Mercuri, Paolo (1804-84) Assets (187 in total)

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Military costume: un soldat milanese (Italy), 15th century - Milanese soldier, 15th century - He wears a red helmet ornamented with gold, one-piece tunic and breeches, chainmail chlamys, steel-plate arm and leg armour - He carries a spear and buckler (shield) - From a painting in the chapel in the Duomo of Monza - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: un soldat milanese (Italy), 15th century - Milanese soldier, 15th century - He wears a red helmet ornamented with gold, one-piece tunic and breeches, chainmail chlamys, steel-plate arm and leg armour - He carries a spear and buckler (shield) - From a painting in the chapel in the Duomo of Monza - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676267: Military costume: un soldat milanese (Italy), 15th century - Milanese soldier, 15th century - He wears a red helmet ornamented with gold, one-piece tunic and breeches, chainmail chlamys, steel-plate arm and leg armour - He carries a spear and buckler (shield) - From a painting in the chapel in the Duomo of Monza - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Alberto Aringhieri en veteau ecclesial de chevalier de Rhodes (order of Saint John of Jerusalem a Rhodes or Order of Hospitallers), kneeling in prayer, 15th century - Alberto Aringhieri in ecclesiastical garb as a Knight of Rhodes, or Hospitaler, 15th century - He wears a velvet cap, black cape with white cross of From a painting by Pinturicchio in Siena Cathedral - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Alberto Aringhieri en veteau ecclesial de chevalier de Rhodes (order of Saint John of Jerusalem a Rhodes or Order of Hospitallers), kneeling in prayer, 15th century - Alberto Aringhieri in ecclesiastical garb as a Knight of Rhodes, or Hospitaler, 15th century - He wears a velvet cap, black cape with white cross of From a painting by Pinturicchio in Siena Cathedral - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676282: Alberto Aringhieri en veteau ecclesial de chevalier de Rhodes (order of Saint John of Jerusalem a Rhodes or Order of Hospitallers), kneeling in prayer, 15th century - Alberto Aringhieri in ecclesiastical garb as a Knight of Rhodes, or Hospitaler, 15th century - He wears a velvet cap, black cape with white cross of From a painting by Pinturicchio in Siena Cathedral - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un seigneur de Rimini, prince de la famille Malatesta (ou Malatesti), 15th century - Costume of a lord of Rimini, one of the Malatesta princes, 15th century - He wears a red toque, damask doublet edged in fur, multicoloured stockings - He carries a gold stick, symbol of authority - From a manuscript of poetry by Petrarch in Barberini library, Rome Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un seigneur de Rimini, prince de la famille Malatesta (ou Malatesti), 15th century - Costume of a lord of Rimini, one of the Malatesta princes, 15th century - He wears a red toque, damask doublet edged in fur, multicoloured stockings - He carries a gold stick, symbol of authority - From a manuscript of poetry by Petrarch in Barberini library, Rome Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676328: Costume d'un seigneur de Rimini, prince de la famille Malatesta (ou Malatesti), 15th century - Costume of a lord of Rimini, one of the Malatesta princes, 15th century - He wears a red toque, damask doublet edged in fur, multicoloured stockings - He carries a gold stick, symbol of authority - From a manuscript of poetry by Petrarch in Barberini library, Rome Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Judges storytellers, guarantors of the deroulement of a chivalry tournament, and a heraut king of arms, officer supervisor of the arms march, 15th century - Four tournament judges, judges', and the king of arms, roi d'armes, 15th century - The judges wear hats or hoods, doublets, stockings and cracows (pointed shoes) - The king of arms wears a chlamys with a parchment painting of the coats of arms of the combatants, doublet, black trousers, cracows with spurs, and holds a paper with the tourney challenges - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861
Judges storytellers, guarantors of the deroulement of a chivalry tournament, and a heraut king of arms, officer supervisor of the arms march, 15th century - Four tournament judges, judges', and the king of arms, roi d'armes, 15th century - The judges wear hats or hoods, doublets, stockings and cracows (pointed shoes) - The king of arms wears a chlamys with a parchment painting of the coats of arms of the combatants, doublet, black trousers, cracows with spurs, and holds a paper with the tourney challenges - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861

