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41915 Search Results for medieval or gothic or late medieval

Passage of Harcourt, Paris, engraving
Passage of Harcourt, Paris, engraving

PVD1688130: Passage of Harcourt, Paris, engraving / Bridgeman Images

Ms 597/1424 fol.170r Dante and Virgil, the Dragon and the Sea Monster, 'Cantica del Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (vellum)
Ms 597/1424 fol.170r Dante and Virgil, the Dragon and the Sea Monster, 'Cantica del Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (vellum)

CND206962: Ms 597/1424 fol.170r Dante and Virgil, the Dragon and the Sea Monster, 'Cantica del Inferno' from 'The Divine Comedy' by Dante Alighieri (1265-1321) (vellum), Italian School, (14th century) / Bridgeman Images

Mitre from the abbey church of the Benedictine monastery of Saint Peter (silk compound weave embroidered with silk & gilt-silver metallic thread)
Mitre from the abbey church of the Benedictine monastery of Saint Peter (silk compound weave embroidered with silk & gilt-silver metallic thread)

BST712041: Mitre from the abbey church of the Benedictine monastery of Saint Peter (silk compound weave embroidered with silk & gilt-silver metallic thread), Austrian School, (13th century) / Bridgeman Images

Window w21 depicting donors - carpenters (stained glass)
Window w21 depicting donors - carpenters (stained glass)

PC719841: Window w21 depicting donors - carpenters (stained glass), French School, (13th century) / Bridgeman Images

Wooden carvings of St. James the Greater, St. Simon and St. Thaddeus, from the predella of the Isenheim Altarpiece, c.1490 (painted wood)
Wooden carvings of St. James the Greater, St. Simon and St. Thaddeus, from the predella of the Isenheim Altarpiece, c.1490 (painted wood)

XIR223808: Wooden carvings of St. James the Greater, St. Simon and St. Thaddeus, from the predella of the Isenheim Altarpiece, c.1490 (painted wood), Hagenauer, Nikolaus (c.1455-1526/28) / Bridgeman Images

St Eloi as a goldsmith with his apprentice (stained glass)
St Eloi as a goldsmith with his apprentice (stained glass)

PC942631: St Eloi as a goldsmith with his apprentice (stained glass), French School, (16th century) / Bridgeman Images

Armour in the Gothic style, c.1485 and later (steel, copper alloy & leather)
Armour in the Gothic style, c.1485 and later (steel, copper alloy & leather)

DTR5981351: Armour in the Gothic style, c.1485 and later (steel, copper alloy & leather), Helmschmied, Lorenz (1467-1515) / Bridgeman Images

Malvern Abbey and Gate, Worcestershire, c.1830 (w/c on paper)
Malvern Abbey and Gate, Worcestershire, c.1830 (w/c on paper)

MAN495762: Malvern Abbey and Gate, Worcestershire, c.1830 (w/c on paper), Turner, Joseph Mallord William (1775-1851) / Bridgeman Images

Champagne, from 'Le Chant du Monde', 1959 (tapestry)
Champagne, from 'Le Chant du Monde', 1959 (tapestry)

XIR196260: Champagne, from 'Le Chant du Monde', 1959 (tapestry), Lurcat, Jean (1892-1966) / Bridgeman Images

Statue of the Virgin and Child (polychrome wood)
Statue of the Virgin and Child (polychrome wood)

STF250825: Statue of the Virgin and Child (polychrome wood), German School / Bridgeman Images

Tambourine Player Plate (majolica)
Tambourine Player Plate (majolica)

XIR440636: Tambourine Player Plate (majolica), Italian School, (15th century) / Bridgeman Images

A scene from the Council of Constance, from 'Chronik des Konzils von Konstanz' (pen and ink on paper)
A scene from the Council of Constance, from 'Chronik des Konzils von Konstanz' (pen and ink on paper)

