Lawrence, Sandra (b.1945)

Creator details

Name
Lawrence, Sandra (b.1945)
Nationality
English
Biography
The Pop Art movement of the 60's achieved international acceptance, but historians have drawn a distinction between American and British Pop Art. Many of them have pointed out that the Pop phenomenon was recognizable earlier in Britain than it was in the United States. It certainly had a liberating effect on British artists. Among them was Sandra Lawrence. She translated the American life-style in Britain, which often becomes the British aspect of Americanism in England. Lawrence's work is a documentary of this social transference of culture. She is one of the new lights to emerge from the pop-realist move ment in Britain. Influenced by photo realism in the 70's, her style moved toward romantic realism. The same clarity of technique she demonstrated in her Pop art, Lawrence applied to her still-life series, using less political subject matter. Here, she has reproduced objects to the point where they be come trompe l'oeil. Lawrence's versatility and adventurousness led her to undertake the task of creating the monumental Overlord Tapestry. She was commissioned in 1968 by Lord Dulverton to design and paint full-size cartoons for the Overlord Embroidery. It was commissioned as a permanent memorial to and record of Operation Overlord, the code words for the Allied invasion of Normandy in 1944. The embroidery measures 272 feet and is the largest of its kind in the world. It is 33 feet longer than the 11th century Bayeaux Tapestry, which in many ways is the Overlord's medieval counterpart. Given the extremely difficult medium of pastel and its limitations, Sandra Lawrence has transposed her imagery into a strangely ethereal and surreal series of still lifes.

Assets (166 in total)

Confrontation, 1999 (gouache on paper)
Scarlet Macaw, 1989 (gouache on paper)
First sketch for the last panel showing jubilation and liberation (pencil on paper)
British and Canadian troops head for the beaches in their assault landing craft on June 6th (pencil on paper)
A sketch for the last panel showing peacetime occupations (pencil on paper)
Troupe de Mme. Eglantino, 1979 (pastel on paper)
The Gold Rush, 1979 (pastel on paper)
Conversation Piece, 1991 (gouache on paper)
The Thief - Aquarium Key West, 1998 (w/c on paper)
Salmon-crested Cockatoo, 1988 (gouache on paper)
Earls Grove, 1995 (oil on canvas)

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