Pennell, Joseph (1858-1926) Assets (145 in total)

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Rainy Night, Charing Cross Shops, 1903 (etching)
Rainy Night, Charing Cross Shops, 1903 (etching)

TBM342016: Rainy Night, Charing Cross Shops, 1903 (etching), Pennell, Joseph (1858-1926) / Bridgeman Images

From Clark Street to Wall Street, 1924 (etching)
From Clark Street to Wall Street, 1924 (etching)

TBM350431: From Clark Street to Wall Street, 1924 (etching), Pennell, Joseph (1858-1926) / Bridgeman Images

Drawing of the Flatiron Building by Pennell, c.1904 (pencil and crayon on paper)
Drawing of the Flatiron Building by Pennell, c.1904 (pencil and crayon on paper)

GRC2630136: Drawing of the Flatiron Building by Pennell, c.1904 (pencil and crayon on paper), Pennell, Joseph (1858-1926) / Bridgeman Images

Rue de Beaucaire. Engraving by Joseph Pennell 1888
Rue de Beaucaire. Engraving by Joseph Pennell 1888

PCT4281862: Rue de Beaucaire. Engraving by Joseph Pennell 1888, Pennell, Joseph (1858-1926) / Bridgeman Images

American painter and illustrator Joseph Pennell (1860-1926) tricycle France and Italy with his wife Elisabeth Robins Pennell (1855-1936) at the end of the 19th century. This couple of artists brought back from these travels as a curious crew the material of many books. The best known is “An italian pilgrimage” (Italy a velocipede), published in 1887, a classic of travel literature. In his works, Joseph Pennell often drew himself with his wife, as he published in “The adventures of an illustrator”, Little Brown 1925.
American painter and illustrator Joseph Pennell (1860-1926) tricycle France and Italy with his wife Elisabeth Robins Pennell (1855-1936) at the end of the 19th century. This couple of artists brought back from these travels as a curious crew the material of many books. The best known is “An italian pilgrimage” (Italy a velocipede), published in 1887, a classic of travel literature. In his works, Joseph Pennell often drew himself with his wife, as he published in “The adventures of an illustrator”, Little Brown 1925.

PCT4271967: American painter and illustrator Joseph Pennell (1860-1926) tricycle France and Italy with his wife Elisabeth Robins Pennell (1855-1936) at the end of the 19th century. This couple of artists brought back from these travels as a curious crew the material of many books. The best known is “An italian pilgrimage” (Italy a velocipede), published in 1887, a classic of travel literature. In his works, Joseph Pennell often drew himself with his wife, as he published in “The adventures of an illustrator”, Little Brown 1925., Pennell, Joseph (1858-1926) / Bridgeman Images

View from Ancon Hill, plate XXV from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)
View from Ancon Hill, plate XXV from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

XJF135610: View from Ancon Hill, plate XXV from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

Cranes at the Miraflores Lock, plate XXII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)
Cranes at the Miraflores Lock, plate XXII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

XJF135613: Cranes at the Miraflores Lock, plate XXII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

The Walls of Pedron Miguel, plate XX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)
The Walls of Pedron Miguel, plate XX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

XJF135615: The Walls of Pedron Miguel, plate XX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

The Gates of Pedro Miguel, plate XIX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)
The Gates of Pedro Miguel, plate XIX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

XJF135616: The Gates of Pedro Miguel, plate XIX from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

The Cut at Paraiso, plate XVI from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)
The Cut at Paraiso, plate XVI from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

XJF135619: The Cut at Paraiso, plate XVI from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

End of the Day: Gatun Lock, plate VII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)
End of the Day: Gatun Lock, plate VII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo)

XJF135628: End of the Day: Gatun Lock, plate VII from 'The Panama Canal' by Joseph Pennell, 1912 (charcoal on paper) (b/w photo), Pennell, Joseph (1858-1926) / Bridgeman Images

The English War Series: W.441. The Gun Shop, 1916 (litho)
The English War Series: W.441. The Gun Shop, 1916 (litho)

