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A Young Pictish Woman, c1585 (b/w engraving)
A Young Pictish Woman, c1585 (b/w engraving)

DGC1065660: A Young Pictish Woman, c1585 (b/w engraving), Le Moyne, Jacques (de Morgues) (1533-88) (after) / Bridgeman Images

ID: DGC1065660

A Young Pictish Woman, c1585 (b/w engraving)

Le Moyne, Jacques (de Morgues) (1533-88) (after)

The Spanish Village Exhibit At The Century Of Progress
The Spanish Village Exhibit At The Century Of Progress

SIC743806: The Spanish Village Exhibit At The Century Of Progress / Bridgeman Images

ID: SIC743806

The Spanish Village Exhibit At The Century Of Progress

France, Picardie, Oise (60), Pierrefonds: 29 June 1902
France, Picardie, Oise (60), Pierrefonds: 29 June 1902

LUX4787009: France, Picardie, Oise (60), Pierrefonds: 29 June 1902 / Bridgeman Images

ID: LUX4787009

France, Picardie, Oise (60), Pierrefonds: 29 June 1902

The Mosque-Cathedral of Cordoba, also called the Mezquita, is a medieval Islamic mosque that was converted into a Catholic Christian cathedral in the Spanish city of Cordoba, Andalusia, It is regarded as the one of the most accomplished monuments of Moorish architecture, , Cordoba, Spain
The Mosque-Cathedral of Cordoba, also called the Mezquita, is a medieval Islamic mosque that was converted into a Catholic Christian cathedral in the Spanish city of Cordoba, Andalusia, It is regarded as the one of the most accomplished monuments of Moorish architecture, , Cordoba, Spain

GNG4988260: The Mosque-Cathedral of Cordoba, also called the Mezquita, is a medieval Islamic mosque that was converted into a Catholic Christian cathedral in the Spanish city of Cordoba, Andalusia, It is regarded as the one of the most accomplished monuments of Moorish architecture, , Cordoba, Spain / Bridgeman Images

ID: GNG4988260

The Mosque-Cathedral of Cordoba, also called the Mezquita, is a medieval Islamic mosque that was converted into a Catholic Christian cathedral in the Spanish city of Cordoba, Andalusia, It is regarded as the one of the most accomplished monuments of Moorish architecture, , Cordoba, Spain

Geertgen tot Sint Jans
Geertgen tot Sint Jans

ARP480646: Geertgen tot Sint Jans / Bridgeman Images

ID: ARP480646

Geertgen tot Sint Jans

Death of Abelard, illustration from 'Lettres d'Heloise et d'Abelard', 1839 (engraving)
Death of Abelard, illustration from 'Lettres d'Heloise et d'Abelard', 1839 (engraving)

XIR346162: Death of Abelard, illustration from 'Lettres d'Heloise et d'Abelard', 1839 (engraving), Gigoux, Jean Francois (1806-94) (after) / Bridgeman Images

ID: XIR346162

Death of Abelard, illustration from 'Lettres d'Heloise et d'Abelard', 1839 (engraving)

Gigoux, Jean Francois (1806-94) (after)

Institute for Slavic Languages ??at the German Charles-Ferdinand University in Prague, around 1934
Institute for Slavic Languages ??at the German Charles-Ferdinand University in Prague, around 1934

SZT5172080: Institute for Slavic Languages ??at the German Charles-Ferdinand University in Prague, around 1934 / Bridgeman Images

ID: SZT5172080

Institute for Slavic Languages ??at the German Charles-Ferdinand University in Prague, around 1934

Institute for Slavic Languages ??at the German Charles-Ferdinand University in Prague, around 1934
Institute for Slavic Languages ??at the German Charles-Ferdinand University in Prague, around 1934

SZT5172081: Institute for Slavic Languages ??at the German Charles-Ferdinand University in Prague, around 1934 / Bridgeman Images

ID: SZT5172081

Institute for Slavic Languages ??at the German Charles-Ferdinand University in Prague, around 1934