FLO4676342: Judges storytellers, guarantors of the deroulement of a chivalry tournament, and a heraut king of arms, officer supervisor of the arms march, 15th century - Four tournament judges, judges', and the king of arms, roi d'armes, 15th century - The judges wear hats or hoods, doublets, stockings and cracows (pointed shoes) - The king of arms wears a chlamys with a parchment painting of the coats of arms of the combatants, doublet, black trousers, cracows with spurs, and holds a paper with the tourney challenges - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Swearing an oath on the Bible, 15th century - The judge wears a crimson cap called a mortar, simar in gold brocade lined with ermine - The athtaker wears a simar and hood, while the witness wears a short cape lined with marten fur, doublet, stockings, cracows (pointed shoes) - From a miniature ature in manuscript 6829 in the Imperiale Library, Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Swearing an oath on the Bible, 15th century - The judge wears a crimson cap called a mortar, simar in gold brocade lined with ermine - The athtaker wears a simar and hood, while the witness wears a short cape lined with marten fur, doublet, stockings, cracows (pointed shoes) - From a miniature ature in manuscript 6829 in the Imperiale Library, Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676419: Swearing an oath on the Bible, 15th century - The judge wears a crimson cap called a mortar, simar in gold brocade lined with ermine - The athtaker wears a simar and hood, while the witness wears a short cape lined with marten fur, doublet, stockings, cracows (pointed shoes) - From a miniature ature in manuscript 6829 in the Imperiale Library, Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Military costume: un gentilhomme Tuscan (Italy), 15th century - Military costume of a Tuscan gentleman, 15th century - He wears a scarlet cape lined in black, white doublet, red stockings and yellow leather boots - He holds a sword and dagger with gold handles - From a painting by Matteo di Giovanni in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: un gentilhomme Tuscan (Italy), 15th century - Military costume of a Tuscan gentleman, 15th century - He wears a scarlet cape lined in black, white doublet, red stockings and yellow leather boots - He holds a sword and dagger with gold handles - From a painting by Matteo di Giovanni in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676469: Military costume: un gentilhomme Tuscan (Italy), 15th century - Military costume of a Tuscan gentleman, 15th century - He wears a scarlet cape lined in black, white doublet, red stockings and yellow leather boots - He holds a sword and dagger with gold handles - From a painting by Matteo di Giovanni in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'une femme de la nobility d'Italie, 15th century - Noblewoman of Italy, 15th century - She wears a crimson velvet bonnet with black lining, crimson silk simar with huge furlined sleeves, and blue velvet dress - It shows that the fashion has barely in changed over a century - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'une femme de la nobility d'Italie, 15th century - Noblewoman of Italy, 15th century - She wears a crimson velvet bonnet with black lining, crimson silk simar with huge furlined sleeves, and blue velvet dress - It shows that the fashion has barely in changed over a century - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676513: Costume d'une femme de la nobility d'Italie, 15th century - Noblewoman of Italy, 15th century - She wears a crimson velvet bonnet with black lining, crimson silk simar with huge furlined sleeves, and blue velvet dress - It shows that the fashion has barely in changed over a century - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un jeune homme siennois (Italy), 15th century - Costume of a young man of Siena, 15th century - He wears a tunic in two-tone white and gold fabric lined with fur, gold doublet, green stockings - From a small painting in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un jeune homme siennois (Italy), 15th century - Costume of a young man of Siena, 15th century - He wears a tunic in two-tone white and gold fabric lined with fur, gold doublet, green stockings - From a small painting in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676526: Costume d'un jeune homme siennois (Italy), 15th century - Costume of a young man of Siena, 15th century - He wears a tunic in two-tone white and gold fabric lined with fur, gold doublet, green stockings - From a small painting in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Military costume: un soldat de Verona (Italy), 15th century - Costume of a soldier of Verona, 15th century - He wears a white cap, woolen coat with black velvet collar, brown breeches and black boots - A sabre in black scabbard hangs from his belt - From the painting “” Crucifixion””” by Michele de Verona, dated 1501 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Military costume: un soldat de Verona (Italy), 15th century - Costume of a soldier of Verona, 15th century - He wears a white cap, woolen coat with black velvet collar, brown breeches and black boots - A sabre in black scabbard hangs from his belt - From the painting “” Crucifixion””” by Michele de Verona, dated 1501 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676545: Military costume: un soldat de Verona (Italy), 15th century - Costume of a soldier of Verona, 15th century - He wears a white cap, woolen coat with black velvet collar, brown breeches and black boots - A sabre in black scabbard hangs from his belt - From the painting “” Crucifixion””” by Michele de Verona, dated 1501 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Le condottiere Giulio Orsini (d. 1517) - Jordan Orsini, Italian condottiere, 15th century - He wears a scarlet cap, suit of armour in steel ornamented with engraved details, gold chainmail joints, gold shoes and spurs - His horse is accoutred with leather saddle, lance cup and harness - From the sepulchral monument in a church in Monte Rotondo, Sabina- Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Le condottiere Giulio Orsini (d. 1517) - Jordan Orsini, Italian condottiere, 15th century - He wears a scarlet cap, suit of armour in steel ornamented with engraved details, gold chainmail joints, gold shoes and spurs - His horse is accoutred with leather saddle, lance cup and harness - From the sepulchral monument in a church in Monte Rotondo, Sabina- Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676587: Le condottiere Giulio Orsini (d. 1517) - Jordan Orsini, Italian condottiere, 15th century - He wears a scarlet cap, suit of armour in steel ornamented with engraved details, gold chainmail joints, gold shoes and spurs - His horse is accoutred with leather saddle, lance cup and harness - From the sepulchral monument in a church in Monte Rotondo, Sabina- Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume of a young Italian man, lifting his hat as a sign of salvation, 15th century - Young Italian man doffing his hat in salute, 15th century - He wears a violet peaked cap, a crimson velvet doublet, green damask tunic with fur trim, crimson stockings and leather boots - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume of a young Italian man, lifting his hat as a sign of salvation, 15th century - Young Italian man doffing his hat in salute, 15th century - He wears a violet peaked cap, a crimson velvet doublet, green damask tunic with fur trim, crimson stockings and leather boots - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676589: Costume of a young Italian man, lifting his hat as a sign of salvation, 15th century - Young Italian man doffing his hat in salute, 15th century - He wears a violet peaked cap, a crimson velvet doublet, green damask tunic with fur trim, crimson stockings and leather boots - From a miniature in the Duke of Urbino's Bible in the Vatican library - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Mathilde of Tuscany (ca. 1046-1145), called Countess Mathilde, Mathilde de Briey or Mathilde de Canossa - Matilda of Tuscany, 1046-1115 - She wears a conical hat decorated with gemstones, pink veil, red chlamys edged with gold tied at the left shoulder, blue robe edged with gold on the sleeves She sits on a throne, with cushion and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis -”” Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Mathilde of Tuscany (ca. 1046-1145), called Countess Mathilde, Mathilde de Briey or Mathilde de Canossa - Matilda of Tuscany, 1046-1115 - She wears a conical hat decorated with gemstones, pink veil, red chlamys edged with gold tied at the left shoulder, blue robe edged with gold on the sleeves She sits on a throne, with cushion and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis -”” Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676631: Mathilde of Tuscany (ca. 1046-1145), called Countess Mathilde, Mathilde de Briey or Mathilde de Canossa - Matilda of Tuscany, 1046-1115 - She wears a conical hat decorated with gemstones, pink veil, red chlamys edged with gold tied at the left shoulder, blue robe edged with gold on the sleeves She sits on a throne, with cushion and footrest - Illustration taken from a manuscript of Donizo's “” Vita Mathildis -”” Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676632: Military costume: un soldat en cotes de meshes, 13th century (supposedly representation of Hugues III (1148-1192), Duke of Burgundy) - Military costume, 13th century - He wears a blue casque with yellow bend sinister, full chainmail suit of armour, violet tunic, buckler (shield) and sword - From a contemporary manuscript - According to Massard, this is Hugh III, Duke of Burgundy, 12th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

La cour de la basilica Saint Ambroise in Milan (Italy) - Courtyard of the Basilica of Sant'Ambrogio Milan, 13th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