XYC273642: The English War Series: W.441. The Gun Shop, 1916 (litho), Pennell, Joseph (1858-1926) / Bridgeman Images

The front of St Paul's Cathedral from Fleet Street (engraving)
The front of St Paul's Cathedral from Fleet Street (engraving)

LLJ587372: The front of St Paul's Cathedral from Fleet Street (engraving), Pennell, Joseph (1858-1926) / Bridgeman Images

Interior of St Paul's Cathedral (engraving)
Interior of St Paul's Cathedral (engraving)

LLJ587378: Interior of St Paul's Cathedral (engraving), Pennell, Joseph (1858-1926) / Bridgeman Images

That Liberty Shall Not Perish From the Earth - Buy Liberty Bonds - Fourth Liberty Loan, 1918 (colour litho)
That Liberty Shall Not Perish From the Earth - Buy Liberty Bonds - Fourth Liberty Loan, 1918 (colour litho)

BST2823029: That Liberty Shall Not Perish From the Earth - Buy Liberty Bonds - Fourth Liberty Loan, 1918 (colour litho), Pennell, Joseph (1858-1926) / Bridgeman Images

Munition city, Bibbys Annual, 1916-1917 (litho)
Munition city, Bibbys Annual, 1916-1917 (litho)

IL3248613: Munition city, Bibbys Annual, 1916-1917 (litho), Pennell, Joseph (1858-1926) / Bridgeman Images

Under Vauxhall Bridge, 1893
Under Vauxhall Bridge, 1893

MNS881621: Under Vauxhall Bridge, 1893, Pennell, Joseph (1858-1926) / Bridgeman Images

London Over Embankment Gardens, 1906
London Over Embankment Gardens, 1906

MNS881625: London Over Embankment Gardens, 1906, Pennell, Joseph (1858-1926) / Bridgeman Images

La Tamise (The Thames), 1894
La Tamise (The Thames), 1894

MNS881637: La Tamise (The Thames), 1894, Pennell, Joseph (1858-1926) / Bridgeman Images

The Woolworth Building, 1912
The Woolworth Building, 1912

MNS881641: The Woolworth Building, 1912, Pennell, Joseph (1858-1926) / Bridgeman Images

Times Building and 42nd Street, 1904 (etching)
Times Building and 42nd Street, 1904 (etching)

XDM1066734: Times Building and 42nd Street, 1904 (etching), Pennell, Joseph (1858-1926) / Bridgeman Images

The Armor Plate Press, 1917 (litho)
The Armor Plate Press, 1917 (litho)

XDM1067460: The Armor Plate Press, 1917 (litho), Pennell, Joseph (1858-1926) / Bridgeman Images

The Jew at Home, by Joseph Pennell (litho)
The Jew at Home, by Joseph Pennell (litho)

LIP1592230: The Jew at Home, by Joseph Pennell (litho), Pennell, Joseph (1858-1926) / Bridgeman Images

Limehouse Basin and Church (litho)
Limehouse Basin and Church (litho)

LIP1593503: Limehouse Basin and Church (litho), Pennell, Joseph (1858-1926) / Bridgeman Images

Sunset from Williamsburg Bridge, 1915 (etching)
Sunset from Williamsburg Bridge, 1915 (etching)

TBM283800: Sunset from Williamsburg Bridge, 1915 (etching), Pennell, Joseph (1858-1926) / Bridgeman Images

The Thames Below The Bridge (etching)
The Thames Below The Bridge (etching)

IMA1561877: The Thames Below The Bridge (etching), Pennell, Joseph (1858-1926) / Bridgeman Images

The Foundations At The Cathedral (etching and drypoint)
The Foundations At The Cathedral (etching and drypoint)

IMA1560305: The Foundations At The Cathedral (etching and drypoint), Pennell, Joseph (1858-1926) / Bridgeman Images

Official Ancon. Administration Buildings, 1912 (litho)
Official Ancon. Administration Buildings, 1912 (litho)

TBM1123189: Official Ancon. Administration Buildings, 1912 (litho), Pennell, Joseph (1858-1926) / Bridgeman Images

