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Postcard depicting Johann Strauss (1825-99) at the Piano (colour litho)
Postcard depicting Johann Strauss (1825-99) at the Piano (colour litho)

CHT167385: Postcard depicting Johann Strauss (1825-99) at the Piano (colour litho), Austrian School, (20th century) / Bridgeman Images

Isolde Drinking the Poison 1895 (colour lithograph)
Isolde Drinking the Poison 1895 (colour lithograph)

CHT167391: Isolde Drinking the Poison 1895 (colour lithograph), Beardsley, Aubrey (1872-98) / Bridgeman Images

Facsimile edition of the Magna Carta, first published in 1225, 1816 (vellum)
Facsimile edition of the Magna Carta, first published in 1225, 1816 (vellum)

STC167423: Facsimile edition of the Magna Carta, first published in 1225, 1816 (vellum), English School, (19th century) / Bridgeman Images

Nero Caesar (37-68 AD), 1596 (engraving)
Nero Caesar (37-68 AD), 1596 (engraving)

STC169761: Nero Caesar (37-68 AD), 1596 (engraving), Italian School, (16th century) / Bridgeman Images

Spring Morning, Avenue du Bois de Boulogne, 1902 (oil on canvas)
Spring Morning, Avenue du Bois de Boulogne, 1902 (oil on canvas)

STC169244: Spring Morning, Avenue du Bois de Boulogne, 1902 (oil on canvas), Schryver, Louis de (1863-1942) / Bridgeman Images

Clovis I (c.466-511) at the Battle of Tolbiac, 496 AD, engraved by Jean Baptiste Morret (fl.1790-1820), 1791 (coloured engraving)
Clovis I (c.466-511) at the Battle of Tolbiac, 496 AD, engraved by Jean Baptiste Morret (fl.1790-1820), 1791 (coloured engraving)

STC169297: Clovis I (c.466-511) at the Battle of Tolbiac, 496 AD, engraved by Jean Baptiste Morret (fl.1790-1820), 1791 (coloured engraving), Swebach, Jacques Francois Joseph (1769-1823) (after) / Bridgeman Images

Adoration of the Buddha (painting)
Adoration of the Buddha (painting)

PLS134293: Adoration of the Buddha (painting), Indian School, (20th century) / Bridgeman Images

A Two Masted Schooner off Dover (oil on canvas)
A Two Masted Schooner off Dover (oil on canvas)

PFA134409: A Two Masted Schooner off Dover (oil on canvas), Spencer, Richard B. (fl.1840-74) / Bridgeman Images

First Proposal for the Schonbrunn Palace, Vienna, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)
First Proposal for the Schonbrunn Palace, Vienna, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving)

STC132720: First Proposal for the Schonbrunn Palace, Vienna, from 'Entwurf einer historischen Architektur', engraved by Johann Adam Delsenbach (1687-1765) 1721 (engraving), Fischer von Erlach, Johann Bernhard (1656-1723) (after) / Bridgeman Images

Programme for a performance of The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the St. James' Theatre, 14 February 1895 (b/w photo) (litho)
Programme for a performance of The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the St. James' Theatre, 14 February 1895 (b/w photo) (litho)

STC135742: Programme for a performance of The Importance of Being Earnest, by Oscar Wilde (1854-1900) at the St. James' Theatre, 14 February 1895 (b/w photo) (litho), English School, (19th century) / Bridgeman Images

Part of the City of Patna, on the River Ganges, from 'Oriental Scenery: Twenty Four Views in Hindoostan', 1795 (colour litho)
Part of the City of Patna, on the River Ganges, from 'Oriental Scenery: Twenty Four Views in Hindoostan', 1795 (colour litho)

STC136034: Part of the City of Patna, on the River Ganges, from 'Oriental Scenery: Twenty Four Views in Hindoostan', 1795 (colour litho), Daniell, Thomas (1749-1840) / Bridgeman Images

Dusasumade Gaut, at Benares on the River Ganges, from 'Oriental Scenery: Twenty Four Views in Hindoostan', 1796 (colour litho)
Dusasumade Gaut, at Benares on the River Ganges, from 'Oriental Scenery: Twenty Four Views in Hindoostan', 1796 (colour litho)

STC136039: Dusasumade Gaut, at Benares on the River Ganges, from 'Oriental Scenery: Twenty Four Views in Hindoostan', 1796 (colour litho), Daniell, Thomas (1749-1840) / Bridgeman Images