La cour de la basilica Saint Ambroise in Milan (Italy) - Courtyard of the Basilica of Sant'Ambrogio Milan, 13th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676662: La cour de la basilica Saint Ambroise in Milan (Italy) - Courtyard of the Basilica of Sant'Ambrogio Milan, 13th century - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un medecin italian, 14th century - Italian doctor or physician, 14th century - He wears a velvet cap trimmed with fur, a black cape lined in white, scarlet robe, green sleeves, red shoes - He carries a gold box and pincers - From a painting by an unknown artist in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Costume d'un medecin italian, 14th century - Italian doctor or physician, 14th century - He wears a velvet cap trimmed with fur, a black cape lined in white, scarlet robe, green sleeves, red shoes - He carries a gold box and pincers - From a painting by an unknown artist in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676721: Costume d'un medecin italian, 14th century - Italian doctor or physician, 14th century - He wears a velvet cap trimmed with fur, a black cape lined in white, scarlet robe, green sleeves, red shoes - He carries a gold box and pincers - From a painting by an unknown artist in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Military suit: Victor (Vettore) Pisani (1324-1380), venitian admiral (Italy) - Vettore Pisani, Venetian admiral, 14th century - He wears a red toque, ted tunic buckled up the front, suit of steel plate armour, thighs, greaves, gauntlets, and shoes, edged with gold - His arms include two-handed sword and dagger - From the statue in Venice arsenal - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Military suit: Victor (Vettore) Pisani (1324-1380), venitian admiral (Italy) - Vettore Pisani, Venetian admiral, 14th century - He wears a red toque, ted tunic buckled up the front, suit of steel plate armour, thighs, greaves, gauntlets, and shoes, edged with gold - His arms include two-handed sword and dagger - From the statue in Venice arsenal - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676769: Military suit: Victor (Vettore) Pisani (1324-1380), venitian admiral (Italy) - Vettore Pisani, Venetian admiral, 14th century - He wears a red toque, ted tunic buckled up the front, suit of steel plate armour, thighs, greaves, gauntlets, and shoes, edged with gold - His arms include two-handed sword and dagger - From the statue in Venice arsenal - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala, lord of Verona and mecene of Dante Alighieri (1265-1321) - Cangrande della Scala, lord of Verona, 14th center- He wears a blue cap, pink cape with hanging sleeves lined with fur, belted scarlet robe, gauntlets and holds a blue two-handed sword in scabbard - From his sarcophagus in the church of Santa Maria Antica, Verona - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala, lord of Verona and mecene of Dante Alighieri (1265-1321) - Cangrande della Scala, lord of Verona, 14th center- He wears a blue cap, pink cape with hanging sleeves lined with fur, belted scarlet robe, gauntlets and holds a blue two-handed sword in scabbard - From his sarcophagus in the church of Santa Maria Antica, Verona - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676799: Alberto I Canfrancesco della Scala (1291-1329), war name Cangrande della Scala, lord of Verona and mecene of Dante Alighieri (1265-1321) - Cangrande della Scala, lord of Verona, 14th center- He wears a blue cap, pink cape with hanging sleeves lined with fur, belted scarlet robe, gauntlets and holds a blue two-handed sword in scabbard - From his sarcophagus in the church of Santa Maria Antica, Verona - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Cimabue (Cenni di Pepo) (1272-1302), Italian painter, headdress of a liripion - Cimabue, Florentine artist, 14th century - He wears a short white cape embroidered in gold, a hood with a long tail, tunic, stockings and garters in white and gold - From a painting by Simone Martini in the church of Santa Maria Novella, Florence - (Massard, this is Jean by Joinville, French chronicler, 1224-1317) - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Cimabue (Cenni di Pepo) (1272-1302), Italian painter, headdress of a liripion - Cimabue, Florentine artist, 14th century - He wears a short white cape embroidered in gold, a hood with a long tail, tunic, stockings and garters in white and gold - From a painting by Simone Martini in the church of Santa Maria Novella, Florence - (Massard, this is Jean by Joinville, French chronicler, 1224-1317) - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676803: Cimabue (Cenni di Pepo) (1272-1302), Italian painter, headdress of a liripion - Cimabue, Florentine artist, 14th century - He wears a short white cape embroidered in gold, a hood with a long tail, tunic, stockings and garters in white and gold - From a painting by Simone Martini in the church of Santa Maria Novella, Florence - (Massard, this is Jean by Joinville, French chronicler, 1224-1317) - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Suit d'un homme jeif, 14eme century - Jewish man, 14th century - He wears a white hood, yellow cape with gold embroidery, green robe, red belt and shoes - From a painting by Sano di Pietro in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Suit