View of the dungeon and the chapel of the Chateau de Pierrefonds from its courtyard of honor, Oise, France (photo)
View of the dungeon and the chapel of the Chateau de Pierrefonds from its courtyard of honor, Oise, France (photo)

YOU4420233: View of the dungeon and the chapel of the Chateau de Pierrefonds from its courtyard of honor, Oise, France (photo) / Bridgeman Images

ID: YOU4420233

View of the dungeon and the chapel of the Chateau de Pierrefonds from its courtyard of honor, Oise, France (photo)

The Belgian Village Exhibit At The Century Of Progress
The Belgian Village Exhibit At The Century Of Progress

SIC743795: The Belgian Village Exhibit At The Century Of Progress / Bridgeman Images

ID: SIC743795

The Belgian Village Exhibit At The Century Of Progress

The medieval Black Gate in the historic heart of Newcastle is about to live up to its name as it takes on a new lease of life. Originally, the 13th Century entrance to the castle which gave the town its name, it is to become the gateway to Old Newcastle Ð the location from which the city developed. Work is now complete on a programme which began last April to overhaul and refurbish the Black Gate for its latest role. In contrast to its name, the comprehensive makeover has left the Black Gate gleaming in as much as any medieval building can gleam. It is 130 years since the completion of the last restoration of the building, after a successful campaign to save it from demolition.Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. Mrs Alice Pandrick standing outside the Black Gate, where she lived. . 27th August, 1965 (b/w photo)
The medieval Black Gate in the historic heart of Newcastle is about to live up to its name as it takes on a new lease of life. Originally, the 13th Century entrance to the castle which gave the town its name, it is to become the gateway to Old Newcastle Ð the location from which the city developed. Work is now complete on a programme which began last April to overhaul and refurbish the Black Gate for its latest role. In contrast to its name, the comprehensive makeover has left the Black Gate gleaming in as much as any medieval building can gleam. It is 130 years since the completion of the last restoration of the building, after a successful campaign to save it from demolition.Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. Mrs Alice Pandrick standing outside the Black Gate, where she lived. . 27th August, 1965 (b/w photo)

MPX5162511: The medieval Black Gate in the historic heart of Newcastle is about to live up to its name as it takes on a new lease of life. Originally, the 13th Century entrance to the castle which gave the town its name, it is to become the gateway to Old Newcastle Ð the location from which the city developed. Work is now complete on a programme which began last April to overhaul and refurbish the Black Gate for its latest role. In contrast to its name, the comprehensive makeover has left the Black Gate gleaming in as much as any medieval building can gleam. It is 130 years since the completion of the last restoration of the building, after a successful campaign to save it from demolition.Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. Mrs Alice Pandrick standing outside the Black Gate, where she lived. . 27th August, 1965 (b/w photo) / Bridgeman Images

ID: MPX5162511

The medieval Black Gate in the historic heart of Newcastle is about to live up to its name as it takes on a new lease of life. Originally, the 13th Century entrance to the castle which gave the town its name, it is to become the gateway to Old Newcastle Ð the location from which the city developed. Work is now complete on a programme which began last April to overhaul and refurbish the Black Gate for its latest role. In contrast to its name, the comprehensive makeover has left the Black Gate gleaming in as much as any medieval building can gleam. It is 130 years since the completion of the last restoration of the building, after a successful campaign to save it from demolition.Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. Mrs Alice Pandrick standing outside the Black Gate, where she lived. . 27th August, 1965 (b/w phot

Alain de LIBERA
Alain de LIBERA

MLO2175200: Alain de LIBERA / Bridgeman Images

ID: MLO2175200

Alain de LIBERA

Guido d'Arezzo (engraving, 1784)
Guido d'Arezzo (engraving, 1784)

LRI4726715: Guido d'Arezzo (engraving, 1784), Unknown artist, (18th century) / Bridgeman Images