Palermo, 1839 (w/c on paper)
Palermo, 1839 (w/c on paper)

CH136662: Palermo, 1839 (w/c on paper), Werner, Carl Friedrich Heinrich (1808-94) / Bridgeman Images

The Triple Alliance, from 'Bismarck: Book of Mistakes', 1883 (engraving) (b/w photo)
The Triple Alliance, from 'Bismarck: Book of Mistakes', 1883 (engraving) (b/w photo)

XJF136780: The Triple Alliance, from 'Bismarck: Book of Mistakes', 1883 (engraving) (b/w photo), German School, (19th century) / Bridgeman Images

Stage model for the opera 'Tannhauser' by Richard Wagner (1833-83) (painted card)
Stage model for the opera 'Tannhauser' by Richard Wagner (1833-83) (painted card)

XZL151523: Stage model for the opera 'Tannhauser' by Richard Wagner (1833-83) (painted card), German School, (19th century) / Bridgeman Images

Mask with three teeth, 1932 (no 215) (w/c on primed paper on cardboard)
Mask with three teeth, 1932 (no 215) (w/c on primed paper on cardboard)

FFA150977: Mask with three teeth, 1932 (no 215) (w/c on primed paper on cardboard), Klee, Paul (1879-1940) / Bridgeman Images

Anxious ambush, 1937 (no 36) (coloured pencil on primed paper on cardboard)
Anxious ambush, 1937 (no 36) (coloured pencil on primed paper on cardboard)

FFA150986: Anxious ambush, 1937 (no 36) (coloured pencil on primed paper on cardboard), Klee, Paul (1879-1940) / Bridgeman Images

Composition with letters (K.L.CH.B.V.S.P.) 'Delta', c.1919 (gouache and Indian ink on paper)
Composition with letters (K.L.CH.B.V.S.P.) 'Delta', c.1919 (gouache and Indian ink on paper)

FFA151969: Composition with letters (K.L.CH.B.V.S.P.) 'Delta', c.1919 (gouache and Indian ink on paper), Popova, Lyubov Sergeevna (1889-1924) / Bridgeman Images

Cup with saucer, 1923 (chinaware)
Cup with saucer, 1923 (chinaware)

XAB152018: Cup with saucer, 1923 (chinaware), Kandinsky, Wassily (1866-1944) / Bridgeman Images

Set design after a model by Pablo Picasso (1881-1973) and a photo of Leonid Massine (1895-1979) in costume, from the programme for the ballet 'Pulcinella' by Igor Stravinsky (1882-1971) 1920 (colour litho)
Set design after a model by Pablo Picasso (1881-1973) and a photo of Leonid Massine (1895-1979) in costume, from the programme for the ballet 'Pulcinella' by Igor Stravinsky (1882-1971) 1920 (colour litho)

CHT171816: Set design after a model by Pablo Picasso (1881-1973) and a photo of Leonid Massine (1895-1979) in costume, from the programme for the ballet 'Pulcinella' by Igor Stravinsky (1882-1971) 1920 (colour litho), Picasso, Pablo (1881-1973) / Bridgeman Images

Diners on a terrace with a formal garden below, engraved by Balthazar Moncornet (c.1600-68) (engraving)
Diners on a terrace with a formal garden below, engraved by Balthazar Moncornet (c.1600-68) (engraving)

STC171908: Diners on a terrace with a formal garden below, engraved by Balthazar Moncornet (c.1600-68) (engraving), French School, (17th century) / Bridgeman Images

Panoramic 'after' view, from the Red Book for Antony House, c.1812 (w/c on paper)
Panoramic 'after' view, from the Red Book for Antony House, c.1812 (w/c on paper)

STC171101: Panoramic 'after' view, from the Red Book for Antony House, c.1812 (w/c on paper), Repton, Humphry (1752-1818) / Bridgeman Images

Portrait of Hortense Schneider (1833-1920) in the role of the Grand Duchess in 'La Grande Duchesse de Gerolstein' by Jacques Offenbach (1819-90) c.1867 (colour litho)
Portrait of Hortense Schneider (1833-1920) in the role of the Grand Duchess in 'La Grande Duchesse de Gerolstein' by Jacques Offenbach (1819-90) c.1867 (colour litho)