XCF290917: A scene from the Council of Constance, from 'Chronik des Konzils von Konstanz' (pen and ink on paper), Richental, Ulrich von (c.1360-1437) / Bridgeman Images

He drew his sword, prepared for what might happen, illustration from 'Sleeping Beauty' (colour litho)
He drew his sword, prepared for what might happen, illustration from 'Sleeping Beauty' (colour litho)

IL350918: He drew his sword, prepared for what might happen, illustration from 'Sleeping Beauty' (colour litho), Rae, John (1882-1963) / Bridgeman Images

Bhaisajyaguru, the Medicine Buddha. Tangut State of the Western Xia (982-1227). Khara-Khoto. Late 12th-13th century. Tangka: colours on cotton.
Bhaisajyaguru, the Medicine Buddha. Tangut State of the Western Xia (982-1227). Khara-Khoto. Late 12th-13th century. Tangka: colours on cotton.

TRK3025011: Bhaisajyaguru, the Medicine Buddha. Tangut State of the Western Xia (982-1227). Khara-Khoto. Late 12th-13th century. Tangka: colours on cotton., Chinese School (12th-13th century) / Bridgeman Images

A Woman Taking an Oath before King James I (1207-76) of Majorca, from the 'Capbreu de Clayra et de Millas', 1292 (vellum)
A Woman Taking an Oath before King James I (1207-76) of Majorca, from the 'Capbreu de Clayra et de Millas', 1292 (vellum)

XIR181839: A Woman Taking an Oath before King James I (1207-76) of Majorca, from the 'Capbreu de Clayra et de Millas', 1292 (vellum), Spanish School, (13th century) / Bridgeman Images

Ms 35 fol.17v Jean de France (1340-1416) Duc de Berry Praying before St. Andrew, from the Lectionary of Sainte-Chapelle de Bourges, c.1404-10 (vellum)
Ms 35 fol.17v Jean de France (1340-1416) Duc de Berry Praying before St. Andrew, from the Lectionary of Sainte-Chapelle de Bourges, c.1404-10 (vellum)

XIR215918: Ms 35 fol.17v Jean de France (1340-1416) Duc de Berry Praying before St. Andrew, from the Lectionary of Sainte-Chapelle de Bourges, c.1404-10 (vellum), French School, (15th century) / Bridgeman Images

Le Chateau d'Illiers (oil on canvas)
Le Chateau d'Illiers (oil on canvas)

CHT360296: Le Chateau d'Illiers (oil on canvas), French School, (19th century) / Bridgeman Images

View of the church apse (photo)
View of the church apse (photo)

BAT201230: View of the church apse (photo), Italian School / Bridgeman Images

El Cid fighting the Moors (chromolitho)
El Cid fighting the Moors (chromolitho)

LLM1091154: El Cid fighting the Moors (chromolitho), French School, (19th century) / Bridgeman Images

John, King of England, sends his submission to Pope Innocent III, 1213 (chromolitho)
John, King of England, sends his submission to Pope Innocent III, 1213 (chromolitho)

LLM1093567: John, King of England, sends his submission to Pope Innocent III, 1213 (chromolitho), French School, (19th century) / Bridgeman Images

The Pork-butcher
The Pork-butcher

XLF3782499: The Pork-butcher / Bridgeman Images

Noah's Ark, 13th century (tempera on panel)
Noah's Ark, 13th century (tempera on panel)

FIA5405921: Noah's Ark, 13th century (tempera on panel), Unknown Artist, (13th century) / Bridgeman Images

Inferno, Canto 1 : Virgil and Dante begin their journey, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Inferno, Canto 1 : Virgil and Dante begin their journey, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745744: Inferno, Canto 1 : Virgil and Dante begin their journey, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 20 : The souls of the avaricious, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 20 : The souls of the avaricious, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745645: Purgatorio, Canto 20 : The souls of the avaricious, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 24 : The gluttonous souls crying out beneath the tree, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 24 : The gluttonous souls crying out beneath the tree, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745634: Purgatorio, Canto 24 : The gluttonous souls crying out beneath the tree, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

