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Advertising for Amaro Fernet - Branca. Chromolithography. Italy. Early 20th century.
Advertising for Amaro Fernet - Branca. Chromolithography. Italy. Early 20th century.

GIA4754614: Advertising for Amaro Fernet - Branca. Chromolithography. Italy. Early 20th century., Unknown Artist, (20th century) / Bridgeman Images

Rice replanting in the vicinity of Milan in 1954.
Rice replanting in the vicinity of Milan in 1954.

GIA4749103: Rice replanting in the vicinity of Milan in 1954., Unknown Artist, (19th century) / Bridgeman Images

Garibaldi: Mr. Camillo (Cavour), if you go so slowly we will never finish Cavour: Who goes slowly goes far Garibaldi: That's right, but who has time, don't wait for time. Satirical engraving by Il Fischietto
Garibaldi: Mr. Camillo (Cavour), if you go so slowly we will never finish Cavour: Who goes slowly goes far Garibaldi: That's right, but who has time, don't wait for time. Satirical engraving by Il Fischietto

GIA4749422: Garibaldi: Mr. Camillo (Cavour), if you go so slowly we will never finish Cavour: Who goes slowly goes far Garibaldi: That's right, but who has time, don't wait for time. Satirical engraving by Il Fischietto, Unknown Artist, (19th century) / Bridgeman Images

- What are you doing, sir? - I do Italy (Cavour with the dome of Florence) satirical engraving of Il Fischietto
- What are you doing, sir? - I do Italy (Cavour with the dome of Florence) satirical engraving of Il Fischietto

GIA4749434: - What are you doing, sir? - I do Italy (Cavour with the dome of Florence) satirical engraving of Il Fischietto, Unknown Artist, (19th century) / Bridgeman Images

Giuseppe Verdi died in the room of the Hotel Milan in Milan in 1901
Giuseppe Verdi died in the room of the Hotel Milan in Milan in 1901

GIA4750006: Giuseppe Verdi died in the room of the Hotel Milan in Milan in 1901, Unknown Artist, (20th century) / Bridgeman Images

Portrait of Saint Petronilla. Xylography after “The Nuremberg Chronicles” by Hartmann Schedel. Nuremberg 1497
Portrait of Saint Petronilla. Xylography after “The Nuremberg Chronicles” by Hartmann Schedel. Nuremberg 1497

GIA4751267: Portrait of Saint Petronilla. Xylography after “The Nuremberg Chronicles” by Hartmann Schedel. Nuremberg 1497, Schedel, Hartmann (1440-1514) / Bridgeman Images

Aerostats accidents. 19th century illustrated chart.
Aerostats accidents. 19th century illustrated chart.

GIA4751307: Aerostats accidents. 19th century illustrated chart., Unknown Artist, (19th century) / Bridgeman Images

Jules Verne: The mysterious island. 19th century illustration.
Jules Verne: The mysterious island. 19th century illustration.

GIA4751424: Jules Verne: The mysterious island. 19th century illustration., Unknown Artist, (19th century) / Bridgeman Images

Grav. in “From the Earth to the Moon” by Jules Verne, 1866.
Grav. in “From the Earth to the Moon” by Jules Verne, 1866.

GIA4751453: Grav. in “From the Earth to the Moon” by Jules Verne, 1866., Unknown Artist, (19th century) / Bridgeman Images

The ascent of Paolo Andreani on 25/2/1784 in Milan. Painting by F. Battaglini.
The ascent of Paolo Andreani on 25/2/1784 in Milan. Painting by F. Battaglini.

GIA4751485: The ascent of Paolo Andreani on 25/2/1784 in Milan. Painting by F. Battaglini., Battaglini, F. (18th-19th century) / Bridgeman Images

Italian poster by Gino Boccasile (1901-1952). 1943.
Italian poster by Gino Boccasile (1901-1952). 1943.

GIA4751513: Italian poster by Gino Boccasile (1901-1952). 1943. "The Italian woman with her renunciations and sacrifices advances alongside the combatants, Boccasile, Gino (1901-52) / Bridgeman Images

A woman sealer in Germany in 1940.
A woman sealer in Germany in 1940.

GIA4751526: A woman sealer in Germany in 1940., Unknown photographer, (20th century) / Bridgeman Images

The lobster. 19th century
The lobster. 19th century

GIA4751572: The lobster. 19th century, Unknown Artist, (19th century) / Bridgeman Images

Ypres, 21/09/1917. The second Australian vision in the trenches at Polygonnevelde. In the background, Zonnebeke.
Ypres, 21/09/1917. The second Australian vision in the trenches at Polygonnevelde. In the background, Zonnebeke.