Approaches to Gatun Lock, 1912 (litho)
Approaches to Gatun Lock, 1912 (litho)

TBM1123195: Approaches to Gatun Lock, 1912 (litho), Pennell, Joseph (1858-1926) / Bridgeman Images

The Cut Toward Culebra, 1912 (litho)
The Cut Toward Culebra, 1912 (litho)

TBM1123196: The Cut Toward Culebra, 1912 (litho), Pennell, Joseph (1858-1926) / Bridgeman Images

The Walls of Pedro Miguel Lock, 1912 (litho)
The Walls of Pedro Miguel Lock, 1912 (litho)

TBM1123198: The Walls of Pedro Miguel Lock, 1912 (litho), Pennell, Joseph (1858-1926) / Bridgeman Images

The Cut. Looking Toward Ancon Hill, 1912 (litho)
The Cut. Looking Toward Ancon Hill, 1912 (litho)

TBM1123202: The Cut. Looking Toward Ancon Hill, 1912 (litho), Pennell, Joseph (1858-1926) / Bridgeman Images

The Guard Gate, Gatun Lock, Panama, 1912 (etching on paper)
The Guard Gate, Gatun Lock, Panama, 1912 (etching on paper)

TBM695267: The Guard Gate, Gatun Lock, Panama, 1912 (etching on paper) , Pennell, Joseph (1858-1926) / Bridgeman Images

Carcassonne, the Aude River and the two cities: the Medievale Cite and the Lower Town. Carcassonne, the two towns. Engraving by Joseph Pennell (1857-1926) illustrating the HEINEMANN 1900 edition of Henry James's story “A little tour in Fance”, translated into French under the titles “” Voyage en France”” and “Un petit tour en Languedoc” for the southern part. Gusman/Leemage
Carcassonne, the Aude River and the two cities: the Medievale Cite and the Lower Town. Carcassonne, the two towns. Engraving by Joseph Pennell (1857-1926) illustrating the HEINEMANN 1900 edition of Henry James's story “A little tour in Fance”, translated into French under the titles “” Voyage en France”” and “Un petit tour en Languedoc” for the southern part. Gusman/Leemage

PCT4272643: Carcassonne, the Aude River and the two cities: the Medievale Cite and the Lower Town. Carcassonne, the two towns. Engraving by Joseph Pennell (1857-1926) illustrating the HEINEMANN 1900 edition of Henry James's story “A little tour in Fance”, translated into French under the titles “” Voyage en France”” and “Un petit tour en Languedoc” for the southern part. Gusman/Leemage, Pennell, Joseph (1858-1926) / Bridgeman Images

General view of Beaucaire, overlooking the Rhone. Engraving by Joseph Pennell.
General view of Beaucaire, overlooking the Rhone. Engraving by Joseph Pennell.

PCT4281849: General view of Beaucaire, overlooking the Rhone. Engraving by Joseph Pennell., Pennell, Joseph (1858-1926) / Bridgeman Images

Hotel d'Assezat, Toulouse, in the 19th century. Engraving after a watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””. French translations: “” Voyage en France”” (ed. Robert Laffont) and “” Un petit tour en Languedoc”” (ed. Pimientos). This engraving is from the American edition Houghton Mifflin & Co 1900.
Hotel d'Assezat, Toulouse, in the 19th century. Engraving after a watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””. French translations: “” Voyage en France”” (ed. Robert Laffont) and “” Un petit tour en Languedoc”” (ed. Pimientos). This engraving is from the American edition Houghton Mifflin & Co 1900.

PCT4274871: Hotel d'Assezat, Toulouse, in the 19th century. Engraving after a watercolour by Joseph Pennell illustrating Henry James's book “A little tour in France””. French translations: “” Voyage en France”” (ed. Robert Laffont) and “” Un petit tour en Languedoc”” (ed. Pimientos). This engraving is from the American edition Houghton Mifflin & Co 1900., Pennell, Joseph (1858-1926) / Bridgeman Images


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