ID: LRI4726715

Guido d'Arezzo (engraving, 1784)

Unknown artist, (18th century)

Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. A couple sit by the gardens in front of the building with castle keep looming in the background. 19th June, 1948 (b/w photo)
Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. A couple sit by the gardens in front of the building with castle keep looming in the background. 19th June, 1948 (b/w photo)

MPX5132585: Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. A couple sit by the gardens in front of the building with castle keep looming in the background. 19th June, 1948 (b/w photo) / Bridgeman Images

ID: MPX5132585

Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. A couple sit by the gardens in front of the building with castle keep looming in the background. 19th June, 1948 (b/w photo)

Foppish men's fashion from the 16th century
Foppish men's fashion from the 16th century

FLO5323853: Foppish men's fashion from the 16th century / Bridgeman Images

ID: FLO5323853

Foppish men's fashion from the 16th century

Detail of a pedagogic panel of the history of France intended to be displayed in schools around 1950: the city in the Middle Ages (Middle Ages) - walls and ramparts of the medieval city of Carcassonne - urban metiers of the 13th century: carpenter, carpenter, cooper, barrel, butcher, after the motifs of old stained glass windows.
Detail of a pedagogic panel of the history of France intended to be displayed in schools around 1950: the city in the Middle Ages (Middle Ages) - walls and ramparts of the medieval city of Carcassonne - urban metiers of the 13th century: carpenter, carpenter, cooper, barrel, butcher, after the motifs of old stained glass windows.

PCT4277893: Detail of a pedagogic panel of the history of France intended to be displayed in schools around 1950: the city in the Middle Ages (Middle Ages) - walls and ramparts of the medieval city of Carcassonne - urban metiers of the 13th century: carpenter, carpenter, cooper, barrel, butcher, after the motifs of old stained glass windows. / Bridgeman Images

ID: PCT4277893

Detail of a pedagogic panel of the history of France intended to be displayed in schools around 1950: the city in the Middle Ages (Middle Ages) - walls and ramparts of the medieval city of Carcassonne - urban metiers of the 13th century: carpenter, carpenter, cooper, barrel, butcher, after the motifs of old stained glass windows.

Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. A gardener is pictured here, tending the fine display of yellow tulips in front of the building. 10th May, 1949 (b/w photo)
Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. A gardener is pictured here, tending the fine display of yellow tulips in front of the building. 10th May, 1949 (b/w photo)

MPX5132586: Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. A gardener is pictured here, tending the fine display of yellow tulips in front of the building. 10th May, 1949 (b/w photo) / Bridgeman Images

ID: MPX5132586

Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. A gardener is pictured here, tending the fine display of yellow tulips in front of the building. 10th May, 1949 (b/w photo)

Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. Mrs Alice Pandrick standing outside the Black Gate, where she lived. 27th August, 1965 (b/w photo)
Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. Mrs Alice Pandrick standing outside the Black Gate, where she lived. 27th August, 1965 (b/w photo)

MPX5157480: Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. Mrs Alice Pandrick standing outside the Black Gate, where she lived. 27th August, 1965 (b/w photo) / Bridgeman Images

ID: MPX5157480

Trodden by the feet of generations, The Black Gate, once a main entrance to the city of Newcastle, remains little changed by the passage of time. The Black Gate was the last addition to the medieval Castle defences. Mrs Alice Pandrick standing outside the Black Gate, where she lived. 27th August, 1965 (b/w photo)

31st World Youth Day, Poland, 2010 (photo)
31st World Youth Day, Poland, 2010 (photo)

MEP3270238: 31st World Youth Day, Poland, 2010 (photo) / Bridgeman Images

ID: MEP3270238

31st World Youth Day, Poland, 2010 (photo)

The Exhibition of Ancient and Mediaeval Art (engraving)
The Exhibition of Ancient and Mediaeval Art (engraving)

LIP1612108: The Exhibition of Ancient and Mediaeval Art (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1612108

The Exhibition of Ancient and Mediaeval Art (engraving)