GIA4751604: Ypres, 21/09/1917. The second Australian vision in the trenches at Polygonnevelde. In the background, Zonnebeke., Unknown photographer, (20th century) / Bridgeman Images

Portrait of Francesco Saverio Geminiani. Italian musician (Lucca, 1687 in Dublin, 1762).
Portrait of Francesco Saverio Geminiani. Italian musician (Lucca, 1687 in Dublin, 1762).

GIA4751691: Portrait of Francesco Saverio Geminiani. Italian musician (Lucca, 1687 in Dublin, 1762)., Unknown Artist, (19th century) / Bridgeman Images

Portrait of Carl Philippe Emanuel Bach called the Bach of Berlin and Hamburg Fifth child of John Sebastian Bach (Johann Sebastian Bach, 1685-1750). (Weimar, 1714 in Hamburg, 1788).
Portrait of Carl Philippe Emanuel Bach called the Bach of Berlin and Hamburg Fifth child of John Sebastian Bach (Johann Sebastian Bach, 1685-1750). (Weimar, 1714 in Hamburg, 1788).

GIA4751703: Portrait of Carl Philippe Emanuel Bach called the Bach of Berlin and Hamburg Fifth child of John Sebastian Bach (Johann Sebastian Bach, 1685-1750). (Weimar, 1714 in Hamburg, 1788)., Unknown artist, (18th century) / Bridgeman Images

Felice Giardini (1716-1796), Italian violinist and composer
Felice Giardini (1716-1796), Italian violinist and composer

GIA4751774: Felice Giardini (1716-1796), Italian violinist and composer, Unknown artist, (18th century) / Bridgeman Images

Emblem of the Spanish Inquisition: cross, olive branch and sword. 17th century
Emblem of the Spanish Inquisition: cross, olive branch and sword. 17th century

GIA4751824: Emblem of the Spanish Inquisition: cross, olive branch and sword. 17th century, Unknown Artist, (17th century) / Bridgeman Images

Portrait of Arcangelo Corelli (1653 - 1713)
Portrait of Arcangelo Corelli (1653 - 1713)

GIA4748240: Portrait of Arcangelo Corelli (1653 - 1713), Unknown Artist, (19th century) / Bridgeman Images

Orpheus in the Underworld asks Minos for his wife Eurydice. Watercolour drawing by Raimondo La Fage.
Orpheus in the Underworld asks Minos for his wife Eurydice. Watercolour drawing by Raimondo La Fage.

GIA4748354: Orpheus in the Underworld asks Minos for his wife Eurydice. Watercolour drawing by Raimondo La Fage., Lafage, Raymond (1656-84) / Bridgeman Images

Portrait of Francesco Durante. Italian musician (Frattamaggiore, 1684 in Naples, 1755). 19th century engraving.
Portrait of Francesco Durante. Italian musician (Frattamaggiore, 1684 in Naples, 1755). 19th century engraving.

GIA4748360: Portrait of Francesco Durante. Italian musician (Frattamaggiore, 1684 in Naples, 1755). 19th century engraving., Unknown Artist, (19th century) / Bridgeman Images

Greeting card from the Cosulich Company, Triestine Navigation Company. 1930.
Greeting card from the Cosulich Company, Triestine Navigation Company. 1930.

GIA4748418: Greeting card from the Cosulich Company, Triestine Navigation Company. 1930., Unknown Artist, (20th century) / Bridgeman Images

Aboard the Hamburg Transatlantic - Amerika Line, 1930.
Aboard the Hamburg Transatlantic - Amerika Line, 1930.

GIA4748439: Aboard the Hamburg Transatlantic - Amerika Line, 1930., Unknown Artist, (20th century) / Bridgeman Images

Portrait of Childebert I (v. 495-558) King of Paris. Engraving of 1830
Portrait of Childebert I (v. 495-558) King of Paris. Engraving of 1830

GIA4748641: Portrait of Childebert I (v. 495-558) King of Paris. Engraving of 1830, Unknown Artist, (19th century) / Bridgeman Images

Portrait of Lucien Bonaparte (1775 -1840) engraving of 1830
Portrait of Lucien Bonaparte (1775 -1840) engraving of 1830

GIA4748654: Portrait of Lucien Bonaparte (1775 -1840) engraving of 1830, Unknown Artist, (19th century) / Bridgeman Images

portrait of Hortense de Beauharnais Born in Paris in 1783, died in Arenenberg, Switzerland, in 1837, daughter of Alexandre de Beauharnais and Joséphine Tascher of the Pagerie engraving of 1830
portrait of Hortense de Beauharnais Born in Paris in 1783, died in Arenenberg, Switzerland, in 1837, daughter of Alexandre de Beauharnais and Joséphine Tascher of the Pagerie engraving of 1830