d'un homme jeif, 14eme century - Jewish man, 14th century - He wears a white hood, yellow cape with gold embroidery, green robe, red belt and shoes - From a painting by Sano di Pietro in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676850: Suit d'un homme jeif, 14eme century - Jewish man, 14th century - He wears a white hood, yellow cape with gold embroidery, green robe, red belt and shoes - From a painting by Sano di Pietro in the Academy of Fine Arts, Siena - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676058: Costume d'un homme de la noblesse venitienne, 15eme century - Costume of a Venetian noble man, 15th century - He wears a red toque, scarlet cape lined with white silk, a lined hood, black stockings and leather shoes - It was rarely permitted to wear a sword in Venice at the time - From a painting by Gentile Bellini - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a violet toque, a green velvet jacket, black doublet, and odd stockings - The left is striped, and the right is scarlet decorated with pearls and palms - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a violet toque, a green velvet jacket, black doublet, and odd stockings - The left is striped, and the right is scarlet decorated with pearls and palms - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676131: Costume of a member of the company della Calza, young Venetian noble, wearing the distinctive costume of a theatrical society, responsible for organizing parties and games in Venice (Italy) (show, carnival, boat race or naval battles in the canals), 15th century - Member of a Compagnie della Calza, young Venetian noblemen who organized spectacles and masquerades in Venice, 15th century - He wears a violet toque, a green velvet jacket, black doublet, and odd stockings - The left is striped, and the right is scarlet decorated with pearls and palms - From a painting by Vittore Carpaccio in the Academy of Fine Arts, Venice - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'une matron (sage femme) florentine (Italy), 15th century - Costume of a matron of Florence, 15th century - She wears a plain veil, violet simar over a blue robe laced at the breast - From a church fresco - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'une matron (sage femme) florentine (Italy), 15th century - Costume of a matron of Florence, 15th century - She wears a plain veil, violet simar over a blue robe laced at the breast - From a church fresco - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676218: Costume d'une matron (sage femme) florentine (Italy), 15th century - Costume of a matron of Florence, 15th century - She wears a plain veil, violet simar over a blue robe laced at the breast - From a church fresco - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Frederic II of Hohenstauffen (1194-1250) (Frederic II of the Holy Empire) and his falconer - Frederick II and his falconer, 13th century - Frederick II wears a gold crown, blue chlamys secured with gold clasp, red tunic with gold stripe and gemstones - He holds a gold sceptre - Falconer in a white cap, brown tunic, stockings, black belt with bird wings, and hooded falcon on gauntlet - From Frederick II's treatise on falconry, De Arte Venandi and Avibus - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Frederic II of Hohenstauffen (1194-1250) (Frederic II of the Holy Empire) and his falconer - Frederick II and his falconer, 13th century - Frederick II wears a gold crown, blue chlamys secured with gold clasp, red tunic with gold stripe and gemstones - He holds a gold sceptre - Falconer in a white cap, brown tunic, stockings, black belt with bird wings, and hooded falcon on gauntlet - From Frederick II's treatise on falconry, De Arte Venandi and Avibus - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4675919: Frederic II of Hohenstauffen (1194-1250) (Frederic II of the Holy Empire) and his falconer - Frederick II and his falconer, 13th century - Frederick II wears a gold crown, blue chlamys secured with gold clasp, red tunic with gold stripe and gemstones - He holds a gold sceptre - Falconer in a white cap, brown tunic, stockings, black belt with bird wings, and hooded falcon on gauntlet - From Frederick II's treatise on falconry, De Arte Venandi and Avibus - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

a knight templar on horseback, 14th century, 1861 (lithograph)
a knight templar on horseback, 14th century, 1861 (lithograph)

FLO4675959: a knight templar on horseback, 14th century, 1861 (lithograph), Mercuri, Paolo (1804-84) / Bridgeman Images

The entrance of the judges, judges tellers, to a town - The lead judge wears a black cap, scarlet simar, and rides a horse in a caparison of scarlet with white band and blue bridle - The second judge has a black hat with plume, scarlet coat over yellow doublet, and rides a horse with a white caparison with scarlet bands - Their squire wears blue cap, green doublet, pink stockings and black cracows (pointed shoes) - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
