Images

Lana, 1908 (oil on board)
Lana, 1908 (oil on board)

MHB68149: Lana, 1908 (oil on board), Kandinsky, Wassily (1866-1944) / Bridgeman Images

00357 Votive stele depicting Tanit, goddess of Carthage, holding a caduceus with a dolphin and an inscription below, Phoenician, from Tophet El-Horfa, Algeria, 2nd-1st century BC (limestone)
00357 Votive stele depicting Tanit, goddess of Carthage, holding a caduceus with a dolphin and an inscription below, Phoenician, from Tophet El-Horfa, Algeria, 2nd-1st century BC (limestone)

LOU69525: 00357 Votive stele depicting Tanit, goddess of Carthage, holding a caduceus with a dolphin and an inscription below, Phoenician, from Tophet El-Horfa, Algeria, 2nd-1st century BC (limestone) / Bridgeman Images

Anemones
Anemones

XNR68865: Anemones, Renoir, Pierre Auguste (1841-1919) / Bridgeman Images

Dredging a canal (pen, ink & w/c on paper)
Dredging a canal (pen, ink & w/c on paper)

XIR19811: Dredging a canal (pen, ink & w/c on paper), Grevenbroeck, Jan van (1731-1807) / Bridgeman Images

Two rooms from the Tomb of Nefertari (photo)
Two rooms from the Tomb of Nefertari (photo)

XIR19832: Two rooms from the Tomb of Nefertari (photo), Egyptian 19th Dynasty (c.1292-1187 BC) / Bridgeman Images


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