English School, (19th century)

Carroccio, a four-wheeled war altar, with huge vexillum standard, drawn by six oxen, used in battle by the medieval republics of Italy. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844
Carroccio, a four-wheeled war altar, with huge vexillum standard, drawn by six oxen, used in battle by the medieval republics of Italy. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

FLO4623379: Carroccio, a four-wheeled war altar, with huge vexillum standard, drawn by six oxen, used in battle by the medieval republics of Italy. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844 / Bridgeman Images

ID: FLO4623379

Carroccio, a four-wheeled war altar, with huge vexillum standard, drawn by six oxen, used in battle by the medieval republics of Italy. Handcoloured copperplate engraving by Verico after Giuseppe Bramati from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World, 1844

Second World War (1939-1945): capture of Eisenach (Germany) 6 April 1945. A soldier of the 3rd US Armee in front of the intact statue of the German composer Jean Sebastien Bach (Johann Sebastian Bach, 1685-1750) in the middle of the devastee medieval city. Photography
Second World War (1939-1945): capture of Eisenach (Germany) 6 April 1945. A soldier of the 3rd US Armee in front of the intact statue of the German composer Jean Sebastien Bach (Johann Sebastian Bach, 1685-1750) in the middle of the devastee medieval city. Photography

ETE4859348: Second World War (1939-1945): capture of Eisenach (Germany) 6 April 1945. A soldier of the 3rd US Armee in front of the intact statue of the German composer Jean Sebastien Bach (Johann Sebastian Bach, 1685-1750) in the middle of the devastee medieval city. Photography / Bridgeman Images

ID: ETE4859348

Second World War (1939-1945): capture of Eisenach (Germany) 6 April 1945. A soldier of the 3rd US Armee in front of the intact statue of the German composer Jean Sebastien Bach (Johann Sebastian Bach, 1685-1750) in the middle of the devastee medieval city. Photography

Frauentor in Nuremberg (b/w photo)
Frauentor in Nuremberg (b/w photo)

SZT3008303: Frauentor in Nuremberg (b/w photo) / Bridgeman Images

ID: SZT3008303

Frauentor in Nuremberg (b/w photo)

Europe, France, pilgrim, pilgrimage, religion, history, historical, 1910s, 1920s, 20th century, archive, Carl Simon, exquisit collection : king, ruler, medieval, table, eating, meal, nobility, illustration, art, hand coloured glass slide
Europe, France, pilgrim, pilgrimage, religion, history, historical, 1910s, 1920s, 20th century, archive, Carl Simon, exquisit collection : king, ruler, medieval, table, eating, meal, nobility, illustration, art, hand coloured glass slide

UTD4906558: Europe, France, pilgrim, pilgrimage, religion, history, historical, 1910s, 1920s, 20th century, archive, Carl Simon, exquisit collection : king, ruler, medieval, table, eating, meal, nobility, illustration, art, hand coloured glass slide, Simon, Carl (1873-1952) / Bridgeman Images

ID: UTD4906558

Europe, France, pilgrim, pilgrimage, religion, history, historical, 1910s, 1920s, 20th century, archive, Carl Simon, exquisit collection : king, ruler, medieval, table, eating, meal, nobility, illustration, art, hand coloured glass slide

Simon, Carl (1873-1952)

The Exhibition of Ancient and Mediaeval Art (engraving)
The Exhibition of Ancient and Mediaeval Art (engraving)

LIP1612048: The Exhibition of Ancient and Mediaeval Art (engraving), English School, (19th century) / Bridgeman Images

ID: LIP1612048

The Exhibition of Ancient and Mediaeval Art (engraving)

English School, (19th century)

Italy: Amalfi Cathedral, Piazza del Duomo, Amalfi (photo)
Italy: Amalfi Cathedral, Piazza del Duomo, Amalfi (photo)

PFH5302908: Italy: Amalfi Cathedral, Piazza del Duomo, Amalfi (photo) / Bridgeman Images

