Portzamparc, de Christian (b.1944) Assets (229 in total)

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Cafe Beaubourg, 43 rue St Merri, Paris 4. Architecture by Christian and Elisabeth de Portzamparc, 1987. Phtography of 1987.
Cafe Beaubourg, 43 rue St Merri, Paris 4. Architecture by Christian and Elisabeth de Portzamparc, 1987. Phtography of 1987.

TEC4556647: Cafe Beaubourg, 43 rue St Merri, Paris 4. Architecture by Christian and Elisabeth de Portzamparc, 1987. Phtography of 1987., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cafe Beaubourg, 43 rue St Merri, Paris 4. Architecture by Christian and Elisabeth de Portzamparc, 1987. Phtography of 1987.
Cafe Beaubourg, 43 rue St Merri, Paris 4. Architecture by Christian and Elisabeth de Portzamparc, 1987. Phtography of 1987.

TEC4556648: Cafe Beaubourg, 43 rue St Merri, Paris 4. Architecture by Christian and Elisabeth de Portzamparc, 1987. Phtography of 1987., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cafe Beaubourg, 43 rue St Merri, Paris 4. Architecture by Christian and Elisabeth de Portzamparc, 1987. Phtography of 1987.
Cafe Beaubourg, 43 rue St Merri, Paris 4. Architecture by Christian and Elisabeth de Portzamparc, 1987. Phtography of 1987.

TEC4556674: Cafe Beaubourg, 43 rue St Merri, Paris 4. Architecture by Christian and Elisabeth de Portzamparc, 1987. Phtography of 1987., Portzamparc, de Christian (b.1944) / Bridgeman Images

The extension of the Palais des Congres, 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999
The extension of the Palais des Congres, 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999

TEC4551084: The extension of the Palais des Congres, 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999, Portzamparc, de Christian (b.1944) / Bridgeman Images

Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.
Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.

TEC4559117: Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.
Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.

TEC4559141: Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.
Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.

TEC4559145: Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.
Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.

TEC4559154: Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.
Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.

TEC4559167: Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.
Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.

TEC4559174: Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.
Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.

TEC4559175: Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.
Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.

TEC4559179: Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.
Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.

TEC4559183: Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995., Portzamparc, de Christian (b.1944) / Bridgeman Images

Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.
Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995.

TEC4559184: Cite de la Musique, 211 avenue Jean-Jaures, Paris 19. The Cite de la Musique is made up of two very different wings. To the west are places for teaching and public classes, to the east are places open to the public such as concert halls, instrument museum or rehearsal halls. Architect Christian of Portzamparc, 1984-1995., Portzamparc, de Christian (b.1944) / Bridgeman Images

The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.
The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.

TEC4560079: The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990., Portzamparc, de Christian (b.1944) / Bridgeman Images

The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.
The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.

TEC4560083: The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990., Portzamparc, de Christian (b.1944) / Bridgeman Images

The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.
The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.

TEC4560089: The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990., Portzamparc, de Christian (b.1944) / Bridgeman Images

The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.
The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.

TEC4560096: The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990., Portzamparc, de Christian (b.1944) / Bridgeman Images

The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.
The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.

TEC4560098: The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990., Portzamparc, de Christian (b.1944) / Bridgeman Images

The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.
The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990.

TEC4560136: The National Conservatory of Dance and Music at La Villette, 209 avenue Jean Jaures, Paris 19th arrondissement. Architect Christian de Portzamparc, 1990., Portzamparc, de Christian (b.1944) / Bridgeman Images

Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987.
Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987.

TEC4560432: Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987., Portzamparc, de Christian (b.1944) / Bridgeman Images

Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987.
Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987.

TEC4560435: Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987., Portzamparc, de Christian (b.1944) / Bridgeman Images

Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987.
Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987.

TEC4560457: Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987., Portzamparc, de Christian (b.1944) / Bridgeman Images

Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987.
Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987.

TEC4560458: Ballet School of the Opera of Paris, 20 allee of dance, in Nanterre (Hauts de Seine). Architect Christian of Portzamparc, 1983-1987., Portzamparc, de Christian (b.1944) / Bridgeman Images

Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. The building houses consular services, ambassador's apartments and representation rooms. At the back of the embassy are terraces and gardens, which can be used for receptions or cultural events. In the background, the Brandenburg Gate designed by architect Carl Gothard Langhans in 1789/1791, symbol of the division and reunification of Germany architect Christian de Portzamparc, 2002
Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. The building houses consular services, ambassador's apartments and representation rooms. At the back of the embassy are terraces and gardens, which can be used for receptions or cultural events. In the background, the Brandenburg Gate designed by architect Carl Gothard Langhans in 1789/1791, symbol of the division and reunification of Germany architect Christian de Portzamparc, 2002

TEC4548290: Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. The building houses consular services, ambassador's apartments and representation rooms. At the back of the embassy are terraces and gardens, which can be used for receptions or cultural events. In the background, the Brandenburg Gate designed by architect Carl Gothard Langhans in 1789/1791, symbol of the division and reunification of Germany architect Christian de Portzamparc, 2002, Portzamparc, de Christian (b.1944) / Bridgeman Images

Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. (Near the Embassy of France, the head office of the Dresdner Bank). Architect Christian de Portzamparc, 2002
Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. (Near the Embassy of France, the head office of the Dresdner Bank). Architect Christian de Portzamparc, 2002

TEC4548301: Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. (Near the Embassy of France, the head office of the Dresdner Bank). Architect Christian de Portzamparc, 2002, Portzamparc, de Christian (b.1944) / Bridgeman Images

The Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. The building houses consular services, ambassador's apartments and representation rooms. At the back of the embassy are terraces and gardens, which can be used for receptions or cultural events. Architect Christian de Portzamparc, 2002
The Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. The building houses consular services, ambassador's apartments and representation rooms. At the back of the embassy are terraces and gardens, which can be used for receptions or cultural events. Architect Christian de Portzamparc, 2002

TEC4548309: The Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. The building houses consular services, ambassador's apartments and representation rooms. At the back of the embassy are terraces and gardens, which can be used for receptions or cultural events. Architect Christian de Portzamparc, 2002, Portzamparc, de Christian (b.1944) / Bridgeman Images

Tower LVMH 57th Street/Madison Avenue, construction 1999-2001, architect Christian de Protzamparc. New York, United States. Photoraphie 15/10/03.
Tower LVMH 57th Street/Madison Avenue, construction 1999-2001, architect Christian de Protzamparc. New York, United States. Photoraphie 15/10/03.

TEC4611559: Tower LVMH 57th Street/Madison Avenue, construction 1999-2001, architect Christian de Protzamparc. New York, United States. Photoraphie 15/10/03., Portzamparc, de Christian (b.1944) / Bridgeman Images

Les Hautes Formes, rue de Tolbiac in Paris 75013. Realisation 1979, architect Christian de Portzamparc. Photography 1979.
Les Hautes Formes, rue de Tolbiac in Paris 75013. Realisation 1979, architect Christian de Portzamparc. Photography 1979.

TEC4677757: Les Hautes Formes, rue de Tolbiac in Paris 75013. Realisation 1979, architect Christian de Portzamparc. Photography 1979., Portzamparc, de Christian (b.1944) / Bridgeman Images

Social housing in Lognes, Marne la Vallee (Seine and Marne). Realisation 1985, architect Christian de Portzamparc. Photography 1987.
Social housing in Lognes, Marne la Vallee (Seine and Marne). Realisation 1985, architect Christian de Portzamparc. Photography 1987.

TEC4677825: Social housing in Lognes, Marne la Vallee (Seine and Marne). Realisation 1985, architect Christian de Portzamparc. Photography 1987., Portzamparc, de Christian (b.1944) / Bridgeman Images

The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999
The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999

LBY4551088: The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999, Portzamparc, de Christian (b.1944) / Bridgeman Images

The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999
The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999

LBY4551091: The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999, Portzamparc, de Christian (b.1944) / Bridgeman Images

The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999
The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999

LBY4551092: The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999, Portzamparc, de Christian (b.1944) / Bridgeman Images

The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999
The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999

LBY4551106: The extension of the Palais des Congres (Paris congress hall), 2 Porte Maillot, Paris 17. Architecture by Christian de Portzamparc, 1994-1999, Portzamparc, de Christian (b.1944) / Bridgeman Images

Galeo, le headquarters de Bouygues Immobilier à Issy les Moulineauxx Siege social Bouygues Immobilier Galeo - Issy les Moulineaux - 2009 - Christian de Portzamparc -
Galeo, le headquarters de Bouygues Immobilier à Issy les Moulineauxx Siege social Bouygues Immobilier Galeo - Issy les Moulineaux - 2009 - Christian de Portzamparc -

LBY4552195: Galeo, le headquarters de Bouygues Immobilier à Issy les Moulineauxx Siege social Bouygues Immobilier Galeo - Issy les Moulineaux - 2009 - Christian de Portzamparc -, Portzamparc, de Christian (b.1944) / Bridgeman Images

Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. The building houses consular services, ambassador's apartments and representation rooms. At the back of the embassy are terraces and gardens, which can be used for receptions or cultural events. Architect Christian de Portzamparc, 2002
Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. The building houses consular services, ambassador's apartments and representation rooms. At the back of the embassy are terraces and gardens, which can be used for receptions or cultural events. Architect Christian de Portzamparc, 2002

MDA4548299: Embassy of France, Pariser Platz, Berlin, Germany. The French embassy regains its historic location in Berlin, dating back to 186O. It is inspired by the palace, destroyed during the Second World War, and presents a symmetrical and rhythmic facade by square windows. The building houses consular services, ambassador's apartments and representation rooms. At the back of the embassy are terraces and gardens, which can be used for receptions or cultural events. Architect Christian de Portzamparc, 2002, Portzamparc, de Christian (b.1944) / Bridgeman Images


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