Purgatorio, Canto 13 : The souls of the envious, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)
Purgatorio, Canto 13 : The souls of the envious, illustration from 'The Divine Comedy' by Dante Alighieri, 1885  (digitally coloured engraving)

GIA745654: Purgatorio, Canto 13 : The souls of the envious, illustration from 'The Divine Comedy' by Dante Alighieri, 1885 (digitally coloured engraving), Dore, Gustave (1832-83) / Bridgeman Images

The 'Livre Ferre' of the Cour des Comptes (leather & vellum)
The 'Livre Ferre' of the Cour des Comptes (leather & vellum)

ARH231019: The 'Livre Ferre' of the Cour des Comptes (leather & vellum), French School, (15th century) / Bridgeman Images

Detail from the east window of the Trinity Chapel depicting Pentecost (stained glass)
Detail from the east window of the Trinity Chapel depicting Pentecost (stained glass)

XPC345068: Detail from the east window of the Trinity Chapel depicting Pentecost (stained glass), English School, (13th century) / Bridgeman Images

Lifestyle. France. An evening in the castle. Illustration in: Belles Images d'Histoire (History Schoolbook), by H. Geron, France, c.1948 (print)
Lifestyle. France. An evening in the castle. Illustration in: Belles Images d'Histoire (History Schoolbook), by H. Geron, France, c.1948 (print)

CCI3434638: Lifestyle. France. An evening in the castle. Illustration in: Belles Images d'Histoire (History Schoolbook), by H. Geron, France, c.1948 (print), Rossignol, Andre (active c.1950s-1960s) / Bridgeman Images

Spain. Burgos Cathedral (engraving)
Spain. Burgos Cathedral (engraving)

TRK2617919: Spain. Burgos Cathedral (engraving) / Bridgeman Images

View of Old Palace Yard, Westminster, with the east end of Westminster Abbey and the Chapel of King Henry VII to the left, c.1700 (oil on canvas)
View of Old Palace Yard, Westminster, with the east end of Westminster Abbey and the Chapel of King Henry VII to the left, c.1700 (oil on canvas)

CH2628799: View of Old Palace Yard, Westminster, with the east end of Westminster Abbey and the Chapel of King Henry VII to the left, c.1700 (oil on canvas), English School, (18th century) / Bridgeman Images

The Unicorn is Killed and Brought to the Castle, c.1500 (wool warp with wool, silk, silver, and gilt wefts)
The Unicorn is Killed and Brought to the Castle, c.1500 (wool warp with wool, silk, silver, and gilt wefts)

XOS3469071: The Unicorn is Killed and Brought to the Castle, c.1500 (wool warp with wool, silk, silver, and gilt wefts), Netherlandish School (16th century) / Bridgeman Images

Louis IX of France dispensing justice beneath an oak tree at Vincennes, 13th century (colour litho)
Louis IX of France dispensing justice beneath an oak tree at Vincennes, 13th century (colour litho)

LLM3630187: Louis IX of France dispensing justice beneath an oak tree at Vincennes, 13th century (colour litho), French School, (20th century) / Bridgeman Images

Berengaria's alarm for the safety of her husband, Richard Coeur de Lion, 1850 (oil on canvas)
Berengaria's alarm for the safety of her husband, Richard Coeur de Lion, 1850 (oil on canvas)

MAN277418: Berengaria's alarm for the safety of her husband, Richard Coeur de Lion, 1850 (oil on canvas), Collins, Charles Alston (1828-73) / Bridgeman Images

La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.
La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century.

DCR4553393: La cathedrale Notre Dame de Paris, Paris 4. Construction from 1160, rehabilitation by Viollet Le Duc, 19th century. / Bridgeman Images

Goldsmith
Goldsmith

XLF3782188: Goldsmith, Amman, Jost (1539-91) / Bridgeman Images


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