The entrance of the judges, judges tellers, to a town - The lead judge wears a black cap, scarlet simar, and rides a horse in a caparison of scarlet with white band and blue bridle - The second judge has a black hat with plume, scarlet coat over yellow doublet, and rides a horse with a white caparison with scarlet bands - Their squire wears blue cap, green doublet, pink stockings and black cracows (pointed shoes) - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676348: The entrance of the judges, judges tellers, to a town - The lead judge wears a black cap, scarlet simar, and rides a horse in a caparison of scarlet with white band and blue bridle - The second judge has a black hat with plume, scarlet coat over yellow doublet, and rides a horse with a white caparison with scarlet bands - Their squire wears blue cap, green doublet, pink stockings and black cracows (pointed shoes) - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Protocol de challenge d'un tournament de chevalerie, 15th century - Tourney challenge etiquette, 15th century - A seated prince hands a sword to the kneeling king of arms, accompanied by two heralds, to present to his opponent - The prince wears a scarlet hood, doublet, stockings, and cracows - The king of arms wears a coat of arms in ermine, green tunic boots poulaines and spurs - The dais is decorated with the princess's coat of arms - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861
Protocol de challenge d'un tournament de chevalerie, 15th century - Tourney challenge etiquette, 15th century - A seated prince hands a sword to the kneeling king of arms, accompanied by two heralds, to present to his opponent - The prince wears a scarlet hood, doublet, stockings, and cracows - The king of arms wears a coat of arms in ermine, green tunic boots poulaines and spurs - The dais is decorated with the princess's coat of arms - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861

FLO4676371: Protocol de challenge d'un tournament de chevalerie, 15th century - Tourney challenge etiquette, 15th century - A seated prince hands a sword to the kneeling king of arms, accompanied by two heralds, to present to his opponent - The prince wears a scarlet hood, doublet, stockings, and cracows - The king of arms wears a coat of arms in ermine, green tunic boots poulaines and spurs - The dais is decorated with the princess's coat of arms - From an illustration by Barthelemy d'Eyck in Rene of Anjou's “” Tournament Book,”” 1488 - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un juge penal anglais, 15eme century - Costume of an English criminal judge, 15th century - He wears an ermine-lined cape secured at the shoulder with a brooch, ermine-lined hood and robe, green purse with gold clasp - He wears a dagger called an anelacium from his belt - From a sepulchral monument to Sir William Gascoigne, Chief Justice of England during the reign of King Henry IV, in Harewood Church - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un juge penal anglais, 15eme century - Costume of an English criminal judge, 15th century - He wears an ermine-lined cape secured at the shoulder with a brooch, ermine-lined hood and robe, green purse with gold clasp - He wears a dagger called an anelacium from his belt - From a sepulchral monument to Sir William Gascoigne, Chief Justice of England during the reign of King Henry IV, in Harewood Church - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676402: Costume d'un juge penal anglais, 15eme century - Costume of an English criminal judge, 15th century - He wears an ermine-lined cape secured at the shoulder with a brooch, ermine-lined hood and robe, green purse with gold clasp - He wears a dagger called an anelacium from his belt - From a sepulchral monument to Sir William Gascoigne, Chief Justice of England during the reign of King Henry IV, in Harewood Church - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'une femme de la nobility de Milan (Italy), 15th century - Noblewoman of Milan, 15th century - She wears a white veil, a scarlet cape with openings at the front and arms, black velvet sleeves, yellow dress and black shoes - From a painting in the Brera Gallery, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'une femme de la nobility de Milan (Italy), 15th century - Noblewoman of Milan, 15th century - She wears a white veil, a scarlet cape with openings at the front and arms, black velvet sleeves, yellow dress and black shoes - From a painting in the Brera Gallery, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676430: Costume d'une femme de la nobility de Milan (Italy), 15th century - Noblewoman of Milan, 15th century - She wears a white veil, a scarlet cape with openings at the front and arms, black velvet sleeves, yellow dress and black shoes - From a painting in the Brera Gallery, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un apothecaire de Florence (Italy), 15th century - Costume of the Florentine apothecary, Matteo di Marco Palmieri, 15th century - He wears a crimson