GIA4748809: portrait of Hortense de Beauharnais Born in Paris in 1783, died in Arenenberg, Switzerland, in 1837, daughter of Alexandre de Beauharnais and Joséphine Tascher of the Pagerie engraving of 1830, Unknown Artist, (19th century) / Bridgeman Images

The constellation represented is that of Bouvier (or Boots), which supports the hair of Berenices with the left hand. Page of an 18th century manuscript based on the original manuscript “Astronomica” by Biasino da Parma (Blaise of Parma) (1425-1457) dating from the 15th century
The constellation represented is that of Bouvier (or Boots), which supports the hair of Berenices with the left hand. Page of an 18th century manuscript based on the original manuscript “Astronomica” by Biasino da Parma (Blaise of Parma) (1425-1457) dating from the 15th century

GIA4751891: The constellation represented is that of Bouvier (or Boots), which supports the hair of Berenices with the left hand. Page of an 18th century manuscript based on the original manuscript “Astronomica” by Biasino da Parma (Blaise of Parma) (1425-1457) dating from the 15th century, Unknown artist, (18th century) / Bridgeman Images

Miss Fisher woke up after three months in a coma in a clinic in Vienna. La Domenica del corriere. Ill. de Beltrame. 01/02/1903.
Miss Fisher woke up after three months in a coma in a clinic in Vienna. La Domenica del corriere. Ill. de Beltrame. 01/02/1903.

GIA4751943: Miss Fisher woke up after three months in a coma in a clinic in Vienna. La Domenica del corriere. Ill. de Beltrame. 01/02/1903., Beltrame, Achille (1871-1945) / Bridgeman Images

Transport of the ashes of Napoleon I (1769-1821), to Courbevoie (Hauts-de-Seine), December 15, 1840 engraving 19th century  Milan
Transport of the ashes of Napoleon I (1769-1821), to Courbevoie (Hauts-de-Seine), December 15, 1840 engraving 19th century  Milan

GIA4752069: Transport of the ashes of Napoleon I (1769-1821), to Courbevoie (Hauts-de-Seine), December 15, 1840 engraving 19th century Milan, Unknown Artist, (19th century) / Bridgeman Images

Queen Elizabeth II of England ascended to the throne of England, Scotland and Ireland, La Domenica del corriere, 17/02/1952 (print)
Queen Elizabeth II of England ascended to the throne of England, Scotland and Ireland, La Domenica del corriere, 17/02/1952 (print)

GIA4752159: Queen Elizabeth II of England ascended to the throne of England, Scotland and Ireland, La Domenica del corriere, 17/02/1952 (print), Molino, Walter (1915-1997) / Bridgeman Images

Liberal Arts: La geometria - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.
Liberal Arts: La geometria - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.

GIA4752278: Liberal Arts: La geometria - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517., Reisch, Gregor (d.1525) / Bridgeman Images

Liberal Arts: Grammar - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.
Liberal Arts: Grammar - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.

GIA4752305: Liberal Arts: Grammar - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517., Reisch, Gregor (d.1525) / Bridgeman Images

Liberal Arts: Logic - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.
Liberal Arts: Logic - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517.

GIA4752318: Liberal Arts: Logic - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517., Reisch, Gregor (d.1525) / Bridgeman Images

The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy.
The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy.

GIA4752354: The Liberal Arts: the Trivium and the Quadrivium - in “” Margarita Philosophica”” by Gregor Reisch (1467-1525). Bale, 1517. In medieval teaching, quadrivium referred to the four mathematical arts: arithmetic, music, geometry and astronomy. Quadrivium is distinguished from Trivium, which includes grammar, rhetoric and logic (dialectic). These two branches of knowledge constituted the seven liberal arts, a concept derived from Greek philosophy., Reisch, Gregor (d.1525) / Bridgeman Images

Philosophiae Pauperum by Albert the Great (= Albert Magnus 1206 - 1280), German theologian and philosopher. Brescia, 1493.
Philosophiae Pauperum by Albert the Great (= Albert Magnus 1206 - 1280), German theologian and philosopher. Brescia, 1493.

GIA4752376: Philosophiae Pauperum by Albert the Great (= Albert Magnus 1206 - 1280), German theologian and philosopher. Brescia, 1493., Unknown Artist, (15th century) / Bridgeman Images

Capuchin in Rome. Engraving from an album on religious orders, Paris, 1840
Capuchin in Rome. Engraving from an album on religious orders, Paris, 1840

GIA4747683: Capuchin in Rome. Engraving from an album on religious orders, Paris, 1840, Unknown Artist, (19th century) / Bridgeman Images


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