CHT170483: Portrait of Hortense Schneider (1833-1920) in the role of the Grand Duchess in 'La Grande Duchesse de Gerolstein' by Jacques Offenbach (1819-90) c.1867 (colour litho), French School, (19th century) / Bridgeman Images

Leaving the Opera in the Year 2000, 1900
Leaving the Opera in the Year 2000, 1900

STC170841: Leaving the Opera in the Year 2000, 1900, French School, (20th century) / Bridgeman Images

Aloe Vera Vulgaris, from 'Phytographia Curiosa', published 1702 (coloured engraving)
Aloe Vera Vulgaris, from 'Phytographia Curiosa', published 1702 (coloured engraving)

STC170880: Aloe Vera Vulgaris, from 'Phytographia Curiosa', published 1702 (coloured engraving), Munting, Abraham (1626-83) / Bridgeman Images

Portrait of a Woman, 1916 (pencil on paper) (b/w photo)
Portrait of a Woman, 1916 (pencil on paper) (b/w photo)

FFA145375: Portrait of a Woman, 1916 (pencil on paper) (b/w photo), Klimt, Gustav (1862-1918) / Bridgeman Images

Poster advertising, 'The Barnum and Bailey Greatest Show on Earth, the World's Grandest, Largest, Best Amusement Institution', c.1895 (colour litho) (b/w photo)
Poster advertising, 'The Barnum and Bailey Greatest Show on Earth, the World's Grandest, Largest, Best Amusement Institution', c.1895 (colour litho) (b/w photo)

BAL144962: Poster advertising, 'The Barnum and Bailey Greatest Show on Earth, the World's Grandest, Largest, Best Amusement Institution', c.1895 (colour litho) (b/w photo), American School, (19th century) / Bridgeman Images

Breton Girl, 1889 (oil on canvas)
Breton Girl, 1889 (oil on canvas)

AGR145137: Breton Girl, 1889 (oil on canvas), Boznanska, Olga (1865-1945) / Bridgeman Images

Monsters born from the Deluge, after the wood engravings in the 'Chronique de Nuremberg', printed in 1493, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)
Monsters born from the Deluge, after the wood engravings in the 'Chronique de Nuremberg', printed in 1493, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo)

XJF147336: Monsters born from the Deluge, after the wood engravings in the 'Chronique de Nuremberg', printed in 1493, illustration from 'Science and Literature in the Middle Ages and the Renaissance', written and engraved by Paul Lacroix, 1878 (engraving) (b/w photo), German School, (15th century) / Bridgeman Images

The Quays at Le Havre, 1934 (oil on canvas)
The Quays at Le Havre, 1934 (oil on canvas)

PFA166744: The Quays at Le Havre, 1934 (oil on canvas), Marquet, Albert (1875-1947) / Bridgeman Images

Collectors card from 'Chocolat Guerin-Boutron' depicting Alfred Nobel (1833-96) (colour litho)
Collectors card from 'Chocolat Guerin-Boutron' depicting Alfred Nobel (1833-96) (colour litho)

CHT166629: Collectors card from 'Chocolat Guerin-Boutron' depicting Alfred Nobel (1833-96) (colour litho), French School, (20th century) / Bridgeman Images

Raoul Dufy (1877-1953) (photogravure)
Raoul Dufy (1877-1953) (photogravure)

STC165078: Raoul Dufy (1877-1953) (photogravure), Albin-Guillot, Laure (d.1962) / Bridgeman Images

'Who Speaks First?' (oil on canvas)
'Who Speaks First?' (oil on canvas)

PFA166230: 'Who Speaks First?' (oil on canvas), Morgan, John (1823-86) / Bridgeman Images

Missionary Buildings, St. Johns, Antigua (w/c and gouache) (see also 166262)
Missionary Buildings, St. Johns, Antigua (w/c and gouache) (see also 166262)

PFA166261: Missionary Buildings, St. Johns, Antigua (w/c and gouache) (see also 166262), French School, (19th century) / Bridgeman Images

Autumn Leaves, 1959 (tempera on board)
Autumn Leaves, 1959 (tempera on board)

PFA165652: Autumn Leaves, 1959 (tempera on board), Hodgkin, Eliot (1905-87) / Bridgeman Images

Chamber Music Concert, c.1885-90 (oil on canvas)
Chamber Music Concert, c.1885-90 (oil on canvas)

CHT165874: Chamber Music Concert, c.1885-90 (oil on canvas), Gruen or Grun, Jules Alexandre (1868-1934) / Bridgeman Images


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