turban and cape, lined with white fur, green robe with yellow lining, and red shoes - He holds a mortar and pestle - Physicians and apothecaries had the right to wear ermine and squirrel fur - From a squirrel fur - From a painting by Domenico Bartoli in Siena hospital - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un apothecaire de Florence (Italy), 15th century - Costume of the Florentine apothecary, Matteo di Marco Palmieri, 15th century - He wears a crimson turban and cape, lined with white fur, green robe with yellow lining, and red shoes - He holds a mortar and pestle - Physicians and apothecaries had the right to wear ermine and squirrel fur - From a squirrel fur - From a painting by Domenico Bartoli in Siena hospital - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676461: Costume d'un apothecaire de Florence (Italy), 15th century - Costume of the Florentine apothecary, Matteo di Marco Palmieri, 15th century - He wears a crimson turban and cape, lined with white fur, green robe with yellow lining, and red shoes - He holds a mortar and pestle - Physicians and apothecaries had the right to wear ermine and squirrel fur - From a squirrel fur - From a painting by Domenico Bartoli in Siena hospital - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Italian peasant costumes, 15th century - Costume of Italian peasants, 15th century - The man on the right wears a grey hood, tunic and boots, with black belt and purse - The figure on the left wears a crimson bonnet, off-white tunic, black belt, red stockings and brown leather boots - From a miniature in an ancient manuscript - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Italian peasant costumes, 15th century - Costume of Italian peasants, 15th century - The man on the right wears a grey hood, tunic and boots, with black belt and purse - The figure on the left wears a crimson bonnet, off-white tunic, black belt, red stockings and brown leather boots - From a miniature in an ancient manuscript - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676507: Italian peasant costumes, 15th century - Costume of Italian peasants, 15th century - The man on the right wears a grey hood, tunic and boots, with black belt and purse - The figure on the left wears a crimson bonnet, off-white tunic, black belt, red stockings and brown leather boots - From a miniature in an ancient manuscript - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costumes d'hommes de la nobility de Florence (Italy), 15th century - Costume of noblemen of Florence, 15th century - The man in front wears a scarlet hood, cape lined in brown fur, black velvet doublet, scarlet stockings - The man behind wears a pink hood and cape, trimmed with squirrel, scarlet doublet and stockings - From the painting “” Triumph of Julius Caesar”” by Giovanni di Ser Giovanni (originally attributed to Dello Delli) - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costumes d'hommes de la nobility de Florence (Italy), 15th century - Costume of noblemen of Florence, 15th century - The man in front wears a scarlet hood, cape lined in brown fur, black velvet doublet, scarlet stockings - The man behind wears a pink hood and cape, trimmed with squirrel, scarlet doublet and stockings - From the painting “” Triumph of Julius Caesar”” by Giovanni di Ser Giovanni (originally attributed to Dello Delli) - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676547: Costumes d'hommes de la nobility de Florence (Italy), 15th century - Costume of noblemen of Florence, 15th century - The man in front wears a scarlet hood, cape lined in brown fur, black velvet doublet, scarlet stockings - The man behind wears a pink hood and cape, trimmed with squirrel, scarlet doublet and stockings - From the painting “” Triumph of Julius Caesar”” by Giovanni di Ser Giovanni (originally attributed to Dello Delli) - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Military costume: a French knight, Aimery by Guillaume Berard (?) , 13th century - Aimery by Guillaume Berard, French knight, condottiere and commander of the Florentine army at the battle of Campaldino, 1289 - He wears a helmet, chainmail suit of armour, tunic with fleurs de lys on blue, cuisses and greaves, shoes and spurs - He is armed with a shield (buckler), sword and dagger called a mist His horse has a blue caparison - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860
Military costume: a French knight, Aimery by Guillaume Berard (?) , 13th century - Aimery by Guillaume Berard, French knight, condottiere and commander of the Florentine army at the battle of Campaldino, 1289 - He wears a helmet, chainmail suit of armour, tunic with fleurs de lys on blue, cuisses and greaves, shoes and spurs - He is armed with a shield (buckler), sword and dagger called a mist His horse has a blue caparison - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860