ID: PFH5302908

Italy: Amalfi Cathedral, Piazza del Duomo, Amalfi (photo)

Belgian Village At The Century Of Progress
Belgian Village At The Century Of Progress

SIC744017: Belgian Village At The Century Of Progress / Bridgeman Images

ID: SIC744017

Belgian Village At The Century Of Progress

Stuart Beer, Choir Master at Manchester Cathedral, 6th December 1982 (b/w photo)
Stuart Beer, Choir Master at Manchester Cathedral, 6th December 1982 (b/w photo)

MPX5156177: Stuart Beer, Choir Master at Manchester Cathedral, 6th December 1982 (b/w photo) / Bridgeman Images

ID: MPX5156177

Stuart Beer, Choir Master at Manchester Cathedral, 6th December 1982 (b/w photo)

Sun Dial on the City Walls
Sun Dial on the City Walls

SAP483989: Sun Dial on the City Walls / Bridgeman Images

ID: SAP483989

Sun Dial on the City Walls

Armour from the 11th century to the 14th century. Normans in chain-mail suits of armour and medieval knights in full plate armour. Copperplate engraving by Blake from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.
Armour from the 11th century to the 14th century. Normans in chain-mail suits of armour and medieval knights in full plate armour. Copperplate engraving by Blake from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

FLO4594060: Armour from the 11th century to the 14th century. Normans in chain-mail suits of armour and medieval knights in full plate armour. Copperplate engraving by Blake from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820. / Bridgeman Images

ID: FLO4594060

Armour from the 11th century to the 14th century. Normans in chain-mail suits of armour and medieval knights in full plate armour. Copperplate engraving by Blake from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature, Longman, Hurst, Rees, Orme and Brown, London, 1820.

New figures of St Michael & St George at Manchester Cathedral, 11th November 1938 (b/w photo)
New figures of St Michael & St George at Manchester Cathedral, 11th November 1938 (b/w photo)

MPX5130815: New figures of St Michael & St George at Manchester Cathedral, 11th November 1938 (b/w photo) / Bridgeman Images

ID: MPX5130815

New figures of St Michael & St George at Manchester Cathedral, 11th November 1938 (b/w photo)

Italy: Amalfi Cathedral, Piazza del Duomo, Amalfi (photo)
Italy: Amalfi Cathedral, Piazza del Duomo, Amalfi (photo)

PFH5302909: Italy: Amalfi Cathedral, Piazza del Duomo, Amalfi (photo) / Bridgeman Images

ID: PFH5302909

Italy: Amalfi Cathedral, Piazza del Duomo, Amalfi (photo)

Detail from the portal (photo)
Detail from the portal (photo)

JFS137659: Detail from the portal (photo) / Bridgeman Images

ID: JFS137659

Detail from the portal (photo)

Alain de LIBERA
Alain de LIBERA

MLO2175211: Alain de LIBERA / Bridgeman Images

ID: MLO2175211

Alain de LIBERA

Street scene in Gondar city, Ethiopia (photo)
Street scene in Gondar city, Ethiopia (photo)

SRB3584886: Street scene in Gondar city, Ethiopia (photo) / Bridgeman Images

ID: SRB3584886

Street scene in Gondar city, Ethiopia (photo)

View on the Lake Agnano (Veduta del Lago di Agnano), by Giacinto Gigante, 19th century (watercolour on canvas)
View on the Lake Agnano (Veduta del Lago di Agnano), by Giacinto Gigante, 19th century (watercolour on canvas)

ELC1266847: View on the Lake Agnano (Veduta del Lago di Agnano), by Giacinto Gigante, 19th century (watercolour on canvas), Gigante, Giacinto (1806-76) / Bridgeman Images

ID: ELC1266847

View on the Lake Agnano (Veduta del Lago di Agnano), by Giacinto Gigante, 19th century (watercolour on canvas)

Gigante, Giacinto (1806-76)


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