FLO4676565: Military costume: a French knight, Aimery by Guillaume Berard (?) , 13th century - Aimery by Guillaume Berard, French knight, condottiere and commander of the Florentine army at the battle of Campaldino, 1289 - He wears a helmet, chainmail suit of armour, tunic with fleurs de lys on blue, cuisses and greaves, shoes and spurs - He is armed with a shield (buckler), sword and dagger called a mist His horse has a blue caparison - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1860, Mercuri, Paolo (1804-84) / Bridgeman Images

Une femme de la noblesse francaise, kneeling in prayer, 14th century - French noblewoman kneeling in prayer, 14th century, in turban of gold cloth, outer robe of ermine with silver skirt, inner robe of dark yellow with belt - From Bible 6829 held at the Imperiale Library of Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Une femme de la noblesse francaise, kneeling in prayer, 14th century - French noblewoman kneeling in prayer, 14th century, in turban of gold cloth, outer robe of ermine with silver skirt, inner robe of dark yellow with belt - From Bible 6829 held at the Imperiale Library of Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4677022: Une femme de la noblesse francaise, kneeling in prayer, 14th century - French noblewoman kneeling in prayer, 14th century, in turban of gold cloth, outer robe of ermine with silver skirt, inner robe of dark yellow with belt - From Bible 6829 held at the Imperiale Library of Paris - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'un jeune homme italien, 14eme century - Costume of a young Italian man, 14th century - He wears a hooded cape open at the side, over a tabard with wide sleeves, lead-coloured stockings, and cracows (pointed shoes a la poulaine) - From a miniature in the Titus Livius manuscript in the Biblioteca Ambrosiana, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'un jeune homme italien, 14eme century - Costume of a young Italian man, 14th century - He wears a hooded cape open at the side, over a tabard with wide sleeves, lead-coloured stockings, and cracows (pointed shoes a la poulaine) - From a miniature in the Titus Livius manuscript in the Biblioteca Ambrosiana, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4677126: Costume d'un jeune homme italien, 14eme century - Costume of a young Italian man, 14th century - He wears a hooded cape open at the side, over a tabard with wide sleeves, lead-coloured stockings, and cracows (pointed shoes a la poulaine) - From a miniature in the Titus Livius manuscript in the Biblioteca Ambrosiana, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'une jeune femme de Florence (Italy), 14th century - Costume of a young woman of Florence, 14th century - She wears a small bonnet over loose hair, a white veil embroidered with gold, a red simar (cassock) bordered with ermine, and a blue dress with gold sleeves - From a painting by Taddeo Gaddi in the Basilica di Santa Croce, Florence - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'une jeune femme de Florence (Italy), 14th century - Costume of a young woman of Florence, 14th century - She wears a small bonnet over loose hair, a white veil embroidered with gold, a red simar (cassock) bordered with ermine, and a blue dress with gold sleeves - From a painting by Taddeo Gaddi in the Basilica di Santa Croce, Florence - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4677176: Costume d'une jeune femme de Florence (Italy), 14th century - Costume of a young woman of Florence, 14th century - She wears a small bonnet over loose hair, a white veil embroidered with gold, a red simar (cassock) bordered with ermine, and a blue dress with gold sleeves - From a painting by Taddeo Gaddi in the Basilica di Santa Croce, Florence - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images

Costume d'une femme de la nobility de Milan (Italy), 15th century - Noblewoman of Milan, 15th century - She wears her hair in a bonnet or wig, white blouse, scarlet simar with slashed puff sleeves decorated with gold bows to the elbow, tight cuffs - She wears earrings, unusual for the era - From a portrait in Brera Gallery, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861
Costume d'une femme de la nobility de Milan (Italy), 15th century - Noblewoman of Milan, 15th century - She wears her hair in a bonnet or wig, white blouse, scarlet simar with slashed puff sleeves decorated with gold bows to the elbow, tight cuffs - She wears earrings, unusual for the era - From a portrait in Brera Gallery, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861

FLO4676584: Costume d'une femme de la nobility de Milan (Italy), 15th century - Noblewoman of Milan, 15th century - She wears her hair in a bonnet or wig, white blouse, scarlet simar with slashed puff sleeves decorated with gold bows to the elbow, tight cuffs - She wears earrings, unusual for the era - From a portrait in Brera Gallery, Milan - Handcoloured illustration drawn and lithographed by Paul Mercuri with text by Camille Bonnard from “” Historical Costumes from the 12th to 15th Centuries,”” Levy Fils, Paris, 1861, Mercuri, Paolo (1804-84) / Bridgeman Images


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